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    <lastmod>2018-04-03</lastmod>
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      <image:title>The Long Goodbye</image:title>
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      <image:title>The Long Goodbye</image:title>
      <image:caption>Sterling Hayden as Roger Wade with Elliot Gould as Phillip Marlowe</image:caption>
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      <image:title>The Long Goodbye</image:title>
      <image:caption>Marlowe spends some time in the county jail to protect Terry Lennox.</image:caption>
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      <image:title>The Long Goodbye</image:title>
      <image:caption>"Rip van Marlowe"</image:caption>
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      <image:title>The Long Goodbye</image:title>
      <image:caption>Marlowe at the Wade beach house</image:caption>
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  <url>
    <loc>https://www.cineaste.com/summer2015/horse-money-pedro-costa-aaron-cutler</loc>
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    <lastmod>2024-05-22</lastmod>
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      <image:title>Horse Money</image:title>
      <image:caption>Ventura and a shadow in Horse Money (2014)</image:caption>
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    <image:image>
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      <image:title>Horse Money</image:title>
      <image:caption>Vitalina Tavares Varela in Horse Money</image:caption>
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    <image:image>
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      <image:title>Horse Money</image:title>
      <image:caption>Pedro Costa in a photo taken by Jussi Leinonen</image:caption>
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    <image:image>
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      <image:title>Horse Money</image:title>
      <image:caption>Ventura in Horse Money</image:caption>
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    <image:image>
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      <image:title>Horse Money</image:title>
      <image:caption>Ventura in Horse Money</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432495021767-3TQFM6A49E4FGO24WZ3Y/image-asset.jpeg</image:loc>
      <image:title>Horse Money</image:title>
      <image:caption>Tito Furtado as Vitalina's husband in Horse Money, here being threatened by a soldier</image:caption>
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    <image:image>
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      <image:title>Horse Money</image:title>
      <image:caption>Ventura and Vitalina Tavares Varela in Horse Money</image:caption>
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  <url>
    <loc>https://www.cineaste.com/summer2015/hard-edge-kevin-jerome-everson-greg-de-cuir-jr</loc>
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    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
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      <image:title>Hard-Edge Everson: The Films of Kevin Jerome Everson</image:title>
      <image:caption>Kevin Jerome Everson by Pamela Pecchio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432489863897-IC18WWXOMX7USGTGYFL1/image-asset.jpeg</image:loc>
      <image:title>Hard-Edge Everson: The Films of Kevin Jerome Everson</image:title>
      <image:caption>Sugarcoated Arsenic (2013)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432490264639-DFJQUPEX8AL5S9TGM1JI/image-asset.jpeg</image:loc>
      <image:title>Hard-Edge Everson: The Films of Kevin Jerome Everson</image:title>
      <image:caption>Three Quarters (2015)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432489493222-PJ3BP5H5UDFDVNCUUKX1/image-asset.jpeg</image:loc>
      <image:title>Hard-Edge Everson: The Films of Kevin Jerome Everson</image:title>
      <image:caption>Fe26 (2014)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432489746728-A2JBEG0UPZZ0DVC0S1CO/image-asset.png</image:loc>
      <image:title>Hard-Edge Everson: The Films of Kevin Jerome Everson</image:title>
      <image:caption>Sound That (2014)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432489602913-YKJK8OGDHA7TE8V9P3RA/image-asset.jpeg</image:loc>
      <image:title>Hard-Edge Everson: The Films of Kevin Jerome Everson</image:title>
      <image:caption>Park Lanes (2015)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432489653138-ZNOWP3GKTICJDRZUSPZF/image-asset.jpeg</image:loc>
      <image:title>Hard-Edge Everson: The Films of Kevin Jerome Everson</image:title>
      <image:caption>Quality Control (2011)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432490157454-VGM0310R1D1BTL2BCZX1/image-asset.jpeg</image:loc>
      <image:title>Hard-Edge Everson: The Films of Kevin Jerome Everson</image:title>
      <image:caption>The Release (2013)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432490249332-SSMR79VKMB65WH1CGA1B/image-asset.png</image:loc>
      <image:title>Hard-Edge Everson: The Films of Kevin Jerome Everson</image:title>
      <image:caption>Tygers (2014)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432489921258-RAHNQNHVK4DPJ8F4GO6N/image-asset.jpeg</image:loc>
      <image:title>Hard-Edge Everson: The Films of Kevin Jerome Everson</image:title>
      <image:caption>The Island of St. Matthews (2013)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2015/german-concentration-camps-factual-survey-toby-haggith-daniel-kasman</loc>
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    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
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      <image:title>German Concentration Camps Factual Survey: An Interview with Toby Haggith of the Imperial War Museum</image:title>
      <image:caption>Toby Haggith © Richard Ash, IWM</image:caption>
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    <image:image>
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      <image:title>German Concentration Camps Factual Survey: An Interview with Toby Haggith of the Imperial War Museum</image:title>
      <image:caption>Sidney Bernstein (left) the Producer of German Concentration Camps Factual Survey, on a visit to North Africa in 1943. © IWM HU 38069.</image:caption>
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    <image:image>
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      <image:title>German Concentration Camps Factual Survey: An Interview with Toby Haggith of the Imperial War Museum</image:title>
      <image:caption>Army Film and Photographic Unit cameraman Sergeant Mike Lewis, filming at Bergen-Belsen concentration camp on 24 April 1945. His footage appears in German Concentration Camps Factual Survey. © Imperial War Museums (FLM 1232)</image:caption>
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    <image:image>
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      <image:title>German Concentration Camps Factual Survey: An Interview with Toby Haggith of the Imperial War Museum</image:title>
      <image:caption>A distressed young woman watches a burial at Belsen. Sergeant  Lewis, 17 April 1945. © Imperial War Museums (FLM 1002).</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432499752510-Q6A0AHGU5ZVH1WBT3FCS/image-asset.jpeg</image:loc>
      <image:title>German Concentration Camps Factual Survey: An Interview with Toby Haggith of the Imperial War Museum</image:title>
      <image:caption>Alfred Hitchcock</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432499979422-9V3EO3EAEFXEFZAAOX8N/image-asset.jpeg</image:loc>
      <image:title>German Concentration Camps Factual Survey: An Interview with Toby Haggith of the Imperial War Museum</image:title>
      <image:caption>‘Ex-prisoner claps her approval of the strictness shown by Tommies.’ Still from footage shot by Sergeant Lewis, 16 April 1945.  © Imperial War Museums (FLM 1001).</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432500039781-AALPDP52Z3YS6PNHJFTA/image-asset.jpeg</image:loc>
      <image:title>German Concentration Camps Factual Survey: An Interview with Toby Haggith of the Imperial War Museum</image:title>
      <image:caption>‘Smiling children through barbed wire.’ Still from footage shot by Sergeant Lewis or Sergeant Lawrie, 18-20 April 1945. © Imperial War Museums (FLM 1467)</image:caption>
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  <url>
    <loc>https://www.cineaste.com/summer2015/seeing-is-believing-rod-stoneman-jonathan-murray</loc>
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    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
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      <image:title>Seeing is Believing: The Politics of the Visual</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2015/adua-and-her-friends-aaron-cutler</loc>
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    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
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      <image:title>Adua and Her Friends</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432491749550-MZ5JTJUZHBCSMOD0XKHM/image-asset.jpeg</image:loc>
      <image:title>Adua and Her Friends</image:title>
      <image:caption>Simone Signoret as Adua and Sandra Milo as Lolita in Adua and Her Friends (1960)</image:caption>
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    <image:image>
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      <image:title>Adua and Her Friends</image:title>
      <image:caption>From left to right: Emmanuelle Riva, Gina Rovere, Simone Signoret, and Sandra Milo as the four central women in Adua and Her Friends</image:caption>
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      <image:title>Adua and Her Friends</image:title>
      <image:caption>Marcello Mastroianni as Piero, Sandra Milo as Lolita, and Simone Signoret as Adua in Adua and Her Friends</image:caption>
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  <url>
    <loc>https://www.cineaste.com/summer2015/our-mothers-house-robert-cashill</loc>
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    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
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      <image:title>Our Mother's House</image:title>
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    <image:image>
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      <image:title>Our Mother's House</image:title>
      <image:caption>A family portrait</image:caption>
    </image:image>
    <image:image>
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      <image:title>Our Mother's House</image:title>
      <image:caption>Hubert (Louis Sheldon Williams) comforts his ailing sister Gerty (Sarah Nicholls).</image:caption>
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  <url>
    <loc>https://www.cineaste.com/summer2015/foxcatcher-christopher-sharrett</loc>
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    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
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      <image:title>Foxcatcher</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432182984496-TP45DI0ZVKFDMBWIRB0W/image-asset.jpeg</image:loc>
      <image:title>Foxcatcher</image:title>
      <image:caption>Foxcatcher</image:caption>
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      <image:title>Foxcatcher</image:title>
      <image:caption>Foxcatcher</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/winter2015/carol</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
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      <image:title>Carol</image:title>
      <image:caption>Rooney Mara and Cate Blanchett in Carol</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1448754870434-G9J3YCE6MBFINLWPG49A/image-asset.jpeg</image:loc>
      <image:title>Carol</image:title>
      <image:caption>Cate Blanchett and Rooney Mara in Carol</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/writers-guidelines</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-02-26</lastmod>
  </url>
  <url>
    <loc>https://www.cineaste.com/advertise</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-02-27</lastmod>
  </url>
  <url>
    <loc>https://www.cineaste.com/cumulative-index</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-11</lastmod>
  </url>
  <url>
    <loc>https://www.cineaste.com/editors-and-staff</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-02-26</lastmod>
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  <url>
    <loc>https://www.cineaste.com/contact</loc>
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    <priority>0.75</priority>
    <lastmod>2021-06-29</lastmod>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2015/hooked-and-gridlocked-michal-oleszczyk</loc>
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    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432494302004-9KQTCKJY1ORWYACYLNB3/image-asset.png</image:loc>
      <image:title>Hooked &amp; Gridlocked: Notes on Pauline Kael's Provincialism</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2015/american-sniper-thomas-doherty</loc>
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    <lastmod>2018-04-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432432881359-X9JB254OULF7CX75D2Q9/image-asset.jpeg</image:loc>
      <image:title>American Sniper</image:title>
      <image:caption>A beefed up Bradley Cooper as Chris Kyle, America’s deadliest sniper, in Clint Eastwood’s blockbuster homage to the warrior ethos, American Sniper (2014).</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432433109135-FPCZ8QXW3GK9O2GPS9J0/image-asset.jpeg</image:loc>
      <image:title>American Sniper</image:title>
      <image:caption>Chris Kyle (Bradley Cooper), in country, during one of four tours of duty in Iraq.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432433317048-O2A75P6E3B7MJ59MQQ9R/image-asset.jpeg</image:loc>
      <image:title>American Sniper</image:title>
      <image:caption>Chris Kyle (Bradley Cooper) returning home with two of the 4,491 Americans killed during the Iraq war.</image:caption>
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      <image:title>American Sniper</image:title>
      <image:caption>Chris Kyle (Bradley Cooper) and wife Taya (Sienna Miller), his steadfast if not always happy home front support system.</image:caption>
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      <image:title>American Sniper</image:title>
      <image:caption>Dauber (Kevin Lacz), one of the supporting players in what is emphatically not a Warner Bros. platoon portrayed in American Sniper (2014).</image:caption>
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  <url>
    <loc>https://www.cineaste.com/summer2015/thieves-like-us-leonard-quart</loc>
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    <lastmod>2018-04-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432183503789-5LVKGZMXAFRNHSL6GHI8/image-asset.jpeg</image:loc>
      <image:title>Thieves Like Us</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432183690119-6FB6WHVGN17AV564C44F/image-asset.jpeg</image:loc>
      <image:title>Thieves Like Us</image:title>
      <image:caption>Keechie (Shelley Duvall) and Bowie (Keith Carradine) on the road.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432183736686-703SMG2YHSFAFD3N77MR/image-asset.jpeg</image:loc>
      <image:title>Thieves Like Us</image:title>
      <image:caption>Mattie (Louise Fletcher) restraining a hysterical Keechie.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/summer2015/berlin-international-film-festival-2015-richard-porton</loc>
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    <lastmod>2018-04-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432180379557-VEV49L09S949NR7MXO62/taxi.jpg</image:loc>
      <image:title>Berlin International Film Festival 2015</image:title>
      <image:caption>The range of passengers in Jafar Panahi’s taxi allow us a glimpse of various layers of Iranian society.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432180479478-LLA7P442S6QMVL7K33NA/image-asset.jpeg</image:loc>
      <image:title>Berlin International Film Festival 2015</image:title>
      <image:caption>After 45 years, Geoff and Kate Mercer (Tom Courtenay and Charlotte Rampling ) face a crisis in their marriage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432180675213-EA7DHHDAOU30GS9B04YN/image-asset.jpeg</image:loc>
      <image:title>Berlin International Film Festival 2015</image:title>
      <image:caption>Catherine’s (Elisabeth Moss) visit to a close friend proves more harrowing than she expected.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2015/buffalo-bill-darragh-odonoghue</loc>
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    <lastmod>2018-04-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432184165658-01G0ASSCGZF9SE9VDJ8W/image-asset.jpeg</image:loc>
      <image:title>Buffalo Bill and the Indians, or Sitting Bull's History Lesson</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432509915396-1DYTCZLSCYZO9NC8U8RW/image-asset.jpeg</image:loc>
      <image:title>Buffalo Bill and the Indians, or Sitting Bull's History Lesson</image:title>
      <image:caption>Buffalo Bill and the Indians, or Sitting Bull's History Lesson (1976)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432509844116-PKG5EIZ0X4QSYFDG1R9X/image-asset.jpeg</image:loc>
      <image:title>Buffalo Bill and the Indians, or Sitting Bull's History Lesson</image:title>
      <image:caption>Buffalo Bill and the Indians, or Sitting Bull's History Lesson (1976)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2015/under-fire-david-sterritt</loc>
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    <lastmod>2018-04-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432183808502-HN5KOYUQFZYF5R96JREK/image-asset.jpeg</image:loc>
      <image:title>Under Fire</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432493104399-HYHAJCKS1QY50MUH3X7D/image-asset.png</image:loc>
      <image:title>Under Fire</image:title>
      <image:caption>Under Fire (1983)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432492777170-BEQK9XA4RPNI10MLVWPB/image-asset.png</image:loc>
      <image:title>Under Fire</image:title>
      <image:caption>Under Fire (1983)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432492897213-IO6UUR4136DHNI7M8827/image-asset.png</image:loc>
      <image:title>Under Fire</image:title>
      <image:caption>Under Fire (1983)</image:caption>
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  <url>
    <loc>https://www.cineaste.com/summer2015/screen-acting-and-the-new-hollywood-ethan-hawke-gary-bettinson</loc>
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    <lastmod>2018-04-03</lastmod>
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      <image:title>Screen Acting and the New Hollywood: Part 2 of an Interview with Ethan Hawke</image:title>
      <image:caption>Ethan Hawke in Sinister</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2015/summer-2015-editorial</loc>
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    <lastmod>2018-04-03</lastmod>
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      <image:title>Editorial</image:title>
      <image:caption>Selma (2014)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432494606436-YFX5CIFJJLKCH3PZPSVD/image-asset.jpeg</image:loc>
      <image:title>Editorial</image:title>
      <image:caption>Selma (2014)</image:caption>
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  <url>
    <loc>https://www.cineaste.com/summer2015/71-michael-gray</loc>
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    <lastmod>2018-04-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432005017011-JMZBVFRLW0A79754MGPK/71</image:loc>
      <image:title>'71</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1432005113306-VK7CLIKU2CDQNBZ3O36P/image-asset.jpeg</image:loc>
      <image:title>'71</image:title>
      <image:caption>'71</image:caption>
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  <url>
    <loc>https://www.cineaste.com/summer2014/between-documentary-and-fiction-art-of-the-real-richard-porton</loc>
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    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1441074847824-02J0B0GA2D79UGS7DWOF/image-asset.jpeg</image:loc>
      <image:title>Between Documentary and Fiction: Art of the Real (Web Exclusive)</image:title>
      <image:caption>Bloody Beans (2013)</image:caption>
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  <url>
    <loc>https://www.cineaste.com/spring2009/carlos-reygadas-interview</loc>
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    <lastmod>2018-01-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1449415029783-S6VHL0EB4LOTVII5VOMT/image-asset.jpeg</image:loc>
      <image:title>Silent Light: An Interview with Carlos Reygadas</image:title>
      <image:caption>Carlos Reygadas</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2009/when-andy-bichlbaum-said-yes-dan-lybarger</loc>
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    <lastmod>2018-01-13</lastmod>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2008/cult-film-a-critical-symposium</loc>
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    <lastmod>2018-01-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1438401990561-EUW5SV2N8PUM0ZQQ675M/image-asset.jpeg</image:loc>
      <image:title>Cult Film: A Critical Symposium (Web Edition)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1475435031133-4RFD8F91KCF9K54Z320H/image-asset.jpeg</image:loc>
      <image:title>Cult Film: A Critical Symposium (Web Edition)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1475435087541-SEA26SLHSAYZY3T17EGM/image-asset.jpeg</image:loc>
      <image:title>Cult Film: A Critical Symposium (Web Edition)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1475435129014-ZFAGVTE1DE78NCAE4WLM/image-asset.jpeg</image:loc>
      <image:title>Cult Film: A Critical Symposium (Web Edition)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1475435165564-1C951I1B3Z26ATSS00M2/Kleinhans.jpg</image:loc>
      <image:title>Cult Film: A Critical Symposium (Web Edition)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1475435334117-BE5N3UGL7AVFFEJBC41N/image-asset.jpeg</image:loc>
      <image:title>Cult Film: A Critical Symposium (Web Edition)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1475435360232-M11FRA9T8YB519HDJOLC/image-asset.jpeg</image:loc>
      <image:title>Cult Film: A Critical Symposium (Web Edition)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1475435585216-2D8FN3DKE3L33MRWN21Q/image-asset.jpeg</image:loc>
      <image:title>Cult Film: A Critical Symposium (Web Edition)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1475435776972-RUI2DPEVI97HLW3CSAKT/image-asset.jpeg</image:loc>
      <image:title>Cult Film: A Critical Symposium (Web Edition)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2015/seattle-international-film-festival-dennis-west</loc>
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    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1440632045875-125A94JNR4YYEK86CFFI/image-asset.jpeg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1440632163845-Y0ZZDDYP62QZ4AWLO9HL/image-asset.jpeg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>American thespian William Gillette sleuths away in Arthur Berthelet’s long-lost Sherlock Holmes (1916)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1440632338846-ZBU68PQTHJ28XQP9TGZ1/RussianWoodpecker_Still01.jpg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Fedor Alexandrovich sketches his conspiracy theory in The Russian Woodpecker</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1440632429300-3XC39DIDZOPEH062BFKM/image-asset.jpeg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Rafid Ahmed Alwan, a.k.a. Curveball, holds center stage in War of Lies</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1440632492326-WPIOU9XKH5W548OZGMP0/image-asset.jpeg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Specially-equipped vehicles with powerful projectors shed light on endangered species in Racing Extinction</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2015/the-dawn-of-technicolor-1915-1935-robert-cashill</loc>
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    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1439766547213-4XPKZ2YJE9ICGCRBEIW7/image-asset.jpeg</image:loc>
      <image:title>The Dawn of Technicolor, 1915–1935</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1440468810977-EBCJIRYJO6SUA0EGGUH1/image-asset.jpeg</image:loc>
      <image:title>The Dawn of Technicolor, 1915–1935</image:title>
      <image:caption>Anna May Wong in the two-strip Technicolor feature The Toll of the Sea (1922)</image:caption>
    </image:image>
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  <url>
    <loc>https://www.cineaste.com/fall2015/phoenix-jonathan-murray</loc>
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    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1440634293546-4RVVJMX78Z47EKSZQ6PS/image-asset.jpeg</image:loc>
      <image:title>Phoenix</image:title>
      <image:caption>Ronald Zehrfeld as Johnny and Nina Hoss as Nelly in Christian Petzold’s Phoenix</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1440634560548-W40ETPRYC9LF18WEKV2J/image-asset.jpeg</image:loc>
      <image:title>Phoenix</image:title>
      <image:caption>Nina Kunzendorf (Lene) and Nina Hoss (Nelly)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2015/fall-2015-editorial</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2015/a-kim-jong-il-production-paul-fischer-christoph-huber</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1440630513672-3U9B3215QZEQ35A9K1IN/image-asset.jpeg</image:loc>
      <image:title>A Kim Jong-Il Production: The Extraordinary True Story of a Kidnapped Filmmaker...</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2015</loc>
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    <priority>0.75</priority>
    <lastmod>2016-05-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1439768275012-H66QHKOGCIMUKLRI6G2I/image-asset.jpeg</image:loc>
      <image:title>Home</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1439771394518-S4WUSE3GUA4N6SKSN8I4/image-asset.jpeg</image:loc>
      <image:title>Home</image:title>
      <image:caption>Orson Welles</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1440870411054-TS9OEGRQ1BAMDOCNC6Q7/image-asset.png</image:loc>
      <image:title>Home</image:title>
      <image:caption>Phoenix</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1440869484187-7GEJDV6U5GIBV7BJ51N7/image-asset.png</image:loc>
      <image:title>Home</image:title>
      <image:caption>The Confession</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1439770955794-91YAC9V0ZUIOF4BVB99A/image-asset.jpeg</image:loc>
      <image:title>Home</image:title>
      <image:caption>Walter Murch</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1440869504206-USHSCLNPA1EXVKV0HJDS/cat-people.jpg</image:loc>
      <image:title>Home</image:title>
      <image:caption>Cat People</image:caption>
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      <image:title>Home</image:title>
      <image:caption>The 2015 Oberhausen International Short Film Festival</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2015/2015-oberhausen-international-short-film-festival-jared-rapfogel</loc>
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    <priority>0.75</priority>
    <lastmod>2015-09-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1440467997389-G8OTALUN4IOE6C5X1UAG/image-asset.jpeg</image:loc>
      <image:title>The 2015 Oberhausen International Short Film Festival</image:title>
      <image:caption>Takashi Ito's Spacy (1981)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1440385670616-JMO518PYZPDMYSR91POA/Jacobs-CapitalismChildLabor-3.jpg</image:loc>
      <image:title>The 2015 Oberhausen International Short Film Festival</image:title>
      <image:caption>Ken Jacobs's Capitalism: Child Labor (2006) uses a stereo photograph to create 3D effects</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1440629183343-S7OQWC7V5W4Q0EYX7CMW/Something+Might+Happen-3+copy.jpg</image:loc>
      <image:title>The 2015 Oberhausen International Short Film Festival</image:title>
      <image:caption>Tim Geraghty's Something Might Happen (2014) features multiple layers of 3D imagery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1440468059815-LILV5HWFEKLS8OPDRT36/image-asset.jpeg</image:loc>
      <image:title>The 2015 Oberhausen International Short Film Festival</image:title>
      <image:caption>Blake Williams's Red Capriccio (2014) is constructed using found footage sourced from YouTube</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1440385843701-SODFU3CM4F5Y0NBJZR6L/image-asset.jpeg</image:loc>
      <image:title>The 2015 Oberhausen International Short Film Festival</image:title>
      <image:caption>In Takashi Ito's Spacy (1981), the camera is continually swallowed up by two-dimensional images mounted on easels</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1440385917615-2GYU4G7R942GZS4224NY/image-asset.jpeg</image:loc>
      <image:title>The 2015 Oberhausen International Short Film Festival</image:title>
      <image:caption>Kesley Ashby-Middleton in Jennifer Reeder's Blood Below the Skin (2015)</image:caption>
    </image:image>
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      <image:caption>The Americanization of Emily stars Julie Andrews as military chauffeur Emily Barham and James Garner as Lt. Commander Charles Madison</image:caption>
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      <image:caption>Gregory Markopoulos's Sorrows is a brief, visually dense study of Richard Wagner's Swiss chalet</image:caption>
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      <image:caption>Famed Australian aboriginal actor David Gulpilil reunites with director Rolf de Heer in Charlie's Country</image:caption>
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      <image:caption>Kenedi, Lost and Found (2005), one of three films Zelimir Zilnik has made focusing on the trials and travails of Kenedi, a charismatic Roma man</image:caption>
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      <image:caption>A vehicle for "real, real, real movie star" Burt Lancaster, The Train brings him together with another screen great, French actor Michel Simon</image:caption>
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      <image:caption>The protagonist of Pedro Costa's earlier film, Colossal Youth, Cape Verdeanémigré Ventura returns in Horse Money</image:caption>
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      <image:caption>The image of the remains of a whale functions as a symbolic link to the Book of Job, with its famous passage concerning a leviathan</image:caption>
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      <image:caption>Paulino Viota's Contactos (1970), considered one of the most important films of the 1970s by critic and filmmaker Noël Burch</image:caption>
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      <image:caption>Tree of Knowledge (1981) is one of many films in which Malmros has explored the theme of childhood</image:caption>
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      <image:caption>Aarhus by Night (1989), an ensemble comedy with serious undertones</image:caption>
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      <image:caption>Mumford (left) and Ralph were the first characters created for the film.</image:caption>
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      <image:caption>An example of the film’s “stained glass” style of animation.</image:caption>
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    <lastmod>2016-02-25</lastmod>
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    <lastmod>2018-04-03</lastmod>
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    <loc>https://www.cineaste.com/summer2012/from-the-archives-the-fugitive</loc>
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    <lastmod>2018-04-03</lastmod>
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    <lastmod>2018-04-03</lastmod>
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    <lastmod>2018-04-03</lastmod>
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      <image:title>The 14th Thessaloniki Documentary Festival</image:title>
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    <loc>https://www.cineaste.com/summer2012/nine-nation-animation-web-exclusive</loc>
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    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
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    <lastmod>2018-04-03</lastmod>
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    <lastmod>2018-04-03</lastmod>
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    <loc>https://www.cineaste.com/spring2014/all-is-lost-web-exclusive</loc>
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    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
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    <loc>https://www.cineaste.com/summer2012/the-41st-rotterdam-international-film-festival</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2018-04-03</lastmod>
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      <image:title>The 41st Rotterdam International Film Festival</image:title>
      <image:caption>Peter von Bagh's Man in the Shadows</image:caption>
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    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
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    <lastmod>2018-04-03</lastmod>
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    <lastmod>2018-01-13</lastmod>
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      <image:caption>Abel Gance's J'Accuse (1919)</image:caption>
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    <loc>https://www.cineaste.com/spring2007/interview-with-bong-joon-ho</loc>
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    <lastmod>2018-01-13</lastmod>
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    <loc>https://www.cineaste.com/summer2016/dirty-words-and-filthy-pictures</loc>
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    <priority>0.75</priority>
    <lastmod>2016-05-24</lastmod>
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  <url>
    <loc>https://www.cineaste.com/summer2016/a-bigger-splash</loc>
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    <priority>0.75</priority>
    <lastmod>2016-05-26</lastmod>
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      <image:caption>Jean-Paul/Paul (Matthias Schoenaerts), Marianne (Tilda Swinton), Penelope (Dakota Johnson) and Harry (Ralph Fiennes) in A Bigger Splash</image:caption>
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  <url>
    <loc>https://www.cineaste.com/summer2016/the-man-and-the-moment</loc>
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    <lastmod>2018-04-03</lastmod>
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      <image:caption>The Man and the Moment (1929) lobby card</image:caption>
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      <image:title>The Man and the Moment</image:title>
      <image:caption>Michael Towne (Rod la Roque) and Joan Winslow (Billie Dove) in The Man and the Moment</image:caption>
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      <image:caption>Billie Dove in The Man and the Moment</image:caption>
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  <url>
    <loc>https://www.cineaste.com/summer2016/guadalajara-international-film-festival</loc>
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    <lastmod>2016-05-26</lastmod>
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      <image:caption>These young men seek shelter from inclement weather in Felipe Cazals' Canoa.</image:caption>
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      <image:title>The Guadalajara International Film Festival</image:title>
      <image:caption>The 40th anniversary of Felipe Cazals' Canoa was celebrated at this year's edition of the Guadalajara International Film Festival.</image:caption>
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      <image:title>The Guadalajara International Film Festival</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1464069137510-7WIXNE1FPM2LXASU9LRP/image-asset.jpeg</image:loc>
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      <image:caption>Piles of archived paperwork overwhelm an employee in Joaquín del Paso's Panamerican Machinery.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/summer2016/home</loc>
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    <lastmod>2024-05-22</lastmod>
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      <image:caption>45 Years</image:caption>
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    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-05-24</lastmod>
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    <lastmod>2018-04-03</lastmod>
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    <loc>https://www.cineaste.com/winter2013/from-the-archives-the-master-of-ballantrae</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465090213371-H1XJWPMZ5VK41CCOON18/image-asset.png</image:loc>
      <image:title>From the Archives: The Master of Ballantrae</image:title>
      <image:caption>Errol Flynn's performance as Master Jamie represents a major departure from the character in Robert Louis Stevenson's novel</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2013/from-the-archives-the-red-badge-of-courage</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465091117393-8VUI1DFEZO3EWOKQTOY1/image-asset.jpeg</image:loc>
      <image:title>From the Archives: The Red Badge of Courage</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2013/bettie-page-reveals-all-web-exclusive</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465091684352-E06V397X29H0WO9VJV21/image-asset.jpeg</image:loc>
      <image:title>Bettie Page Reveals All (Web Exclusive)</image:title>
      <image:caption>The greatest strength of Bettie Page Reveals All is that it allows Bettie, via archival audio interviews, to tell her own story</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2013/working-together-notes-on-british-film-collectives-in-the-1970s-web-exclusive</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465090578077-IWEW2CRWPCGFZJ3QWQ0W/image-asset.jpeg</image:loc>
      <image:title>Working Together: Notes on British Film Collectives in the 1970s (Web Exclusive)</image:title>
      <image:caption>Produced by the Berwick Street Film Collective, Nightcleaners (1975) is an experimental documentary about a campaign to unionize cleaning women</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2013/from-the-archives-targets</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465090947835-C6RZCYFBA1WQ67Q911X6/image-asset.jpeg</image:loc>
      <image:title>From the Archives: Targets</image:title>
      <image:caption>Bobby (Tim O'Kelly) is a bland, All-American turned sniper-killing psycho</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2013/nice-guys-dont-work-in-hollywood-web-exclusive</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465091492168-0DON5MBLPEFDH5T1644A/harrington.jpg</image:loc>
      <image:title>Nice Guys Don't Work in Hollywood (Web Exclusive)</image:title>
      <image:caption>Curtis Harrington</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2013/locarno-film-festival-2013</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465091867501-NGS8M93LOKGJAXKK2LQB/manakamana.jpg</image:loc>
      <image:title>Locarno Film Festival 2013</image:title>
      <image:caption>Stephanie Spray and Pacho Velez's Manakamana, the latest film produced by the Sensory Ethnography Lab</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465091920156-YZYIJ7XT26ZUT9CLNUMH/image-asset.jpeg</image:loc>
      <image:title>Locarno Film Festival 2013</image:title>
      <image:caption>Lav Diaz's 5-hour-long Batang West Side (2001) is one of the least-seen major films of the twenty-first century</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465091973059-7HF3YAI871E3YQA68IZW/image-asset.jpeg</image:loc>
      <image:title>Locarno Film Festival 2013</image:title>
      <image:caption>A Life of Her Own (1950) was one of the highlights of the festival's George Cukor retrospective</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2013/what-maisie-knew-web-exclusive</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465786071710-PBHTFY4SVMQLZALG14ZS/image-asset.jpeg</image:loc>
