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CINEASTE

America’s Leading Magazine

on the Art and Politics of the Cinema

Back Issues

The following Cineaste back issues are available for purchase @ $4 per copy ($3 for subscribers) or $3 per copy ($2 for subscribers) when ordering five or more issues. (On foreign book or back issue orders, add $4 postage for first item, and $2 for each additional item ordered.)

r Vol. XXVIII, No. 1: The Cinema of Akira Kurosawa, Israeli/Palestinian Conflict documentaries, interviews with Gianni Amelio on The Way We Laughed, Mike Leigh on All or Nothing, Zacharias Kunuk on The Fast Runner, reviews of Road to Perdition, 24 Hour Party People, The Kid Stays in the Picture, All or Nothing, Señorita Extraviada.

r Vol. XXVII, No. 4: Politics of American Cinephilia, Hou Hsiao-hsien, Suso Cecchi d'Amico, Revisiting High Noon, Windtalkers, The Piano Teacher, Bloody Sunday, Changing Lanes, About a Boy.

r Vol. XXVII, No. 3: Contemporary Teen Comedies, Black Hawk Down and We Were Soldiers, Women Making Porno, The Pinochet Case, Y tu mama también, Gosford Park, Monster's Ball.

r Vol. XXVII, No. 2: Stanley Kubrick, Laurent Cantet, Guillermo del Toro, screenwriter Stephen Rivele, Ali, Sobibor, Code Unknown.

r Vol. XXVII, No. 1: Cinema and the Sex Act, Dusan Makavejev, Buck Henry, Patrice Chéreau, Joseph Cedar, reviews of Apocalypse Now Redux, Y Tu Mamá También, Together, From Hell.

r Vol. XXVI, No. 4: Sergei Eisenstein, Monty Python, interviews with David Gordon Green on George Washington, Agnes Varda and Tran Anh Hung; reviews of Terrorists in Retirement, A Love Divided, Marcus Garvey: Look For Me in the Whirlwind and Crouching Tiger, Hidden Dragon.

r Vol. XXVI, No. 3: Contemporary Russian Cinema, interviews with Alexander Sokurov, Takeshi Kitano, Art Director Henry Bumstead, reviews of In the Mood for Love, Traffic, Last Resort.

r Vol. XXVI, No. 2: Critical Symposium on Bamboozled plus interviews with Spike Lee and Volker Schlöndorff, Alfred Hitchcock’s Mary Rose, The House of Mirth, Thirteen Days, Pollock.

r Vol. XXVI, No. 1: Film Criticism in America Today, Coming Out Films, Danny Glover, Edward Yang, Almost Famous, High Fidelity, Rififi, Legends of Rita, Sunshine, Shakespeare in Cinema books.

r Vol. XXV, No. 4: Karyn Kusama on Girlfight , Jim McKay on Our Song, How to Read Kiarostami, Joan of Arc films, Zulu, Shadow of the Vampire, Hamlet, Beau Travail, Rebels with a Cause.

r Vol. XXV, No. 3: Errol Morris, Benoit Jacquot and Julie Taymor, Making of A Fistful of Dollars, Orson Welles, Ida Lupino, Erin Brockovich, The Talented Mr. Ripley, and American Psycho.

r Vol. XXV, No. 2: Interviews with Pauline Kael, Gillo Pontecorvo, Mike Leigh, articles on Battle of Algiers, Luis Buñuel and reviews of American Beauty, Man on the Moon, Topsy-Turvy.

r Vol. XXV, No. 1: Interviews with Edward Norton, Atom Egoyan, Catherine Breillat and Sergio Corrieri, article on Law and Film, reviews of Felicia’s Journey, Time Regained, Cabaret Balkan.

r Vol. XXIV, No. 4: Interviews with David Cronenberg, John Sayles, Bernardo Bertolucci, Werner Herzog, and Ian McKellen, Asian American Cinema, Gods and Monsters, Election.

r Vol. XXIV, Nos.2-3: Contemporary Irish Cinema Supplement, Anarchists on Film, Thomas Vinterberg and David Riker interviews, Life Is Beautiful, Elizabeth, Shakespeare in Love, Happiness.

r Vol. XXIV, No. 1: 40-page Shakespeare in the Cinema Supplement, Kenneth Branagh interview, Bulworth, Paul Schrader, Ken Loach, Walter Salles, Saving Private Ryan, Lolita.

r Vol. XXIII, No. 4: Defetishizing Buñuel, Shakespearean Films, The Butcher Boy, Stephen Fry, Dean Tavoularis, Smoke Signals, The Truman Show, Carla’s Song, Eve’s Bayou, Film Composers.

