Articles

Bo Widerberg’s “New Swedish Cinema”: Revealing a New National Image (Preview)
by Adam Bingham

“It Would Happen This Way”: Revisiting Three Days of the Condor
by Jonathan Kirshner

Vast Wasteland or Fertile Soil?: Redefining TV’s Golden Ages
by Ciara Moloney

The Real Leonard Bernstein: Personal Reflections about Lenny and Bradley Cooper’s Maestro (Web Exclusive)
by Christopher Foss

Film Reviews

American Fiction
Reviewed by Mary F. Corey

Anatomy of a Fall (Preview)
Reviewed by Robert Koehler

La Syndicaliste
Reviewed by Darragh O’Donoghue

The Disappearance of Shere Hite
Reviewed by Angela Bonavoglia

Occupied City
Reviewed by Mitchell Abidor

Youth (Spring)
Reviewed by Declan McGrath

Poor Things (Web Exclusive)
Reviewed by John Hall

Rustin (Web Exclusive)
Reviewed by Page Laws

Blu-ray and DVD Reviews

Le combat dans l’isle
Reviewed by Darragh O’Donoghue

Mean Streets
Reviewed by David Sterritt

The Edge of the World
Reviewed by Jeremy Carr

The Last Picture Show
Reviewed by Christopher Sharrett

Stalag 17
Reviewed by Kevin Lally

Staff Recommendations: The Aviator’s Wife, Four Adventures of Reinette and Mirabelle, It! The Terror from Beyond Space, The Johnstown Flood, and Michael
Reviewed by Cineaste Editors

The Others (Web Exclusive)
Reviewed by David Sterritt

Interviews

It’s Later Than You Think: An Interview with Radu Jude
by Monica Filimon

Draw What You Know Well: An Interview with Nuri Bilge Ceylan
by Stuart Liebman

The Seven Cardinal Virtues of the Critic: An Interview with Michel Ciment
by N. T. Binh

The Emergence of Eileen: An Interview with William Oldroyd
by Graham Fuller

Giving Voice to the Voiceless: An Interview with Alanis Obomsawin
by Matthew Hays

The Feeling That the Time for Doing Something Has Passed: An Interview with Joanna Arnow (Web Exclusive)
by Diana Drumm

Book Reviews

Scoundrels & Spitballers: Writers and Hollywood in the 1930s (Preview)
Reviewed by Mary F. Corey

Jean-Luc Godard: The Permanent Revolutionary
Reviewed by Christopher Bray

What Film Is Good For: On the Values of Spectatorship
Reviewed by Matthew Strohl

Ferryman of Memories: The Films of Rithy Panh
Reviewed by James B. Evans

Filming History from Below: Microhistorical Documentaries
Reviewed by Charles Musser

The Cinema of Powell and Pressburger
Reviewed by Graham Fuller

ReFocus: The Films of Nuri Bilge Ceylan
Reviewed by Stuart Liebman

Book Brief Reviews: Arabian Nights of 1934, Cinema Ann Arbor: How Campus Radicals Forged a Singular Film Culture, Generations of Jewish Directors and the Struggle for America’s Soul: Wyler, Lumet, and Spielberg, Maurice, and The Monkees: Made in Hollywood

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Short Takes

The 64th Thessaloniki International Film Festival (Web Exclusive)
by Jonathan Murray