      <image:title>What Maisie Knew (Web Exclusive)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465786237924-5U6GGDJNBVMUA9BXC4LB/image-asset.jpeg</image:loc>
      <image:title>What Maisie Knew (Web Exclusive)</image:title>
      <image:caption>Maisie and her mother, Susanna (Julianne Moore), a one-time New Wave rock diva</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2013/from-the-archives-cruising</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465786677065-S985I3TCQ4AMHI9QF20H/image-asset.jpeg</image:loc>
      <image:title>From the Archives: Cruising</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465786727006-4DMEZ7634CZ8UZ2QUHDW/image-asset.jpeg</image:loc>
      <image:title>From the Archives: Cruising</image:title>
      <image:caption>Al Pacino plays Steve Burns, a rookie cop who goes undercover as a denizen of New York City's gay S&amp;M scene</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2013/irish-cinema-us-audiences</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465787734712-WV7DKOUHYHMDYVNHLKS8/image-asset.jpeg</image:loc>
      <image:title>Irish Cinema, U.S. Audiences (Web Exclusive)</image:title>
      <image:caption>Based on a popular series of YouTube shorts, Hardy Bucks is one of many films screened in Irish-themed festivals throughout the U.S.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465787863303-NMKPNQ3JTQAQGAVNTDMV/image-asset.jpeg</image:loc>
      <image:title>Irish Cinema, U.S. Audiences (Web Exclusive)</image:title>
      <image:caption>When Ali Came to Ireland documents Irish carny Butty Sugrue's successful bid to bring Muhammad Ali to Ireland in 1972.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2013/we-sure-can-pick-em-but-we-also-call-em-as-we-see-em-an-exchange-on-searching-for-sugar-man-web-exclusive</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465865862778-WBM0EB2OH8DDEFII3S7I/image-asset.jpeg</image:loc>
      <image:title>We Sure Can Pick 'Em, but We Also Call 'Em as We See 'Em: An Exchange on Searching for Sugar Man</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465865949392-4NSRUONM47EASYVXM46K/image-asset.jpeg</image:loc>
      <image:title>We Sure Can Pick 'Em, but We Also Call 'Em as We See 'Em: An Exchange on Searching for Sugar Man</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2013/from-the-archives-this-land-is-mine</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465867924391-VOO25QXGQHD7JKRNUT6A/image-asset.jpeg</image:loc>
      <image:title>From the Archives: This Land is Mine</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465868167230-6DB57SR0BI187SGAYJSM/image-asset.jpeg</image:loc>
      <image:title>From the Archives: This Land is Mine</image:title>
      <image:caption>Set in an unspecified Nazi-occupied country, This Land is Mine stars Charles Laughton as Albert and Maureen O'Hara as Louise</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2013/polish-film-and-the-holocaust-politics-and-memory-web-exclusive</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465866989398-E0SX4GW4MT7BXBC29VCV/The+Passenger.jpg</image:loc>
      <image:title>Polish Film and the Holocaust: Politics and Memory (Web Exclusive)</image:title>
      <image:caption>Thanks to Communist Party censors, Polish films addressing the Holocaust, such as Andrzej Munk's The Passenger (1963), had to walk a fine line</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465867399212-G6VNKD5YL87ELMJCWKAC/image-asset.jpeg</image:loc>
      <image:title>Polish Film and the Holocaust: Politics and Memory (Web Exclusive)</image:title>
      <image:caption>Agnieszka Holland's In Darkness (2012) is one of the more recent Polish films to address the Holocaust</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2013/from-the-archives-the-human-factor</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465784523583-849KT01C528S9WQ2NY7F/image-asset.jpeg</image:loc>
      <image:title>From the Archives: The Human Factor</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465784431860-6CMTGQ5D26HMRNOSNMTI/image-asset.jpeg</image:loc>
      <image:title>From the Archives: The Human Factor</image:title>
      <image:caption>The noble motives of Secret Service agent Maurice Castle (Nicol Williamson) fail to ward off tragedy in The Human Factor</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2013/searching-out-the-next-vessel-an-interview-with-kevin-jerome-everson-web-exclusive</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465785213465-M1JSJ4RDO71WY6UHSNRX/image-asset.jpeg</image:loc>
      <image:title>Searching Out the Next Vessel: An Interview with Kevin Jerome Everson (Web Exclusive)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465785552331-29HOUDVDEMN4PVXJ1VQ4/image-asset.jpeg</image:loc>
      <image:title>Searching Out the Next Vessel: An Interview with Kevin Jerome Everson (Web Exclusive)</image:title>
      <image:caption>Everson's 2010 film Erie is a portrait of life around Lake Erie that invests simple gestures with the quality of myth</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465785723604-XOFS199RXE2T4U0OMTCB/image-asset.jpeg</image:loc>
      <image:title>Searching Out the Next Vessel: An Interview with Kevin Jerome Everson (Web Exclusive)</image:title>
      <image:caption>Everson's short film, BZV, was shot in Brazzaville, Congo</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2013/from-the-archives-the-molly-maguires</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465784859899-GROYTIG17TKLHSJD1NZ6/MollyM.gif</image:loc>
      <image:title>From the Archives: The Molly Maguires</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465785006299-6D183UB3019KF3E2SUF0/image-asset.jpeg</image:loc>
      <image:title>From the Archives: The Molly Maguires</image:title>
      <image:caption>McParlan's (Harris) goal is to infiltrate the Mollies and collect the evidence the police need to destroy the group</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2013/from-the-archives-the-mask-of-dimitrios</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465786381955-VA1D8ZGL8JOHNA9NQH68/image-asset.jpeg</image:loc>
      <image:title>From the Archives: The Mask of Dimitrios</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465786483264-7L3XT7PS23ETKJ40UK0O/image-asset.png</image:loc>
      <image:title>From the Archives: The Mask of Dimitrios</image:title>
      <image:caption>The Mask of Dimitrios features stylish performances by two of the most memorable actors of the 1940s, Peter Lorre and Sydney Greenstreet</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2013/the-2013-istanbul-film-festival</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465786884841-GY6PL31WMQE6OXJX0I4W/image-asset.jpeg</image:loc>
      <image:title>The 2013 Istanbul Film Festival</image:title>
      <image:caption>Shot clandestinely within Iran, Jafar Panahi's Closed Curtain held special resonance at the Istanbul Film Festival</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2013/the-2013-oberhausen-international-short-film-festival</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465787267345-ZOE2N2JF17OFH24ZWVCO/a-little-village-performance.jpg</image:loc>
      <image:title>The 2013 Oberhausen International Short Film Festival</image:title>
      <image:caption>A Little Village Performance (Mala Seoska Priredba, Krsto Papic, 1972) is just one of many revelatory Croatian films highlighted at Oberhausen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465787388967-KB0VXDGRMY3EXOW506Z5/image-asset.jpeg</image:loc>
      <image:title>The 2013 Oberhausen International Short Film Festival</image:title>
      <image:caption>Hello Munich (Halo München, Krsto Papic, 1968) is a portrait of a Dalmatian village, most of whose men have emigrated abroad to find work</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2013/from-the-archives-second-best</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465871040352-MCDM1285UKAAO41866H5/image-asset.jpeg</image:loc>
      <image:title>From the Archives: Second Best</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465871080930-V5QGWY2O9SWAX12XRYNW/image-asset.jpeg</image:loc>
      <image:title>From the Archives: Second Best</image:title>
      <image:caption>Second Best focuses on the relationship between Graham and his adopted son James (Chris Cleary Miles)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2013/the-53rd-thessaloniki-international-film-festival</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465870385359-DF4XUOC74E5FIJF6C7AG/image-asset.jpeg</image:loc>
      <image:title>The 53rd Thessaloniki International Film Festival</image:title>
      <image:caption>João Rui Guerra da Mata’s The Last Time I Saw Macao</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465870329757-XRUINQY7NEK97EMTYMJV/beyond_the_hills.jpg</image:loc>
      <image:title>The 53rd Thessaloniki International Film Festival</image:title>
      <image:caption>The isolated setting of the religious order at the center of Cristian Mungiu's Beyond the Hills</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465870550843-Z6DDFCJILOTW4TYN4Z8O/ParadiseFaith1.png</image:loc>
      <image:title>The 53rd Thessaloniki International Film Festival</image:title>
      <image:caption>Anna Maria (Maria Hofstatter) preparing to indulge in self-flagellation in Ulrich Seidl's Paradise: Faith</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2013/barbara-web-exclusive</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465871722703-89JJS15IXND90JOJSNMH/image-asset.jpeg</image:loc>
      <image:title>Barbara (Web Exclusive)</image:title>
      <image:caption>Nina Hoss as Barbara</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2013/frank-capra-the-early-collection-web-exclusive</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465869294460-2MAVM0HTLU7NBCXPJ6L7/image-asset.jpeg</image:loc>
      <image:title>Frank Capra: The Early Collection (Web Exclusive)</image:title>
      <image:caption>Barbara Stanwyck's third film, Ladies of Leisure, is a rare Hollywood depiction of female desire</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465869361093-V1LDCH11WTUIL6LGKKC4/image-asset.jpeg</image:loc>
      <image:title>Frank Capra: The Early Collection (Web Exclusive)</image:title>
      <image:caption>The most visually exquisite of Capra's films, The Bitter Tea of General Yen is stylistically reminiscent of Josef von Sternberg</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2013/15th-annual-thessaloniki-documentary-film-festival</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465869830818-CW3H51TQL7LCXFJ04KDQ/image-asset.jpeg</image:loc>
      <image:title>15th Annual Thessaloniki Documentary Film Festival</image:title>
      <image:caption>Women and their children gather in No Burqas Behind Bars with the prison guard who is, in some ways, a friend</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1465869907858-VQBC1E5QDB4LX9P2CP3J/nostalgia_1stimage.jpg</image:loc>
      <image:title>15th Annual Thessaloniki Documentary Film Festival</image:title>
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  <url>
    <loc>https://www.cineaste.com/spring2013/california-trilogy-web-exclusive</loc>
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    <lastmod>2018-04-03</lastmod>
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      <image:caption>Directed by American filmmaker Jeremy Teicher, Tall as the Baobab Tree is a perceptively rendered tale of life in a Senegalese village</image:caption>
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      <image:title>The International Documentary Film Festival Amsterdam 2012</image:title>
      <image:caption>Ulrich Seidl's Losses to Be Expected</image:caption>
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      <image:title>52nd Thessaloniki International Film Festival</image:title>
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    <lastmod>2018-04-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471601699530-LJ5UYFNECG9899TVKO1O/canoa-hp.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Ceyda Torun’s Kedi</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2016/nicholas-ray-lonely-place-psychodrama</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-08-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471605029811-LT4UOXE4SU6G27ODQLWT/image-asset.jpeg</image:loc>
      <image:title>Nicholas Ray's In a Lonely Place as Psychodrama</image:title>
      <image:caption>Director Nicholas Ray, Humphrey Bogart, and Gloria Grahame. Photo courtesy of Photofest.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471606297729-CE0MBLPGK13GL5A3WZWV/image-asset.jpeg</image:loc>
      <image:title>Nicholas Ray's In a Lonely Place as Psychodrama</image:title>
      <image:caption>Ray and Grahame. Photo courtesy of Photofest.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471606412989-4TBNE880FXDGYWOMH8XC/Nicholas_Ray_In_a_Lonely_1950_5.jpg</image:loc>
      <image:title>Nicholas Ray's In a Lonely Place as Psychodrama</image:title>
      <image:caption>Bogart, Grahame and Ray. Photo courtesy of Photofest.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2016/jacques-rivette-great-manipulator</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471598594926-OUOSK0WUSO914AZ6L2MQ/image-asset.jpeg</image:loc>
      <image:title>Jacques Rivette: The Great Manipulator</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2016/weiner</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-05-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471605475958-7GKJJDPM17I7IVM0KDQF/image-asset.jpeg</image:loc>
      <image:title>Weiner</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471647975951-4YCCDRK9PZM8T7U5R1N1/images.washingtonpost.jpg</image:loc>
      <image:title>Weiner</image:title>
      <image:caption>New York City Mayoral candidate Anthony Weiner in the midst of a media scrum during the height of his sexting scandal.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471648042409-SD4BVOSPAGYEXCZENVAU/WEINER-7-feature-1600x900-c-default.jpg</image:loc>
      <image:title>Weiner</image:title>
      <image:caption>Anthony Weiner in Weiner.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2016/groucho-marx-comedy-of-existence</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471606087989-G1EGXNR48J2A7AJZTIOX/image-asset.jpeg</image:loc>
      <image:title>Groucho Marx: The Comedy of Existence</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2016/neon-demon</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-08-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471633703052-JM13V8PXQQD51YYXLXCH/image-asset.jpeg</image:loc>
      <image:title>The Neon Demon</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471841051033-FR2L15L9DWNW6YJJXLIW/image-asset.jpeg</image:loc>
      <image:title>The Neon Demon</image:title>
      <image:caption>Director Nicolas Winding Refn.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471634547277-4XLD83YK7K2PACKJCCXL/image-asset.jpeg</image:loc>
      <image:title>The Neon Demon</image:title>
      <image:caption>Elle Fanning plays Jesse, a young model who appears innocent but is actually as predatory as her ruthless rivals.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471633842031-HWT33Z5NL53AUH860YJV/image-asset.jpeg</image:loc>
      <image:title>The Neon Demon</image:title>
      <image:caption>Elle Fanning plays Jesse in The Neon Demon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471634563224-1JYPGGKASX83DCOO83PM/image-asset.jpeg</image:loc>
      <image:title>The Neon Demon</image:title>
      <image:caption>Jesse is the "demure object of desire" pursued by the other characters.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2016/seattle-international-film-festival</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-08-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471682132032-17UGHCGT5Q8M88WBJIWL/image-asset.jpeg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>An about-to-retire attendant and his young replacement get to know each other in Warehoused.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471682086046-HMGRJHWCIHWJ359RY6Q6/image-asset.jpeg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Time to sweep up in Jack Zagha's Warehoused.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471682686786-EBH2SWLQR9B7DQDHAAQQ/image-asset.jpeg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Dick Goin shows off a prize catch in The Memory of Fish.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471682717559-RZM39FFLTKPIV7M3YEC6/image-asset.png</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Remove-the-dams activism in The Memory of Fish.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471682956774-ZPKE2LAWY94B4TX6C8N3/image-asset.jpeg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Haitian deforestation in Death by a Thousand Cuts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471682903911-667O8EY4YI17D0K1IBC9/image-asset.png</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Charcoal for sale in a Haitian market in Death by a Thousand Cuts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471682449005-IOFRYE3SFXWLTE876CKP/image-asset.jpeg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Adoring fans engulf Dean Reed in Chile.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471682470910-PQRBS4RJ4WM91DLOCG9T/image-asset.jpeg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Dean Reed (left) meets Chilean President Salvador Allende.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471682551224-WH8VN9JCSGE7V08KPGE2/RedGringo_Still04.jpg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Dean Reed protests U.S. foreign policy in Red Gringo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471682403724-7SKVFT199I0C9L5UW9GM/image-asset.jpeg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Street cats have long called Kedi home.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471682304518-L3OWTTBPOGHDQV6JH5I8/image-asset.jpeg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Cat napping in Ceyda Torun's Kedi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471682361276-0BY8JZMYYJQUK4MSCN8C/image-asset.jpeg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>A street cat makes the rounds in Kedi.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2016/the-player</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-08-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471685190927-MMVQ11GSNEONA22PJAJ8/image-asset.jpeg</image:loc>
      <image:title>The Player</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471685238446-39IALP0QOC8MNQ88WRU0/image-asset.jpeg</image:loc>
      <image:title>The Player</image:title>
      <image:caption>Griffin Mill at work in his Hollywood office.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471685268116-HMNCGCW2WAQZH9A6OX88/image-asset.jpeg</image:loc>
      <image:title>The Player</image:title>
      <image:caption>Tim Robbins plays executive Griffin Mill.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471685302725-Z9WXMVTX3APZ180A2IG7/image-asset.jpeg</image:loc>
      <image:title>The Player</image:title>
      <image:caption>Griffin (Robbins) and his girlfriend June Gudmundsdottir (Greta Scacchi).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471685376753-6Q7AH38Q9OBO98IRPA9V/image-asset.jpeg</image:loc>
      <image:title>The Player</image:title>
      <image:caption>June paints...</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471685356531-0D6JBP6S67P4D5VSYY3I/image-asset.jpeg</image:loc>
      <image:title>The Player</image:title>
      <image:caption>...as Griffin grows more paranoid.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2016/susan-slept-here</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471686499639-M1CC7N3J73VM9ZO5NTB3/image-asset.jpeg</image:loc>
      <image:title>Susan Slept Here</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471686574508-YTZBSXSJ9XZWQYPLJAJU/image-asset.jpeg</image:loc>
      <image:title>Susan Slept Here</image:title>
      <image:caption>Debbie Reynolds plays Susan, an alleged juvenile delinquent. Dick Powell plays the screenwriter Mark Christopher.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471686565769-JDSAXJRN06P55YYHSKBJ/image-asset.jpeg</image:loc>
      <image:title>Susan Slept Here</image:title>
      <image:caption>Reynolds before the “lethal” mirror.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471686551853-KKINB5BZX57Y537PWIFT/image-asset.jpeg</image:loc>
      <image:title>Susan Slept Here</image:title>
      <image:caption>Reynolds was 27 years younger than her costar.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2016/aferim</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-08-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471683729193-PLIR32LJ1VV9RK2OJ5YA/image-asset.jpeg</image:loc>
      <image:title>Aferim!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471684033616-8924DI41NDGFA3QOLD9S/image-asset.jpeg</image:loc>
      <image:title>Aferim!</image:title>
      <image:caption>Mihai Comānoiu (Ionitā), Teodor Corban (Costandin) and Cuzin Toma (Carfin).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471683537568-QUN37LBY8KBYVIJMS18B/image-asset.jpeg</image:loc>
      <image:title>Aferim!</image:title>
      <image:caption>Mihai Comānoiu (Ionitā) and Alberto Dinache (Tintiric).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471683615391-ZXF8GYJZN1T4KLU7EHHU/image-asset.jpeg</image:loc>
      <image:title>Aferim!</image:title>
      <image:caption>Cuzin Toma (Carfin, on ground), Alexandru Dabija (Boyar Iordache Cîndescu, center with knife), Mihai Comānoiu (Ionitā) and Teodor Corban (Costandin).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471683479423-M5850SYEOL0HJM75VZTB/image-asset.jpeg</image:loc>
      <image:title>Aferim!</image:title>
      <image:caption>Cuzin Toma (Carfin), Mihai Comānoiu (Ionitā) and Teodor Corban (Costandin).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2016/mustang</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-08-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471685047065-15CW16LM0S3VDLBID1FO/mustang-blu-ray-cover.jpg</image:loc>
      <image:title>Mustang</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471684374419-XUX5ZFXD0HXUT55LTSRD/image-asset.jpeg</image:loc>
      <image:title>Mustang</image:title>
      <image:caption>Ilayda Akdogan and Tugba Sunguroglu with Elit Iscan facing away from camera, Gunes Sensoy laying across, Doga Zeynep Doguslu shoulder in lower left corner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471684467913-GWD7I8OX1JD37EB4XPPQ/image-asset.jpeg</image:loc>
      <image:title>Mustang</image:title>
      <image:caption>Clockwise starting with actress in red sash: Tugba Sunguroglu, Ilayda Akdogan, Doga Zeynep Doguslu, Elit Iscan, and Gunes Sensoy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471684400951-VR7N153TINZZGX2GZ0XI/image-asset.jpeg</image:loc>
      <image:title>Mustang</image:title>
      <image:caption>Mustang</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471684418170-M778CP2FR8FUURPSCTZ9/image-asset.jpeg</image:loc>
      <image:title>Mustang</image:title>
      <image:caption>Tugba Sunguroglu, Doga Zeynep Doguslu, Elit Iscan, Ilayda Akdogan, and Gunes Sensoy.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2016/academy-of-muses</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-08-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471648515589-8TOGU0T708WIZ1FAKFCY/image-asset.jpeg</image:loc>
      <image:title>The Academy of Muses</image:title>
      <image:caption>Mireia (Mireia Iniesta) faces Rosa (Rosa Delor Muns) in José Luis Guerín's The Academy of the Muses. All images courtesy of Grasshopper Film.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471649102864-S2O3F7FJ1L54PZ1GQE32/the-academy-of-the-muses-2.jpg</image:loc>
      <image:title>The Academy of Muses</image:title>
      <image:caption>Mireia lays beside a partner. Although the film's participants appear under their real names, their onscreen gatherings and relationships have all been staged and largely improvised for Guerín’s camera.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471681614560-C0XB4GSH6GKJ1ND8WDRJ/image-asset.jpeg</image:loc>
      <image:title>The Academy of Muses</image:title>
      <image:caption>Emanuela Forgetta plays Emanuela, one of Pinto's students.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471681569013-OW3TJJZCH24Z4OAHVCPC/image-asset.jpeg</image:loc>
      <image:title>The Academy of Muses</image:title>
      <image:caption>Mireia Iniesta plays the blonde-haired, slight Mireia, one of the academy's muses.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471681522914-ZPBW0W69QB1TBU0B1TMD/image-asset.jpeg</image:loc>
      <image:title>The Academy of Muses</image:title>
      <image:caption>Rosa Delor Muns plays the professor's wife, Rosa.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2016/fitzpatrick-travel-talks-vol-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-08-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471686188617-074QC313WSXUPGP4NXZW/image-asset.jpeg</image:loc>
      <image:title>Fitzpatrick Travel Talks Vol. 1 (1934–1946)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471686216294-HQCM8J6DW3TKJBO3WA8L/image-asset.jpeg</image:loc>
      <image:title>Fitzpatrick Travel Talks Vol. 1 (1934–1946)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1471686122602-3ZXEDXTQXI928U1QRVP3/image-asset.jpeg</image:loc>
      <image:title>Fitzpatrick Travel Talks Vol. 1 (1934–1946)</image:title>
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  </url>
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    <lastmod>2016-12-09</lastmod>
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      <image:title>On Dangerous Ground</image:title>
      <image:caption>Mary's selfless love restores Wilson's humanity.</image:caption>
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      <image:title>It's Always Fair Weather</image:title>
      <image:caption>Michael Kidd, Dan Dailey, and Gene Kelly in the MGM musical, It’s Always Fair Weather (1955).</image:caption>
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    <loc>https://www.cineaste.com/spring2017/arrival</loc>
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    <lastmod>2017-02-28</lastmod>
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      <image:caption>Amy Adams as Louise Banks aboard the alien ship.</image:caption>
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      <image:caption>The Big Heat (1953).</image:caption>
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      <image:caption>Cloak and Dagger (1946).</image:caption>
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    <lastmod>2017-03-21</lastmod>
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      <image:caption>Shirley Clarke's The Connection (1961).</image:caption>
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      <image:caption>Shirley Clarke’s documentary Skyscraper (1961).</image:caption>
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      <image:title>Smuggling the Impossible into Reality: An Interview with Jeremy Thomas, Part 2</image:title>
      <image:caption>Art Garfunkel and Theresa Russell in Nicolas Roeg’s Bad Timing (1980).</image:caption>
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      <image:caption>Nagisa Ôshima and David Bowie on location for Merry Christmas Mr. Lawrence (1983).</image:caption>
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      <image:caption>John Hurt in Jeremy Thomas’s sole directorial effort, All the Little Animals (1998).</image:caption>
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      <image:caption>Christian Bale in All the Little Animals.</image:caption>
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      <image:caption>Jude Law as Thomas Wolfe and Nicole Kidman as Aline Bernstein in Michael Grandage’s Genius.</image:caption>
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    <lastmod>2017-03-01</lastmod>
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      <image:caption>Pedro Almodóvar’s Law of Desire (1987)</image:caption>
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    <lastmod>2018-03-25</lastmod>
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    <lastmod>2018-03-25</lastmod>
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      <image:caption>Divines</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495487700766-CDXEFYRKMI52D5BQ9E0A/image-asset.jpeg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Lav Diaz's The Woman Who Left</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495489281371-V9Y9Z6V9U2R867WXYQG5/image-asset.jpeg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Black Girl</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495644432145-VGABAYMOF958GZKQJ5C0/image-asset.jpeg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>A Farewell to Andrzej Wajda</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495489704052-4XUA5F2QQ8EVFT4U5LY2/loden_hp.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Nathalie Léger's Suite for Barbara Loden</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495490500575-Z2PK4ZCB58VR9PVZ7DF5/image-asset.jpeg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Yannis Kastritsis: The Man and His Shadow</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2017/trump-at-the-movies-ayn-rand-fountainhead</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-05-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495430390025-HKBB2VDCI0POZ9Z96OD5/image-asset.jpeg</image:loc>
      <image:title>Trump at the Movies: Dismantling Ayn Rand’s The Fountainhead</image:title>
      <image:caption>Howard Roark (left) and Donald Trump (right).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495430459247-5C4ZSGO8WTGG3JDDGPAP/image-asset.jpeg</image:loc>
      <image:title>Trump at the Movies: Dismantling Ayn Rand’s The Fountainhead</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495430843804-Y5E9W4H2DLTOHFKAOGHK/image-asset.jpeg</image:loc>
      <image:title>Trump at the Movies: Dismantling Ayn Rand’s The Fountainhead</image:title>
      <image:caption>Gary Cooper and Patricia Neal.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495430433517-IIVASPA4HPY9U1K8YYNE/image-asset.jpeg</image:loc>
      <image:title>Trump at the Movies: Dismantling Ayn Rand’s The Fountainhead</image:title>
      <image:caption>Gary Cooper and Ayn Rand.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2017/beauties-and-the-beasts-in-blu-ray</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-07-23</lastmod>
    <image:image>
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      <image:title>Beauties and the Beasts in Blu-ray: One Million Years B.C. and When Dinosaurs Ruled the Earth</image:title>
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    <image:image>
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      <image:title>Beauties and the Beasts in Blu-ray: One Million Years B.C. and When Dinosaurs Ruled the Earth</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495598546023-SVW5CL46DM9ZEMC8PK4O/image-asset.jpeg</image:loc>
      <image:title>Beauties and the Beasts in Blu-ray: One Million Years B.C. and When Dinosaurs Ruled the Earth</image:title>
      <image:caption>Ray Harryhausen models one of the stars of the show, the Ceratosaurus.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495598604566-C5TWDW6YYBZTNAC7DK7H/ONE+MILLION+YEARS+5.jpg</image:loc>
      <image:title>Beauties and the Beasts in Blu-ray: One Million Years B.C. and When Dinosaurs Ruled the Earth</image:title>
      <image:caption>One Million Years B.C.: Raquel Welch in the still that launched her career.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495598776445-YIQH2CJQGAXGYQDJYEQR/ONE+MILLION+YEARS+4.jpg</image:loc>
      <image:title>Beauties and the Beasts in Blu-ray: One Million Years B.C. and When Dinosaurs Ruled the Earth</image:title>
      <image:caption>An Allosaurus confronts the Shell People in One Million Years B.C.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495432767379-0MVV8SHMCSFDMSZRU3ZV/image-asset.jpeg</image:loc>
      <image:title>Beauties and the Beasts in Blu-ray: One Million Years B.C. and When Dinosaurs Ruled the Earth</image:title>
      <image:caption>Tumak (John Richardson) and Loana (Raquel Welch).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495598869600-XBFKENEZ6PZIWZCSJFOD/image-asset.jpeg</image:loc>
      <image:title>Beauties and the Beasts in Blu-ray: One Million Years B.C. and When Dinosaurs Ruled the Earth</image:title>
      <image:caption>Julie Ege in Creatures the World Forgot.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495431771989-E54YBMZV916QEMUDXY4N/WHEN+DINOSAURS+2.jpg</image:loc>
      <image:title>Beauties and the Beasts in Blu-ray: One Million Years B.C. and When Dinosaurs Ruled the Earth</image:title>
      <image:caption>Stop-motion animator Jim Danforth received his second Oscar nomination for When Dinosaurs Ruled the Earth.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2017/t2-trainspotting</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-05-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495429008225-DUF1HTHC3ZY7MVOGGQBQ/image-asset.jpeg</image:loc>
      <image:title>T2 Trainspotting</image:title>
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      <image:title>T2 Trainspotting</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495429165777-TPB6TWG7IJUJKVCQWJ54/image-asset.jpeg</image:loc>
      <image:title>T2 Trainspotting</image:title>
      <image:caption>Reunited after 20 years: Jonny Lee Miller as Sick Boy, Ewan McGregor as Mark Renton, and Ewen Bremner as Spud.</image:caption>
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    <image:image>
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      <image:title>T2 Trainspotting</image:title>
      <image:caption>Mark Renton (Ewan McGregor) and Begbie (Robert Carlyle).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2017/maurice-30th-anniversary</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-05-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495602959471-F7VC3SPYTK4NGXAOD0VP/MAURICE+1.jpg</image:loc>
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      <image:title>Maurice, Restored and Re-released</image:title>
      <image:caption>James Wilby (as Maurice Hall) and Hugh Grant (as Clive Durham). Photo courtesy of Photofest.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495660652598-MCTJXK59S1FKPDJIO1BY/MAURICE+3.jpg</image:loc>
      <image:title>Maurice, Restored and Re-released</image:title>
      <image:caption>Photo courtesy of Photofest.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Maurice, Restored and Re-released</image:title>
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      <image:title>Maurice, Restored and Re-released</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2017/the-cinema-hypothesis-teaching-cinema</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-05-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495430010615-TJFGENQABXE1R4ZNPZR9/image-asset.jpeg</image:loc>
      <image:title>The Cinema Hypothesis: Teaching Cinema in the Classroom and Beyond</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2017/bells-are-ringing</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-05-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495596401271-WGJGFI0CGZWP97ILV5IK/bells+jacket.jpg</image:loc>
      <image:title>Bells Are Ringing</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495596425677-2OIHJX463U86MCXJPBKU/image-asset.jpeg</image:loc>
      <image:title>Bells Are Ringing</image:title>
      <image:caption>Struggling playwright Jeffrey Moss (Dean Martin) must choose between a life of drunken womanizing or the creative renewal promised by his 'fairy godmother' Melisande Scott, aka Ella Peterson (Judy Holliday).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495596451264-BHJGYJQWG9B52O0VQHS2/image-asset.jpeg</image:loc>
      <image:title>Bells Are Ringing</image:title>
      <image:caption>Jeffrey works his own magic by transforming a dead end New York street into a romantic stage set.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495596500440-HRMAU15I5EM2AKSAUXR5/image-asset.jpeg</image:loc>
      <image:title>Bells Are Ringing</image:title>
      <image:caption>As Ella listens into, and helps countless lives at a remove, she finds her own sense of self slipping away.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2017/the-lovers-on-the-bridge</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-05-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495594845611-TK4PUQAS39ZDK48BF0FA/image-asset.jpeg</image:loc>
      <image:title>The Lovers on the Bridge</image:title>
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    <image:image>
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      <image:title>The Lovers on the Bridge</image:title>
      <image:caption>Denis Lavant and Juliette Binoche as Alex and Michèle.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495595254368-QPWWM7D9PW2CCPZCCP8U/image-asset.png</image:loc>
      <image:title>The Lovers on the Bridge</image:title>
      <image:caption>Juliette Binoche plays Michèle, a painter suffering from a degenerative eye disease.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495596090547-4DMEVT6RX56PIQZ5I8T7/Lovers_on_Bridge_1991_1.jpg</image:loc>
      <image:title>The Lovers on the Bridge</image:title>
      <image:caption>In the film's spectacular set piece, Alex and Michèle exult in the fireworks display celebrating the bicentennial  of the French Revolution.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2017/black-girl</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-05-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495597971706-XPSYLED31TKW4WQADAV0/image-asset.jpeg</image:loc>
      <image:title>Black Girl</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495597998215-B21SEWHAN9LT2V756C53/image-asset.jpeg</image:loc>
      <image:title>Black Girl</image:title>
      <image:caption>M'bissine Therese Diop plays Diouana, a domestic worker who moves to France to work as a nanny for a middle-class family.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495598019798-PZXNX3BXQU0E9G3H2BMA/image-asset.jpeg</image:loc>
      <image:title>Black Girl</image:title>
      <image:caption>M'bissine Therese Diop as Diouana, imprisoned in Madame's apartment.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2017/thessaloniki-documentary-film-festival-2017</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-05-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495685681074-JYXLBXEKKDQHK5VQRUM0/image-asset.png</image:loc>
      <image:title>The Thessaloniki Documentary Film Festival</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495684820295-JGMBSKVXIP9MW8PU7W6H/My+Little+Canary.jpg</image:loc>
      <image:title>The Thessaloniki Documentary Film Festival</image:title>
      <image:caption>Rosa Eskenazi, legendary Jewish-Greek rebetiko singer and subject of Roy Sher's My Sweet Canary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495685100993-DJUMWMTJ1Y1PMFLO8KN7/image-asset.jpeg</image:loc>
      <image:title>The Thessaloniki Documentary Film Festival</image:title>
      <image:caption>Victims of European big game hunting: Ulrich Seidl's Safari.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495685219661-AKTGT4G3PWS421FYTI15/image-asset.jpeg</image:loc>
      <image:title>The Thessaloniki Documentary Film Festival</image:title>
      <image:caption>Bollywood legend and social activist Aamir Khan, subject of The Snake Charmer, by Greek director Nina Maria Paschalidou.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495685310490-FNUC745GDNHFDASHHYBE/image-asset.jpeg</image:loc>
      <image:title>The Thessaloniki Documentary Film Festival</image:title>
      <image:caption>A characteristic 1970s pornochanchada, the popular soft-porn genre that provides a sidelight on the Brazilian military dictatorship in Fernanda Pessoa's Stories Our Cinema Did (Not) Tell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495685265271-09E4AT1YX2J9HGDNVL3Y/image-asset.jpeg</image:loc>
      <image:title>The Thessaloniki Documentary Film Festival</image:title>
      <image:caption>Propped up by Tilda Swinton, John Berger struggles for attention in his own 'portrait' film, The Seasons in Quincy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495685364970-9UR68Y30LHUEO0CP6TS6/image-asset.jpeg</image:loc>
      <image:title>The Thessaloniki Documentary Film Festival</image:title>