r Vol. XXIII, No. 3: Woody Allen Symposium, Michael Moore, Jim Sheridan, Bertrand Tavernier, Kundun and Seven Years in Tibet, Godzilla interview, L.A. Confidential, Boogie Nights.

r Vol. XXIII, No. 2: Atom Egoyan, Powell and Presburger, Paul Jarrico, Communist Party in Hollywood, Arthur Dong, Charles Burnett, Theo Angelopoulos, In the Company of Men, The Ice Storm, Meantime.

r Vol. XXII, No. 4: Oliver Stone on Film & History, Neil Jordan on Michael Collins, Milos Forman on People vs. Larry Flynt, Olivier Assayas, Crash, Mike Leigh, Dangerous Minds, Film Composers.

r Vol. XXII, No. 3: Orson Welles, John Sayles, Ed Zwick, Todd Solondz, Masculinity in the Movies, Lone Star, Stonewall, Paradise Lost, Independence Day, I Like It Like That, Heimat.

r Vol. XXII, No. 2: Bridge on the River Kwai, Babe, Hollywood Blacklist, Tim Robbins, Jim Jarmusch, Dead Man Walking, Dead Man, City Hall, Fargo, I Am Cuba, The Usual Suspects.

r Vol. XXII, No. 1: Nixon, Clockers, Richard Price, Ken Loach, Mark Rappaport, Marlene Gorris, Ulu Grosbard, Holocaust Films, North Star, Land and Freedom, Richard III, Georgia, Ulysses’ Gaze.

r Vol. XXI, No. 4: Gianni Amelio, Writers Guild vs. the Blacklist, Lawrence of Arabia, Safe, Clueless, Kids, Gregory Nava, Asians in Hollywood, Pocahontas, Burnt by the Sun, Smoke.

r Vol. XXI, No. 3: Pulp Fiction, Buster Keaton, Hoop Dreams, Marcel Ophuls, Lee Tamahori, Freddie Young, Abbas Kiarostami, Before the Rain, Tom & Viv, Madness of King George.

r Vol. XXI, Nos. 1-2: Sound and Music in the Movies Supplement, Westerns, Soviet Cinema, Nanni Moretti, Helke Sander, Tomás Gutiérrez Alea, Isaac Julien, Asian American Cinema.

r Vol. XX, No. 4: Who Wrote Lawrence of Arabia?, Francesco Rosi, Frederick Wiseman, John Schlesinger, Tian Zhuangzhuang, Andrzej Wajda, AIDS Videos, In the Name of the Father, La Scorta.

r Vol. XX, No. 1: Sally Potter and Tilda Swinton on Orlando, Susan Sarandon, Zhang Yimou, The Crying Game, Aladdin, Daniel Diaz Torres, Falling Down, Stolen Children, Indochine.

r Vol. XIX, No. 4: Malcolm X, Eastern European Cinema supplement, Columbus Films, Satyajit Ray, François Truffaut, Spalding Gray, Hal Hartley, Spike Lee, Swoon, The Living End.

r Vol. XVIII, No. 1: Melvin Van Peebles, Pedro Almodovar, Bertrand Tavernier, Pretty Woman, Driving Miss Daisy.

r Vol. XVII, No. 3: Costa Gavras, Wes Craven, Chen Kaige, Amos Gitai, The Good Fight, Chinese Cinema, Black Rain, Casualties of War, Dead Poets Society, Music Box, sex, lies and videotape.

r Vol. XVII, No. 2: Lawrence of Arabia Restoration, David Cronenberg, Vietnamese Cinema, Blade Runner, Mississippi Burning, Working Girl, Talk Radio, Dangerous Liaisons.

r Vol. XVI, No. 3: Alex Cox, Oliver Stone, Patricia Rozema, ‘Cheech’ Marin, Eli Cohen, Larissa Shepitko, Egyptian Cinema, Cry Freedom, Fatal Attraction, Wall Street, Matewan, Walker.

r Vol. XV, No. 2: Julie Christie, Bertrand Tavernier, Denys Arcand, Alan Parker, Abortion Film Wars, South African Cinema, Heartburn, Decline of the American Empire, Partisans of Vilna.

r Vol. XV, No. 1: Gian Maria Volonté, Carlos Diegues, Agnieszka Holland, Donna Deitch, Agnès Varda, Gays in films, Italian Political Westerns, My Beautiful Laundrette, Angry Harvest, Quilombo.