      <image:caption>Artistic light faces the historical shade in Dimitris Koutsiabasakos' portrait of the artist, Yannis Kastritsis: the Man and His Shadow.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495684780464-HQ5MWCE3FZIFC2FPRTEW/image-asset.jpeg</image:loc>
      <image:title>The Thessaloniki Documentary Film Festival</image:title>
      <image:caption>From The Girl With the Gloves, the silent-film-within-the-documentary that is part of João Botelho's Cinema, Manoel de Oliveira and Me.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1495684761896-0OARP14SBBU49ZGZVAXQ/76_Minutes_and_15_Seconds_with_Abbas_+Kiarostami.jpg</image:loc>
      <image:title>The Thessaloniki Documentary Film Festival</image:title>
      <image:caption>The revered director in pensive mood in Seifollah Samadian's 76 Minutes and 15 Seconds with Abbas Kiarostami.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2017/hard-boiled-hollywood</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-08-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502666065574-GZL65SNXQRPEL8E7HBQ2/image-asset.jpeg</image:loc>
      <image:title>Hard-Boiled Hollywood: Crime and Punishment in Postwar Los Angeles</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503198559397-Y6WTIF23DE4JRX69Y887/85157629.jpg</image:loc>
      <image:title>Hard-Boiled Hollywood: Crime and Punishment in Postwar Los Angeles</image:title>
      <image:caption>Mia Kirshner in The Black Dahlia by Brian de Palma.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503198294919-Z8OYJH54VG07J291U9S8/BLACK+DAHLIA+POSTER.jpg</image:loc>
      <image:title>Hard-Boiled Hollywood: Crime and Punishment in Postwar Los Angeles</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2017/history-delivered-in-frames</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502810796332-PPLWBE8DM8LVAHJTMV5I/ALEXANDER+NEVSKY+1.jpg</image:loc>
      <image:title>History Delivered in Frames, and How One Thing Led To Another</image:title>
      <image:caption>The Teutonic Knights in hedgehog formation facing the Russians in the "Battle on the Ice" from Sergei Eisenstein's patriotic Alexander Nevsky.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502767753330-D1UET95Y5LTD0V6BDAHC/VIVA+ZAPATA%21+POSTER.jpg</image:loc>
      <image:title>History Delivered in Frames, and How One Thing Led To Another</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502767898811-2O8D7ZAMDYIIUUOGYNAY/image-asset.jpeg</image:loc>
      <image:title>History Delivered in Frames, and How One Thing Led To Another</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502768682919-SIRGZCFWSR12HLVL5T5G/VIVA+ZAPATA+2.jpg</image:loc>
      <image:title>History Delivered in Frames, and How One Thing Led To Another</image:title>
      <image:caption>The revolutionary leader Emiliano Zapata (Marlon Brando) recognizes how power corrupts, as  the political opportunist Fernando (Joseph Wiseman) looks on in Elia Kazan's dramatized version of the Mexican Revolution, Viva Zapata!.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502768340775-YN4VOBABA3PNX69Q0DIL/GRAND+ILLUSION+1.jpg</image:loc>
      <image:title>History Delivered in Frames, and How One Thing Led To Another</image:title>
      <image:caption>Serving warring flags, but finding amity in their common aristocratic roots, the German Captain von Rauffenstein (Erich von Stroheim) chats with his French prisoner, Captain de Boeldieu (Pierre Fresnay), in Jean Renoir's anti-war drama, The Grand Illusion.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502768257720-THG62AZJOE3MV9KGDIL9/DR.+STRANGELOVE+1.jpg</image:loc>
      <image:title>History Delivered in Frames, and How One Thing Led To Another</image:title>
      <image:caption>President Muffley (Peter Sellers) on the hotline phone with Premier Kissoff as Russian Ambassador de Sadesky (Peter Bull) listens in. From Stanley Kubrick's dark satire Dr. Strangelove.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502768859499-DNWIRKIUVDCS8QYB0GQG/image-asset.jpeg</image:loc>
      <image:title>History Delivered in Frames, and How One Thing Led To Another</image:title>
      <image:caption>A "minicourse" class at Brooklyn Poly, 1995. Note the bottles of Stoli held by a couple of students. The author appears in the 2nd row, 3rd from left.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502768470525-GQKD4WXRFWMCVSACSK5C/image-asset.jpeg</image:loc>
      <image:title>History Delivered in Frames, and How One Thing Led To Another</image:title>
      <image:caption>Vera (Natalya Negoda) and her husband Sergei (Andrei Sokolov) in Vasily Pichul's Little Vera, a  bleak portrait of working-class life in the director's native Mariupol.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502768129715-VVBALU2UGNYLK6GQBL6T/COME+AND+SEE+1.jpeg</image:loc>
      <image:title>History Delivered in Frames, and How One Thing Led To Another</image:title>
      <image:caption>The young partisan Florya (Aleksei Kravchenko) forced at gunpoint for a photo by the German invaders in Elem Klimov's searing Come and See.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2017/the-young-pope</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-08-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502661526365-0NDECRUU9I4ZGSI9ON8Y/image-asset.jpeg</image:loc>
      <image:title>The Young Pope</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502662277413-67PCSA0NYFLKO55FLT7K/image-asset.jpeg</image:loc>
      <image:title>The Young Pope</image:title>
      <image:caption>Jude Law as Lenny Belardo, the vain and unconventional, newly appointed Pope.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502662365013-40HQLD4A6SJNXXRFS98D/image-asset.jpeg</image:loc>
      <image:title>The Young Pope</image:title>
      <image:caption>Lenny Belardo (Jude Law) and Sister Mary (Diane Keaton) in the Vatican gardens.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2017/home</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-11-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502329308399-X5HTJPXIILJVIT4UTNCY/image-asset.jpeg</image:loc>
      <image:title>The Current Issue</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502646694146-UAJUPLY0O7CY1UP3XQMJ/image-asset.jpeg</image:loc>
      <image:title>The Current Issue - In the Heat of the Night</image:title>
      <image:caption>In the Heat of the Night</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502654537800-FEEG8EN3BN9SOJRQWPES/image-asset.jpeg</image:loc>
      <image:title>The Current Issue - Lady Macbeth</image:title>
      <image:caption>Manifesto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502654671266-DU3QXOONXLC1JKGJ93AL/image-asset.jpeg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Yasujirō Ozu's Good Morning</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502655116862-ODJ1YEVEO3GH1TGLUXVO/image-asset.jpeg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Johnnie To</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502650939880-002ZX0JKQO9EBQQCZAVM/image-asset.jpeg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Hard-Boiled Hollywood: Crime and Punishment in Postwar Los Angeles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502655994480-ZZ89JKWE0FYGZXVTN8P6/image-asset.jpeg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>International Short Film Festival Oberhausen</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2017/good-morning-ozu</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502666460586-ULURWUQ66BW4N4TOG35L/image-asset.jpeg</image:loc>
      <image:title>Good Morning</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502666591498-ESBUPBWMUKU9QK7FDPOW/image-asset.jpeg</image:loc>
      <image:title>Good Morning</image:title>
      <image:caption>Isamu (Masahiko Shimazu) and his older brother Minoru (Koji Shidara) have been repeatedly pestering their father to buy the family a television set.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502667804636-6TT0ZINP8ULDDLG5Y140/image-asset.jpeg</image:loc>
      <image:title>Good Morning</image:title>
      <image:caption>The new TV set owned by a neighbor becomes a local attraction for local schoolboys in Yasujiro Ozu’s Good Morning.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502667616219-US6I2JLM1BVE43O91LW9/image-asset.jpeg</image:loc>
      <image:title>Good Morning</image:title>
      <image:caption>The parents of Isamu and Minoru, Mr. and Mrs. Hayashi (Chishu Ryu, left, and Kuniko Miyake), attempt to deal with the rebellious antics of their young sons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502667904681-OMHT2P9F1C6DZ0MKHZIU/image-asset.jpeg</image:loc>
      <image:title>Good Morning</image:title>
      <image:caption>Mrs. Hayashi (Kuniko Miyake) is one of the housewives who regularly engage in gossip with her neighbors.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502667843543-O9CR5WGSRVY1U62J1YP8/image-asset.jpeg</image:loc>
      <image:title>Good Morning</image:title>
      <image:caption>Isamu (Masahiko Shimazu, left) and his brother Minoru (Koji Shidara) sulk after their latest appeals for a family TV are rebuffed.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2017/being-there</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502671266788-BSO9O20O6HGXHV6DX44T/image-asset.jpeg</image:loc>
      <image:title>Being There</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502671315747-8MXRE85LKLV5AQMHP1PK/BEING+THERE+2.jpg</image:loc>
      <image:title>Being There</image:title>
      <image:caption>Peter Sellers stars as Chance the gardener.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502671362347-XN9PVUNRTGVS9QXMUEUX/BEING+THERE+5.jpg</image:loc>
      <image:title>Being There</image:title>
      <image:caption>Peter Sellers, who saw something of himself in the main protagonist, was personally involved in getting Being There produced.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502671279294-ZV2CFAQMTVQ3PVU32R6E/BEING+THERE+1.jpg</image:loc>
      <image:title>Being There</image:title>
      <image:caption>Billionaire Benjamin Rand (Melvyn Douglas) takes on Chance (Peter Sellers) as a trusted advisor.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502671337845-CWY7P7J2O3J40XMPH1TS/image-asset.jpeg</image:loc>
      <image:title>Being There</image:title>
      <image:caption>Chance (Peter Sellers) likes to watch television.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2017/seven-days-in-may</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-08-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502673725029-8QK8RIEAUE6CGEKUG7BU/image-asset.jpeg</image:loc>
      <image:title>Seven Days in May</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502676468993-NEUA0L28W8UFRGTLMRU7/image-asset.jpeg</image:loc>
      <image:title>Seven Days in May</image:title>
      <image:caption>Poster art featuring the principal protagonists in John Frankenheimer’s Seven Days in May.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502673752850-JED02T1FMXM0XZGLR6FF/image-asset.jpeg</image:loc>
      <image:title>Seven Days in May</image:title>
      <image:caption>General Scott (Burt Lancaster) and his aide, Col. Casey (Kirk Douglas).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502676525273-QNDJR270MTLQYWRS2DL6/image-asset.jpeg</image:loc>
      <image:title>Seven Days in May</image:title>
      <image:caption>President Lyman (Fredric March).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502677106965-BN4FGHID36OTSKWVRU47/SEVEN+DAYS+5.jpg</image:loc>
      <image:title>Seven Days in May</image:title>
      <image:caption>Col. Casey (Kirk Douglas) informs the President of General Scott’s plans for a military coup.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502676607311-SABW8KKHPW9H39EBA42M/SEVEN+DAYS+4.jpg</image:loc>
      <image:title>Seven Days in May</image:title>
      <image:caption>President Lyman (Fredric March) confronts the traitorous General Scott (Burt Lancaster) at the White House.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2017/the-loved-one</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502678715371-59E4Y34E8MANA5THFT2X/LOVED+ONE+SLEEVE.jpg</image:loc>
      <image:title>The Loved One</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502678098047-CC6B9GTN8Q87X78LEBO6/LOVED+ONE+1.jpg</image:loc>
      <image:title>The Loved One</image:title>
      <image:caption>Sir Ambrose Ambercrombie (Robert Morley, left) and Denis Barlow (Robert Morse) at the funeral of former screenwriter Sir Francis Hinsley.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502678286402-PGII2WH2Z1D0SN4CQKMB/LOVED+ONE+2.JPG</image:loc>
      <image:title>The Loved One</image:title>
      <image:caption>Denis (Robert Morse) becomes enamored of mortuary cosmetician Aimée Thanatogenos (Anjanette Comer).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502678270259-2SL9B200JJQ66SR0WDW5/LOVED+ONE+3.jpg</image:loc>
      <image:title>The Loved One</image:title>
      <image:caption>Mortunary cosmetician Aimée Thanatogenos (Anjanette Comer).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502678658913-0E5C4V7JKSBOZEJPQFEC/image-asset.jpeg</image:loc>
      <image:title>The Loved One</image:title>
      <image:caption>Mr. Joyboy (Rod Steiger) and his assistant Aimée (Anjanette Comer).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2017/blade-runner-2049</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-12-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1509481205885-NG7XVP61O8YEV9ZBFDFK/blade-runner.jpg</image:loc>
      <image:title>Blade Runner 2049</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1509484382978-2LKT815G8ZPYTH85HTEN/TRI-13668.jpg</image:loc>
      <image:title>Blade Runner 2049</image:title>
      <image:caption>Harrison Ford reprises his role as blade runner Rick Deckard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1509484467864-HMMC82J39Y2CNW7RHZKA/image-asset.jpeg</image:loc>
      <image:title>Blade Runner 2049</image:title>
      <image:caption>Ryan Gosling as K.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1509485085442-SSCBJWF0U46QO5X3TV0Y/BR-CC-1072r.jpg</image:loc>
      <image:title>Blade Runner 2049</image:title>
      <image:caption>Ryan Gosling as K and Sylvia Hoeks as Luv.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1509485390546-WM5IYMUJGKOS2R8YSWAF/image-asset.jpeg</image:loc>
      <image:title>Blade Runner 2049</image:title>
      <image:caption>Jared Leto as the enigmatic Wallace.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1509481707008-OKUZN1BI0KVSK4Q6LCQA/image-asset.jpeg</image:loc>
      <image:title>Blade Runner 2049</image:title>
      <image:caption>Ana de Armas as Joi, a hologram that springs from K's "emanator" device.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2017/ghost-world</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-08-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502673026624-UBW2RXAHC74EZPW4A8TS/image-asset.jpeg</image:loc>
      <image:title>Ghost World</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502673040150-NWC40ME97XX0U1IRSPOJ/image-asset.jpeg</image:loc>
      <image:title>Ghost World</image:title>
      <image:caption>Rebecca (Scarlett Johansson, left) and Enid (Thora Birch) celebrate their graduation from high school.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502673154245-EN8SE7CKR8FVH6I2ZHIK/image-asset.jpeg</image:loc>
      <image:title>Ghost World</image:title>
      <image:caption>Rebecca (Scarlett Johansson) and Enid (Thora Birch) look to amuse themselves.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503193155225-NI1NCHCZ7RPX1HPYH9QS/GHOST+WORLD+5.jpg</image:loc>
      <image:title>Ghost World</image:title>
      <image:caption>Enid (Thora Birch) and Rebecca (Scarlett Johansson) visit a porn store.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502673257664-DAX3IQJ6ZAQVK4CM3O9H/image-asset.jpeg</image:loc>
      <image:title>Ghost World</image:title>
      <image:caption>Enid initially makes fun of Seymour (Steve Buscemi), a nerdy collector of 78 rpm records.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503193091641-QVLF4Y9W0ANRLNOBMY4F/GHOST+WORLD+4.jpg</image:loc>
      <image:title>Ghost World</image:title>
      <image:caption>Enid (Thora Birch) finds herself becoming obsessed with and even romantically attracted to Seymour (Steve Buscemi).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2017/war-machine</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-08-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502769545212-ZHCRZKJ5CZ37A4PQR3I6/image-asset.jpeg</image:loc>
      <image:title>War Machine</image:title>
      <image:caption>General Glen McMahon's entourage in War Machine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502769277704-JJZGUKKXXEO9BE4ADRAZ/image-asset.jpeg</image:loc>
      <image:title>War Machine</image:title>
      <image:caption>General Glen McMahon (Brad Pitt) explains to the Afghan President (Ben Kingsley) the U.S. military's planned "new direction" for the conflict in his country.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503193737941-1STR70BE64EXDJU0CILR/530066844.jpg</image:loc>
      <image:title>War Machine</image:title>
      <image:caption>Brad Pitt plays "new guy" General Glen McMahon.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2017/okja</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502765624020-64YR9QZINYGOXT4Z5AFM/OKJA+5.jpg</image:loc>
      <image:title>Okja</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502765704210-57ZP0NBVIWXR02S3JON0/OKJA+1.jpg</image:loc>
      <image:title>Okja</image:title>
      <image:caption>Fourteen-year-old Mija (An Seo Hyun) with the giant super pig “Okja” that she has grown up with over the last ten years.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502765782695-GSUBAIO70864XT845IWQ/OKJA+3.jpg</image:loc>
      <image:title>Okja</image:title>
      <image:caption>Mirando Corporation head Lucy Mirando (Tilda Swinton) with Mija at a public presentation in New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502766094647-74QCM935VVQUINTXMMK8/OKJA+2.jpg</image:loc>
      <image:title>Okja</image:title>
      <image:caption>Mija (An Seo Hyun) races to save her pet pig Okja.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502765920720-HRXJGFBU2J9UW8RP1LJD/OKJA+7.jpg</image:loc>
      <image:title>Okja</image:title>
      <image:caption>Corporate chief Lucy Mirando (Tilda Swinton) announces a ten-year plan to produce GMO "super pigs" that she says will "taste fucking good."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502765855743-TGMNSHDH1ZVAN4A6DJ1K/OKJA+8.jpg</image:loc>
      <image:title>Okja</image:title>
      <image:caption>TV zoologist Dr. Johnny Wilcox (Jake Gyllenhaal).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1502766002139-9SGAHCWJTR6TZOEDJKC5/OKJA+4.jpeg</image:loc>
      <image:title>Okja</image:title>
      <image:caption>Animal Liberation Front members join forces with Mija to save Okja.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2017/seattle-international-film-festival-2017</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-08-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503106380734-4UQWXWMF3SF43Q7TWFLN/image-asset.jpeg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503110980750-Y2EDHTVYDW59CIS7RU6N/Devils+Freedom+interviewee.jpg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Subjects in Everardo González’s Devil's Freedom wear skull-like masks, with grotesquely cut-out holes for mouth, nose, and ears.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503109360405-C8W8BTDB9IJKV5M4CJEU/Chavela+Vargas+young+in+Mexico.jpg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>A young Chavela Vargas in Mexico.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503109416002-315X5ND0VVC7R5A12P6O/Chavela_+both+Directors.jpg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Chavela directors Daresha Kyi and Catherine Gund.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503109326168-JYT18O0BQA519WKVNLFI/Chavela+Vargas.jpg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Chavela Vargas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503111700184-8FD043UBSVUMZ6UFQ20I/AngryInuk_KeyArt.jpg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Angry Inuk: Qajaaq Ellsworth, Alethea Arnaquq-Baril, Joannie Ikkidluak, and Isuaqtuq Ikkidluak.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503111773120-I8CDHTUIF2I1R70Z2NVG/AngryInuk_Still3.jpg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Angry Inuk: Isuatuq, Joannie and Perry Ikkidluak butchering bearded seal.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503115088583-2IX26MFRFUAUOOVP35X9/AngryInuk_Still2.jpg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Angry Inuk: Isuaqtuq Ikkidluak out on the seal ice while seal hunting.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503171080486-HDBXFYNNH52WXAWBAOZ2/AngryInuk_Still1.jpg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503196667990-UEK06K22P1X7EV7DIRBS/image-asset.png</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>In 500 Years, former dictator General Ríos Montt with his defense attorneys arrive to hear the verdict in his case.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503196889245-WJGVBTMVFV4AY32FI5LH/500_years_sundance_still_1_-_publicity_-_h_2017.jpg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Jubilation at Protest: The culmination of the citizen's uprising in 500 Years was the bringing down of the President and Vice-President of Guatemala who are now in jail awaiting trial.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503197263379-K4T8RYZLLFLUBITC17K9/image-asset.jpeg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Matthew Heineman's City of Ghosts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503106603338-F07YMDM6338CNPNXFM6X/image-asset.jpeg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Cullen Hoback's documentary What Lies Upstream investigates the contamination of a local drinking water supply in West Virginia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503107955325-HWUUG74HU6CKG6JYD1HG/What+Lies+Upstream++1+Cullen+and+Captain+Upstream+5x7.jpg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>What Lies Upstream</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2017/international-short-film-festival-oberhausen-2017</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-08-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503173225592-3RHRK7GE1DPA4SK25SLI/fur+frauen_hi_res.jpg</image:loc>
      <image:title>International Short Film Festival Oberhausen</image:title>
      <image:caption>Für Frauen—1. Kapitel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503173681648-Q3Q69UVNUH21C8KPSQHX/image-asset.jpeg</image:loc>
      <image:title>International Short Film Festival Oberhausen</image:title>
      <image:caption>Mietersolidarität, a vital work of agitprop solidarity.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503173746024-N4LR7FAYPQ1DY1FK0NYD/LANESVILLE_0.jpg</image:loc>
      <image:title>International Short Film Festival Oberhausen</image:title>
      <image:caption>Lanesville TV News Buggy, by the video collective Videofreex.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503173847633-YF4BAKZCKUTXOA1956Z4/image-asset.jpeg</image:loc>
      <image:title>International Short Film Festival Oberhausen</image:title>
      <image:caption>Reverse Big Brother (Paul Garrin, 1990)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503173508125-TFS1KIUS5MUH6VKR3AEQ/Medienwerkstatt+Freiburg.jpg</image:loc>
      <image:title>International Short Film Festival Oberhausen</image:title>
      <image:caption>The radical media group, Medienwerkstatt Freiburg.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503173364365-CJQBEIUWHPSOAT30U0P1/Fuer_Frauen_SDK_1.jpg</image:loc>
      <image:title>International Short Film Festival Oberhausen</image:title>
      <image:caption>Für Frauen—1. Kapitel (For Women—Chapter 1)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503173967314-9C22TMW5H56INQKPKQUN/fernsehgru%CC%88%C3%9Fe.jpg</image:loc>
      <image:title>International Short Film Festival Oberhausen</image:title>
      <image:caption>Fernsehgrüsse von West nach Ost (Television Greetings from West to East) (Michaela Buescher &amp; Gerd Conradt, 1986)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503173790934-JGUL1UCDFTIZ68UJHGFV/Qube+Project.png</image:loc>
      <image:title>International Short Film Festival Oberhausen</image:title>
      <image:caption>Jaime Davidovich's QUBE Project (1980).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503174026934-IJACAZ0GN7XCKK6SHSSF/1THISWASHOME5-1024x576.jpg</image:loc>
      <image:title>International Short Film Festival Oberhausen</image:title>
      <image:caption>Dany Levy's This Was Home, a haunting meditation on displacement, memory, and the passage of time.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1503174018064-I5S7CX4J7LRGEKE6E3GE/1THISWASHOME7-1024x576.jpg</image:loc>
      <image:title>International Short Film Festival Oberhausen</image:title>
    </image:image>
    <image:image>
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      <image:title>International Short Film Festival Oberhausen</image:title>
      <image:caption>Barbara Hammer's No No Nooky T.V. (1987)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2017/home</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-02-17</lastmod>
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      <image:caption>Kathryn Bigelow's Detroit</image:caption>
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      <image:caption>Luca Guadagnino's Call Me By Your Name</image:caption>
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      <image:caption>Andrei Tarkovsky's Stalker</image:caption>
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      <image:title>The Current Issue</image:title>
      <image:caption>Pamela Yates</image:caption>
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      <image:title>The Current Issue</image:title>
      <image:caption>Bresson on Bresson: Interviews 1943–1983</image:caption>
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      <image:title>The Current Issue</image:title>
      <image:caption>Valerie Massadian’s Milla</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/winter2017/battle-of-the-sexes</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-12-06</lastmod>
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      <image:title>Battle of the Sexes</image:title>
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      <image:title>Battle of the Sexes</image:title>
      <image:caption>Emma Stone as Billie Jean King and Steve Carell as Bobby Riggs.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511553651868-RZLY1J33DW0QDNLYOZWY/BATTLE+OF+SEXES+128.jpg</image:loc>
      <image:title>Battle of the Sexes</image:title>
      <image:caption>Emma Stone plays Billie Jean King.</image:caption>
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      <image:title>Battle of the Sexes</image:title>
      <image:caption>Steve Carell as Bobby Riggs and Emma Stone as Billie Jean King.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/winter2017/rebecca</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-12-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511555599351-YD6TU5AXCDUBUM6Y0PMZ/135_BD_sticker.jpg</image:loc>
      <image:title>Rebecca</image:title>
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      <image:title>Rebecca</image:title>
      <image:caption>Joan Fontaine's anxious heroine embraces her husband Maxim (Lawrence Olivier).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511554404187-LQ899WFRB2C1B4O80JEK/REBECCA+1.jpg</image:loc>
      <image:title>Rebecca</image:title>
      <image:caption>Mrs. Danvers (Judith Anderson), obsessed with the late Rebecca, tries to coax the second Mrs. de Winter (Joan Fontaine) into committing suicide.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511554724421-6J4PN36Q4JIQHLJJ5CEB/Rebecca_1940_20.jpg</image:loc>
      <image:title>Rebecca</image:title>
      <image:caption>Maxim (Olivier) brings his new bride (Fontaine) home to Maderley, where they are waited on by loyal butler Frith (Edward Fielding).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2017/night-moves</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-12-06</lastmod>
    <image:image>
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      <image:title>Night Moves</image:title>
    </image:image>
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      <image:title>Night Moves</image:title>
      <image:caption>Gene Hackman plays Harry Moseby, a forty-year-old ball player-turned-P.I.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511760151189-AM80T3JV4NLY94GM5P7G/nightmovesjenniferwarren.jpg</image:loc>
      <image:title>Night Moves</image:title>
      <image:caption>Jennifer Warren plays Paula, a possible love interest of Harry's.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511760238719-XAAQWDJFO26T7QYJNTBD/nightmoves2.jpg</image:loc>
      <image:title>Night Moves</image:title>
      <image:caption>Delly was an early role for Melanie Griffith.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511760208325-FRHRI4LJVVD1MQFO0CEI/nightmovesflorida.jpg</image:loc>
      <image:title>Night Moves</image:title>
      <image:caption>Moseby confronts Delly, the object of his pursuit.  </image:caption>
    </image:image>
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      <image:title>Night Moves</image:title>
      <image:caption>The film’s exciting, enigmatic climax unfolds.  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2017/film-and-the-american-presidency</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-11-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511555438787-7IOMB0N1T8XZLTYIUNS1/Film+and+the+American+Presidency.jpg</image:loc>
      <image:title>Film and the American Presidency</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511561697923-ZTDQRG9UWNALGXLD86V9/DANIEL+DAY-LEWIS+AS+PRESIDENT+LINCOLN+IN+STEVEN+SPIELBERG%27S+LINCOLN+%282012%29.jpg</image:loc>
      <image:title>Film and the American Presidency</image:title>
      <image:caption>Daniel Day-Lewis as President Lincoln in Steven Spielberg's Lincoln (2012).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511561814477-ACN8O8BXMLLK9CC2LZWU/WALTER+HUSTON+AS+THE+PRESIDENT+IN+GABRIEL+OVER+THE+WHITE+HOUSE+%281933%29.jpg</image:loc>
      <image:title>Film and the American Presidency</image:title>
      <image:caption>Walter Huston as the president in Gabriel Over the White House (1933).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511561653823-C2XJ6MFKKNDTDF4X5BHP/image-asset.jpeg</image:loc>
      <image:title>Film and the American Presidency</image:title>
      <image:caption>Day-Lewis as President Lincoln in Steven Spielberg's Lincoln (2012).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2017/call-me-by-your-name</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-11-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511558593528-3DS119AMK0JMRDZ643NO/image-asset.jpeg</image:loc>
      <image:title>Call Me By Your Name</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511558407537-CA2A73YIJQRT27F0FQKC/CALL+ME+%231.jpg</image:loc>
      <image:title>Call Me By Your Name</image:title>
      <image:caption>Teenager Elio (Timothée Chalamet, center) and American doctoral student Oliver (Armie Hammer) inspect a Greco-Roman sculpture discovered undersea by Elio’s professor father Mr. Perlman (Michael Stuhlbarg).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511558063280-ZJ3NJ1VUGB2093Q9PU03/image-asset.jpeg</image:loc>
      <image:title>Call Me By Your Name</image:title>
      <image:caption>Oliver (Armie Hammer) tries to loosen up an “uptight” Elio (Timothée Chalamet) in an early scene.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511558507972-87U9SOS2SYD96OFIAN88/image-asset.jpeg</image:loc>
      <image:title>Call Me By Your Name</image:title>
      <image:caption>Seventeen-year-old Elio (Timothée Chalamet) is in the process of exploring his sexual identity.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511558480103-N3E3MN6LW8CJ7CM7FVMV/CALL+ME+%233.jpg</image:loc>
      <image:title>Call Me By Your Name</image:title>
      <image:caption>Oliver (Armie Hammer) and Elio (Timothée Chalamet) spend a day touring the nearby countryside.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2017/interview-with-pamela-yates</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-12-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511764722631-V25UU879Y15XD8J4FT1R/PAM+YATES+%235.jpg</image:loc>
      <image:title>The Guatemalan Resistance Saga Trilogy: An Interview with Pamela Yates</image:title>
      <image:caption>Pamela Yates (© Robin Holland/robinholland.com)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1512373636884-6THXDYR0WJ9X78KUQRH8/WHEN+MOUNTAINS+TREMBLE_Military+Man+%26+indigenous+woman.jpg</image:loc>
      <image:title>The Guatemalan Resistance Saga Trilogy: An Interview with Pamela Yates</image:title>
      <image:caption>When the Mountains Tremble (1983). Photo by Jean-Marie Simon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1512374323798-IXJ4504RXOEOPMZYYQE3/image-asset.jpeg</image:loc>
      <image:title>The Guatemalan Resistance Saga Trilogy: An Interview with Pamela Yates</image:title>
      <image:caption>Image: Luz Haydee Méndez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1512374479971-BYTNTKYKWJMSPE67RT0Q/GRANITO+%232.jpg</image:loc>
      <image:title>The Guatemalan Resistance Saga Trilogy: An Interview with Pamela Yates</image:title>
      <image:caption>Granito (2011). Photo by Dana Lixenberg.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1512010071228-83RCQXRMUIXK72SFIRIE/image-asset.jpeg</image:loc>
      <image:title>The Guatemalan Resistance Saga Trilogy: An Interview with Pamela Yates</image:title>
      <image:caption>The crew of Granito: How to Nail a Dictator in the Guatemalan highland town of Ilom, Guatemala 2010. Photo by Dana Lixenberg.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1512007774851-SY035FMZIMYBD347OHT8/PAM+YATES+%231.jpg</image:loc>
      <image:title>The Guatemalan Resistance Saga Trilogy: An Interview with Pamela Yates</image:title>
      <image:caption>Pamela Yates attending the trial of Ríos Montt in Guatemala City.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1512425157022-TGHARWEIVWO38LD0J8GP/image-asset.jpeg</image:loc>
      <image:title>The Guatemalan Resistance Saga Trilogy: An Interview with Pamela Yates</image:title>
      <image:caption>Rigoberta Menchú in When the Mountains Tremble (1983).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1512007976238-1SD6U9LRS1XQIWS4AAE0/PAM+YATES+%233+.jpg</image:loc>
      <image:title>The Guatemalan Resistance Saga Trilogy: An Interview with Pamela Yates</image:title>
      <image:caption>Pamela Yates in 1982 during production of When the Mountains Tremble. Photo by Newton Thomas Sigel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1512009719552-ZX7S6VZB3614NQHAQZPW/image-asset.jpeg</image:loc>
      <image:title>The Guatemalan Resistance Saga Trilogy: An Interview with Pamela Yates</image:title>
      <image:caption>Rigoberta Menchú and crew of When the Mountains Tremble in 1983. Pamela Yates is second from the left. Photo by skylight.is.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1512007891449-UQB1SV2NAKQ1D61UOTRZ/image-asset.jpeg</image:loc>
      <image:title>The Guatemalan Resistance Saga Trilogy: An Interview with Pamela Yates</image:title>
      <image:caption>Pamela Yates at the editing table. Photo by Dana Lixenberg.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1512374589333-FPA3T7LIM5ZOS40F5RNV/500YEARS_Irma+Alicia+Vela%E2%95%A0%C3%BCsquez+Nimatuj_TRS+.png</image:loc>
      <image:title>The Guatemalan Resistance Saga Trilogy: An Interview with Pamela Yates</image:title>
      <image:caption>Irma Alicia Velásquez Nimatuj is the lead protagonist in 500 Years. She is a social anthropologist, journalist, author and is Maya K’iche’.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1512009669451-T8VLI4PA2OUZT6PBXX9V/YATES+ADDITIONAL+%234.jpg</image:loc>
      <image:title>The Guatemalan Resistance Saga Trilogy: An Interview with Pamela Yates</image:title>
      <image:caption>Nobel Laureate Rigoberta Menchú and Pamela Yates filming in Guatemala in 2013. Photo by Melle van Essen / skylight.is.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1512374760899-DR68TBZM72ADLEMWG9AG/RIGOBERTA_WTMT_TRS.png</image:loc>
      <image:title>The Guatemalan Resistance Saga Trilogy: An Interview with Pamela Yates</image:title>
      <image:caption>Rigoberta Menchú.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1512008818134-RWOYJ7A9OU6PN3YR79QA/YATES+ADDITIONAL+%232.jpg</image:loc>
      <image:title>The Guatemalan Resistance Saga Trilogy: An Interview with Pamela Yates</image:title>
      <image:caption>Putting  up the outdoor screen for the premiere of Granito: How to Nail a Dictator in Nebaj, Guatemala. The film was translated into Mayan Ixil by a translation team and recorded in the local radio station. The Mayan Ixiles were a target of General Ríos Montt’s genocide in 1982. Photo by James Rodríguez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1512425113567-0GT16EO2VDW4GJFD3THI/WHEN+THE+MOUNTAINS+TREMBLE+%231.jpg</image:loc>
      <image:title>The Guatemalan Resistance Saga Trilogy: An Interview with Pamela Yates</image:title>
      <image:caption>When the Mountains Tremble (1983). Photo by Jean-Marie Simon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1512008011572-DVKP1TF522MHKF7G16FF/PAM+YATES+%234.jpg</image:loc>
      <image:title>The Guatemalan Resistance Saga Trilogy: An Interview with Pamela Yates</image:title>
      <image:caption>Matilde Terraza and Pamela Yates during the production of 500 Years. Photo by Skylight.is.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1512425356358-KG5RX00ESSA3IVA3PO8N/image-asset.png</image:loc>
      <image:title>The Guatemalan Resistance Saga Trilogy: An Interview with Pamela Yates</image:title>
      <image:caption>In 500 Years, former dictator General Ríos Montt with his defense attorneys arrive to hear the verdict in his case. Photo by Daniel Hernández Salazar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1512009641402-L0GLZM5KZFTEZZBLCJOI/YATES+ADDITIONAL+%233.jpg</image:loc>
      <image:title>The Guatemalan Resistance Saga Trilogy: An Interview with Pamela Yates</image:title>
      <image:caption>Cast and crew of 500 Years filming in the forest in Totonicapán, Guatemala in 2015. Photo by Skylight.is</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1512425576922-GN9LXKNVANLZYLC7R0N3/GRANITO+%236.jpg</image:loc>
      <image:title>The Guatemalan Resistance Saga Trilogy: An Interview with Pamela Yates</image:title>
      <image:caption>Granito (2011). Photo by Jean-Marie Simon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1512425753339-NDPPONFC1E2BLQTG4SE1/image-asset.png</image:loc>
      <image:title>The Guatemalan Resistance Saga Trilogy: An Interview with Pamela Yates</image:title>
      <image:caption>Aerial shot in 500 Years.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1512425470043-A9T075ZPUC8WRQJXN0BM/Cheering+at+Verdict.png</image:loc>
      <image:title>The Guatemalan Resistance Saga Trilogy: An Interview with Pamela Yates</image:title>
      <image:caption>In 500 Years, Mayan survivors of the Guatemalan genocide cheer the guilty verdict against dictator Ríos Montt. He was convicted and sentenced for genocide and crimes against humanity on May 10, 2013, given an 80-year sentence and sent directly to prison. It was the first time the perpetrator of genocide against indigenous people had been tried in a court of law. Photo by Daniel Hernández Salazar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1512425690409-G206A0VMUGRK5Q64M2B5/GRANITO+%233.jpg</image:loc>
      <image:title>The Guatemalan Resistance Saga Trilogy: An Interview with Pamela Yates</image:title>
      <image:caption>General Efraín Ríos Montt interviewed in 1982.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2017/bunuel-exterminating-angel-met</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-12-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511560597251-Q9Y2V57QV6XAZ101UDSA/EA_1607a-L.jpg</image:loc>
      <image:title>The Metropolitan Opera’s Production of The Exterminating Angel</image:title>
      <image:caption>Disgruntled dinner guests on the threshold between bourgeois hell and “the real world.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511560688243-1ZRIUZ5J1G0ZYJUPT6UP/EA_1865a-XL.jpg</image:loc>
      <image:title>The Metropolitan Opera’s Production of The Exterminating Angel</image:title>
      <image:caption>After a genteel beginning, decorum eventually breaks down among partygoers in The Exterminating Angel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511560883726-SN8L7VTHYDNN805MQTDZ/EA_6350a-XL.jpg</image:loc>
      <image:title>The Metropolitan Opera’s Production of The Exterminating Angel</image:title>
      <image:caption>Wealthy dinner guests eventually shrug off their inertia and flee their self-imposed prison in The Exterminating Angel.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2017/the-sea-wolf</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-12-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511762818761-67EDYU0B7NTBSANYJTCV/SEA+WOLF+SLEEVE.jpg</image:loc>
      <image:title>The Sea Wolf</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511762881519-4F6POI28L5VUWKZRBDKE/SEA+WOLF+%231.jpg</image:loc>
      <image:title>The Sea Wolf</image:title>
      <image:caption>From left, Sea Wolf stars John Garfield, Ida Lupino, and Edward G. Robinson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511763328988-56WZ183QPCMU515FLS3B/image-asset.jpeg</image:loc>
      <image:title>The Sea Wolf</image:title>
      <image:caption>Art imitated life: Lupino adored working with Garfield, but detested Robinson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511763266911-HBD5MWATRAP0SAP103L4/image-asset.jpeg</image:loc>
      <image:title>The Sea Wolf</image:title>
      <image:caption>Garfield and Lupino share a moody, noir-like moment.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511763423552-0IBLI5QIZ8MG1SLEI5WE/SEA+WOLF+%234.jpg</image:loc>
      <image:title>The Sea Wolf</image:title>
      <image:caption>With its fascist parallels, The Sea Wolf, Lupino said, “could pass as current history.”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2017/terror-in-a-texas-town</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-12-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511762049543-Y07CB3BST0C386SMD50H/TERROR+SLEEVE+1A.jpg</image:loc>
      <image:title>Terror in a Texas Town</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511762345623-USBTZQH9F4PW0C5KJDZ1/TERROR+POSTER.jpg</image:loc>
      <image:title>Terror in a Texas Town</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511762062488-WZ3S54XU7IX9SHT5G2O1/TERROR+%231.jpg</image:loc>
      <image:title>Terror in a Texas Town</image:title>
      <image:caption>Swedish seaman George Hansen (Sterling Hayden) arrives in Prairie City only to discover that his father has been killed.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511762131059-WP510FCQQ07OTUQA9YF1/image-asset.jpeg</image:loc>
      <image:title>Terror in a Texas Town</image:title>
      <image:caption>The opening scene features Joseph Lewis’s striking framing of an unusual Western showdown.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511762176103-GCXZFYF1Z1A7858KM6HF/TERROR+%233.jpg</image:loc>
      <image:title>Terror in a Texas Town</image:title>
      <image:caption>Hired gunman John Crale (Ned Young) and his land-grabbing employer McNeil (Sebastian Cabot) constitute the Terror in a Texas Town.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511762191639-0TQANPPQMIHGNF2PX0SS/TERROR+%236.jpg</image:loc>
      <image:title>Terror in a Texas Town</image:title>
      <image:caption>George Hansen (Sterling Hayden) armed with a whaling harpoon, with Prairie City citizens observing, squares off for a showdown with the town’s hired gun.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511762216979-9LPCDWDEOOTH6CENG6RM/TERROR+%237.JPEG</image:loc>
      <image:title>Terror in a Texas Town</image:title>
      <image:caption>George Hansen (Sterling Hayden), newly arrived in town, meets with John Crale (Ned Young) and his girl Molly (Carol Kelly), inquiring whether they have any idea who might have killed his father.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1511762280583-NNN69YPRT1RY9C5JCP5O/TERROR+%238.JPEG</image:loc>
      <image:title>Terror in a Texas Town</image:title>
      <image:caption>George Hansen (Sterling Hayden) has a drink with Molly (Carol Kelly) in a long monologue scene.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2017/interview-with-yance-ford</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-12-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1512499399274-DQ0S5ZMB0SOX9MJ3BURN/Strong+Island_STILL+4_300dpi_CREDIT_Courtesy+of+Netflix.jpg</image:loc>
      <image:title>In His Face: An Interview with Yance Ford on Strong Island</image:title>
      <image:caption>Yance Ford</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1512499310803-7QKL7GV682P2YNCK71A8/Strong+Island_STILL+1_WEB_CREDIT_Courtesy+of+Netflix.jpg</image:loc>
      <image:title>In His Face: An Interview with Yance Ford on Strong Island</image:title>
      <image:caption>William Ford Jr., Lauren Ford, Yance Ford</image:caption>
    </image:image>
    <image:image>
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      <image:caption>William Ford Jr.</image:caption>
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      <image:title>In His Face: An Interview with Yance Ford on Strong Island</image:title>
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  </url>
  <url>
    <loc>https://www.cineaste.com/winter2017/interview-with-ruben-ostlund</loc>
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    <lastmod>2017-12-06</lastmod>
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      <image:caption>Christian (Claes Bang), a smug curator, is the central character in The Square.</image:caption>
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      <image:caption>Claes Bang plays Christian.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/winter2017/interview-with-ai-weiwei</loc>
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    <lastmod>2017-12-08</lastmod>
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  </url>
  <url>
    <loc>https://www.cineaste.com/winter2017/locarno-festival-2017</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-11-29</lastmod>
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  </url>
  <url>
    <loc>https://www.cineaste.com/fall2017/baby-driver</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-12-29</lastmod>
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      <image:caption>Baby (Ansel Elgort, front right), Bats (Jamie Foxx, front left), JD (Lanny Joon, back right), Eddie (Flea Balzary, back left) wait in the car.</image:caption>
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  <url>
    <loc>https://www.cineaste.com/spring2018/i-tonya</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2018-02-22</lastmod>
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      <image:caption>Producer Margot Robbie stars as Tonya Harding.</image:caption>
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      <image:caption>Margot Robbie as Tonya Harding.</image:caption>
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  <url>
    <loc>https://www.cineaste.com/spring2018/barry-lyndon</loc>
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    <lastmod>2018-02-26</lastmod>
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      <image:caption>The father of Redmond Barry engages in a duel at the start of the film, framed by mountains and a crumbling stone wall.</image:caption>
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      <image:caption>A NASA-developed lens was adapted so that Kubrick could shoot interior scenes by candlelight.</image:caption>
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    <loc>https://www.cineaste.com/spring2018/home</loc>
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    <lastmod>2018-02-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519163855423-YBQCMW3BQI0BVWWH0FAX/HELL+COVER.jpg</image:loc>
      <image:title>Hell on Frisco Bay</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519163913117-6EZ6KVEPBFEGTKXU31MC/HELL+1.JPEG</image:loc>
      <image:title>Hell on Frisco Bay</image:title>
      <image:caption>Framed cop Steve Rollins (Alan Ladd) takes revenge on racketeer Vic Amato (Edward G. Robinson), with enforcer Joe Lye (Paul Stewart) stuck in the middle.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519163961307-AEY59FHQU19OR5ZTG3HC/HELL+3.jpg</image:loc>
      <image:title>Hell on Frisco Bay</image:title>
      <image:caption>Rollins may be released from San Quentin, but he is still imprisoned in an ambivalent relationship with the wife he thinks betrayed him (Joanne Dru).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519164064559-LFBRN0R7KQMC3OQVET2O/HELL+4.jpg</image:loc>
      <image:title>Hell on Frisco Bay</image:title>
      <image:caption>Amato's heavy, Hammy (Stanley Adams), gives the inquisitive Rollins a heavy-handed hint to lay off.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519164413392-D4AMMEIVZLG5AJZJK26O/HELL+5.jpg</image:loc>
      <image:title>Hell on Frisco Bay</image:title>
      <image:caption>The final speedboat chase is at once a climax to the crime narrative and a rite of purification as Rollins gets his man and his wife.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2018/when-nixon-haunted-the-new-hollywood</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-02-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519162743468-363RTKKNUIBFF6JKRE4E/CONVERSATION+1.jpg</image:loc>
      <image:title>Who Knew It Could Get Worse?: When Nixon Haunted the New Hollywood</image:title>
      <image:caption>The Conversation (1974). Photo courtesy of Photofest.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519162994514-FHNQ2KEQHWOQ6UY03WYB/image-asset.jpeg</image:loc>
      <image:title>Who Knew It Could Get Worse?: When Nixon Haunted the New Hollywood</image:title>
      <image:caption>Harry Callahan (Clint Eastwood) in Dirty Harry (1971).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519163263657-NA0L3D02VDDMG6S2KCPV/mackintosh.jpg</image:loc>
      <image:title>Who Knew It Could Get Worse?: When Nixon Haunted the New Hollywood</image:title>
      <image:caption>The Mackintosh Man (1973).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2018/early-women-filmmakers</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-02-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519165066008-ZIWRJD47PWGMZ920Y6QC/EARLY+WOMEN+FILMMAKERS+SLEEVE.jpg</image:loc>
      <image:title>Early Women Filmmakers: An International Anthology</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519165384690-PEI177QX0ZZJCZOYB6DH/EARLY+WOMEN+FILMMAKERS+%233.jpg</image:loc>
      <image:title>Early Women Filmmakers: An International Anthology</image:title>
      <image:caption>A promotional item for Lois Weber's The Blot (1921).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519168291306-I3XT9KCOL6S94UB0HC2Q/image-asset.jpeg</image:loc>
      <image:title>Early Women Filmmakers: An International Anthology</image:title>
      <image:caption>Lois Weber's The Blot (1921).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519166825843-GGXSR0OZVZOZ1JJAKUDN/image-asset.jpeg</image:loc>
      <image:title>Early Women Filmmakers: An International Anthology</image:title>
      <image:caption>Lois Weber and her crew.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519166218203-XWIT4U4ST2UFVW88FK0D/Alice+Guy+Blache+Falling+Leaves.00_03_26_19.Still005.jpg</image:loc>
      <image:title>Early Women Filmmakers: An International Anthology</image:title>
      <image:caption>Alice Guy-Blaché's Falling Leaves (1912).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519166306353-APZQV81VXOD9RLXXIJRP/Mabels+Strange+Predicament.01_09_08_27.Still008.jpg</image:loc>
      <image:title>Early Women Filmmakers: An International Anthology</image:title>
      <image:caption>Mabel's Strange Predicament (1914).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519165606629-ZOJ18GR0CHSUV0Z4UL59/image-asset.jpeg</image:loc>
      <image:title>Early Women Filmmakers: An International Anthology</image:title>
      <image:caption>Germaine Dulac's La Cigarette (1919).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519413961655-YFHJJ5FF9ZVJXEE55JW7/Reiniger_Papageno3.jpg</image:loc>
      <image:title>Early Women Filmmakers: An International Anthology</image:title>
      <image:caption>Lotte Reiniger's Papageno (1935).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519414076438-KNA81BHKWB46JLZ4HWG5/lotte-reiniger-11.jpg</image:loc>
      <image:title>Early Women Filmmakers: An International Anthology</image:title>
      <image:caption>Lotte Reiniger at work.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519168042808-YMP43NFB8YRYKEC7LXI4/meshes-hi-res-1170x658.jpg</image:loc>
      <image:title>Early Women Filmmakers: An International Anthology</image:title>
      <image:caption>Maya Deren's Meshes of the Afternoon (1943).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2018/raiders-of-the-lost-archives</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519277985804-5KKJAZZTP8WXXH9NJJWU/DAWSON+1.jpg</image:loc>
      <image:title>Raiders of the Lost Archives</image:title>
      <image:caption>35mm nitrate film stock unearthed from the natural cold storage vault in Dawson City, Canada.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519277896794-O7HIRQFIDOMTEN9XILCX/BRINTON+1.jpg</image:loc>
      <image:title>Raiders of the Lost Archives</image:title>
      <image:caption>Pack rat and motion picture archivist-educator Michael Zahs projects a film from the Brinton collection on the side of a barn in his personal field of dreams.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519277998932-E6LUR3XIZ3RSUY3KX8WM/DAWSON+2.jpg</image:loc>
      <image:title>Raiders of the Lost Archives</image:title>
      <image:caption>A frame enlargement from the Dawson City collection with its distinctive watermarks on the borders.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519278020522-O75L5WJV5HED9T430ZD5/DAWSON+3.jpg</image:loc>
      <image:title>Raiders of the Lost Archives</image:title>
      <image:caption>Downtown Dawson City, open for business, during its Gold Rush heyday.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519278041008-WRES7VDGT2DC37HVUI3P/image-asset.jpeg</image:loc>
      <image:title>Raiders of the Lost Archives</image:title>
      <image:caption>A glimpse of what has been lost from the Dawson City collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519277919813-SIBJ6GFW32QELOPL88BF/image-asset.jpeg</image:loc>
      <image:title>Raiders of the Lost Archives</image:title>
      <image:caption>Michael Zahs prepares to thread a 16mm projector with a print from the Brinton collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519277931777-5R0WDDU5WSFHPW36B7D6/BRINTON+3.jpg</image:loc>
      <image:title>Raiders of the Lost Archives</image:title>
      <image:caption>Michael Zahs examines a 16mm print from the Brinton collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519277952672-WMT14QU33GG33SZ1DY8A/BRINTON+4.jpg</image:loc>
      <image:title>Raiders of the Lost Archives</image:title>
      <image:caption>A tinted frame enlargement from George Méliès’s The Wonderful Rose Tree (1904), one of the rediscovered treasures from the Brinton collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519278089854-QQ51ECJ2XXBYDO5B6SBE/KUKAN+1.jpg</image:loc>
      <image:title>Raiders of the Lost Archives</image:title>
      <image:caption>The two forces behind the wartime documentary Kukan (1941), Chinese-American multi-hypenate Li Ling-Ai and newsreel cameraman Rey Scott.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519278142855-PCT1BJU3EYIFNTWN4QAC/image-asset.jpeg</image:loc>
      <image:title>Raiders of the Lost Archives</image:title>
      <image:caption>Li Ling-Ai and Rey Scott in front of the Clay Theater in San Francisco for the premiere of Kukan, 1941.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519278168794-ABRO2JBLH4LVN10RXLSO/KUKAN+3.jpg</image:loc>
      <image:title>Raiders of the Lost Archives</image:title>
      <image:caption>Filmmaker Robin Lung, who found Kukan and restored credit to its producer, Li Ling-Ai.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519278191843-N9FXXUVK8UAR0B37GSGZ/KUKAN+4.jpg</image:loc>
      <image:title>Raiders of the Lost Archives</image:title>
      <image:caption>An advertisement for Kukan (1941), a documentary celebrating the “bitterly persevering” Chinese during the Sino-Japanese War.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519278217963-VQJHRZD8MWDDPZ1ALPAG/KUKAN+5.jpg</image:loc>
      <image:title>Raiders of the Lost Archives</image:title>
      <image:caption>Newsreel cameraman Rey Scott (right), on the scene in war-torn China, in a frame enlargement from Kukan.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2018/the-tramp-turns-100-kamil-turns-4</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-02-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519279368750-9J4BBWV3JCGD34L7BPVD/GOLD+RUSH+1.jpg</image:loc>
      <image:title>The Tramp Turns 100, Kamil Turns 4</image:title>
      <image:caption>The Lone Prospector.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519279460271-QZC2Q2Q0XZVJ3U8P7V7T/image-asset.jpeg</image:loc>
      <image:title>The Tramp Turns 100, Kamil Turns 4</image:title>
      <image:caption>Theatrical release poster. What James Agee likely saw in his Knoxville, Tennessee theater.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519415148882-BXJQI3KVOQ9EFV7AIQ9Z/image-asset.jpeg</image:loc>
      <image:title>The Tramp Turns 100, Kamil Turns 4</image:title>
      <image:caption>The author, Nafis Shafizadeh, and his four-year-old son Kamil.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519279424635-4A1X735L0J0WGKKOGBB9/GOLD+RUSH+2.jpg</image:loc>
      <image:title>The Tramp Turns 100, Kamil Turns 4</image:title>
      <image:caption>The Tramp and his world, in a single shot. The boot was eaten to fend off starvation. In its place, a tied sack. We are left to imagine the longing look, while he stares at the unattainable joys and revelries of an indifferent world. The eye naturally goes to these signifiers. But mine has always been drawn to the arch of his cane. There is a certain ineffable melancholy in that bend. As if, like its owner, it wills itself upright, as best it can. The pathos of Chaplin, so-often discussed, is in that bend. There is also the sole miner staring back at him, sitting at the foregrounded table, bearded and inscrutable. The world is entirely unnoticing of the Tramp and his plight, as is usually the case in his movies, except for this sole miner, who seems to recognize his entreaty. I don’t know if Chaplin orchestrated this or if it’s just an accident of shooting. But it has always struck me as a small token of forgiveness on Chaplin’s indictment on the world. Tenderness is always and only elicited from named characters, in whom we recognize their humanity and who in turn recognize the humanity of the Tramp. Never from an unnamed face in the crowd. Long before he pronounced his sentence on modernity in Monsieur Verdoux, he offers us a small – so small – measure of mitigation against his usual condemnation. A recognition that it is there, even if we and the Tramp don’t notice it. If the bow of the cane is his pathos, the visage of this lone miner staring back at him is the wisdom of his truth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519279576416-WLWG1ZOWDJ3KBFF8ECH6/GOLD+RUSH+3.jpg</image:loc>
      <image:title>The Tramp Turns 100, Kamil Turns 4</image:title>
      <image:caption>The Tramp, no fool, always cautious when he sniffs the possibility of duplicity.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2018/fipresci-colloquium-on-russian-cinema</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-02-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519280268682-O0VYR6O86VN3HV7BRTYQ/MATHILDE+2.jpg</image:loc>
      <image:title>The 2017 FIPRESCI Colloquium on Russian Cinema</image:title>
      <image:caption>Religious protests and a firebombing preceded the release of Mathilde, a lushly designed melodrama about the affair between future Czar Nicholas II and a ballerina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519280328219-OLI6JRWPFP0FTLNF420C/OF+FREAKS+AND+MEN+1.jpg</image:loc>
      <image:title>The 2017 FIPRESCI Colloquium on Russian Cinema</image:title>
      <image:caption>The early days of Russian pornography are depicted in Of Freaks and Men, a recently restored 1998 film by the late Alexey Balabanov.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519280156712-VBMS5F6PUKHG0PLHVRXO/BOTTOMLESS+BAG+1.jpg</image:loc>
      <image:title>The 2017 FIPRESCI Colloquium on Russian Cinema</image:title>
      <image:caption>Painterly influences and luxurious settings help provide the fairytale-like atmosphere of Bottomless Bag, a feature by renowned artist Rustam Khamdamov.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519280179704-RIGM615UUMQSC93P2MOL/CLOSENESS+1.jpg</image:loc>
      <image:title>The 2017 FIPRESCI Colloquium on Russian Cinema</image:title>
      <image:caption>A kidnapping puts pressure on a Russian Jewish family in Kantemir Balagov’s Closeness, a controversial prize-winner at Cannes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519280384581-KPITGW6IJ08IPNQ33NOR/SELLA+TURCICA+2.jpg</image:loc>
      <image:title>The 2017 FIPRESCI Colloquium on Russian Cinema</image:title>
      <image:caption>An unreconstructed homo Sovieticus spies on his neighbors in Sella Turcica, a drama by Yusup Razykov.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519280299832-KKU49RRY2W7I9I88WFMQ/MY+MURDRER+2.jpeg</image:loc>
      <image:title>The 2017 FIPRESCI Colloquium on Russian Cinema</image:title>
      <image:caption>A policeman’s murder investigation uncovers illegal mining and gold trading in Costas Marsan’s My Murderer, an atmospheric crime drama from northern Siberia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519280234346-35WVE5UFNK8FXD3K3GAM/HOW+VICTOR...2.jpg</image:loc>
      <image:title>The 2017 FIPRESCI Colloquium on Russian Cinema</image:title>
      <image:caption>Father and son wastrels go on the road in How Victor “the Garlic” Took Alexey “the Stud” to the Nursing Home, a satiric comedy by Alexander Khant.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519280058684-0NJ5WB5WHEVZEYBV6ZPP/ARRHYTHMIA+2.jpg</image:loc>
      <image:title>The 2017 FIPRESCI Colloquium on Russian Cinema</image:title>
      <image:caption>Social and familial dysfunctions parallel in Boris Khlebikov’s Arrhythmia, the story of two medical workers’ troubled marriage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519280347724-3INXNOWT03657IN2GHVK/image-asset.jpeg</image:loc>
      <image:title>The 2017 FIPRESCI Colloquium on Russian Cinema</image:title>
      <image:caption>A real-life outer space crisis of the 1980s provides the drama in Salyut 7, which displays Russia’s current proficiency in special effects and IMAX 3D.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519280089926-TDC5IIWBA4RAG2CGTYDB/ATTRACTION+1.jpg</image:loc>
      <image:title>The 2017 FIPRESCI Colloquium on Russian Cinema</image:title>
      <image:caption>Teenagers fight an alien invasion of Moscow in the box-office hit Attraction, an example of Russia’s current facility at Hollywood-scale spectacle and CGI.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519281156471-CR7VYJYTWR3BQ6Q3ZU4U/Howard-Image-4-750x400-2.jpg</image:loc>
      <image:title>The 2017 FIPRESCI Colloquium on Russian Cinema</image:title>
      <image:caption>The FIPRESCI Colloquium on Russian Cinema concluded with a roundtable discussion at Lenfilm Studios (Godfrey Cheshire, in white scarf, is speaking at the far end of the table).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2018/thessaloniki-international-film-festival-2017</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519326595483-H0A8ADW6OG5YZ3QV8V7V/balarinas.jpg</image:loc>
      <image:title>The 2017 Thessaloniki International Film Festival</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519327182720-78EZSIK2Q6K04M9QLSPK/20C-m_0.jpg</image:loc>
      <image:title>The 2017 Thessaloniki International Film Festival</image:title>
      <image:caption>Temptress or tempted? First timer Dorota Segda gives two unforgettable performances in Ildikó Enyedi's debut film, My 20th Century (1989).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519325472360-YCUC9OS4DVNHD3LPNQVS/CLOSENESS+1.jpg</image:loc>
      <image:title>The 2017 Thessaloniki International Film Festival</image:title>
      <image:caption>Mothers and daughters: Kantemir Balagov's Closeness (2017).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519325482695-1SIED2W5I82Y66GA0FT6/CLOSENESS.jpeg</image:loc>
      <image:title>The 2017 Thessaloniki International Film Festival</image:title>
      <image:caption>Kantemir Balagov's Closeness (2017).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519326491738-ROF7VCAT3R4PQRE36KU8/TIMELESS+STORIES.jpg</image:loc>
      <image:title>The 2017 Thessaloniki International Film Festival</image:title>
      <image:caption>Now and then and back again: Vasilis Raisis' Timeless Stories (2017).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519326450014-X0AQO5LB69HQMNLRVWZB/4+DAYS.jpg</image:loc>
      <image:title>The 2017 Thessaloniki International Film Festival</image:title>
      <image:caption>In the eye of the beholder...: Clairi Grammatiki in Michalis Giagkounidis' 4 Days (2017).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519326637912-NZOWC62GO90X4H4MHPZU/UP+IN+THE+SKY.jpg</image:loc>
      <image:title>The 2017 Thessaloniki International Film Festival</image:title>
      <image:caption>Abandoned child and reconstituted family : Petter Lennstrand's Up in the Sky (2016).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519325904713-6CM8Z3PUIT108QSYVUVE/INFINITY+BABY.jpg</image:loc>
      <image:title>The 2017 Thessaloniki International Film Festival</image:title>
      <image:caption>Emotionally infantile himself, Ben (Kieran Culkin, with Trieste Kelly Dunn) schemes to provide ageless babies for needy parents in Infinity Baby (2017).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519326746222-4OHP6BJ96188QDJIQ33R/WRITING+ON+THE+WALL.jpg</image:loc>
      <image:title>The 2017 Thessaloniki International Film Festival</image:title>
      <image:caption>French theatre and film director Armand Gatti encourages a youth workshop in Troubles-trashed Derry to rewrite The Writing on the Wall (1983).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519326368046-IFLFTF7764MAXPAAJGKX/THE+OUTRAGE+3.jpg</image:loc>
      <image:title>The 2017 Thessaloniki International Film Festival</image:title>
      <image:caption>Siding with the victim: Ida Lupino's Outrage (1950).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519326349359-PUHKXWARZUNENAUP2SEF/THE+OUTRAGE.jpg</image:loc>
      <image:title>The 2017 Thessaloniki International Film Festival</image:title>
      <image:caption>Parents and children: Ida Lupino's Outrage (1950).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519325845585-B5NWAM04KXRUAAZ247QR/GOAT+HORN+2.jpg</image:loc>
      <image:title>The 2017 Thessaloniki International Film Festival</image:title>
      <image:caption>Fathers and daughters: Metodi Andonow's The Goat Horn (1972).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519326011794-E16V9GUWS4VT56TVO6CA/MOROMETE+FAMILY+1.jpg</image:loc>
      <image:title>The 2017 Thessaloniki International Film Festival</image:title>
      <image:caption>Husbands and wives: The Moromete Family (1987).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519325423419-4MRNQM4U2GEGGI1JESWA/BIRCH+TREE+1.jpg</image:loc>
      <image:title>The 2017 Thessaloniki International Film Festival</image:title>
      <image:caption>Death is not the end: Ante Babaja's The Birch Tree (1967) from the former Yugoslavia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519325450728-J2EW8PYHACGOZQ5VXCKL/BIRCH+TREE+2.jpg</image:loc>
      <image:title>The 2017 Thessaloniki International Film Festival</image:title>
      <image:caption>Ante Babaja's The Birch Tree (1967)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519325955655-BR9Z8O59V6CW0MQY06O1/INNOCENCE+OF+MEMORIES+2.jpg</image:loc>
      <image:title>The 2017 Thessaloniki International Film Festival</image:title>
      <image:caption>Innocence of Memories: a labyrinthine tour through Istanbul, history and the work of Nobel Prize-winner Orhan Pamuk.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519327008022-GGWS55VPTZYVPGWU6GEL/image-asset.jpeg</image:loc>
      <image:title>The 2017 Thessaloniki International Film Festival</image:title>
      <image:caption>A bad start to a marriage that will only get much worse, in the Romanian classic Stone Wedding (1973).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2018/populism-politics-all-the-kings-men</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519282007124-ACJQUPWI8QE6YKQEBSXR/KING%27S+MEN+POSTER.jpg</image:loc>
      <image:title>Populism and Politics in Robert Penn Warren and Robert Rossen’s All the King’s Men</image:title>
      <image:caption>The 1949 release poster, playing off its adaptation from Robert Penn Warren’s Pulitzer Prize novel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519415336221-B4ED2Z02QP1VZBE3L7GJ/HUEY+LONG.jpg</image:loc>
      <image:title>Populism and Politics in Robert Penn Warren and Robert Rossen’s All the King’s Men</image:title>
      <image:caption>Huey Long (1893–1935), speaking as a U.S. Senator.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519281903115-70VHW5FAE095MDE2ZLOP/image-asset.jpeg</image:loc>
      <image:title>Populism and Politics in Robert Penn Warren and Robert Rossen’s All the King’s Men</image:title>
      <image:caption>Jack Burden the reporter discovers Stark making a heartfelt if stumbling speech in Kanoma City. Stark’s adopted son Tom (John Derek) is on the left.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519416133322-14HNVBHQXZYPB8K76M2O/KING%27S+MEN+1.jpg</image:loc>
      <image:title>Populism and Politics in Robert Penn Warren and Robert Rossen’s All the King’s Men</image:title>
      <image:caption>1. Jack Burden (John Ireland, foreground, left), meets Willie Stark (Broderick Crawford, center) and Kanoma City machine members, notably boss Tiny Duffy (Ralph Dumke, right).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519281881301-IJH6CJ55G8Q3OL64MSDL/KING%27S+MEN+2.jpg</image:loc>
      <image:title>Populism and Politics in Robert Penn Warren and Robert Rossen’s All the King’s Men</image:title>
      <image:caption>The second Stark campaign, with Burden now part of the campaign team. Key staffer Sadie Burke (Mercedes McCambridge) with the cup.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519281964500-833SFBPAWQRHQRY6101P/KING%27S+MEN+5.jpg</image:loc>
      <image:title>Populism and Politics in Robert Penn Warren and Robert Rossen’s All the King’s Men</image:title>
      <image:caption>Stark has discovered “how to win.” Stark and Sadie Burke, with Sugar Boy (Walter Burke).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519281856650-I5W44COYUQB57WKATXZV/KING%27S+MEN+4.jpg</image:loc>
      <image:title>Populism and Politics in Robert Penn Warren and Robert Rossen’s All the King’s Men</image:title>
      <image:caption>Gathering darkness: seeds of discord between Stark and Burden (and Burke), following the Pillsbury ‘trial’ and Judge Stanton’s resignation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1519281939571-3AN2I0EKSZZ0R55RIHHA/KING%27S+MEN+6.jpg</image:loc>
      <image:title>Populism and Politics in Robert Penn Warren and Robert Rossen’s All the King’s Men</image:title>
      <image:caption>Elements of noir: Burden and Anne Stanton (Joanne Dru) at Burden’s Landing.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2018/the-old-dark-house</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-06-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528178481995-ZNAYFCDFAQ7V32FPNOT5/OLD+DARK+HOUSE.jpg</image:loc>
      <image:title>The Old Dark House</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528255531347-SADM8WABPNZCKDL0CAI5/The-Old-Dark-House-1.jpg</image:loc>
      <image:title>The Old Dark House</image:title>
      <image:caption>Morgan (Boris Karloff) has Margaret (Gloria Stuart) in his clutches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528255550518-GRUZSH9MHJYBGSIJ76UL/image-asset.jpeg</image:loc>
      <image:title>The Old Dark House</image:title>
      <image:caption>Roger (Melvyn Douglas) gets the point.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528255706157-GMH7PWQXMYP6MM74HEZJ/The-Old-Dark-House-3.jpg</image:loc>
      <image:title>The Old Dark House</image:title>
      <image:caption>Morgan is restrained by Roger and Sir William Porterhouse (Charles Laughton) as much of the rest of the cast looks on.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528255834304-XJIU7D28O709TAHIPZWP/image-asset.jpeg</image:loc>
      <image:title>The Old Dark House</image:title>
      <image:caption>Gladys (Lilian Bond) flirts with Roger.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2018/while-the-city-sleeps-and-beyond-a-reasonable-doubt</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-06-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528180245212-D41D0XVK8VV5291MAUPN/HARPER.jpg</image:loc>
      <image:title>While the City Sleeps and Beyond a Reasonable Doubt</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528180284588-WDNSLEBU0F2PHMV3H4Z6/DROWNING+POOL.jpg</image:loc>
      <image:title>While the City Sleeps and Beyond a Reasonable Doubt</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528263839507-53M2I8RAR3ONZEIV9TD4/image-asset.jpeg</image:loc>
      <image:title>While the City Sleeps and Beyond a Reasonable Doubt</image:title>
      <image:caption>Like the audience, stripper Dolly Moore (Barbara Nichols) doesn't know who she's dealing with in Beyond a Reasonable Doubt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528263953236-DS9SAL5GGLGQTBM7S8L3/while-the-city-sleeps-2.jpg</image:loc>
      <image:title>While the City Sleeps and Beyond a Reasonable Doubt</image:title>
      <image:caption>In While the City Sleeps, Kyne's adulterous wife Dorothy ponders how best to position her lover in the race for the corporation's top job.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528263884688-FRX1XP5CRMFY181QDO1Z/while-the-city-sleeps-1.jpg</image:loc>
      <image:title>While the City Sleeps and Beyond a Reasonable Doubt</image:title>
      <image:caption>While the City Sleeps: Insecure publisher Walter Kyne (Vincent Price) sets the rats of his newspaper empire at each others' throats.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528263977692-I7WH6CR6XC52U2KIID0J/image-asset.jpeg</image:loc>
      <image:title>While the City Sleeps and Beyond a Reasonable Doubt</image:title>
      <image:caption>Beyond a Reasonable Doubt: A classy pawn in her ex-fiancé's game, Susan Spencer (Joan Fontaine) doesn't know what to believe.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528264042820-BYO5R9020URTYFR7MHW2/image-asset.jpeg</image:loc>
      <image:title>While the City Sleeps and Beyond a Reasonable Doubt</image:title>
      <image:caption>The game seems up for Tom Garrett (Dana Andrews, with Shepperd Strudwick) when his get-out-of-jail card is burned in Beyond a Reasonable Doubt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528264116399-83T7S00RLT152P1TZX0F/while-the-city-sleeps-3.jpg</image:loc>
      <image:title>While the City Sleeps and Beyond a Reasonable Doubt</image:title>
      <image:caption>Murder and mother on his mind: John Drew Barrymore as the Lipstick Killer in While the City Sleeps.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2018/home</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-05-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528174323893-0YF6T5T0B99363M85YUP/SPRING+2018.jpg</image:loc>
      <image:title>The Current Issue</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528262204169-Q3ZSNQUL8B5EXWB1W8EC/chrismarker.jpg</image:loc>
      <image:title>The Current Issue - In the Heat of the Night</image:title>
      <image:caption>Chris Marker's San Soleil</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528260911059-CPKFHVERZI7HI65REX8K/24frames.jpg</image:loc>
      <image:title>The Current Issue - Lady Macbeth</image:title>
      <image:caption>Abbas Kiarostami's 24 Frames</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528260717727-W8VJ0APA14AWBWZMV1HF/barrylyndon_hp.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Agnès Varda and JR's Faces Places</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528260940241-450ER1P7E5LE352W9X00/ishirobw_hp.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Frankenstein: The First Two Hundred Years</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528262670537-PU37C8M6LET0B780IVGN/negrada.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Pérez Solano's La Negrada</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2018/the-lion-in-winter</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-06-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528178659196-NUTUGZRCBZHPEED9S2XA/LION+IN+WINTER.jpg</image:loc>
      <image:title>The Lion in Winter</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528474328968-9DAJYAPOPHFMBTQ4Q9N7/the-lion-in-the-winter-1.jpg</image:loc>
      <image:title>The Lion in Winter</image:title>
      <image:caption>The unhappy couple in a rare quiet moment.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528474941378-M3HRE4437G1HT09W4A0S/image-asset.jpeg</image:loc>
      <image:title>The Lion in Winter</image:title>
      <image:caption>Eleanor (Hepburn) contemplates revenge in jail (flattering light by Douglas Slocombe).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528424559523-WKZIWFC4RVKD7H6PMGIB/LION+IN+WINTER+2.jpg</image:loc>
      <image:title>The Lion in Winter</image:title>
      <image:caption>An awkward reunion with her sons. Hepburn flanked by Nigel Terry, Anthony Hopkins, and John Castle.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528474987411-96QM4BE0Y2P8CVSDC4IW/image-asset.jpeg</image:loc>
      <image:title>The Lion in Winter</image:title>
      <image:caption>As Henry proves, a king is more than a man who puts his ass on purple cushions.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528255993251-VLRCSE2HGKZXKR1IA2TN/the-lion-in-the-winter-3.jpg</image:loc>
      <image:title>The Lion in Winter</image:title>
      <image:caption>Quality time with your father... Henry (O’Toole) dares his son to kill him.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528256013690-OF62C0TDAE3H0BR1ETUT/the-lion-in-the-winter-4.jpg</image:loc>
      <image:title>The Lion in Winter</image:title>
      <image:caption>Richard (Anthony Hopkins) confronts his impending execution without blinking.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2018/kustendorf-international-film-music-festival-2018</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-06-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528265458131-CP31NXPQNNO2CQWYC6X5/kustendorf.jpg</image:loc>
      <image:title>The Küstendorf International Film and Music Festival</image:title>
      <image:caption>Küstendorf</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528265525214-75SBO4OOM7SEMS87BV07/snowy++++++++++++++++++++++++++++++++++++++++++day.JPG</image:loc>
      <image:title>The Küstendorf International Film and Music Festival</image:title>
      <image:caption>Küstendorf, winter 2018.</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Küstendorf International Film and Music Festival</image:title>
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      <image:title>The Küstendorf International Film and Music Festival</image:title>
      <image:caption>Festival 2018 poster.</image:caption>
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      <image:title>The Küstendorf International Film and Music Festival</image:title>
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      <image:caption>Fellini Street.</image:caption>
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      <image:title>The Küstendorf International Film and Music Festival</image:title>
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      <image:title>The Küstendorf International Film and Music Festival</image:title>
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      <image:title>The Küstendorf International Film and Music Festival</image:title>
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      <image:title>The Küstendorf International Film and Music Festival</image:title>
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  </url>
  <url>
    <loc>https://www.cineaste.com/summer2018/tom-jones</loc>