r Vol. XIV, No. 4: Charles Chaplin, Akira Kurosawa, Felix Greene, Aida Bortnik, Carma Hinton, ‘Feminist’ Heroines, Cinema in Poland and Hungary, The Official Story, Out of Africa, Mishima.

r Vol. XIV, No. 3: Jack Lemmon, Haskell Wexler, Maria Luisa Bemberg, Uri Barbash, Masahiro Shinoda, Hitchcock, Kiss of the Spider Woman, Shoah, Agnes of God, Plenty, Rambo, Camila.

r Vol. XIV, No. 2: Michael Palin, Robert Altman, Andrzej Wajda, Nelson Pereira dos Santos, Tomás Gutiérrez Alea, Secret Honor, Shivers, A Love in Germany, Memories of Prison, Up to a Point.

r Vol. XIII, No. 4: Chaplin, Hitchcock, Fassbinder, Pasolini, Robert M. Young, Euzhan Palcy, Margarethe von Trotta, The Good Fight, Ballad of Gregorio Cortez, Red Dawn, Sugar Cane Alley.

r Vol. XIII, No. 2: Peter Greenaway, Ann Hui, Leon Hirszman, Roger Spottiswoode, Julia Reichert & Jim Klein, Franco Solinas, Daniel, Under Fire, The Big Chill, The Year of Living Dangerously.

r Vol. XIII, No. 1: Jean-Claude Carrière, John Sayles, Joseph Losey, Tarkovsky, Young Misogynists of American Cinema, South African Cinema, Go Tell the Spartans, Danton, Querelle.

r Vol. XII, No. 4: Bruce Beresford, Lindsay Anderson, Hermes Pan, Hollywood movie msucials, Fassbinder, Tootsie, Fitzcarraldo, Frances, Gandhi, The Verdict, Coup de Torchon, Siberiade.

r Vol. XII, No. 3: Wayne Wang, Taviani brothers, Bonnie Sherr Klein, British Cinema, Spanish Earth, Not a Love Story, Chariots of Fire, Marianne and Juliane, Quest for Fire, Blade Runner.

r Vol. XI, No. 4: Budd Schulberg, Peter Bacso, Peter Weir, Peter Lilienthal, Indian filmmakers, La Cage aux Folles, Israeli Cinema, Gallipoli, Prince of the City, Breaker Morant, The Witness.

r Vol. XI, No. 3: Molly Haskell, Politics of the Documentary Symposium, Ashes and Diamonds, Moscow Does Not Believe in Tears, Sao Bernardo, D.O.A., Breaking Glass, Thief.

r Vol. XI, No. 2: Gance’s Napoleon, Zanussi, Yugoslav Cinema, Klute, McCabe and Mrs. Miller, The Elephant Man, Ordinary People, Battle of Chile, Confidence, The Constant Factor.

r Vol. XI, No. 1: Andrzej Wajda, John Sayles, Polish Cinema, Zoom Esthetics, Raging Bull, Mon Oncle d’Amerique, Private Benjamin, Bye Bye Brazil, Tess, Camera Buff.

r Vol. X, No. 4: Pontecorvo, Kevin Brownlow, Loach and Garnett, Cinesemiology, Every Man for Himself, Kagemusha, Last Metro, Return of Secaucus 7, The War at Home, Fame, Tin Drum.

r Vol. X, No. 3: John Berger, John Springer, Anne-Claire Poirier, Hitchcock, Coal Miner’s Daughter, On Company Business.

r Vol. IX, No. 3: Andrew Sarris, Hollywood’s Vietnam, Spy Films, Mideastern Cinema, Sol Yurick, Sachiko Hidari, Norma Rae, China Syndrome, Hardcore, Max Havelaar, Autumn Sonata.

r Vol. IX, No. 2: World at War filmmakers, John Badham, Antonio Eguino, Hungarian Cinema, Bloodbrothers, Midnight Express, Comes a Horseman, The Wild Geese.

r Vol. VIII, No. 3: Sidney Poitier, Agnès Varda, Paul Schrader, Jesus Treviño, Albert Maltz, 1900, Apocalypse Now, Julia, Looking for Mr. Goodbar, Serpent’s Egg, One Sings, the Other Doesn’t.

r Vol. VIII, No. 2: John Howard Lawson, John Addison, Gordon Parks, Sr., Fassbinder, Black and White in Color, Children of Labor, The Other Francisco, Greased Lightning, New York, New York.

r Vol. VII, No. 1: Francesco Rosi, Gian Maria Volonté, Kartemquin Collective, Monty Python’s Flying Circus, Arab and African Cinema, Nashville, Hearts and Minds, Alice Doesn’t Live Here Anymore.