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    <priority>0.75</priority>
    <lastmod>2018-06-06</lastmod>
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      <image:caption>Tom (Albert Finney) risks his reputation for a frolic with the gamekeeper's daughter Molly (Diane Cilento).</image:caption>
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      <image:caption>In perhaps the film's most infamous scene, Tom (Albert Finney) dines on a feast as foreplay.</image:caption>
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  <url>
    <loc>https://www.cineaste.com/summer2018/once-there-was-brasilia-adirley-queiros</loc>
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    <lastmod>2018-06-07</lastmod>
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  <url>
    <loc>https://www.cineaste.com/summer2018/harper-and-the-drowning-pool</loc>
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    <priority>0.75</priority>
    <lastmod>2018-06-07</lastmod>
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      <image:caption>Miranda Sampson (Pamela Tiffin) is traditional Noir source of romantic intrigue in Harper.</image:caption>
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      <image:caption>Lew Harper (Paul Newman) ponders one of the many criminal mysteries that occur during Harper and The Drowning Pool.</image:caption>
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      <image:caption>Allan Taggert (Robert Wagner) personifies the symbolic color scheme of Harper.</image:caption>
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      <image:caption>Betty Fraley (Julie Harris) and Fay Estabrook (Shelley Winters) struggle towards the end of Harper.</image:caption>
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      <image:caption>Lew Harper (Paul Newman) gets a warm welcome to Louisiana in The Drowning Pool.</image:caption>
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      <image:caption>Iris Devereaux (Joanne Woodward) hires Harper to investigate the mystery in the depths of The Drowning Pool.</image:caption>
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      <image:caption>Schuyler Devreaux (Melanie Griffith) taunts Harper throughout The Drowning Pool</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/summer2018/night-of-the-living-dead</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-06-07</lastmod>
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      <image:title>Night of the Living Dead</image:title>
      <image:caption>Original poster: a world in chaos.</image:caption>
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      <image:title>Night of the Living Dead</image:title>
      <image:caption>The family implodes: Johnny torments Barbara.</image:caption>
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      <image:caption>Ben takes charge as Barbara suffers trauma.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/summer2018/phantom-thread</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-06-07</lastmod>
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      <image:caption>Fashion designer Reynolds Woodcock (Daniel Day-Lewis) fits a dress on muse Alma (Vicky Krieps) in an early scene.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/summer2018/laura-ziskins-reboot-of-the-female-producer</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-06-07</lastmod>
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      <image:title>“Look at Me When I’m Talking to You”: Laura Ziskin’s Reboot of the Female Producer</image:title>
      <image:caption>A 1973 graduate of the USC School of Cinematic Arts, Laura Ziskin (1950–2011) worked as a studio or an independent producer in Hollywood for more than twenty-five years.</image:caption>
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      <image:caption>In 2007, producer Laura Ziskin consults with co-producer Grant Curtis on the set of Spider-Man 3.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/summer2018/guadalajara-international-film-festival-2018</loc>
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    <priority>0.75</priority>
    <lastmod>2018-06-12</lastmod>
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      <image:title>The Guadalajara International Film Festival</image:title>
      <image:caption>The Juan Jose Arreola Library in the Centro Cultural Universitario, Guadalajara.</image:caption>
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      <image:caption>Placido Domingo Auditorium in the Scenic Arts Complex in the Centro Cultural Universitario</image:caption>
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      <image:caption>The Cinemateque in the Scenic Arts Complex of the Centro Cultural Universitario, Guadalajara.</image:caption>
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      <image:caption>Guillermo del Toro fields questions from film critic and author Leonardo García-Tsao at FICG33</image:caption>
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      <image:caption>Guillermo del Toro reigns at FICG33.</image:caption>
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      <image:caption>The faces of the disappeared appear in Ayotzinapa, the Turtle’s Way.</image:caption>
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      <image:caption>Protest is front and center in Ayotzinapa, the Turtle’s Way.</image:caption>
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      <image:caption>Portraits on a wall depict one of the disappeared in Ayotzinapa, the Turtle’s Way.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528269490701-PR5JVIX6FTRTXG1SX0YA/image-asset.jpeg</image:loc>
      <image:title>The Guadalajara International Film Festival</image:title>
      <image:caption>An Aymara elder and his llama in the High Peruvian Andes in Wiñaypacha.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528269516066-2AYI8JIJE7MJ6G5E8EUF/WINAYPACHA+3.jpg</image:loc>
      <image:title>The Guadalajara International Film Festival</image:title>
      <image:caption>The difficult lifestyle of Andean peasants is depicted in Wiñaypacha.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528269904508-R74628YGKS0KUI48GBQZ/image-asset.jpeg</image:loc>
      <image:title>The Guadalajara International Film Festival</image:title>
      <image:caption>Jorge Pérez Solano’s La negrada depicts the Afro-Mexican community.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528269886467-4IDCPMDD0HBAUSYQ2892/image-asset.jpeg</image:loc>
      <image:title>The Guadalajara International Film Festival</image:title>
      <image:caption>La negrada.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528269873393-YZCOB6MZKYJZ5687Y839/image-asset.jpeg</image:loc>
      <image:title>The Guadalajara International Film Festival</image:title>
      <image:caption>La negrada showcases the key colors and images of this vibrant coastal society.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528269616275-7LTKJ8XWCLDS8F1VVSYO/image-asset.jpeg</image:loc>
      <image:title>The Guadalajara International Film Festival</image:title>
      <image:caption>Cuatro Ciénegas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1528268944189-SGL2WH0AWJ0NR6HI5PQC/image-asset.jpeg</image:loc>
      <image:title>The Guadalajara International Film Festival</image:title>
      <image:caption>The water has dried up in Cuatro Ciénegas.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2018/the-awful-truth</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-08-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534897461041-8LN1H41QQIAG96C7GUTG/AWFUL+TRUTH.jpg</image:loc>
      <image:title>The Awful Truth</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534897657723-Y54171B4AF9OWG131XIO/AWFUL+1.jpg</image:loc>
      <image:title>The Awful Truth</image:title>
      <image:caption>Irene Dunn and Cary Grant star in Leo McCarey's The Awful Truth (1937), one of the best of Hollywood's classic screwball comedies.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534897726666-FBYNZTF9AMQNDGU9I4BX/AWFUL+2.jpg</image:loc>
      <image:title>The Awful Truth</image:title>
      <image:caption>Tensions between Isabelle (Sheree North) and Jerry (Tony Randall) Flagg are always simmering in their suburban home.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1535141809167-2ZACCGYKEM6TJVE88E64/917_image_01.jpg</image:loc>
      <image:title>The Awful Truth</image:title>
      <image:caption>True romance can't be denied: Jerry (Cary Grant) and Lucy (Irene Dunne) reconcile just in time at the conclusion of McCarey's The Awful Truth.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2018/wake-up-and-smell-the-estrogen-bruce-labruce</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-08-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534961585970-B09UUM1002RHA2X9RF6O/bruce_3.jpg</image:loc>
      <image:title>Wake Up and Smell the Estrogen!: An Interview with Bruce LaBruce</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534963987626-A59E61QXYGJA2W7KYAM0/Misandrists+9.JPG</image:loc>
      <image:title>Wake Up and Smell the Estrogen!: An Interview with Bruce LaBruce</image:title>
      <image:caption>Radical lesbian separatists, disguised as nuns, run a revolutionary cell in The Misandrists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534962824249-4MXN3P7RLG8JXTLEUFTS/Misandrists+13.jpg</image:loc>
      <image:title>Wake Up and Smell the Estrogen!: An Interview with Bruce LaBruce</image:title>
      <image:caption>The Female Liberation Army prepares for battle in The Misandrists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534963939784-M9PXK1X06DY23UPAGTDO/Misandrists+11.JPG</image:loc>
      <image:title>Wake Up and Smell the Estrogen!: An Interview with Bruce LaBruce</image:title>
      <image:caption>Volker (Til Schindler), the captive male revolutionary in The Misandrists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534963389530-IBEHRK9O87ENE77ZN1TV/Misandrists+1.JPG</image:loc>
      <image:title>Wake Up and Smell the Estrogen!: An Interview with Bruce LaBruce</image:title>
      <image:caption>Isolde (Kita Updike, middle) surrounded by pals in The Misandrists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534963448781-UTZKGNR13C1PLSOK2PMY/Misandrists+7.jpg</image:loc>
      <image:title>Wake Up and Smell the Estrogen!: An Interview with Bruce LaBruce</image:title>
      <image:caption>Big Mother (Susanne Sachsse) looks forward to a radiant future in The Misandrists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534963745337-MQXQVNUDY1W7IUZN1O8Z/image-asset.jpeg</image:loc>
      <image:title>Wake Up and Smell the Estrogen!: An Interview with Bruce LaBruce</image:title>
      <image:caption>LaBruce’s homage to Jean Vigo’s Zero for Conduct in The Misandrists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534962926354-RE1ON5N6PH9YUPRQ9N9Q/RASPBERRY+REICH+%231.jpg</image:loc>
      <image:title>Wake Up and Smell the Estrogen!: An Interview with Bruce LaBruce</image:title>
      <image:caption>The Baader-Meinhof’s radical antics are parodied in The Raspberry Reich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534962967405-KWTH258E5CEV0ZI68ER9/RASPBERRY+REICH+%232.jpg</image:loc>
      <image:title>Wake Up and Smell the Estrogen!: An Interview with Bruce LaBruce</image:title>
      <image:caption>A wealthy industrialist’s son is kidnapped in The Raspberry Reich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534963187991-LH1CNHYCQFCT9N1IZXJL/RASPBERRY+REICH+%233.jpg</image:loc>
      <image:title>Wake Up and Smell the Estrogen!: An Interview with Bruce LaBruce</image:title>
      <image:caption>Che Guevara functions as a masturbatory tool in The Raspberry Reich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534963539587-URXLGQQMXWBYKS3EFW1K/Misandrists+5.jpg</image:loc>
      <image:title>Wake Up and Smell the Estrogen!: An Interview with Bruce LaBruce</image:title>
      <image:caption>Polymorphous perversity rules the day in The Misandrists.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2018/angels-wear-white</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-08-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534896818687-S5HFK9N0NZZHPQ4H3Y96/aww_poster_en.jpg</image:loc>
      <image:title>Angels Wear White</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534896927666-C4A431G261CXVGBSSY23/ANGELS+1.jpg</image:loc>
      <image:title>Angels Wear White</image:title>
      <image:caption>Wen (Meijun Zhou, left) and Xin (Xinyue Jiang) chastised by their teacher for being late for school after a fateful night.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534897016269-A5KOTDNPIAOYCE1QVP9L/ANGELS+3.jpg</image:loc>
      <image:title>Angels Wear White</image:title>
      <image:caption>Traumatized Wen (Meijun Zhou) surrounded by happy tourists taking romantic wedding pictures on the beach.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534896976149-THD3F8YNFWQP4EOHG44E/ANGELS+2.jpg</image:loc>
      <image:title>Angels Wear White</image:title>
      <image:caption>Mia (Qi Wen) rides a stolen motorbike toward an unknown future.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2018/the-eclipsed-visions-of-bill-gunn</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-08-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534898100092-XIB6I73T8OG7J0JCO4Q2/GUNN+PORTRAIT+BEST.jpg</image:loc>
      <image:title>The Eclipsed Visions of Bill Gunn</image:title>
      <image:caption>Bill Gunn, circa 1973.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534959169268-2LDKPSA1F0F2V6R02R43/GANJA+3.jpg</image:loc>
      <image:title>The Eclipsed Visions of Bill Gunn</image:title>
      <image:caption>Duane Jones and Marlena Clark as the title characters in Bill Gunn's offbeat horror film, Ganja &amp; Hess (1973), which Kino Classics has remastered in a Blu-ray edition and in 2018 also re-released theatrically throughout the U.S.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534959440851-84P90Z6GDG7F1Q00CTON/image-asset.jpeg</image:loc>
      <image:title>The Eclipsed Visions of Bill Gunn</image:title>
      <image:caption>Bill Gunn makes a cameo appearance in Personal Problems (1980).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2018/thessaloniki-documentary-festival-2018</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-08-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1535001424349-RE1PUMITB5A76AA3KLJ6/tdf20_allposters_800.jpg</image:loc>
      <image:title>The Twentieth Thessaloniki Documentary Film Festival</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534901902068-5ZKK52IUKMCLBWVIOXSV/DISTANT+BARKING+OF+DOGS.jpg</image:loc>
      <image:title>The Twentieth Thessaloniki Documentary Film Festival</image:title>
      <image:caption>10-year-old Oleg’s innocence is eroded by his family’s position on the frontline of hostilities between Russia and Ukraine in Simon Lereng Wilmont’s The Distant Barking of Dogs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534902672663-3HXY8OQ38PJIJTG24932/ALL+THAT+PASSES+BY+THROUGH+A+WINDOW.jpg</image:loc>
      <image:title>The Twentieth Thessaloniki Documentary Film Festival</image:title>
      <image:caption>Martin Dicicco’s All That Passes by Through a Window That Doesn’t Open</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534902482325-URO0AW8UPI5M4M4X5U9Z/HOTEL+JUGOSLAVIA.jpg</image:loc>
      <image:title>The Twentieth Thessaloniki Documentary Film Festival</image:title>
      <image:caption>Nicolas Wagnieres’s Hotel Jugoslavia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534902376371-BZ0USRR58QGMUK70B61P/BOOM+FOR+REAL+3.jpg</image:loc>
      <image:title>The Twentieth Thessaloniki Documentary Film Festival</image:title>
      <image:caption>Jean-Michel Basquiat’s vertiginous rise to fame forms the subject matter of Sara Driver’s Boom For Real.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534902598147-5CUA2EAVJGZLU8AN0ZH2/ABEL+FERRARA+IN+PIAZZI+VITTORIO.jpg</image:loc>
      <image:title>The Twentieth Thessaloniki Documentary Film Festival</image:title>
      <image:caption>Abel Ferrera reveals the hidden histories of central Rome in Piazza Vittorio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1535002087992-0OLVUOUO9IMP4AB4DS81/GOLDEN+DAWN+GIRLS.jpg</image:loc>
      <image:title>The Twentieth Thessaloniki Documentary Film Festival</image:title>
      <image:caption>The female face of contemporary Greek fascism looms large in Håvard Bustnes’ Golden Dawn Girls.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534903082966-ZJWA35WPW7LTC8U0BXH6/A+MURDER+IN+MANSFIELD+1.jpg</image:loc>
      <image:title>The Twentieth Thessaloniki Documentary Film Festival</image:title>
      <image:caption>Collier Landry tries to uncover the circumstances of his mother’s violent death in Barbara Kopple’s A Murder in Mansfield.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534903134736-AUHCIYNDRXSI9AR0IABE/A+MURDER+IN+MANSFIELD+2.jpeg</image:loc>
      <image:title>The Twentieth Thessaloniki Documentary Film Festival</image:title>
      <image:caption>A Murder in Mansfield</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534903188952-YY3Q9N4SG8WQFLF2OYYI/NAPALM.jpg</image:loc>
      <image:title>The Twentieth Thessaloniki Documentary Film Festival</image:title>
      <image:caption>The late Claude Lanzmann revisits a six-decade-old visit to North Korea in his final feature, Napalm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534903275646-XPC0VPWSEWUM8KV8GNZY/INTERLUDE+2.jpg</image:loc>
      <image:title>The Twentieth Thessaloniki Documentary Film Festival</image:title>
      <image:caption>Middle Eastern refugees draw their stories of enforced migration in Joshua Olsthoorn and Lefteris Kaltsas’ Interlude.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534904217341-O9RNUVW2FYO8082ERE6F/THE+VENERABLE+W.+3.jpg</image:loc>
      <image:title>The Twentieth Thessaloniki Documentary Film Festival</image:title>
      <image:caption>Demagogic instruction supplants divine equivalents in Barbet Schroeder’s The Venerable W.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534903599247-ZL6FD952GDVLAF577ETZ/A+YEAR+OF+HOPE+2.jpg</image:loc>
      <image:title>The Twentieth Thessaloniki Documentary Film Festival</image:title>
      <image:caption>Filipino street children find temporary shelter from the dangers of urban life in Mikala Krogh’s A Year of Hope.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534903784138-SLHDFB30QVBZWSJ0H73V/LIVING+ON+SOUL+2.JPEG</image:loc>
      <image:title>The Twentieth Thessaloniki Documentary Film Festival</image:title>
      <image:caption>The late Sharon Jones shines center stage in Jeff Broadway and Cory Bailey’s Living on Soul.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534903862084-3OXTF1FBLVYDLWUQT5V0/LIVING+ON+SOUL+3.jpg</image:loc>
      <image:title>The Twentieth Thessaloniki Documentary Film Festival</image:title>
      <image:caption>Living on Soul</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534904069737-8U1R2O04BSLTU6MUBED5/RYUICHI+SAKAMOTO.jpeg</image:loc>
      <image:title>The Twentieth Thessaloniki Documentary Film Festival</image:title>
      <image:caption>Ryuichi Sakamoto grants viewers access to his home studio and working methods in Stephen Nomura Schible’s Ryuichi Sakamoto: Coda.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2018/laughter-in-the-dark-the-black-comedy-of-lina-wertmueller</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-08-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534905388911-6551392SXS1RD9UVFEGZ/LINA+YOUNG.jpg</image:loc>
      <image:title>Laughter in the Dark: The Black Comedy of Lina Wertmüller</image:title>
      <image:caption>Lina Wetmüller during the height of her popularity in the Seventies.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534905466601-0D0HZA5F6CEP65V8SZ1D/BEAUTIES+2.jpg</image:loc>
      <image:title>Laughter in the Dark: The Black Comedy of Lina Wertmüller</image:title>
      <image:caption>Pasqualino (Giancarlo Giannini) stares into the abyss in Seven Beauties and returns to suppress the tale.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534905641415-V9O7GHIATTPUAMIDTNIJ/MIMI+1.jpg</image:loc>
      <image:title>Laughter in the Dark: The Black Comedy of Lina Wertmüller</image:title>
      <image:caption>Giancarlo Giannini stars as metalworker Carmelo Mardocheo, aka "Mimi," in Lina Wermüller's  The Seduction of Mimi (1972).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534905588099-WZJGX0G0EEGER46S2CEZ/ANARCHY+2.jpg</image:loc>
      <image:title>Laughter in the Dark: The Black Comedy of Lina Wertmüller</image:title>
      <image:caption>Roman holiday: Tunin (Giancarlo Giannini) takes aim at the fascists in Love and Anarchy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534905797343-TH27CNRM967U8OZG2NDD/SWEPT+BEACH.jpg</image:loc>
      <image:title>Laughter in the Dark: The Black Comedy of Lina Wertmüller</image:title>
      <image:caption>From here to eternity: class enemies Gennarino (Giancarlo Giannini) and Raffaella (Mariangela Melato) find common ground in Swept Away (1974).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2018/feminism-and-iranian-cinema-narges-abyar</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-08-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534995306092-LUUYK47N5DO452VP24TA/image-asset.jpeg</image:loc>
      <image:title>Feminism and Iranian Cinema: An Interview with Narges Abyar</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534958423021-M4EUYFKQDNHZB37O2GFL/image-asset.jpeg</image:loc>
      <image:title>Feminism and Iranian Cinema: An Interview with Narges Abyar</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534958218564-P8ANQXQYNGINAHQU4UDQ/TRACK+143+%232.jpg</image:loc>
      <image:title>Feminism and Iranian Cinema: An Interview with Narges Abyar</image:title>
      <image:caption>Portraying real human-stories in fictional settings in Track 143: Abyar's characters are often inspired by the people she's met, seen or read about in real life.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534957392563-PFT7ES9DUFYANWULXMYN/IMG_20180217_085132_428.jpg</image:loc>
      <image:title>Feminism and Iranian Cinema: An Interview with Narges Abyar</image:title>
      <image:caption>Narges Abyar on the set of her third film, Breath.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534995076063-GD1DLL6G68PVXMJAN9JU/image-asset.jpeg</image:loc>
      <image:title>Feminism and Iranian Cinema: An Interview with Narges Abyar</image:title>
      <image:caption>Abyar pictured with the women and children of the historic town of Yazd, a city she recognizes as her hometown.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534957971228-4X9VCGL8T800T1B8X7WU/image-asset.jpeg</image:loc>
      <image:title>Feminism and Iranian Cinema: An Interview with Narges Abyar</image:title>
      <image:caption>A genuine, endearing and a completely heartbreaking performance by the first-time child actor Sareh Nour Mousavi, who plays the main character Bahar in Breath.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534958261220-8NIGCEFLYUCM39TTEPPN/TRACK+143+%233.jpg</image:loc>
      <image:title>Feminism and Iranian Cinema: An Interview with Narges Abyar</image:title>
      <image:caption>Olfat, played by Merila Zare'i's, represented the fate of the families that are still waiting to hear from their loved and lost ones in the war in Track 143.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534958174819-F2FAVR7WAYVFVW7RRLWQ/TRACK+143+%231.jpg</image:loc>
      <image:title>Feminism and Iranian Cinema: An Interview with Narges Abyar</image:title>
      <image:caption>In the final and symbolic scene of Track 143, Olfat, played by Merila Zare'i, collects the bones of his martyred son after fifteen-years of waiting for him to return home from the eight-year-long Iran-Iraq war.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534958391422-W21DNWKJU0GLQZF36I1A/IMG_20180217_085125_947.jpg</image:loc>
      <image:title>Feminism and Iranian Cinema: An Interview with Narges Abyar</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2018/no-down-payment</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-08-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534899132796-0AQK3KA2SFSNWRHG1HTQ/NO+DOWN+PAYMENT+BLU-RAY+SLEEVE.jpg</image:loc>
      <image:title>No Down Payment</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534899183231-OLMALAHVQLT0JL6AEAEI/NO+DOWN+PAYMENT+1.jpg</image:loc>
      <image:title>No Down Payment</image:title>
      <image:caption>Newcomers in town meet their neighbors at a backyard barbecue hosted by the affable householder (Pat Hingle) behind the grill.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534899239025-2J2KD4FHVOI3NFP76V2I/NO+DOWN+PAYMENT+4.jpg</image:loc>
      <image:title>No Down Payment</image:title>
      <image:caption>A used-car salesman (Tony Randall) uses the hard sell on a couple that can't really afford his wares.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534899268482-F4M8RFBGPUZP9DIX5CQ4/NO+DOWN+PAYMENT+5.jpg</image:loc>
      <image:title>No Down Payment</image:title>
      <image:caption>Young housewife Leola Boone (Joanna Woodward) seeks support and solace in the welcoming kitchen of an older friend (Barbara Rush).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2018/digging-the-spanish-earth</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-08-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534961036698-Z1NHQZW6KJ7XBEUQ0ZY3/SE+cinema+ext._Ivens+Fdn.jpg</image:loc>
      <image:title>Digging the Spanish Earth</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534990521955-2M1KTSI63GA1BLEDRAYT/SE+poster_Ivens+Fdn..jpg</image:loc>
      <image:title>Digging the Spanish Earth</image:title>
      <image:caption>Original book cover of Ernest Hemingway's The Spanish Earth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534961143325-VQ2VW604ZQR36BOR36XJ/image-asset.jpeg</image:loc>
      <image:title>Digging the Spanish Earth</image:title>
      <image:caption>Helen van Dongen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534960343481-0HDXB564917NO8UFX469/image-asset.jpeg</image:loc>
      <image:title>Digging the Spanish Earth</image:title>
      <image:caption>Martha Gellhorn</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534990443040-2V3AJVX247NGP85KO4GA/Camera+group.jpg</image:loc>
      <image:title>Digging the Spanish Earth</image:title>
      <image:caption>Joris Ivens, kneeling before the camera, and crew filming The Spanish Earth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534990370158-WJUHLC1XYOOO7DRBD7BE/Ivens+with+camera%2C+Hemingway_Ivens+Fdn_.jpg</image:loc>
      <image:title>Digging the Spanish Earth</image:title>
      <image:caption>Ivens with camera and Hemingway.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2018/international-short-film-festival-oberhausen-2018</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-08-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1535003861782-FJA9D63MZXKUE1MAS5JV/64.oberhausener_kurzfilmtage_148x210.jpg</image:loc>
      <image:title>The 2018 International Short Film Festival Oberhausen</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534952931210-R0D4K2HDVD6OD7FQSTOK/FeuerGrenoble.jpg</image:loc>
      <image:title>The 2018 International Short Film Festival Oberhausen</image:title>
      <image:caption>Olympic Flame (1968)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534952597526-BGZOJZ74T5F7DL8XZD9M/image-asset.jpeg</image:loc>
      <image:title>The 2018 International Short Film Festival Oberhausen</image:title>
      <image:caption>Kubla Khan (1969)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534953734809-GU6LKXZABCXEENWIAZDO/Programmenheise.jpg</image:loc>
      <image:title>The 2018 International Short Film Festival Oberhausen</image:title>
      <image:caption>Programme Advice (1970)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1535005492246-87SWZTBIDKLNCX9LP530/2_Prinz+und+Wahn_bearbeitet.jpg</image:loc>
      <image:title>The 2018 International Short Film Festival Oberhausen</image:title>
      <image:caption>Prince and Delusion (1971)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534953202338-BK1ORUNJ57LF0ONOCA4E/image-asset.jpeg</image:loc>
      <image:title>The 2018 International Short Film Festival Oberhausen</image:title>
      <image:caption>Kelek (1969)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534954010220-YNVQRFZ4T2NQE97MRSQO/rolf-thissen-why-cats%402x.jpg</image:loc>
      <image:title>The 2018 International Short Film Festival Oberhausen</image:title>
      <image:caption>Why Cats? (1969)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534953324713-X3OFTMXJ6RTD4ZX3L5BZ/pressestill_NuitBrouillard004.jpg</image:loc>
      <image:title>The 2018 International Short Film Festival Oberhausen</image:title>
      <image:caption>Night and Fog (1956)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534953157049-UM6WULIW4H2VX2NPSPJB/pressestill_elegia_farbe.jpg</image:loc>
      <image:title>The 2018 International Short Film Festival Oberhausen</image:title>
      <image:caption>Elegy (1965)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534953920938-8STVHVZAHVZMB6DQNQKY/rangierer2.jpg</image:loc>
      <image:title>The 2018 International Short Film Festival Oberhausen</image:title>
      <image:caption>Shunters (1984)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534955847005-1KFY0G7X2SD116UPQ6TJ/image-asset.jpeg</image:loc>
      <image:title>The 2018 International Short Film Festival Oberhausen</image:title>
      <image:caption>Water and Work (1963)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534955775353-3OST29ISX6B8Y06UKQH9/image-asset.jpeg</image:loc>
      <image:title>The 2018 International Short Film Festival Oberhausen</image:title>
      <image:caption>Water and Work (1963)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534953679189-BB6CNFFT4X4LQ4OYU6IY/Prisiel_k_nam_Old_Shatterhand_002.jpg</image:loc>
      <image:title>The 2018 International Short Film Festival Oberhausen</image:title>
      <image:caption>Old Shatterhand Came to See Us (1966)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534953381144-F0O5PJV9BCV0AUCHGIQ9/image-asset.jpeg</image:loc>
      <image:title>The 2018 International Short Film Festival Oberhausen</image:title>
      <image:caption>Photographing the House Dwellers (1968)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534953061455-YSCG7SMMWIE9HH9YXTA2/image-asset.jpeg</image:loc>
      <image:title>The 2018 International Short Film Festival Oberhausen</image:title>
      <image:caption>Set (2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534955670111-C4LPB55UVE37S4W7ZUV0/venusdelta_01-ANDBOOK.jpg</image:loc>
      <image:title>The 2018 International Short Film Festival Oberhausen</image:title>
      <image:caption>VENUS DELTA (2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534955706763-RS4G94MM2HKH45U60EQC/venusdelta_04.jpg</image:loc>
      <image:title>The 2018 International Short Film Festival Oberhausen</image:title>
      <image:caption>VENUS DELTA (2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534953794137-OAJ66VF8YY0QXVUGAVM7/Proposal_to_project.jpg</image:loc>
      <image:title>The 2018 International Short Film Festival Oberhausen</image:title>
      <image:caption>A proposal to project (2017)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2018/the-other-1968s</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-08-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1535342412077-726BUJX5U3SO6X33IERN/image-asset.jpeg</image:loc>
      <image:title>The Other 1968s</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534996302521-CJ1AXSCGQGLDAX5YOIRA/02_anonimo._cinetracts._pelicula_1968.jpg</image:loc>
      <image:title>The Other 1968s</image:title>
      <image:caption>Cinétracts (1968)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534951968406-OPRO2S491VOSLIZS6P9C/SHINSUKE+OGAWA.jpg</image:loc>
      <image:title>The Other 1968s</image:title>
      <image:caption>Shinsuke Ogawa</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534951033748-796KQKKYIAI9UJZAXFED/BATTLE+FRONT+FOR+LIBERATION+OF+JAPAN.jpg</image:loc>
      <image:title>The Other 1968s</image:title>
      <image:caption>The Battle Front for the Liberation in Japan: Summer in Sanrizuka (1968)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534951480260-Z2KJSUUC424TJY8F3MN4/FOREST+OF+OPPRESSION.jpg</image:loc>
      <image:title>The Other 1968s</image:title>
      <image:caption>Forests of Oppression: A Record of the Struggle at Takasaki City University of Economics (1967)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534952052013-GL0VKEYD0DLMBIKATI3H/VIET+FLAKES.jpg</image:loc>
      <image:title>The Other 1968s</image:title>
      <image:caption>Viet Flakes (1965)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534952089485-D9RBJL9PAV0LTQD928MX/WHITE+CHRISTMAS.jpg</image:loc>
      <image:title>The Other 1968s</image:title>
      <image:caption>White Christmas (1968)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534951236777-8MRUW3UEM90YP03ZOBN7/DE+OPPRESSO+LIBER.jpg</image:loc>
      <image:title>The Other 1968s</image:title>
      <image:caption>De Oppresso Liber (1968)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534951115140-W35LL3HUXQ2NEVGLLART/BREAK+THE+POWER+OF+MANIPULATORS.jpg</image:loc>
      <image:title>The Other 1968s</image:title>
      <image:caption>Break the Power of Manipulators (1968)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534951555379-DA42RCBND33EQUO42PYW/FOURTH+ESTATE.jpg</image:loc>
      <image:title>The Other 1968s</image:title>
      <image:caption>Fourth Estate (1970)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534950880422-BM9FK2G4XUE5SZ5MAFAV/100+FACES+FOR+A+SINGLE+DAY.jpeg</image:loc>
      <image:title>The Other 1968s</image:title>
      <image:caption>A Hundred Faces for A Single Day (1971)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534951657377-ZJMRKOTIWHKFPW0G70C2/I+AM+20+%232.jpg</image:loc>
      <image:title>The Other 1968s</image:title>
      <image:caption>I Am 20 (1967)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534951683440-QGNLI97AG3P0AA39RJWM/I+AM+20.jpg</image:loc>
      <image:title>The Other 1968s</image:title>
      <image:caption>I Am 20 (1967)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534950917023-GOQZMBZY5MLBPLLDC2YE/AND+MILES+TO+GO....jpg</image:loc>
      <image:title>The Other 1968s</image:title>
      <image:caption>And Miles To Go… (1967)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534951893183-3N89ZSJ9TJV8DJLLHURO/SARA+GOMEZ+MY+CONTRIBUTION.jpg</image:loc>
      <image:title>The Other 1968s</image:title>
      <image:caption>Sara Gómez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534951711128-XYABLA6KBYWYH1YMJUJJ/I+AM+SOMEBODY.jpg</image:loc>
      <image:title>The Other 1968s</image:title>
      <image:caption>I Am Somebody (1969)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534951826077-JS6JIAWBNPCQ5PMZJ1ZW/MONANGAMBEEE.jpeg</image:loc>
      <image:title>The Other 1968s</image:title>
      <image:caption>Monangambeee (1968)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2018/seattle-international-film-festival-2018</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-08-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534950553639-TJO6UNA2G5IWUB883RP8/SIFF+2018+catalog.jpg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>The catalog  for the 2018 Seattle Festival positions you as a star.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534948860097-EDU06WGARVU2L1HDTYLU/2+Pick.jpg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Service dog Phil works in Pick of the Litter.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534949328190-3NSVIX15XO53VLAT5CMA/image-asset.jpeg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>A service dog, a trainer, and a critic meet at a screening of Pick of the Litter.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534949361600-7DWY8GZCSTMEI50JWLQE/image-asset.jpeg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Service dogs, trainers, and festival attendees mingle before a screening of Pick of the Litter.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534906039055-PA4UK9FUTZC0DJZ6W6MN/image-asset.jpeg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Naila Ayesh is the Palestinian protagonist of Naila and the Uprising.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534906075496-UNRVCNNPX6V7JRBL2DWG/image-asset.jpeg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Motherhood is a key theme of Naila and the Uprising.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534906160808-SJTRACSS8FRUCXX3IHEI/image-asset.jpeg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>The solidarity of Palestinian women is represented by direct under-camera animation in Naila and the Uprising.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1535003133948-2M4VU2A3CB3N6CI6D84N/image-asset.jpeg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>An ornery pet monkey pesters Julita Salmerón in Lots of Kids, a Monkey and a Castle.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534949648364-D5PENFHZ7IOX74O2RXY3/image-asset.jpeg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Gustavo Salmerón films his larger-than-life mother in Lots of Kids, a Monkey and a Castle.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534948666538-68KP26OI7DMJBARMDRCE/The+Heiresses.jpg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Later in life the protagonist of The Heiresses learns how to smoke.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534948545043-PA9M4MPEUT0XS52IU9PC/image-asset.jpeg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>An officer’s uniform—and a pistol—make the man The Captain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534948502706-0Q7Y9VUFP4HTQTRZGQ7Y/The+Captain+1.jpg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>The Captain opens with an ordinary German soldier on the run in the final days of World War II.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534906266330-F1JPEH5AW1EE4B9WGDZ6/Summer+1993.jpg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Laia Artigas stars in Summer 1993.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1534906316310-XIISFQNI7GMZE03795U2/summer+93++2.jpg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>In Summer 1993, Frida must quickly integrate into a new family in an unfamiliar rural setting.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2018/home</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-08-24</lastmod>
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      <image:caption>Lina Wertmüller's The Seduction of Mimi</image:caption>
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      <image:caption>Ingmar Bergman's The Virgin Spring</image:caption>
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      <image:caption>Narges Abyar</image:caption>
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      <image:caption>International Short Film Festival Oberhausen</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/winter2018/police-story-and-police-story-2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542878202297-6ICPQLG8G63VGEKPGDC7/Eureka+Police+Story+Cover+Art.jpg</image:loc>
      <image:title>Police Story and Police Story 2</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542878319489-224S1D3QOL3GOPK0VC6V/Police+1.jpg</image:loc>
      <image:title>Police Story and Police Story 2</image:title>
      <image:caption>Jackie Chan as Inspector Chan Ka-kui in Police Story.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542878420667-S7UFB7EOZO42ZZ2JK3W0/Police+2.jpg</image:loc>
      <image:title>Police Story and Police Story 2</image:title>
      <image:caption>Maggie Cheung as May, Inspector Chan’s girlfriend.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542878443958-ZB48FJHKXUMN9Z1DPBRP/Police+3.jpg</image:loc>
      <image:title>Police Story and Police Story 2</image:title>
      <image:caption>Chan holding crime boss, Chu Tao (Chor Yuen).</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542878471160-00E0J6WS3IOR2CILTAPE/Police+4.jpg</image:loc>
      <image:title>Police Story and Police Story 2</image:title>
      <image:caption>Chan talks with his fellow Inspector Uncle Bill Wong (Bill Tung).</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542878496624-53E9OCIANCYUKLAKCFBA/Police+5.jpg</image:loc>
      <image:title>Police Story and Police Story 2</image:title>
      <image:caption>Inspector Chan on the case.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2018/beyond-the-visible-realism-in-the-films-of-jacques-becker</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-11-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542787092751-EZLQYBRW1841ZRK3S6YG/JACQUES+BECKER.jpeg</image:loc>
      <image:title>Beyond the Visible: Realism in the Films of Jacques Becker</image:title>
      <image:caption>Jacques Becker</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542787163814-684BKG9HEC7RNUDQE7F3/image-asset.jpeg</image:loc>
      <image:title>Beyond the Visible: Realism in the Films of Jacques Becker</image:title>
      <image:caption>Original poster of Casque d’Or (1952).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542787189755-VJKU99ZKO2GGMVNZJ02P/GRISBI+POSTER.jpg</image:loc>
      <image:title>Beyond the Visible: Realism in the Films of Jacques Becker</image:title>
      <image:caption>Original poster of Touchez Pas au Grisbi (1954).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542787398755-BEAP6FKTRLWT6HWHD4XR/TOUCHEZ+PAS+AU+GRISBI.jpg</image:loc>
      <image:title>Beyond the Visible: Realism in the Films of Jacques Becker</image:title>
      <image:caption>Touchez Pas au Grisbi (1954)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542787272151-NHKXWYWCMIF70IFARRB4/image-asset.jpeg</image:loc>
      <image:title>Beyond the Visible: Realism in the Films of Jacques Becker</image:title>
      <image:caption>Marquee of Le Trou (1960).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542787337364-K8TEBWO9IC3X57PQEGGS/ATTEMPTED+PRISON+ESCAPE+IN+LE+TROU.jpg</image:loc>
      <image:title>Beyond the Visible: Realism in the Films of Jacques Becker</image:title>
      <image:caption>Attempted prison escape in Le Trou (1960).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2018/home</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-11-28</lastmod>
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      <image:title>The Current Issue - In the Heat of the Night</image:title>
      <image:caption>Leo Hurwitz’s Strange Victory</image:caption>
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      <image:caption>Buster Keaton</image:caption>
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      <image:caption>Ingmar Bergman’s Scenes from a Marriage</image:caption>
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      <image:caption>Alice Rohrwacher</image:caption>
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      <image:caption>Mrinal Sen in Montage: Life. Politics. Cinema</image:caption>
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      <image:caption>Sophia Antipolis (The Locarno Festival)</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/winter2018/rocco-and-his-brothers</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-05-22</lastmod>
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      <image:title>Rocco and His Brothers</image:title>
      <image:caption>Rocco (Alain Delon) speaks with his brother Vincenzo (Spiros Focás).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542876406253-X5Y6HJFCZCY4S1SMRUPG/Rocco+2.png</image:loc>
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      <image:caption>Claudia Cardinale as Ginetta.</image:caption>
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      <image:title>Rocco and His Brothers</image:title>
      <image:caption>Rocco in the ring.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2018/locarno-festival-2018</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542879139037-7I4XUNODKRDXAVV8IR2E/Locarno+1.jpg</image:loc>
      <image:title>The Locarno Festival</image:title>
      <image:caption>Detective Lok (Peter Yu)in Yeo Siew Hua’s A Land Imagined.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542879185719-VLKOAL8BAIHJHLDQ5PAO/Locarno+2.jpeg</image:loc>
      <image:title>The Locarno Festival</image:title>
      <image:caption>Ying Liang’s A Family Tour.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542879675535-6B5Y42Q27OZ55DZKWO2Q/Locarno+3.jpg</image:loc>
      <image:title>The Locarno Festival</image:title>
      <image:caption>Vergil Vernier’s Sophia Antipolis.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542879684917-KJ29IUT1ZDWFJ8Q6GYSB/Locarno+4.jpg</image:loc>
      <image:title>The Locarno Festival</image:title>
      <image:caption>This year’s festival featured a tribute to Leo McCarey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542879694199-MZPX0CRNOLCGR7D7YO55/Locarno+5.jpg</image:loc>
      <image:title>The Locarno Festival</image:title>
      <image:caption>Edmund Lowe and Leila Hyams in McCarey’s seldom seen Part Time Wife (1930).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2018/marnie-at-the-metropolitan-opera</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542791529417-D623AHXBACCHBNYRLYZT/image-asset.jpeg</image:loc>
      <image:title>Marnie at the Metropolitan Opera: A Retrograde Adaptation</image:title>
      <image:caption>Isabel Leonard as Marnie in the Metropolitan Opera’s production of Nico Muhly’s Marnie.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542791560470-ENS2PK4KRCIBBQ4DOP4I/image-asset.jpeg</image:loc>
      <image:title>Marnie at the Metropolitan Opera: A Retrograde Adaptation</image:title>
      <image:caption>Marnie (Isabel Leonard) and Mark Rutland (Christopher Maltman) on their honeymoon in Marnie.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542791635807-3TKGJ8XCL4ZAUDGYJF37/image-asset.jpeg</image:loc>
      <image:title>Marnie at the Metropolitan Opera: A Retrograde Adaptation</image:title>
      <image:caption>Marnie (Isabel Leonard) and her “shadows” in the Metropolitan Opera’s production of Nico Muhly’s Marnie.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2018/understanding-my-times-mrinal-sen</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-11-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542875495545-X0SLG1DBJSNKOER08HA2/MRINAL+SEN+PORTRAIT.jpg</image:loc>
      <image:title>Understanding My Times: An Interview with Mrinal Sen</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542875562711-9I40J8OKB3C0NLRC5YZK/BHUVAN+SHOME.jpg</image:loc>
      <image:title>Understanding My Times: An Interview with Mrinal Sen</image:title>
      <image:caption>Suhasini Mulay as Gauri in Mrinal Sen’s Bhuvan Shome.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542875577197-ZICZASV8FY8VVRSONEXA/BHUVAN+SHOME+BANNER.jpg</image:loc>
      <image:title>Understanding My Times: An Interview with Mrinal Sen</image:title>
      <image:caption>Poster of Bhuvan Shome.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542875541936-N0744LNEEKAILVO6XW2C/UP+IN+THE+CLOUDS+POSTER.jpg</image:loc>
      <image:title>Understanding My Times: An Interview with Mrinal Sen</image:title>
      <image:caption>Poster of Up in the Clouds.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542875756963-14KZQQZU7IIASDKX0VV7/BHUVAN+SHOME+1.jpg</image:loc>
      <image:title>Understanding My Times: An Interview with Mrinal Sen</image:title>
      <image:caption>Mr. Shome (Utpal Dutt) and Gauri (Suhasini Mulay) in Mrinal Sen’s Bhuvan Shome.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542875588708-DWOUL02LJ6Y5GDREPBM4/UP+IN+THE+CLOUDS+2.jpg</image:loc>
      <image:title>Understanding My Times: An Interview with Mrinal Sen</image:title>
      <image:caption>Soumitra Chatterjee and Aparna Sen in Mrinal Sen’s Up in the Clouds.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2018/dietrich-and-von-sternberg-in-hollywood</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-11-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542876669937-HLR7K7W7QLLO5IE2IUVX/image-asset.jpeg</image:loc>
      <image:title>Dietrich &amp; von Sternberg in Hollywood</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542877520160-RJZTWPLE0IS35SK4FOPO/DIETRICH+IN+DEVIL+IS+A+WOMAN.jpg</image:loc>
      <image:title>Dietrich &amp; von Sternberg in Hollywood</image:title>
      <image:caption>Dietrich in The Devil Is a Woman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542877592158-4CTLV9Y1BMNV3JYKIPSX/GARY+COOPER+AND+DIETRICH+IN+MOROCCO.jpg</image:loc>
      <image:title>Dietrich &amp; von Sternberg in Hollywood</image:title>
      <image:caption>Gary Cooper and Dietrich in Morocco.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542877970811-VG3JOMSNQN791U20V50P/JOSEF+VON+STERNBERG+%26+MARLENE+DIETRICH+DURING+SHOOTING+OF+BLUE+ANGEL.jpg</image:loc>
      <image:title>Dietrich &amp; von Sternberg in Hollywood</image:title>
      <image:caption>Josef von Sternberg and Marlene Dietrich during shooting of The Blue Angel. Courtesy of Photofest.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2018/cold-war</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-11-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542877097321-MX4VGF86SU5379MD4FDA/TOMASZ+KOT+AND+JOANNA+KULIG+IN+%2522COLD+WAR%2522.JPG</image:loc>
      <image:title>Cold War</image:title>
      <image:caption>Tomasz Kot and Joanna Kulig.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542877192306-HTE1VARSJJ9I52U3UG45/JOANNA+KULIG+%26+TOMASZ+KOT+IN+%2522COLD+WAR%2522.JPG</image:loc>
      <image:title>Cold War</image:title>
      <image:caption>Joanna Kulig and Tomasz Kot.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542877304065-5MBN6K5DLP51SWCYEWDR/TOMASZ+KOT+%26+JOANNA+KULIG+IN+%2522COLD+WAR%2522.JPG</image:loc>
      <image:title>Cold War</image:title>
      <image:caption>Tomasz Kot and Joanna Kulig.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542877225398-J6DX8W6M605CEBUW9DRU/image-asset.jpeg</image:loc>
      <image:title>Cold War</image:title>
      <image:caption>Joanna Kulig as Zula.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2018/home-from-the-hill</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-11-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542876557915-OHGE2UJRK6WESRLUEPYR/Home+cover+art.jpg</image:loc>
      <image:title>Home from the Hill</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542876586289-1JGY3QVKN931PDBSYSX3/Home+1.jpg</image:loc>
      <image:title>Home from the Hill</image:title>
      <image:caption>George Peppard as Rafe with Libby Halstead (Luana Patten).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542876612447-7Q0HBZ580X68WSJSFXZH/image-asset.jpeg</image:loc>
      <image:title>Home from the Hill</image:title>
      <image:caption>Robert Mitchum as the Texas patriarch Wade Hunnicutt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1542876629026-90E6M61VWLHMILTTJBUC/Home+3.jpg</image:loc>
      <image:title>Home from the Hill</image:title>
      <image:caption>Wade and Rafe after the hunt.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2019/stanley-kubrick-a-space-odyssey</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550909928324-JWSE6CI3YKR70JOPY6C7/BENSON.jpg</image:loc>
      <image:title>Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece ...</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550910082661-Z3QLSV7D2M92F74HG7ID/2001%2B1.jpg</image:loc>
      <image:title>Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece ...</image:title>
      <image:caption>One of the many iconic images in Stanley Kubrick's masterpiece.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550910050437-EBOHWBZPI0NLLOYCT77Q/2001+2.jpg</image:loc>
      <image:title>Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece ...</image:title>
      <image:caption>Fifty years later, 2001: A Space Odyssey remains a cinematic landmark.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2019/dark-of-the-sun</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-02-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550952037070-JQJDK59F5K6XJQCAR0L7/DARK+OF+THE+SUN+.jpg</image:loc>
      <image:title>Dark of the Sun</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550952070599-HGD879S8C8E3CXUNWV8R/DARK+OF+THE+SUN+2.jpg</image:loc>
      <image:title>Dark of the Sun</image:title>
      <image:caption>The grisly aftermath of the train derailment. Martin Scorsese called the film a “guilty pleasure.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550952097064-SWKLBLZ31UX0A3TGIADN/DARK+OF+THE+SUN+4.jpg</image:loc>
      <image:title>Dark of the Sun</image:title>
      <image:caption>Curry (Rod Taylor) and Ruffo (Jim Brown) accept the mission from Ubi (Calvin Lockhart).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1551162227627-KC4AIYDBI1XMQNNYO49R/DARK%2BOF%2BTHE%2BSUN%2B5.jpg</image:loc>
      <image:title>Dark of the Sun</image:title>
      <image:caption>The uneasy alliance of Curry (Rod Taylor) and the treacherous Henlein (Peter Carsten) goes off the rails in Dark of the Sun, AKA The Mercenaries.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2019/the-favourite</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-02-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550909253723-5TI7E1EZREIMZSJKZQ5I/007_TF_02038+copy.jpg</image:loc>
      <image:title>The Favourite</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550909475019-ZH975T0DTXMJYRYJ12MF/the-favourite.jpg</image:loc>
      <image:title>The Favourite</image:title>
      <image:caption>Sarah (Rachel Weisz) and Abigail (Emma Stone) in The Favourite (2018).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2019/the-earth-dies-streaming</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-02-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550911824647-BEHZNX9IPMN3XV1WQKKZ/THE+EARTH+DIES+STREAMING.jpg</image:loc>
      <image:title>The Earth Dies Streaming</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1551163304859-P54ZMDK4G81ETM7M602B/image-asset.jpeg</image:loc>
      <image:title>The Earth Dies Streaming</image:title>
      <image:caption>Shane Black's The Nice Guys.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1551163198399-UNA8O7AX7JFTYP8JJBQG/Cemetery_28-feature-1600x900-c-default.jpg</image:loc>
      <image:title>The Earth Dies Streaming</image:title>
      <image:caption>Apichatpong Weerasethakul's Cemetery of Splendour.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1551389827445-AN7DX9YCGMT7L5BUBN6F/MV5BMTM1OTM4NjA0Nl5BMl5BanBnXkFtZTYwNTg4ODI3._V1_.jpg</image:loc>
      <image:title>The Earth Dies Streaming</image:title>
      <image:caption>Thomas Kinkade’s straight-to-DVD The Christmas Cottage, with Peter O’Toole and Jared Padalecki.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1551163007223-CRM3CDN8UOC590ADONAR/big-short-cast-1024x536.jpg</image:loc>
      <image:title>The Earth Dies Streaming</image:title>
      <image:caption>“The performances in The Big Short are carried by wigs, makeup, and bad suits, like in a silent comedy.”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2019/border</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-02-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550950824957-507R129PTWZGNCX0L9YE/BORDER+1.jpg</image:loc>
      <image:title>Border</image:title>
      <image:caption>Customs officer Tina (Eva Melander) sniffs out threats to the Swedish border.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550950859736-KAF3ZKZZYUYSIRBEBX1W/BORDER+2.jpg</image:loc>
      <image:title>Border</image:title>
      <image:caption>Tina's home life is disrupted when she invites the dubious Vore (Eero Milonoff) to stay in her guest house.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550950871043-X57XIV2ONHG5WGTOJXOR/image-asset.jpeg</image:loc>
      <image:title>Border</image:title>
      <image:caption>In the surrounding woodland, Vore helps Tina confront her traumatic past.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550950883157-7P6XZQV3D0SINUEX3SYB/BORDER+4.jpg</image:loc>
      <image:title>Border</image:title>
      <image:caption>An exultant Vore and Tina cleanse themselves of socially imposed identities.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550950898983-M5ATQAYF5BPRFIGA6BQK/BORDER+5.jpg</image:loc>
      <image:title>Border</image:title>
      <image:caption>There is something at once unsettling and familiar about Tina's latest suspect Vore.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2019/home</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-05-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550904740802-NVDCBFAX9UFRZ2O1YSQ1/SPRING+2019+copy.jpg</image:loc>
      <image:title>The Current Issue</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550907215074-YMEVZKN6N9GV7MLF7OJY/bodysnatchers2_hp.jpg</image:loc>
      <image:title>The Current Issue - In the Heat of the Night</image:title>
      <image:caption>Invasion of the Body Snatchers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550907018418-QR2LTXKBNCIHTWBFM1YF/image-asset.jpeg</image:loc>
      <image:title>The Current Issue - Lady Macbeth</image:title>
      <image:caption>Alfonso Cuarón’s Roma</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550907378191-MRYFJER1CO20KBQV5PMW/owls_hp.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Chris Marker’s The Owl’s Legacy</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550908304064-5JEIA7R9T82ATGDNOPMK/zhangke_hp.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Jia Zhangke</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550907959820-4WJJEAVFYJXD2WROVIK3/2001a_hp.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Stanley Kubrick’s 2001: A Space Odyssey</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550908413471-3PAETZ3QZ0DFUVFBH1SV/bop_hp.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Birds of Passage</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2019/christophe-honore-multimedia-trilogy</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-02-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550958560813-T0BPAQUV8XVQTLC8XTBF/unnamed.jpg</image:loc>
      <image:title>Strange Days: Christophe Honoré’s Multimedia Trilogy</image:title>
      <image:caption>Christophe Honoré shooting his new film, Musique de Chambre.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550958611747-UIAJSONSEIKMDZ85IKVQ/1.+Ton+pe%CC%80re.jpg</image:loc>
      <image:title>Strange Days: Christophe Honoré’s Multimedia Trilogy</image:title>
      <image:caption>The first segment to Honoré’s multimedia trilogy, the novel Ton père (2017).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550958657400-JNMG9ZJZEI22R1SF6Y4G/image-asset.jpeg</image:loc>
      <image:title>Strange Days: Christophe Honoré’s Multimedia Trilogy</image:title>
      <image:caption>Queer cinematic encounters. Arthur (Vincent Lacoste) and Jacques (Pierre Deladonchamps) meet for the first time in Sorry Angel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550958805567-R7XINM7EENCH7IJ0AVMC/3.+SORRY+ANGEL.jpg</image:loc>
      <image:title>Strange Days: Christophe Honoré’s Multimedia Trilogy</image:title>
      <image:caption>Finding love in a precarious time and place, Rennes 1993 (Deladonchamps and Lacoste in Sorry Angel).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550958962261-LFOSZ8GSEPIMGQU9YWYY/image-asset.jpeg</image:loc>
      <image:title>Strange Days: Christophe Honoré’s Multimedia Trilogy</image:title>
      <image:caption>Honoré’s films evoke the body’s senses. Jacques seeks the sensual world through touch and smell as time fades in Sorry Angel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550958892707-7C9FYUR2KNARGZ4O302S/5.+Les+Idoles.jpg</image:loc>
      <image:title>Strange Days: Christophe Honoré’s Multimedia Trilogy</image:title>
      <image:caption>The cast of Les Idoles: Jean-Charles Clichet (Serge Daney); Marina Foïs (Hervé Guibert); Youssouf Abi-Ayad (Bernard-Marie Koltès); Harrison Arévalo (Cyril Collard); Julien Honoré (Jean-Luc Lagarce); Marlène Saldana (Jacques Demy).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550959136884-AC5S777YBMANXKTJXYD2/6.+LES+IDOLES+jpg.jpg</image:loc>
      <image:title>Strange Days: Christophe Honoré’s Multimedia Trilogy</image:title>
      <image:caption>Left, Jacques Demy (Saldana) shies away in a corner while Guibert (Foïs), Collard (Arévalo), and Daney (Clichet) pause to listen to Lagarce (Julien Honoré) recount his death from AIDS on September 30, 1995 and tell of his idolization for author Renaud Camus.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550959208129-PBGSNEWK30Z1O7XFPNOT/7.+Les+Idoles.jpg</image:loc>
      <image:title>Strange Days: Christophe Honoré’s Multimedia Trilogy</image:title>
      <image:caption>In Les Idoles, Largace (Julien Honoré) and Collard (Arévalo) reflect on what they left behind and what could have been in Honoré’s multi-mediated dreamscape.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550959008451-YOZ2KI84VJ7N7851DT5R/image-asset.jpeg</image:loc>
      <image:title>Strange Days: Christophe Honoré’s Multimedia Trilogy</image:title>
      <image:caption>Christophe Honoré. Photo by David A. Gerstner.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2019/invasion-of-the-body-snatchers</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550908869624-VJXO5Y0FAOUGZCXVX2FZ/Invasion_Body_1956_poster_2.jpg</image:loc>
      <image:title>“There’ll Be No More Tears”: The Shifting Identities of Invasion of the Body Snatchers</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550908902911-Q56EHC72LUUK13J38FXA/BODY+PAPERBACK.jpg</image:loc>
      <image:title>“There’ll Be No More Tears”: The Shifting Identities of Invasion of the Body Snatchers</image:title>
    </image:image>
    <image:image>
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      <image:title>“There’ll Be No More Tears”: The Shifting Identities of Invasion of the Body Snatchers</image:title>
      <image:caption>Miles Bennell (Kevin McCarthy) examines a pod in the original 1956 film.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/spring2019/les-parents-terribles</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1550954802421-JCDQWTGFCF9DV8OJ9NYZ/PARENTS+TERRIBLES+JACKET.jpg</image:loc>
      <image:title>Les Parents terribles</image:title>
    </image:image>
    <image:image>
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      <image:title>Les Parents terribles</image:title>
      <image:caption>Josette Day as Madeleine and Jean Marais as Michel. Photo courtesy of Photofest.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Les Parents terribles</image:title>
      <image:caption>Gabrielle Dorziat as Aunt Leo, Josette Day as Madeleine, Marcel André as Georges, and Jean Marais as Michel. Photo courtesy of Photofest.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Les Parents terribles</image:title>
      <image:caption>Jean Marais as Michel and Yvonne de Bray as Yvonne-Sophie. Photo courtesy of Photofest.</image:caption>
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      <image:title>Les Parents terribles</image:title>
      <image:caption>Gabrielle Dorziat as Aunt Leo and Jean Marais as Michel. Photo courtesy of Photofest.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2019/salvatore-cascio-cinema-paradiso</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-05-22</lastmod>
    <image:image>
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      <image:title>Thirty Years of Paradise: An Interview with Cinema Paradiso’s Salvatore Cascio</image:title>
      <image:caption>Salvatore Cascio today. (©Salvo Cascio)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1551132048847-7B5KVKL8WO582EJ1BXHS/CINEMA+PARADISO+1A.jpg</image:loc>
      <image:title>Thirty Years of Paradise: An Interview with Cinema Paradiso’s Salvatore Cascio</image:title>
      <image:caption>Young Salvatore Di Vita (Salvatore Cascio) learns about the magic of movies from Alfredo (Philippe Noiret), the projectionist at the Cinema Paradiso.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1551132102759-MWB43Q2VZTOSLVL47CPS/CINEMA+PARADISO+4.jpg</image:loc>
      <image:title>Thirty Years of Paradise: An Interview with Cinema Paradiso’s Salvatore Cascio</image:title>
      <image:caption>Salvatore Cascio acknowledges that this scene took many takes to complete.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1551132145352-IXGMBL4SS56CZCD34RQ9/CINEMA+PARADISO+12.jpg</image:loc>
      <image:title>Thirty Years of Paradise: An Interview with Cinema Paradiso’s Salvatore Cascio</image:title>
      <image:caption>The adult Salvatore (Jacques Perrin), now a film director, returns to his Sicilian village to attend Alfredo's funeral, and receives a special bequest from his old friend.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1551132129465-A66SYOD7PT0DN62Z2VGZ/CINEMA+PARADISO+6.jpg</image:loc>
      <image:title>Thirty Years of Paradise: An Interview with Cinema Paradiso’s Salvatore Cascio</image:title>
      <image:caption>Salvatore wins the BAFTA (British Academy of Film and Television Arts) Award for Best Supporting Actor for his role in Cinema Paradiso.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1551132159487-OHDUFSFICX79O6TY67I2/CINEMA+PARADISO+POSTER.jpg</image:loc>
      <image:title>Thirty Years of Paradise: An Interview with Cinema Paradiso’s Salvatore Cascio</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2019/los-cabos-international-film-festival-2018</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1551135354172-LMVQN3K4CQG7QJFOGS72/LOS+CABOS+POSTERS+1.jpg</image:loc>
      <image:title>The Los Cabos International Film Festival</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1551138579376-Q4E1TTK2H4VNWVN4V1Y9/FERAL+1.jpg</image:loc>
      <image:title>The Los Cabos International Film Festival</image:title>
      <image:caption>Wild child ambulation in Feral.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1551139468153-0NS0W8XM14HL2037WWYX/FERAL+2.jpg</image:loc>
      <image:title>The Los Cabos International Film Festival</image:title>
      <image:caption>Teaching speech in Feral.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1551138658248-EHFQJWQ5XAPMHVWSKRZ7/FERAL+3.jpg</image:loc>
      <image:title>The Los Cabos International Film Festival</image:title>
      <image:caption>An eerie atmosphere permeates Feral.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1551140212398-9CASESYFD4L0R1B58X31/1_LSZky0wJqt3hpu7YpyX-Zw.jpg</image:loc>
      <image:title>The Los Cabos International Film Festival</image:title>
      <image:caption>The Mixtec non-actor Yalitza Aparicio as Cleo in Roma.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1551135676117-HEE4IB6ZQTPUPHLUYUQ9/6+-+high+def+Birds.jpg</image:loc>
      <image:title>The Los Cabos International Film Festival</image:title>
      <image:caption>The Wayuu people and landscapes star in Birds of Passage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1551135776000-R430XRYOHRVJKUKJROKE/7+-+high+def+Birds.jpg</image:loc>
      <image:title>The Los Cabos International Film Festival</image:title>
      <image:caption>Female rituals are foregrounded in Birds of Passage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1551135587320-PDPIWKBCTUX3RDWQ9HUS/1+-+high+def+Birds.jpg</image:loc>
      <image:title>The Los Cabos International Film Festival</image:title>
      <image:caption>The Clan is armed and dangerous in Birds of Passage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1551138304645-BCWF0N1V0TDUWLBZ7VWJ/8+-+high+def+Birds.jpg</image:loc>
      <image:title>The Los Cabos International Film Festival</image:title>
      <image:caption>Widescreen action heats up in Birds of Passage.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2019/julia-bacha-nonviolent-resistance-in-palestine</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-03-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1551133710359-K62GW0H0MBUCNDA8F6UF/JULIA+BACHA+2.jpg</image:loc>
      <image:title>Nonviolent Resistance in Palestine: An Interview with Julia Bacha</image:title>
      <image:caption>Julia Bacha, director of Naila and the Uprising.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1551134509110-0P3AHO5IU53G2OJXI5FC/BUDRUS+POSTER.jpg</image:loc>
      <image:title>Nonviolent Resistance in Palestine: An Interview with Julia Bacha</image:title>
      <image:caption>Bacha’s acclaimed Budrus explores the role of Palestinian community organizers using nonviolent tactics.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1551133801426-S6MMJSR1YIERNB9VT2OG/NAYLA+%26+UPRISING+1.jpg</image:loc>
      <image:title>Nonviolent Resistance in Palestine: An Interview with Julia Bacha</image:title>
      <image:caption>Women demonstrate during the First Intifada in Naila and the Uprising.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1551134445473-CXN6SDNNK81JBHPS5YIV/NAILA%2BAYESH.jpg</image:loc>
      <image:title>Nonviolent Resistance in Palestine: An Interview with Julia Bacha</image:title>
      <image:caption>Activist Naila Ayesh, the central figure in Naila and the Uprising.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1551133779938-XKT52QOF65P2R6FFLD1B/NAILA+%26+UPRISING+2.jpg</image:loc>
      <image:title>Nonviolent Resistance in Palestine: An Interview with Julia Bacha</image:title>
      <image:caption>Animation depicts episodes from Naila’s past, such as clandestinely distributing leaflets.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1551133847382-HO1XFYRYR5D3YK2OJP0E/NAYLA+%26+UPRISING+3.jpg</image:loc>
      <image:title>Nonviolent Resistance in Palestine: An Interview with Julia Bacha</image:title>
      <image:caption>Women raise the hand-sewn Palestinian flag.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1551133869046-ID0U9M8M7W1ZHM5MN7PU/NAILA+%26+UPRISING+4.jpg</image:loc>
      <image:title>Nonviolent Resistance in Palestine: An Interview with Julia Bacha</image:title>
      <image:caption>Women organized and led the nonviolent civil resistance of the First Intifada.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1551134865419-GMMQ7N2FJQJKD69QVX0R/MV5BNDgzMmQyZWQtNzM1OS00MjU0LTg5ZjUtN2E5MjBjMjIwZDI2XkEyXkFqcGdeQXVyODE5NTIzNQ%40%40._V1_SY1000_SX675_AL_.jpg</image:loc>
      <image:title>Nonviolent Resistance in Palestine: An Interview with Julia Bacha</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2019/poetics-and-periphery-journey-of-kaili-blues</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-05-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558585516750-WXL1ZH3I53MBT51PI2KZ/image-asset.jpeg</image:loc>
      <image:title>Poetics and the Periphery: The Journey of Kaili Blues</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558580438783-WF1HC56TJCLFPZWI3YLT/Fig+2+Wei+Wei+Draws+a+Clock.png</image:loc>
      <image:title>Poetics and the Periphery: The Journey of Kaili Blues</image:title>
      <image:caption>Wei Wei draws a clock.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558580656192-BGYDM1IXI8XYBOX3V9SD/Fig+3+The+Fascinating+Disco+Ball.png</image:loc>
      <image:title>Poetics and the Periphery: The Journey of Kaili Blues</image:title>
      <image:caption>The fascinating disco ball.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558580798293-SV6ZZ5YZSUON4WCW8REU/Fig+4+_Uncle%2C+I+lost+My+Ball_.png</image:loc>
      <image:title>Poetics and the Periphery: The Journey of Kaili Blues</image:title>
      <image:caption>Uncle, I lost my ball.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558580888513-HBO87IZ8UYVG3A44P0AN/image-asset.png</image:loc>
      <image:title>Poetics and the Periphery: The Journey of Kaili Blues</image:title>
      <image:caption>Mother’s blue shoes.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Poetics and the Periphery: The Journey of Kaili Blues</image:title>
      <image:caption>Yang Yang on the ferry.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558581190459-F5K7TLAPP72MW17U97SR/Fig+7+Guanglian%2C+Light+and+Lotus.png</image:loc>
      <image:title>Poetics and the Periphery: The Journey of Kaili Blues</image:title>
      <image:caption>Guanglian, light and lotus.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558581397150-Q3VIRLZU6Q9XEG2VGCQ2/Fig+8+Tunnel+to+Dangmai.png</image:loc>
      <image:title>Poetics and the Periphery: The Journey of Kaili Blues</image:title>
      <image:caption>Tunnel to Dangmai.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558581456627-KCKZCLK3W6MOUVJZUD9U/Fig+9+Batik+on+the+Cave+Wall.png</image:loc>
      <image:title>Poetics and the Periphery: The Journey of Kaili Blues</image:title>
      <image:caption>Batik on the cave wall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558581565915-74KVGRVX4FUOYZV57NFM/Fig+10+Wei+Wei%27s+Bucket.png</image:loc>
      <image:title>Poetics and the Periphery: The Journey of Kaili Blues</image:title>
      <image:caption>Wei Wei’s bucket.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558581691363-D11KWJH2NS17CGWYRLH0/Fig+11+Ivan%27s+Bucket.png</image:loc>
      <image:title>Poetics and the Periphery: The Journey of Kaili Blues</image:title>
      <image:caption>Ivan’s bucket</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558581796113-FU3HXQW615YZUXGOQIL9/Fig+12+Dreamer+on+an+Empty+Train.png</image:loc>
      <image:title>Poetics and the Periphery: The Journey of Kaili Blues</image:title>
      <image:caption>Dreamer on an empty train.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558582110462-JGX8NVAZR15FS6G0JID0/Fig+13+Superimposition%2C+Train+of+Dreams.png</image:loc>
      <image:title>Poetics and the Periphery: The Journey of Kaili Blues</image:title>
      <image:caption>Superimposition, The Phantom Train Upside-down.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558582188062-CMLNQKP41HE5YSLV90WF/Fig+14+Trains+and+Time%2C+Forward+%26+Backward.png</image:loc>
      <image:title>Poetics and the Periphery: The Journey of Kaili Blues</image:title>
      <image:caption>Trains and time, forward and backward.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558582299629-KRACU2LGAZPTFIB3DLM6/Fig+15+Flicking+the+Cigarette+against+the+Tunnel+Wall.png</image:loc>
      <image:title>Poetics and the Periphery: The Journey of Kaili Blues</image:title>
      <image:caption>Flicking the cigarette against the tunnel wall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558582359503-OGQETL5VH9PCPPJU78C6/Fig+16+Initial+Poster+for+Bi+Gan%27s+Second+Film.jpg</image:loc>
      <image:title>Poetics and the Periphery: The Journey of Kaili Blues</image:title>
      <image:caption>Initial poster for Bi Gan’s second film.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2019/kustendorf-international-film-and-music-festival-2019</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-07-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558579394412-O0KTM4FUBJRVZ7RAY03N/kustendorf</image:loc>
      <image:title>The 2019 Küstendorf International Film and Music Festival</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558578013336-S3MUYKQF2UNSY4IAX8C2/Kustendorf+2.jpg</image:loc>
      <image:title>The 2019 Küstendorf International Film and Music Festival</image:title>
      <image:caption>Roman Polanski (center) acts as a street tough in his own short, Two Men and a Wardrobe.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558578070694-0IJJA0UX23SSSZCXIDL3/Kustendorf+3.jpg</image:loc>
      <image:title>The 2019 Küstendorf International Film and Music Festival</image:title>
      <image:caption>José ‘Pepe’ Mujica, former president of Uruguay, in Kusturica’s portrait of him, El Pepe: A Supreme Life.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558578136399-10TCGHMJRYRZKVR1OEO7/Kustendorf+4.jpg</image:loc>
      <image:title>The 2019 Küstendorf International Film and Music Festival</image:title>
      <image:caption>Pope Francis in Wim Wenders’s documentary profile, Pope Francis: A Man of His Word.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558578191651-N386AX7HEL2KAP6NRLQ9/Kustendorf+5.jpg</image:loc>
      <image:title>The 2019 Küstendorf International Film and Music Festival</image:title>
      <image:caption>Jobless Sanja (Ivana Vuković) in Ivan Salatić’s You Have the Night.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558579569191-902IS07BESREAPP87TZB/Kustendorf+6.jpg</image:loc>
      <image:title>The 2019 Küstendorf International Film and Music Festival</image:title>
      <image:caption>Dinara Baktybaeva in Adilkhan Yerzhanov’s painterly The Gentle Indifference of the World.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2019/berlin-international-film-festival-2019</loc>
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    <lastmod>2019-05-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558576277842-C6O9LX8KL0KFSS03GA9P/Berlin+1.jpg</image:loc>
      <image:title>End of an Era: The 2019 Berlin International Film Festival</image:title>
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    <image:image>
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      <image:title>End of an Era: The 2019 Berlin International Film Festival</image:title>
      <image:caption>Clara (Zoe Kazan) and John Peter (Jay Baruchel) in Lone Scherfig’s The Kindness of Strangers.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558576698841-1JZN0GW89IO5C1WKKYTL/Berlin+3.png</image:loc>
      <image:title>End of an Era: The 2019 Berlin International Film Festival</image:title>
      <image:caption>Bernard Verley as disgraced priest, Bernard Preynat, in François Ozon’s By the Grace of God.</image:caption>
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      <image:title>End of an Era: The 2019 Berlin International Film Festival</image:title>
      <image:caption>Honor Swinton Byrne as Julie, a film student with her difficult romantic interest, Anthony (Tom Burke), in The Souvenir.</image:caption>
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      <image:title>End of an Era: The 2019 Berlin International Film Festival</image:title>
      <image:caption>Thomas Heise’s Heimat is a Place in Time.</image:caption>
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      <image:title>End of an Era: The 2019 Berlin International Film Festival</image:title>
      <image:caption>Frank Beauvais’s experimental essay film, Just Don’t Think I’ll Scream, is made up of clips from 400 different films.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/summer2019/home</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-05-31</lastmod>
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  </url>
  <url>
    <loc>https://www.cineaste.com/summer2019/dead-souls</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-05-23</lastmod>
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      <image:caption>Wang Bing interviews survivors of the Jiabiangou re-education farm that operated from 1958–61.</image:caption>
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      <image:caption>Qi Luji, 83 years-old.</image:caption>
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      <image:caption>Chen Zonghai, 85 years-old.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/summer2019/non-fiction</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-05-23</lastmod>
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      <image:caption>Juliette Binoche as Selena and Vincent Macaigne as Léonard Spiegel.</image:caption>
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      <image:title>Non-Fiction</image:title>
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      <image:caption>Juliette Binoche as Selena and Guillaume Canet as Alain Danielson.</image:caption>
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      <image:caption>Juliette Binoche as Selena.</image:caption>
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  <url>
    <loc>https://www.cineaste.com/summer2019/tell-them-willie-boy-is-here</loc>
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    <priority>0.75</priority>
    <lastmod>2019-05-24</lastmod>
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      <image:caption>Robert Redford as Deputy Sheriff Cooper.</image:caption>
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      <image:title>Tell Them Willie Boy Is Here</image:title>
      <image:caption>Susan Clark as Dr. Elizabeth Arnold, the superintendent of the reservation, and Katharine Ross as Lola.</image:caption>
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      <image:caption>After Cooper and Willie Boy's showdown.</image:caption>
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  <url>
    <loc>https://www.cineaste.com/summer2019/the-brink</loc>
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    <priority>0.75</priority>
    <lastmod>2024-05-22</lastmod>
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      <image:caption>Bannon and fellow Trump campaign adviser, Sam Nunberg.</image:caption>
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      <image:caption>Bannon and Brexit architect Nigel Farage.</image:caption>
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  <url>
    <loc>https://www.cineaste.com/summer2019/detour</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2019-05-23</lastmod>
    <image:image>
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      <image:title>Detour</image:title>
      <image:caption>The expressionist opening scene of Detour (1945), featuring down-and-out piano player Al Roberts (Tom Neal), quickly establishes the grim tone of Edgar G. Ulmer’s classic film noir.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558584684637-9TF1B3XC1RTA1DD01XSP/image-asset.jpeg</image:loc>
      <image:title>Detour</image:title>
      <image:caption>Al almost immediately regrets offering a ride to hitchhiker Vera (Ann Savage), who lets him know she is fully aware that the car does not belong to Al.</image:caption>
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      <image:title>Detour</image:title>
      <image:caption>Al and Vera (Ann Savage) drive discontentedly.</image:caption>
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  <url>
    <loc>https://www.cineaste.com/summer2019/robin-wood-on-horror-film-collected-essays-and-reviews</loc>
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    <priority>0.75</priority>
    <lastmod>2019-05-23</lastmod>
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      <image:title>Robin Wood on the Horror Film: Collected Essays and Reviews</image:title>
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      <image:caption>Robin Wood, circa 1972.</image:caption>
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      <image:title>Robin Wood on the Horror Film: Collected Essays and Reviews</image:title>
      <image:caption>Tony Perkins in Psycho.</image:caption>
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  <url>
    <loc>https://www.cineaste.com/summer2019/thessaloniki-documentary-film-festival-2019</loc>
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    <priority>0.75</priority>
    <lastmod>2019-05-26</lastmod>
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      <image:title>The 2019 Thessaloniki Documentary Festival</image:title>
      <image:caption>Yair Lev’s doc, You Only Die Twice, is about the man who assumed his grandfather’s identity.</image:caption>
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      <image:title>The 2019 Thessaloniki Documentary Festival</image:title>
      <image:caption>Aistė Žegulytė’s Animus Animalis.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558648042588-4EFH08EC281DD3MRS175/Thess+4.jpg</image:loc>
      <image:title>The 2019 Thessaloniki Documentary Festival</image:title>
      <image:caption>Up the Mountain by Zhang Yang about a folk painting academy.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558648055192-BTVOGYAL0SJZ1O4X2Q57/Thess+5.jpg</image:loc>
      <image:title>The 2019 Thessaloniki Documentary Festival</image:title>
      <image:caption>A bullet in Gustav Deutsch’s Film ist. 1–6.</image:caption>
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      <image:title>The 2019 Thessaloniki Documentary Festival</image:title>
      <image:caption>Radu Jude’s The Marshal’s Two Executions about Nazi collaborator Ion Antonescu.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/summer2019/wall-will-tell-you-forensics-of-screenwriting</loc>
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    <priority>0.75</priority>
    <lastmod>2019-05-23</lastmod>
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      <image:title>The Wall Will Tell You: The Forensics of Screenwriting</image:title>
      <image:caption>Fancher in Michael Almereyda’s Escapes, a documentary that chronicles his varied life.</image:caption>
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      <image:title>The Wall Will Tell You: The Forensics of Screenwriting</image:title>
      <image:caption>Hampton Fancher © David Bushell</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558582159045-6F51WI4NJ1DCPZMX0CNB/Wall+2.jpg</image:loc>
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      <image:caption>Fancher co-wrote the screenplay for Blade Runner (1982).</image:caption>
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      <image:title>The Wall Will Tell You: The Forensics of Screenwriting</image:title>
      <image:caption>Save the Cat! and other screenwriting books.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/summer2019/the-prize</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-05-26</lastmod>
    <image:image>
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      <image:title>The Prize</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558583773684-18XED9VZGGYGYVVT1FBC/Prize+2.jpg</image:loc>
      <image:title>The Prize</image:title>
      <image:caption>Paul Newman as a writer and womanizing Nobel Laureate, Andrew Craig.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558583865049-DMHV8COQ8FLVYHN0YD1M/Prize+3.jpg</image:loc>
      <image:title>The Prize</image:title>
      <image:caption>Craig with Inger Lisa Andersson (Elke Sommer) his guide.</image:caption>
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      <image:caption>Craig and fellow Laureate for physics, Dr. Max Stratman, played by Edward G. Robinson.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1558583909074-T6U6X3DEGNCCPRRNVR2V/Prize+5.jpg</image:loc>
      <image:title>The Prize</image:title>
      <image:caption>Stratman and his niece, Emily (Diane Baker), who appears to be a Stasi plant.</image:caption>
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      <image:title>The Prize</image:title>
      <image:caption>Dr. Carlo Farelli (Sergio Fantoni) and Dr. John Garrett (Kevin McCarthy) co-Laureates for medicine.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/digital-editions</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-07-18</lastmod>
  </url>
  <url>
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    <changefreq>daily</changefreq>
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      <image:caption>Tsai Ming-liang</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566882925676-0LX5BHKWEPDV3JIKPA7I/rocha_hp.jpg</image:loc>
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      <image:title>The Current Issue</image:title>
      <image:caption>Manta Ray</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/fall2019/excellent-worker-camille-vidal-naquet</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-08-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566875344220-5A0MMSD1J3Z0HHHQCIGU/VidalN1.jpg</image:loc>
      <image:title>An Excellent Worker: An Interview with Camille Vidal-Naquet</image:title>
      <image:caption>Camille Vidal-Naquet.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566875390639-S17AY8KJ154L9KX5V4SQ/VidalN2.jpg</image:loc>
      <image:title>An Excellent Worker: An Interview with Camille Vidal-Naquet</image:title>
      <image:caption>Félix Maritaud as Léo, a sex worker in Sauvage.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566875471230-NOGCJQM5I0NZC0JL28QE/image-asset.jpeg</image:loc>
      <image:title>An Excellent Worker: An Interview with Camille Vidal-Naquet</image:title>
      <image:caption>Ahd (Eric Bernard), also a sex worker and Léo’s lover.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566875418916-X365ZAGPHU3Y8QNUW70N/VidalN4.jpg</image:loc>
      <image:title>An Excellent Worker: An Interview with Camille Vidal-Naquet</image:title>
      <image:caption>Vidal-Naquet spent months planning the cinematography and lighting.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566875551068-U15OKIVT1X7RR9NNK843/VidalN6.jpg</image:loc>
      <image:title>An Excellent Worker: An Interview with Camille Vidal-Naquet</image:title>
      <image:caption>“Ahd, on the other hand, can only see the world as a place to be lived in as human.”</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566875440513-26B2H3VHZAXJOKFABLDA/VidalN5.jpg</image:loc>
      <image:title>An Excellent Worker: An Interview with Camille Vidal-Naquet</image:title>
      <image:caption>“There is something primitive to Léo, instinctive, and, of course, it’s the theme of the film. Léo is untamed.”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2019/post-obama-era-roberto-minervini</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-08-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566877674784-B9Q4YLLZF86O2BLBLKM9/Minervini1.jpg</image:loc>
      <image:title>Race in the Post-Obama Era: An Interview with Roberto Minervini</image:title>
      <image:caption>Portrait of Roberto Minervini.</image:caption>
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    <image:image>
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      <image:title>Race in the Post-Obama Era: An Interview with Roberto Minervini</image:title>
      <image:caption>Judy Hill, the central “character” in What You Gonna Do When the World’s on Fire?.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566877742136-JL57DI9KXIS1ATVNYJE6/Minervini3.jpg</image:loc>
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      <image:caption>The New Black Panther Party for Self-Defense protest police violence.</image:caption>
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      <image:caption>Half brothers Ronaldo King, 14, and Titus Turner, 9, are the protagonists of one narrative strand in the hybrid documentary, What You Gonna Do When the World’s on Fire?.</image:caption>
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      <image:title>Race in the Post-Obama Era: An Interview with Roberto Minervini</image:title>
      <image:caption>Another shot of the New Black Panther Party for Self-Defense.</image:caption>
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      <image:title>Race in the Post-Obama Era: An Interview with Roberto Minervini</image:title>
      <image:caption>Another shot of Titus and Ronaldo.</image:caption>
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  <url>
    <loc>https://www.cineaste.com/fall2019/the-inventor-out-for-blood-silicon-valley</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-08-28</lastmod>
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      <image:caption>Theranos CEO, Elizabeth Holmes, in Theranos labs.</image:caption>
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      <image:title>The Inventor: Out for Blood in Silicon Valley</image:title>
      <image:caption>Holmes with Bill Clinton and Madeleine Albright.</image:caption>
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      <image:title>The Inventor: Out for Blood in Silicon Valley</image:title>
      <image:caption>Theranos C.O.O. Sunny Balwani.</image:caption>
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  <url>
    <loc>https://www.cineaste.com/fall2019/painterly-poetics-tsai-ming-liang-and-lee-kang-sheng</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-08-28</lastmod>
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      <image:title>Painterly Poetics: An Interview with Tsai Ming-liang and Lee Kang-sheng</image:title>
      <image:caption>Tsai Ming-Liang and Lee Kang-Sheng.</image:caption>
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      <image:title>Painterly Poetics: An Interview with Tsai Ming-liang and Lee Kang-sheng</image:title>
      <image:caption>Goodbye, Dragon Inn.</image:caption>
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      <image:title>Painterly Poetics: An Interview with Tsai Ming-liang and Lee Kang-sheng</image:title>
      <image:caption>What Time Is It There?</image:caption>
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      <image:title>Painterly Poetics: An Interview with Tsai Ming-liang and Lee Kang-sheng</image:title>
      <image:caption>A young Lee in Rebels of the Neon God.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566880264209-P5NZ8V71UKD02XG97BUX/Tsai4.jpg</image:loc>
      <image:title>Painterly Poetics: An Interview with Tsai Ming-liang and Lee Kang-sheng</image:title>
      <image:caption>Your Face, Tsai’s most recent film.</image:caption>
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      <image:title>Painterly Poetics: An Interview with Tsai Ming-liang and Lee Kang-sheng</image:title>
      <image:caption>Journey to the West, part of Tsai’s “walker” series.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2019/lillian-ross-red-badge-of-courage</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-08-28</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566868527648-975A9WRNMS0SMKDBW7U8/RED+BADGE+POSTER.jpg</image:loc>
      <image:title>Lillian Ross’s Picture: A Chronicle of MGM’s Mutilation of John Huston’s The Red Badge of Courage</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566868614292-IAQDQ557FO39QD27W9S3/image-asset.jpeg</image:loc>
      <image:title>Lillian Ross’s Picture: A Chronicle of MGM’s Mutilation of John Huston’s The Red Badge of Courage</image:title>
      <image:caption>John Huston’s The Red Badge of Courage (1951).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566868545509-VHM2IZXGY1ZYTT92J5CL/HUSTON+1.jpg</image:loc>
      <image:title>Lillian Ross’s Picture: A Chronicle of MGM’s Mutilation of John Huston’s The Red Badge of Courage</image:title>
      <image:caption>Director John Huston.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2019/the-nightingale</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-08-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566872940566-GG52A9TJORMQGZZX8TG3/NIGHTINGALE+1.jpg</image:loc>
      <image:title>The Nightingale</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566872886160-BBMHFFWLADN4P54LSEPG/NIGHTINGALE+POSTER.jpg</image:loc>
      <image:title>The Nightingale</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566873014234-HH16J4AD1HNM7MVX8SMI/JENNIFER+KENT+PORTRAIT.jpg</image:loc>
      <image:title>The Nightingale</image:title>
      <image:caption>Director Jennifer Kent.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2019/the-tarnished-angels</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-08-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566874459683-LF12V92AXT0EGS4EDHGV/Tarnished1.jpg</image:loc>
      <image:title>The Tarnished Angels</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566874491400-NI9F03E0UA0BRKVP3LJN/image-asset.jpeg</image:loc>
      <image:title>The Tarnished Angels</image:title>
      <image:caption>Dorothy Malone as LaVerne Shumann.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566874539324-ZVMGQZJBDG5FEYMJ62J3/Tarnished4.jpg</image:loc>
      <image:title>The Tarnished Angels</image:title>
      <image:caption>Robert Stack as former war hero and current trick pilot Roger Shumann.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566874523133-FDJEDP07ZX4KGABOQSL9/Tarnished3.png</image:loc>
      <image:title>The Tarnished Angels</image:title>
      <image:caption>The film’s milieu is of barnstorming aviation in New Orleans.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566874555253-UL6H7Y4TP2GKLWQ52CC8/Tarnished5.jpg</image:loc>
      <image:title>The Tarnished Angels</image:title>
      <image:caption>Rock Hudson as reporter Burke Devlin, who comes to report on the Shumann family.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566874575260-VAMZDU7HCEWJJIK8KHBY/Tarnished6.jpg</image:loc>
      <image:title>The Tarnished Angels</image:title>
      <image:caption>Devlin with Roger, LaVerne and Jiggs their mechanic (Jack Carson).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2019/pleasures-and-perils-jay-stern</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-09-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566878524641-HQFCCWNSMP3LU07M3VFK/Inventor1.jpg</image:loc>
      <image:title>The Pleasures and Perils of Independent Cinema: An Interview with Jay Stern</image:title>
      <image:caption>Jay Stern.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566878777144-Q90729VY6XAZ0C03TP28/Stern2.jpg</image:loc>
      <image:title>The Pleasures and Perils of Independent Cinema: An Interview with Jay Stern</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566879038698-RR1OMP4ZA0ZFF0APZPSA/Stern7.jpg</image:loc>
      <image:title>The Pleasures and Perils of Independent Cinema: An Interview with Jay Stern</image:title>
      <image:caption>As a theater director, Stern helmed The Bardy Bunch: The War of the Families Partridge and Brady.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566878977367-V2Y0CRAKW65T6H7P2YW8/Stern4.jpg</image:loc>
      <image:title>The Pleasures and Perils of Independent Cinema: An Interview with Jay Stern</image:title>
      <image:caption>Marian Brock and Marina Franklin in Spirit Cabinet.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566878994889-GPI3CJ8D3957XUPVURDS/Stern5.jpg</image:loc>
      <image:title>The Pleasures and Perils of Independent Cinema: An Interview with Jay Stern</image:title>
      <image:caption>Mark Bonnar and Lisa Brenner in Say My Name.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566878961138-UXDIO0XCBPPVIJ5XZJKS/Stern3.jpg</image:loc>
      <image:title>The Pleasures and Perils of Independent Cinema: An Interview with Jay Stern</image:title>
      <image:caption>Marian Brock in The Adventures of Paul and Marian.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566879018866-4V45LAPUJ96QQYITEURO/Stern6.jpg</image:loc>
      <image:title>The Pleasures and Perils of Independent Cinema: An Interview with Jay Stern</image:title>
      <image:caption>Lisa Brenner and Nick Blood in Say My Name.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2019/seattle-international-film-festival-2019</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-09-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566881482833-M4K0QRQ0IGTK56571P47/image-asset.jpeg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566881573165-BQV6CQC00XEG02DHN5W5/Barbarians3.jpg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Choreographing battle scenes in “I Do Not Care If We Go Down in History as Barbarians” involves toys as well as the real thing.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566881541933-77DJSPPEF75R21PYI94H/image-asset.jpeg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Rehearsing the pyrotechnics before putting on the show in “I Do Not Care If We Go Down in History as Barbarians.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566881855525-84BMGQECXHDVSVEC2JRF/image-asset.jpeg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Cruising on the forklift in In the Aisles.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566881893474-D7O8YSXE85XYT0SNOWR1/InTheAisles2.jpg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Christian (Franz Rogowski) surveys the night-shift scene in In the Aisles.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566881754433-N8PP8R4ALETLNSW6BB0O/Yomeddine+1.jpg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>The road movie Yomeddine sets sail.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566881791099-352UGUZ6FJF2CMKPBQ28/image-asset.jpeg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>A lighthearted interlude in Yomeddine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566881670342-GFAAIU16G06Q89F98XNU/1+Cold+Case.jpg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>It’s time to dig for buried evidence in Cold Case Hammarskjöld.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566881692988-XFJYU5VCKBTG688FQ0H4/2+Cold+Case.jpg</image:loc>
      <image:title>The Seattle International Film Festival</image:title>
      <image:caption>Key interviewee Alexander Jones spins his explosive version of events in Cold Case Hammarskjöld.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2019/thessaloniki-international-film-festival-2018</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-08-27</lastmod>
    <image:image>
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      <image:title>The Thessaloniki International Film Festival</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566880759683-ATVSO8WLJ78PBCIDLUJ2/Thess2.jpg</image:loc>
      <image:title>The Thessaloniki International Film Festival</image:title>
      <image:caption>Richard Billingham’s Ray &amp; Liz (Richard Ashton and Ella Smith).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566880798904-AOOCN97DNJFNJQ0ITJ22/Thess3.jpg</image:loc>
      <image:title>The Thessaloniki International Film Festival</image:title>
      <image:caption>Phuttipong Aroonpheng’s debut feature about small-scale fishing, Manta Ray.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566880829930-FQ348LQ5UERI8ZINBP3N/Thess4.jpg</image:loc>
      <image:title>The Thessaloniki International Film Festival</image:title>
      <image:caption>Jakob Cedergren in Gustav Möller’s The Guilty.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566880875374-4QAD2OGVQYF9S3C9NRMQ/Thess5.jpg</image:loc>
      <image:title>The Thessaloniki International Film Festival</image:title>
      <image:caption>Maha Alemi as the title character in Meryem Benm’barek’s Sofia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566880908076-9XB2ZGT64E4NHZTNF711/Thess6.jpg</image:loc>
      <image:title>The Thessaloniki International Film Festival</image:title>
      <image:caption>Radu Jude’s I Do Not Care If We Go Down in History as Barbarians.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566880976839-6QUFUCKBEIUN0HXQNLEM/Thess7.jpg</image:loc>
      <image:title>The Thessaloniki International Film Festival</image:title>
      <image:caption>Greek director Nikos Labôt’s feature debut, Her Job.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2019/this-thing-of-darkness-eisenstein</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-08-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566872256457-NAMT6D6CUNKIVF9LF468/DARKNESS.jpg</image:loc>
      <image:title>This Thing of Darkness: Eisenstein’s Ivan the Terrible in Stalin’s Russia</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566872418969-3A6IBP7Q1KQSHWB4QNL6/IVAN+PART+1.jpg</image:loc>
      <image:title>This Thing of Darkness: Eisenstein’s Ivan the Terrible in Stalin’s Russia</image:title>
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    <image:image>
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      <image:title>This Thing of Darkness: Eisenstein’s Ivan the Terrible in Stalin’s Russia</image:title>
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  </url>
  <url>
    <loc>https://www.cineaste.com/fall2019/the-quiller-memorandum</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-08-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566873696342-UYW01YG1Q0SVB559CJHE/Quiller1.jpg</image:loc>
      <image:title>The Quiller Memorandum</image:title>
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    <image:image>
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      <image:title>The Quiller Memorandum</image:title>
      <image:caption>George Segal as Agent Quiller with Inge Lindt (Senta Berger).</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566873777614-VTWF8P9T8A6MQK1XL8P0/Quiller3.jpg</image:loc>
      <image:title>The Quiller Memorandum</image:title>
      <image:caption>Quiller being injected with truth serum by agents of Phoenix.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566873882557-4RB1QJMIFDHSMNR5CDNK/Quiller5.jpg</image:loc>
      <image:title>The Quiller Memorandum</image:title>
      <image:caption>Alec Guinness plays spymaster Pol, Quiller’s minder.</image:caption>
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      <image:title>The Quiller Memorandum</image:title>
      <image:caption>Lindt (Berger) is a school teacher who meets Quiller to translate for him.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1566873804625-GI8U6TWBTGU8O35EKZRI/Quiller4.jpg</image:loc>
      <image:title>The Quiller Memorandum</image:title>
      <image:caption>Phoenix boss Oktober (Max von Sydow) with George Segal, seated.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/winter2019/locarno-film-festival-2019</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-12-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575166104713-YOEG0HBGXK1QUS3DHHXC/locarno-film-festival.jpg</image:loc>
      <image:title>The Locarno Film Festival</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575165640306-FN9FWPCHXX6P4AO7V26K/Locarno1.jpg</image:loc>
      <image:title>The Locarno Film Festival</image:title>
      <image:caption>The eponymous Vitalina Varela in Pedro Costa’s Golden Leopard winning film.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575165654386-ZZB1TZUZMRZV8TUCXCYA/Locarno2.jpg</image:loc>
      <image:title>The Locarno Film Festival</image:title>
      <image:caption>Maj-Britt Klenke as Jette in Ulrich Köhler and Henner Winckler’s A Voluntary Year.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575165665789-21662R35S36EOD7GHGDN/image-asset.jpeg</image:loc>
      <image:title>The Locarno Film Festival</image:title>
      <image:caption>Marie Losier’s documentary Felix in Wonderland about avant-garde musician, Felix Kubin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575165682668-AUB9N1AOXSCRAX1YJBCE/Locarno4.jpg</image:loc>
      <image:title>The Locarno Film Festival</image:title>
      <image:caption>Harry Belafonte and Ed Begley in Robert Wise’s Odds Against Tomorrow, screened as part of Locarno’s “Black Light” retrospective on the Black Experience.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575165701508-91TW1QB3FZHZPM4S5CNV/image-asset.png</image:loc>
      <image:title>The Locarno Film Festival</image:title>
      <image:caption>Tracey Ullman and Selma Blair in John Waters’s A Dirty Shame.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/winter2019/lady-from-the-black-lagoon-milicent-patrick</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-12-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575160612165-H5ZNIUW26M224VOQXGUJ/TLFTBL_9781335937803_HiRes_FINAL.jpg</image:loc>
      <image:title>The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575162885412-YW3BC6XO9UZYHKZ7QOIG/Julie_Adams_1954_0.jpg</image:loc>
      <image:title>The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick</image:title>
      <image:caption>Julie Adams and Ben Chapman in Creature from the Black Lagoon. Courtesy of Photofest.</image:caption>
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      <image:title>The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick</image:title>
      <image:caption>Shown on set, at right: Creature costume designer Milicent Patrick; center: make-up artist Bud Westmore. Courtesy of Photofest.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/winter2019/dolemite-was-his-name-rudy-ray-moore</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-12-01</lastmod>
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      <image:title>Dolemite Was His Name: The Story of Self-Made Cult Film Icon Rudy Ray Moore</image:title>
      <image:caption>Eddie Murphy as Rudy Ray Moore.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575163328564-H451AH9FTA69T7HXM535/image.jpg</image:loc>
      <image:title>Dolemite Was His Name: The Story of Self-Made Cult Film Icon Rudy Ray Moore</image:title>
      <image:caption>Original poster art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575163268848-B955FDIELA3PAPEN6I9Y/image-asset.jpeg</image:loc>
      <image:title>Dolemite Was His Name: The Story of Self-Made Cult Film Icon Rudy Ray Moore</image:title>
      <image:caption>Rudy Ray Moore as Dolemite.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575163781931-YNVRJI06WMEDLSASVZAF/LegendofDolemite1994_01.jpg</image:loc>
      <image:title>Dolemite Was His Name: The Story of Self-Made Cult Film Icon Rudy Ray Moore</image:title>
      <image:caption>The Legend of Dolemite. Courtesy of Photofest.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2019/frankly-the-unmasking-of-frank-capra</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-12-02</lastmod>
    <image:image>
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      <image:title>Frankly: The Unmasking of Frank Capra</image:title>
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      <image:title>Frankly: The Unmasking of Frank Capra</image:title>
      <image:caption>Frank Capra.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575160259554-Y3OW5H31L8ENPE7J2V5R/image-asset.jpeg</image:loc>
      <image:title>Frankly: The Unmasking of Frank Capra</image:title>
      <image:caption>Author Joseph McBride with Capra.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575160008453-72W5YRIDHEBAX6WHTTB3/Capra1.jpg</image:loc>
      <image:title>Frankly: The Unmasking of Frank Capra</image:title>
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      <image:title>Frankly: The Unmasking of Frank Capra</image:title>
      <image:caption>McBride found that Capra’s politics and personality were at odds with the wholesome social consciousness projected in his films (Jimmy Stewart in Mr. Smith Goes to Washington).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575160369511-UAAXXX8BEZUIY45XHFOH/Capra5.jpg</image:loc>
      <image:title>Frankly: The Unmasking of Frank Capra</image:title>
      <image:caption>Stewart in It’s a Wonderful Life.</image:caption>
    </image:image>
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      <image:title>Frankly: The Unmasking of Frank Capra</image:title>
      <image:caption>Clark Gable and Claudette Colbert in It Happened One Night.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2019/hustlers</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-12-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575303735273-CFSHDP2RNZW7VOTMRQXC/Hustlers.jpg</image:loc>
      <image:title>Hustlers</image:title>
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      <image:title>Hustlers</image:title>
      <image:caption>Constance Wu and Jennifer Lopez as strippers Destiny and Ramona.</image:caption>
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      <image:title>Hustlers</image:title>
      <image:caption>Destiny and Ramona celebrate with their fellow hustlers, Keke Palmer (in blue) and Lili Reinhart (profile).</image:caption>
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      <image:caption>Karina Passuci, Rosie Keo, and Samantha Barbash, the real-life inspirations for Hustlers.</image:caption>
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      <image:caption>Destiny and Ramona with a mark (Frank Whaley).</image:caption>
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      <image:title>Hustlers</image:title>
      <image:caption>Director Lorene Scafaria was inspired by sports movies and her strippers become Rocky Balboas of pole dancing.</image:caption>
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      <image:title>Hustlers</image:title>
      <image:caption>Jennifer Lopez writhes in bills, wearing little more than “dental floss.”</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1574710939419-6TM6GSTT7W14XLL8RPBU/Hustlers3.jpg</image:loc>
      <image:title>Hustlers</image:title>
      <image:caption>Rapper Cardi B, in a supporting role as Diamond.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/winter2019/home</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-12-02</lastmod>
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      <image:caption>Mikhail Red's Birdshot</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575171676487-UB3GAMC8KOZAIZKY494T/takaashi.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Takashi Miike</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575171453009-57WHM75PYE04ACMG2O5K/jorisivens.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>The Conscience of Cinema: The Works of Joris Ivens 1912–1989</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575172288515-5K4BD6CC3HTVE8ZVNPHK/costa.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Pedro Costa’s Vitalina Varela</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2019/the-bostonians</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-11-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1574730397733-SL3FUHBUJ1NTYRAD42E9/Boston.jpg</image:loc>
      <image:title>The Bostonians</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1574730240029-XNI6HVPA7CTMEY4L3TX7/Boston2.jpeg</image:loc>
      <image:title>The Bostonians</image:title>
      <image:caption>Vanessa Redgrave as the fastidious feminist Olive Chancellor.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1574730210751-77IEYMKJMLM9W0M3ONI2/Boston1.jpg</image:loc>
      <image:title>The Bostonians</image:title>
      <image:caption>Basil Ransom (Christopher Reeve) and Verena Tarrant (Madeleine Potter).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1574712691573-6EUSWW8QLN8TRYDQB744/Boston3.jpeg</image:loc>
      <image:title>The Bostonians</image:title>
      <image:caption>Verena and Olive on the beach.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1574730708442-YWTAM2VSRWOU1O3OZV9D/image-asset.jpeg</image:loc>
      <image:title>The Bostonians</image:title>
      <image:caption>Southerner Basil with Bostonian Verena.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1574730290475-AWFXCCHV55SFSF5WM2B3/image.jpg</image:loc>
      <image:title>The Bostonians</image:title>
      <image:caption>Olive and Verena.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2019/gdynia-film-festival-2019</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-12-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575165364726-NKGITIZAPNC26XUJWUMT/fpff-44-gdynia.jpg</image:loc>
      <image:title>The Gdynia Film Festival</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575164990782-0ZHFUBBNQS2F2348TPHW/Gdnyia1.jpg</image:loc>
      <image:title>The Gdynia Film Festival</image:title>
      <image:caption>Borys Szyc as Polish national hero, Józef Piłsudski, in Piłsudski.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575165012478-WNVGEO7KEWP67Z27M9RL/image-asset.jpeg</image:loc>
      <image:title>The Gdynia Film Festival</image:title>
      <image:caption>Michall Wegrzyn’s Proceder tells the tale of petty criminal and rapper Tomasz Chada (Piotr Witkowski).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575165077705-C095REBONTW7J2J5UMDA/Gdniya3.jpg</image:loc>
      <image:title>The Gdynia Film Festival</image:title>
      <image:caption>Jacek Bromski’s Solid Gold.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575165034960-9OMWAGLJMADE1JWBU5SH/Gdnyia4.jpg</image:loc>
      <image:title>The Gdynia Film Festival</image:title>
      <image:caption>Marcin Krzysztalowicz’s Pan T.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575165218200-SNZZJWDLK2AD9U5EWWYX/Gdnyia5.jpg</image:loc>
      <image:title>The Gdynia Film Festival</image:title>
      <image:caption>Lukasz Kosmicki’s Cold War satire, The Coldest Game.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575165061427-AVGO1E4RD40SJXO4S678/Gdynia6.JPG</image:loc>
      <image:title>The Gdynia Film Festival</image:title>
      <image:caption>Janusz Majewski’s The Black Mercedes.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2019/heartland-international-film-festival-2019</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575166940054-JRXGGUNS72D7CACZ2NLW/Heartland.jpg</image:loc>
      <image:title>The Heartland International Film Festival</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575166520653-GME50SZ4QCUUP62S32X3/Parasite+1.jpg</image:loc>
      <image:title>The Heartland International Film Festival</image:title>
      <image:caption>Meet the conniving “Leech Family” in Parasite.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575166431056-PMEBM54BHND0MMGFA50G/Pain+%26+Glory.jpeg</image:loc>
      <image:title>The Heartland International Film Festival</image:title>
      <image:caption>Superstar Antonio Banderas (right) incarnates an Almodóvar alter-ego in Pain and Glory.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575166403799-DVLPGMJLCTCMOILXRSE1/image-asset.jpeg</image:loc>
      <image:title>The Heartland International Film Festival</image:title>
      <image:caption>Waad al-Kateab documents the conflict in Aleppo, Syria in For Sama.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575166349695-EXUC855I7FPW8755PRKG/For+Sama+1.jpeg</image:loc>
      <image:title>The Heartland International Film Festival</image:title>
      <image:caption>Baby Sama surrounded by brave personnel in her father’s hospital in For Sama.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575166177840-C4XEFQBZXWRKCIJJKVZ3/Barefoot+1.jpeg</image:loc>
      <image:title>The Heartland International Film Festival</image:title>
      <image:caption>Mark Baumer displays the cost of hiking across America barefoot in Barefoot.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575166218269-PYMB8NTTOFQPHIM1JKNC/Fire+on+the+Hill+2.jpg</image:loc>
      <image:title>The Heartland International Film Festival</image:title>
      <image:caption>Equestrian traditions appeal to residents of different ages in Fire on the Hill.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575166469180-OMMIMOLSVD2PNXK961SM/Michael+Apted.jpeg</image:loc>
      <image:title>The Heartland International Film Festival</image:title>
      <image:caption>British filmmaker Michael Apted receives a lifetime achievement award at Heartland.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2019/the-last-black-man-in-san-francisco</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575164606330-7K80NFOHADXHIQYAF23Q/LBMISF_0538.jpg</image:loc>
      <image:title>The Last Black Man in San Francisco</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575164656636-3I1ISHFSQFHPTTIAAAXV/LAST+BLACK+13.jpg</image:loc>
      <image:title>The Last Black Man in San Francisco</image:title>
      <image:caption>Jimmie Fails as Jimmie Fails and Jonathan Majors as Montgomery Allen.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2019/merrills-marauders</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-12-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1574712899405-S7DM0CMBT0G18XAMR6RW/Marauders1.jpeg</image:loc>
      <image:title>Merrill's Marauders</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1574712996987-HXGVZB67PJW98CU1Z8F1/Marauders2.jpg</image:loc>
      <image:title>Merrill's Marauders</image:title>
      <image:caption>Sgt. Kolowicz (Claude Akins) grapples with a Japanese soldier.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1574713039203-XEY65Z3QMMVYVZTBU9MJ/Marauders3.jpg</image:loc>
      <image:title>Merrill's Marauders</image:title>
      <image:caption>Jeff Chandler and Ty Hardin as General Merrill and Lieutenant Stockton.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1574713072052-Z8LMYESAVB24QYVS8EWB/image-asset.jpeg</image:loc>
      <image:title>Merrill's Marauders</image:title>
      <image:caption>Merrill’s Marauders incorporates footage from Raoul Walsh’s Objective, Burma! (1945) starring Errol Flynn.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1574713136360-5Z52VVA54OTAY8GJI8H8/Marauders5.jpg</image:loc>
      <image:title>Merrill's Marauders</image:title>
      <image:caption>Lt. Stockton, Bullseye (Peter Brown), and Sgt. Kolowicz on patrol.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1574713182778-Z0TGQ0QMZE1M7ETZZHH3/Marauders6.jpg</image:loc>
      <image:title>Merrill's Marauders</image:title>
      <image:caption>General Merrill calling for backup.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2019/oberhausen-international-short-film-festival-2019</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-12-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575168732804-9OUC3C10FN1DVXNBWCDI/image-asset.jpeg</image:loc>
      <image:title>The Oberhausen International Short Film Festival</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575167735094-X22YQSTSB9KFR1LSUKGC/PrevuesOfComingColor.jpg</image:loc>
      <image:title>The Oberhausen International Short Film Festival</image:title>
      <image:caption>Arguably the highlight of this year’s festival was the Theme program devoted to the history of the movie trailer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575167319682-GLDGVGEH21UFC1XCFU84/400Blows_GreaterAcclaim.jpg</image:loc>
      <image:title>The Oberhausen International Short Film Festival</image:title>
      <image:caption>Even the promotional material for an art film such as The 400 Blows demonstrates the hyperbole of the movie trailer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575167786747-H4MAPT8NFKQ942LOFBHI/Real_Life_trailer_1.jpg</image:loc>
      <image:title>The Oberhausen International Short Film Festival</image:title>
      <image:caption>One of the most inspired of all movie trailers is the one Albert Brooks created for his feature film debut, Real Life (1979).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575167641049-CNSNJ1VSHH1A8SJSZ4QJ/lady_in_a_cage.png</image:loc>
      <image:title>The Oberhausen International Short Film Festival</image:title>
      <image:caption>Among the more memorable trailers was that for Lady in a Cage (1964), an exploitation item starring Olivia de Havilland and a young James Caan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575167552329-FCQS1E2I13J1MEPJJ0WL/Helga_trailer.jpg</image:loc>
      <image:title>The Oberhausen International Short Film Festival</image:title>
      <image:caption>The trailer for the West German sex education documentary, Helga (1967), was one of several trailers that included little or no footage from the films themselves.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575167597992-8VYUBW7KQHSQFHZPT93E/ivan_zulueta_frank_stein.jpg</image:loc>
      <image:title>The Oberhausen International Short Film Festival</image:title>
      <image:caption>For his film Frank Stein (1972), Ivan Zulueta refilmed Frankenstein off a TV, condensing it to only three minutes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575167518087-4H8C4RVE6HLBNDXKR02Z/CONDENSED_FILM_1_lambert.jpg</image:loc>
      <image:title>The Oberhausen International Short Film Festival</image:title>
      <image:caption>For Condensed Movie #1 (2002), Kent Lambert removed all the dialogue from a low-budget science-fiction/fantasy film.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575167812838-XJXG863AJT8HHW3G0I35/VAULT.jpg</image:loc>
      <image:title>The Oberhausen International Short Film Festival</image:title>
      <image:caption>A work by the neglected video-makers Bruce &amp; Norman Yonemoto, Vault (1984) evokes the trailer thanks to its disconnected, fragmented scenes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575167476299-U2XQCVCD7WNWGYALJ9C3/Archiv_1968_Still_La+formula+secreta.jpg</image:loc>
      <image:title>The Oberhausen International Short Film Festival</image:title>
      <image:caption>Rubén Gámez’s La fórmula secreta (1965) is a surreal and pop-art influenced attack on capitalism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575167680695-YEN1ZOPVQN2AGUNR4KZW/image-asset.jpeg</image:loc>
      <image:title>The Oberhausen International Short Film Festival</image:title>
      <image:caption>Robert Nelson’s classic experimental film Oh Dem Watermelons (1965) explores racist tropes with Beat-inflected irreverence.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1575167377237-SMYVKBK6ASAIM1D3E0C1/image-asset.jpeg</image:loc>
      <image:title>The Oberhausen International Short Film Festival</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2020/home</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-25</lastmod>
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      <image:title>The Current Issue - In the Heat of the Night</image:title>
      <image:caption>Greta Gerwig’s Little Women</image:caption>
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      <image:caption>Bong Joon-ho’s Parasite</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/spring2020/tunes-of-glory</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-20</lastmod>
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      <image:title>Tunes of Glory</image:title>
      <image:caption>Alec Guiness as Major Jock Sinclair.</image:caption>
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      <image:title>Tunes of Glory</image:title>
      <image:caption>Susannah York as Sinclair’s daughter Morag.</image:caption>
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      <image:caption>John Mills as Colonel Barrow.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582049515653-NMXGZZCQZI2VS152VULO/Tunes5.jpg</image:loc>
      <image:title>Tunes of Glory</image:title>
      <image:caption>The pipes are played for the regiment.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582049526359-NOD98F1UQOAS8JWAVEBF/Tunes6.jpg</image:loc>
      <image:title>Tunes of Glory</image:title>
      <image:caption>Sinclair’s hard-drinking lifestyle is a point of contention with the more abstemious Colonel Barrow.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2020/parasite</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582045545488-JB8HDFQM9AR5YLPQ3WNS/PST_STI-PRE_11.jpg</image:loc>
      <image:title>Parasite</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582045567600-88KAQP4N9A4SY590PWAN/PST-STI-02.jpg</image:loc>
      <image:title>Parasite</image:title>
      <image:caption>Dong-ik (Lee Sun-kyun) shares a secret with Yeon-kyo (Cho Yeo-jeong), the trusting wife and mother of the Park family.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582045613651-Z948DZJGOCAP5HAQ1T5A/PST-STI-03.jpg</image:loc>
      <image:title>Parasite</image:title>
      <image:caption>Choi Woo-sik and Park So-dam as brother and sister, Ki-woo and Ki-jung.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2020/visions-of-vienna-narrating-the-city</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582057521669-OCPCC80YMTO7P24DD9PK/Vienna1.jpeg</image:loc>
      <image:title>Visions of Vienna: Narrating the City in 1920s and 1930s Cinema</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582057553011-LDJ97FLC4IBYF7GIDWH8/Vienna2.jpg</image:loc>
      <image:title>Visions of Vienna: Narrating the City in 1920s and 1930s Cinema</image:title>
      <image:caption>Seibel argues that the quintessential vision of Vienna on film in Carol Reed’s The Third Man was a decisive break with the popular image of the city established in Viennese films of the 20s and 30s.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582057643746-9KWFT0KZ32A15I31EJ5C/Vienna5.jpg</image:loc>
      <image:title>Visions of Vienna: Narrating the City in 1920s and 1930s Cinema</image:title>
      <image:caption>The Jewish influence on Vienna is portrayed in Ernst Lubitsch’s The Smiling Lieutenant.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582057610299-RTG8V2ANLFOF3XUBMXPE/Vienna3.jpg</image:loc>
      <image:title>Visions of Vienna: Narrating the City in 1920s and 1930s Cinema</image:title>
      <image:caption>Erich Von Stroheim’s The Wedding March establishes many of the Viennese tropes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582057629487-X8EE1S3WDGUTWBP3UL2N/Vienna4.jpg</image:loc>
      <image:title>Visions of Vienna: Narrating the City in 1920s and 1930s Cinema</image:title>
      <image:caption>G.W. Pabst’s The Joyless Street reconceives the class structure of Vienna established in previous films.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2020/ask-for-jane</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-06-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582046572535-HH6IDLBTOZBP6HOEQDQV/Jane1.jpg</image:loc>
      <image:title>Ask for Jane</image:title>
      <image:caption>Cody Horn and Cait Cortelyou as Janice and Rose, the leaders of The Jane Collective at the University of Chicago in 1969.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582046657607-OG9J4WBGHOS421FFIQ7J/image-asset.jpeg</image:loc>
      <image:title>Ask for Jane</image:title>
      <image:caption>Janice and Rose in the cell where the film begins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582046624081-VCMFSNP9YT5U24NJZW20/Jane3.jpg</image:loc>
      <image:title>Ask for Jane</image:title>
      <image:caption>Linda (Megan Channell) undergoes an abortion.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582046636038-FA9HLIM2N8U50PB6BIKA/Jane4.jpg</image:loc>
      <image:title>Ask for Jane</image:title>
      <image:caption>Women in the Collective wait for the call from Dr. Charlie.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582046602613-REPXHYQ1OSANV1FU3AVD/Jane2.jpg</image:loc>
      <image:title>Ask for Jane</image:title>
      <image:caption>Dr. Charlie (Michael Rabe) with Janice and Rose.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2020/zombi-child-spaces-of-cinema-bertrand-bonello</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582059540938-HRLYLI9EV4JC6D55NHE8/image-asset.jpeg</image:loc>
      <image:title>Zombi Child and the Spaces of Cinema: An Interview with Bertrand Bonello</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582059928095-5GZ62IK6QZVR1PEWBEQY/unnamed.png</image:loc>
      <image:title>Zombi Child and the Spaces of Cinema: An Interview with Bertrand Bonello</image:title>
      <image:caption>Bonello was influenced by Jean Rouch’s ethnographic film, Les Maitres Fous (1955).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582059677380-7FV2MTE21DZBM9MS8LW7/Bonello6.jpg</image:loc>
      <image:title>Zombi Child and the Spaces of Cinema: An Interview with Bertrand Bonello</image:title>
      <image:caption>The other major influence was Jacques Tourneur’s I Walked with a Zombie (1943).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582059615172-06T6QQJUDKZ7EMYYU0BZ/Bonello2.jpeg</image:loc>
      <image:title>Zombi Child and the Spaces of Cinema: An Interview with Bertrand Bonello</image:title>
      <image:caption>Néhémy Pierre-Dahomey as Baron Samedi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582059626809-UHCU7CDO2JEJNG144ITW/Bonello3.jpg</image:loc>
      <image:title>Zombi Child and the Spaces of Cinema: An Interview with Bertrand Bonello</image:title>
      <image:caption>Louise Labeque as Fanny, one of the possessed schoolgirls.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582059636874-1HBG8IE0L5ZHNTG4V5Y7/Bonello4.jpg</image:loc>
      <image:title>Zombi Child and the Spaces of Cinema: An Interview with Bertrand Bonello</image:title>
      <image:caption>The boarding school bathroom.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582059698309-35M67U24LYYB0EBCWUSI/image-asset.jpeg</image:loc>
      <image:title>Zombi Child and the Spaces of Cinema: An Interview with Bertrand Bonello</image:title>
      <image:caption>Fanny and Mélissa (Wislanda Louimat).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2020/local-hero</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582054240204-U4UH1OU4H87SN6E8PQDX/Local+1.jpg</image:loc>
      <image:title>Local Hero</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582055276286-ATCYLCR1N1QZUZPRIZGH/Local+2.jpg</image:loc>
      <image:title>Local Hero</image:title>
      <image:caption>Mac (Peter Riegert) and Danny (Peter Capaldi) shortly after Mac’s arrival in Scotland.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582055312189-5W1BLUA4DVNOFDXLZ9Q3/Local+3.jpg</image:loc>
      <image:title>Local Hero</image:title>
      <image:caption>Burt Lancaster as Felix Happer, Mac’s boss and the head of Knox Oil.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582055339681-FUTZ63QP9AS1RQXQAGIP/Local+4.jpg</image:loc>
      <image:title>Local Hero</image:title>
      <image:caption>Gordon (Denis Lawson) and his wife, Stella (Jennifer Black) the proprietors of Mac’s Hotel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582055407324-QBYUQ03R8YWUEENAB8PL/Local+5.jpg</image:loc>
      <image:title>Local Hero</image:title>
      <image:caption>Most of the Ferness village scenes were shot in Pennan, Scotland.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582055425129-V4DS5CI9Q8PC2HU5ULK3/image-asset.jpeg</image:loc>
      <image:title>Local Hero</image:title>
      <image:caption>Eventually Mac (with Christopher Rozycki as Victor) feels at home in Ferness.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2020/outgrowing-little-women</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-10-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582042736183-Z24UQHZ3MF10C5HAYMI0/image-asset.jpeg</image:loc>
      <image:title>Outgrowing Little Women</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582040075236-QY4V5SSFXCNI3IUJUGU6/DF-02333_rv2.jpg</image:loc>
      <image:title>Outgrowing Little Women</image:title>
      <image:caption>Saoirse Ronan as Josephine “Jo” March.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582044068544-2UTGUYHS1NFZIM3DHIEO/hepburn.jpg</image:loc>
      <image:title>Outgrowing Little Women</image:title>
      <image:caption>Katharine Hepburn.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2020/the-fearless-vampire-killers</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582051664420-6NFK1YLY3TZ6SG48ULB5/055ceb83483142abd0144ef39f94a5c6.jpg</image:loc>
      <image:title>The Fearless Vampire Killers</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582051684425-788UC9OST7UL5H13O6KH/Fearless+2.jpg</image:loc>
      <image:title>The Fearless Vampire Killers</image:title>
      <image:caption>Sharon Tate and Polanski as Alfred and Sarah.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582052071143-UGUW7F0ICB3N22B0215Y/Fearless%2B3.jpg</image:loc>
      <image:title>The Fearless Vampire Killers</image:title>
      <image:caption>Professor Ambronius (Jack MacGowran) and Alfred.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582052123672-M47ZR476O1PEMF2610TK/Fearless+4.jpg</image:loc>
      <image:title>The Fearless Vampire Killers</image:title>
      <image:caption>Sarah in the bath.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582052133902-S7DD9R3VCMR3PO60OAVZ/Fearless+5.jpg</image:loc>
      <image:title>The Fearless Vampire Killers</image:title>
      <image:caption>The Professor, Alfred and the maid, Magda (Fiona Lewis).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582052144532-JIHJWHPCP11117CU781D/Fearless+6.jpg</image:loc>
      <image:title>The Fearless Vampire Killers</image:title>
      <image:caption>Alfred and Ambronius encounter Ferdy Mayne as Count von Krolock.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2020/thessaloniki-international-film-festival-2019</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582636340405-4A8QWIFGLXDB2XQCGG5D/thessaloniki-international-film-festival-2019.jpg</image:loc>
      <image:title>The Thessaloniki International Film Festival</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582636640591-ART9PLTFC1GH38GZP1RU/1308117_firewillcome_130165.jpg</image:loc>
      <image:title>The Thessaloniki International Film Festival</image:title>
      <image:caption>Amador Arias and Benedicta Sánchez in Oliver Laxe’s Fire Will Come.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582060893456-FRRSWVC02NOFCVAEQT9T/Thess+4.jpg</image:loc>
      <image:title>The Thessaloniki International Film Festival</image:title>
      <image:caption>Indigenous Brazilian actor, Regis Myrupu, in Maya Da Rin’s The Fever.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582061089878-00Z8O5V0JEBSLIPNE4MV/Thess+12.jpg</image:loc>
      <image:title>The Thessaloniki International Film Festival</image:title>
      <image:caption>Beatriz Torres in Melina León’s debut, Song Without a Name.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582060114611-PCRBAE756DAHBZTTD27C/Thess+1.jpg</image:loc>
      <image:title>The Thessaloniki International Film Festival</image:title>
      <image:caption>Dag Johan Haugerud’s Beware of Children.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582060960338-UXK5HD2HQ5MR43T5OUWY/image-asset.jpeg</image:loc>
      <image:title>The Thessaloniki International Film Festival</image:title>
      <image:caption>Alejandro Landes’s intense Monos.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582061078835-65YV19ECA971BEA3UG33/Thess%2B11.jpg</image:loc>
      <image:title>The Thessaloniki International Film Festival</image:title>
      <image:caption>Tom Vaughan-Lawler as Colm in Peter Mackie Burn’s Rialto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582060868852-NBXGQ50IKHXM4O94JDI9/Thess+2.jpg</image:loc>
      <image:title>The Thessaloniki International Film Festival</image:title>
      <image:caption>Rinio Dragasaki’s Cosmic Candy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582060879404-LEEAKQH229BSEF8LC54U/image-asset.jpeg</image:loc>
      <image:title>The Thessaloniki International Film Festival</image:title>
      <image:caption>Defunct by Zacharias Mavroeidis.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582061043159-PYQT4QA95JI95PA47KBS/Thess+10.jpg</image:loc>
      <image:title>The Thessaloniki International Film Festival</image:title>
      <image:caption>Nina Hoss and Katerina Lipovska (child) in Pelican Blood by Katrin Gebbe.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582061118117-DVHCLLU76LRHQDEB60IY/Thess+7.jpg</image:loc>
      <image:title>The Thessaloniki International Film Festival</image:title>
      <image:caption>Kai Luke Brummer in Oliver Hermanus’s Moffie.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582060970033-GKESFCWPGHMHD08RUCGJ/Thess+9.jpg</image:loc>
      <image:title>The Thessaloniki International Film Festival</image:title>
      <image:caption>A drama of the Algerian Civil War, Papicha by Mounia Meddour.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582061098854-FKZI3N7LRUJPD3YFQDHL/Thess+13.jpg</image:loc>
      <image:title>The Thessaloniki International Film Festival</image:title>
      <image:caption>Vinko Brešan’s political satire, What a Country!.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582061108627-ZP9VQ6GL3XAGAI4ABFLP/Thess+14.jpg</image:loc>
      <image:title>The Thessaloniki International Film Festival</image:title>
      <image:caption>Workforce, a chronicle of a construction crew in Mexico City by David Zonana.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582061750430-HOFET3H3OVSUWUE2CYCF/image-asset.jpeg</image:loc>
      <image:title>The Thessaloniki International Film Festival</image:title>
      <image:caption>Albert Serra’s Liberté.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2020/63-up</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582047075981-Y8ZU41XC4AENX2P6B3V3/63up1.jpg</image:loc>
      <image:title>63 Up</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582047100445-GU4Q9DZDFPYJB0VAOVNW/63up3.jpg</image:loc>
      <image:title>63 Up</image:title>
      <image:caption>Cabdriver Tony has been one of the most consistent of the Up series participants.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582047298070-O8IWLL7K0N0NK0T1N35E/63up5.jpg</image:loc>
      <image:title>63 Up</image:title>
      <image:caption>After being divorced, Sue is now a career counselor in London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582047119423-LWF0UNL9ZVX7IHU174DP/63up4.jpg</image:loc>
      <image:title>63 Up</image:title>
      <image:caption>Nick, a professor, revealed that he has throat cancer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582047094376-ZWUIAJOKUSID1TTT08O1/63up2.jpg</image:loc>
      <image:title>63 Up</image:title>
      <image:caption>Formerly homeless, Neil is now a local politician and lay preacher.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582047309994-CBKI8KJPKSDSO2TDCGJY/63up6.jpg</image:loc>
      <image:title>63 Up</image:title>
      <image:caption>Lynn was the first of the participants to pass away.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2020/war-and-peace</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582048655596-6FNGFRYFNX70XLKTAVHP/915m8JdaVaL._SL1500_.jpg</image:loc>
      <image:title>War and Peace</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582047868213-8VZ6V5YSTAYNC3YCZ5JX/28891id_006.jpg</image:loc>
      <image:title>War and Peace</image:title>
      <image:caption>Napoleon (Vladislav Strzhelchik) surveys the battlefield at a moment of temporary triumph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582048681146-F9YRQBICONQZUDB0YG8I/a753c4b2f1f8b270dc17efcff747d4dd.jpg</image:loc>
      <image:title>War and Peace</image:title>
      <image:caption>Dramatic images shot (mainly) by cinematographer Anatoly Petritsky capture the high drama of Tolstoy's multifaceted story.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582048690420-OHMO46NDUO9VRVJRTROV/858d13614f489246e1127ebf6c19464d.jpg</image:loc>
      <image:title>War and Peace</image:title>
      <image:caption>As the scale of the battle scenes attest, all the resources of the state-run movie industry were placed at Bondarchuk's fingertips.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2020/enduring-images-future-history-of-new-left-cinema</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582056670619-JNQ0XU0EYXFKW9NK9QR1/ENDURING+IMAGES.jpg</image:loc>
      <image:title>Enduring Images: A Future History of New Left Cinema</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582056746191-CVB8WC5XSFD6E6ND5X8X/image-asset.jpeg</image:loc>
      <image:title>Enduring Images: A Future History of New Left Cinema</image:title>
      <image:caption>The League of Revolutionary Black Workers' Finally Got the News.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582056755040-0D20NSU52WYNH1SXW7Y8/image-asset.jpeg</image:loc>
      <image:title>Enduring Images: A Future History of New Left Cinema</image:title>
      <image:caption>Sara Gómez’s De Cierta Manera.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582057003023-1SS4342CIRQ3OSU21ZWY/New+Left+4.jpg</image:loc>
      <image:title>Enduring Images: A Future History of New Left Cinema</image:title>
      <image:caption>Guy Debord’s Society of Spectacle.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582056773787-WZW5CPO0A7W7GSU5I7A8/image-asset.jpeg</image:loc>
      <image:title>Enduring Images: A Future History of New Left Cinema</image:title>
      <image:caption>Octavio Getino’s and Fernando Solanas’s Argentinian manifesto, The Hour of the Furnaces.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582057001049-OOI2Z0KUAI4F3CVKWS69/New+Left+6.jpg</image:loc>
      <image:title>Enduring Images: A Future History of New Left Cinema</image:title>
      <image:caption>Chris Marker’s Grin Without a Cat.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2020/my-favorite-year</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582051245240-F6JPOLK0H4UDL96SQL0R/Favorite1.jpg</image:loc>
      <image:title>My Favorite Year</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582051270217-PAE7VADDU4C4XIS330QH/Favorite2.jpg</image:loc>
      <image:title>My Favorite Year</image:title>
      <image:caption>Peter O’ Toole and Mark Linn-Baker as Alan Swann and Benjy Stone.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582051279537-4FGL9BC1UDZTYU7Q21EZ/Favorite3.jpg</image:loc>
      <image:title>My Favorite Year</image:title>
      <image:caption>Benjy has a crush on colleague K.C. (Jessica Harper).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582051363987-K3ZHLP8MKWAEM034Y1DA/my-favorite-year-otoole-1140x627.jpg</image:loc>
      <image:title>My Favorite Year</image:title>
      <image:caption>Swann recapturing his swashbuckling days.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582051302735-8S1UB5OO7J4UW6KFJVQQ/Favorite5.jpg</image:loc>
      <image:title>My Favorite Year</image:title>
      <image:caption>Swann’s dissolute lifestyle in the film acts as a parody of the hyper-masculine movie star.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2020/family-business-rosalie-varda-about-varda-by-agnes</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582058116232-K0RO06EDLOOL8B78RS4Y/Varda1.jpg</image:loc>
      <image:title>The Family Business: An Interview with Rosalie Varda about Varda by Agnès</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582058256708-IO3KYM2K7C43CHNFR1MZ/Varda2.jpg</image:loc>
      <image:title>The Family Business: An Interview with Rosalie Varda about Varda by Agnès</image:title>
      <image:caption>Agnès Varda in Varda by Agnès.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582058328188-N1JWEJE5NVV2MHIPQHAA/Varda3.jpg</image:loc>
      <image:title>The Family Business: An Interview with Rosalie Varda about Varda by Agnès</image:title>
      <image:caption>La Pointe Courte, Agnès Varda’s first feature from 1954.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582058337786-YGLVIHCWFLVZDKGWLAXX/Varda4.jpg</image:loc>
      <image:title>The Family Business: An Interview with Rosalie Varda about Varda by Agnès</image:title>
      <image:caption>Alain Resnais editing La Pointe Courte.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582058351241-YAQ0C02OGIR9UJKRRRMI/Varda5.jpg</image:loc>
      <image:title>The Family Business: An Interview with Rosalie Varda about Varda by Agnès</image:title>
      <image:caption>Rosalie worked on her mother’s Beaches of Agnès.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582058362200-LHBY257Q6VU6TPJJQZ05/Varda6.jpg</image:loc>
      <image:title>The Family Business: An Interview with Rosalie Varda about Varda by Agnès</image:title>
      <image:caption>In 2000 Agnès began using a digital camera, The Gleaners and I was her first digital film.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2020/the-emperors-naked-army-marches-on</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582050329204-4D15ZPIQ6FYBH5K6H0VF/Naked+1.jpg</image:loc>
      <image:title>The Emperor’s Naked Army Marches On</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582050693372-FWCNUNO7FY40ICNK1HHP/large_02_emperors_naked_army_blu-ray__blu-ray_.jpg</image:loc>
      <image:title>The Emperor’s Naked Army Marches On</image:title>
      <image:caption>Kenzo Okuzaki, the tireless, obsessive veteran at the center of Hara’s documentary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582051003809-AVHV32ETNVRSI0FRJV2B/large_01_emperors_naked_army_blu-ray__blu-ray_.jpg</image:loc>
      <image:title>The Emperor’s Naked Army Marches On</image:title>
      <image:caption>Okuzaki’s protest-emblazoned car.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582050843569-9SWP7VQVKAK2KHIK4MB3/Naked+4.jpg</image:loc>
      <image:title>The Emperor’s Naked Army Marches On</image:title>
      <image:caption>Okuzaki with Eizaburo Oshima and his wife.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582051100832-OOA0W47YUSX1TY46CZOW/large_05_emperors_naked_army_blu-ray__blu-ray_.jpg</image:loc>
      <image:title>The Emperor’s Naked Army Marches On</image:title>
      <image:caption>The film forces contemporary Japan to face its past and the brutality of war.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2020/an-officer-and-a-spy</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-06-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589164356584-K0GC6MGZC8IR4JMKGICI/image-asset.jpeg</image:loc>
      <image:title>An Officer and a Spy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589164330671-AM2RRE5XT78PNQKFUFPR/J%27accuse2.jp</image:loc>
      <image:title>An Officer and a Spy</image:title>
      <image:caption>Zola’s famous defense of Dreyfus hits the streets.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589164684104-CYI8P5ZCHMKBOADBF99Q/image-asset.jpeg</image:loc>
      <image:title>An Officer and a Spy</image:title>
      <image:caption>Dreyfus’s sword is ceremonially broken.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589164397350-WY49MPA95323FQQHCILH/image-asset.jpeg</image:loc>
      <image:title>An Officer and a Spy</image:title>
      <image:caption>Picquart and Emmanuel Seignier as his married lover, Pauline Monnier.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589164375262-CHZV4BKPMK0JIWCBP1DX/J%27accuse6.jpg</image:loc>
      <image:title>An Officer and a Spy</image:title>
      <image:caption>Picquart duels Grégory Gadebois as the corrupt Major Henry, who has hindered his investigation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2020/they-wont-grow-old-together-dan-sallitt-fourteen-interview</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589208696058-97BYDSXK9725OU79T9WH/image-asset.jpeg</image:loc>
      <image:title>They Won’t Grow Old Together: An Interview with Dan Sallitt about Fourteen and His Earlier Films</image:title>
      <image:caption>Photo © by Robin Holland</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589208737544-MAZVGE41FW81K3OPKY4H/image-asset.jpeg</image:loc>
      <image:title>They Won’t Grow Old Together: An Interview with Dan Sallitt about Fourteen and His Earlier Films</image:title>
      <image:caption>Norma Kuhling as Jo in Fourteen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589208819217-1EHMYOFVZGQQBB96NBF3/image-asset.jpeg</image:loc>
      <image:title>They Won’t Grow Old Together: An Interview with Dan Sallitt about Fourteen and His Earlier Films</image:title>
      <image:caption>Tallie Medel as Mara in Fourteen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589209965195-EFTY3N6ATZU7N0PNOMNR/image-asset.jpeg</image:loc>
      <image:title>They Won’t Grow Old Together: An Interview with Dan Sallitt about Fourteen and His Earlier Films</image:title>
      <image:caption>Mara and Jo in Fourteen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589210971839-EOQ29MI1RRNXD9NJF29R/Honeymoon-19982-e1566288140538.png</image:loc>
      <image:title>They Won’t Grow Old Together: An Interview with Dan Sallitt about Fourteen and His Earlier Films</image:title>
      <image:caption>Honeymoon (1998).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589210989501-F5Y3V0B392ULO6KVD6EN/image-asset.jpeg</image:loc>
      <image:title>They Won’t Grow Old Together: An Interview with Dan Sallitt about Fourteen and His Earlier Films</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589208912198-0JM16BQ50SED59L83YGP/Sallitt5.jpg</image:loc>
      <image:title>They Won’t Grow Old Together: An Interview with Dan Sallitt about Fourteen and His Earlier Films</image:title>
      <image:caption>Sallitt directing Strawn Bovee in Polly Perverse Strikes Again!.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589209491620-GR3FG34A7106GDBWDSL2/Sallitt7.jpg</image:loc>
      <image:title>They Won’t Grow Old Together: An Interview with Dan Sallitt about Fourteen and His Earlier Films</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589208859089-T8MUKGUB4MBRJGNEU6KP/Sallitt4.jpg</image:loc>
      <image:title>They Won’t Grow Old Together: An Interview with Dan Sallitt about Fourteen and His Earlier Films</image:title>
      <image:caption>Edith Meeks as Virginia in All the Ships at Sea. Meeks also plays Mimi in Sallitt’s Honeymoon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589209477003-ZUC86KZD0O1XLJYRUNY2/Sallitt6.jpg</image:loc>
      <image:title>They Won’t Grow Old Together: An Interview with Dan Sallitt about Fourteen and His Earlier Films</image:title>
      <image:caption>Agustina Muñoz in Caterina, Sallitt’s 2019 Spanish-language short.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2020/home</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589156520841-4RWNG6TFD2XNGHDW4LQY/SUMMER+2020.jpg</image:loc>
      <image:title>The Current Issue</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589214423472-N5R97N4ZEA7NM5GW55AB/hp_samurai+copy.jpg</image:loc>
      <image:title>The Current Issue - In the Heat of the Night</image:title>
      <image:caption>Jean-Pierre Melville’s Le Samourai</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589214872272-XI6B0N2WQDR7HMG73I5H/pa.jpg</image:loc>
      <image:title>The Current Issue - Lady Macbeth</image:title>
      <image:caption>Kleber Mendonça Filho and Juliano Dornelles's Bacurau</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589215316226-39SZAWMB72ZXXI1DEGSQ/image-asset.jpeg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Pier Paolo Pasolini's Teorema</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589215781472-30H7OMT8T9Q31ZJQ1ID4/hp_lavdiaz.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Lav Diaz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589216264978-CI5RGEXSWJJ7TMIT2RMG/image-asset.jpeg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Raphael Millet’s Cinema in Lebanon</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589215549277-TTR73JQ4O8XS6XVMOGDI/image-asset.jpeg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Hannah Frank’s Frame by Frame: A Materialist Aesthetics of Animated Cartoons</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2020/journeys-through-french-cinema</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589158495831-TVCRL3179B1QB8CPJCF8/TAVERNIER+OFFICE.jpg</image:loc>
      <image:title>Journeys Through French Cinema</image:title>
    </image:image>
    <image:image>
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      <image:title>Journeys Through French Cinema</image:title>
      <image:caption>Jean Gabin as crime boss Henri Ferré and his two henchmen, Roger (Lino Ventura) and Bibi (Albert Remy), in Henri Decoin’s Razzia sur la chnouf (1955).</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589163852169-EFKCHMXSWI3HGZ0TODVA/image-asset.jpeg</image:loc>
      <image:title>Journeys Through French Cinema</image:title>
      <image:caption>Tavernier claims that Bresson’s Au Hasard Balthazar has the “Tarantino touch.”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2020/the-big-goodbye-chinatown-and-the-last-years-of-hollywood</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-20</lastmod>
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      <image:title>The Big Goodbye: Chinatown and the Last Years of Hollywood</image:title>
      <image:caption>Roman Polanski as a gangster in his Chinatown.</image:caption>
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      <image:title>The Big Goodbye: Chinatown and the Last Years of Hollywood</image:title>
      <image:caption>Mia Farrow in Rosemary’s Baby.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/summer2020/tex-avery-screwball-classics-vol-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589161927350-261QYCY0CPNBDGSEOBSE/RED+HOT+RIDING+HOOD.jpg</image:loc>
      <image:title>Tex Avery: Screwball Classics, Volume 1 (Preview)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589162078885-STZXFA98526L84IV1M3J/image-asset.jpeg</image:loc>
      <image:title>Tex Avery: Screwball Classics, Volume 1 (Preview)</image:title>
      <image:caption>Droopy, the lugubrious basset hound.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589162403791-JJZ7AYHV5BOZFXZ2CYZN/BAD+LUCK+BLACKIE.jpg</image:loc>
      <image:title>Tex Avery: Screwball Classics, Volume 1 (Preview)</image:title>
      <image:caption>In Bad Luck Blackie, Spike the bulldog is stymied once again by Bad Luck Blackie and his little friend.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589162150657-HLR99MSHDSD3YEHEYIAW/image-asset.jpeg</image:loc>
      <image:title>Tex Avery: Screwball Classics, Volume 1 (Preview)</image:title>
      <image:caption>Tex Avery (at drawing board) and Fred Quimby at MGM.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589207627242-KSXDIPSGYKIS01JXUHB4/WHO+KILLED+WHO%3F.jpg</image:loc>
      <image:title>Tex Avery: Screwball Classics, Volume 1 (Preview)</image:title>
      <image:caption>“Are there any weapons in the house?,” the detective asks the household staff members in Who Killed Who? (1943).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2020/from-minimalism-to-neorealism-boris-frumin-interview</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-06-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589211753632-PJV4SYV18A80BE4HOP42/image-asset.jpeg</image:loc>
      <image:title>The Important Thing Is It Should Not Be Very Much:  From Minimalism to Neorealism</image:title>
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      <image:title>The Important Thing Is It Should Not Be Very Much:  From Minimalism to Neorealism</image:title>
      <image:caption>Frumin on the set of Kozintzev’s King Lear.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589211793485-5ECPCP5EZ653YGG8IKNJ/image-asset.jpeg</image:loc>
      <image:title>The Important Thing Is It Should Not Be Very Much:  From Minimalism to Neorealism</image:title>
      <image:caption>Boris Frumin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589212108764-ZPO67U7XGID61NY8UI0C/image-asset.jpeg</image:loc>
      <image:title>The Important Thing Is It Should Not Be Very Much:  From Minimalism to Neorealism</image:title>
      <image:caption>Kozintzsev working with Latvian actress Elza Radzina (Goneril).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589211871579-EEYRBUQY13ZPCQIUJQES/Frumin3.jpg</image:loc>
      <image:title>The Important Thing Is It Should Not Be Very Much:  From Minimalism to Neorealism</image:title>
      <image:caption>Jüri Järvet as Lear.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589211931381-D3FOHRFGJB30XBI8Q6H4/Frumin6.jpg</image:loc>
      <image:title>The Important Thing Is It Should Not Be Very Much:  From Minimalism to Neorealism</image:title>
      <image:caption>Lear and Cordelia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589211972849-FA74TX89H1UGQ5NGJRKH/Frumin5.jpg</image:loc>
      <image:title>The Important Thing Is It Should Not Be Very Much:  From Minimalism to Neorealism</image:title>
      <image:caption>Edgar (Leonhard Merzin) and Gloucester (Karlis Sebris).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589213294514-KQE9XSC1ECDJLYOF8J4P/Frumin4.jpg</image:loc>
      <image:title>The Important Thing Is It Should Not Be Very Much:  From Minimalism to Neorealism</image:title>
      <image:caption>Goneril (Elza Radzina), Regan (Galina Volchek), and Cordelia (Valentina Shendrikova).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589212127708-KSCF4VOR4CW89FO8EKHG/image-asset.jpeg</image:loc>
      <image:title>The Important Thing Is It Should Not Be Very Much:  From Minimalism to Neorealism</image:title>
      <image:caption>The first AD with the Production Designer, Evegeny Eney.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2020/home</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-07</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596548441021-CA7YU6GR9IPRIA581984/FALL+2020+copy.jpg</image:loc>
      <image:title>The Current Issue</image:title>
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    <image:image>
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      <image:title>The Current Issue - In the Heat of the Night</image:title>
      <image:caption>Ava DuVernay's 13th</image:caption>
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    <image:image>
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      <image:title>The Current Issue - Lady Macbeth</image:title>
      <image:caption>Spike Lee’s Da 5 Bloods</image:caption>
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      <image:caption>The Maya Deren Collection</image:caption>
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      <image:title>The Current Issue</image:title>
      <image:caption>Shannon Murphy</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596716246369-APHLPGZ7L7R3HA4MBJHI/martial.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Martial Law Melodrama: Lino Brocka’s Cinema Politics</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596719738716-0WKK5Z8TWDI97HLE4IDZ/image-asset.jpeg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Dawn Wilkinson’s Dandelions</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/fall2020/melies-polanski-dreyfus-affair-on-film</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596802889092-P48U2ZQYP2KTNGFYYCWW/JACCUSE_11.jpg</image:loc>
      <image:title>From Méliès to Polanski: The Dreyfus Affair on Film</image:title>
      <image:caption>The focus of An Officer and a Spy (J’Accuse) is not Dreyfus but Colonel Georges Picquart (Jean Dujardin), seemingly the only member of the French military with a conscience.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596804101875-5CGFMGU88O9WE5EH2LJ2/JACCUSE+27.jpg</image:loc>
      <image:title>From Méliès to Polanski: The Dreyfus Affair on Film</image:title>
      <image:caption>In Polanski’s An Officer and a Spy (J’Accuse), Alfred Dreyfus (Louis Garrel) is put on trial in 1899 for the second time and again found guilty of treason, despite new evidence in his favor, and is returned to imprisonment on Devil’s Island.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596748949227-UTK07V1TAGB8HJ2TRY50/DREYFUS%2B1.jpg</image:loc>
      <image:title>From Méliès to Polanski: The Dreyfus Affair on Film</image:title>
      <image:caption>Austrian actor Fritz Kortner (left) portrays Alfred Dreyfus in Richard Oswald’s 1930 German production of Dreyfus, the first feature film to portray the events of the Dreyfus Affair.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2020/oberhausen-international-short-film-festival-2020</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596641210383-GGPED3PHHERPW4UMH05U/1.Kurzfilmtage_Online_Plakat_A1_Druck.jpg</image:loc>
      <image:title>The Oberhausen International Film Festival</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596643164628-C3F2EB16QWV9D185CU03/2.Opening_ceremony_Screen+Shot+2020-05-13+at+1.57.14+PM.png</image:loc>
      <image:title>The Oberhausen International Film Festival</image:title>
      <image:caption>Like so many events in the COVID-19 era, this year's opening ceremony morphed into an online video-conference format.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596644166992-X8XYV305SBJGUCRBZOV6/4.vtape_lesslethalfetishes_IMG_9898.jpg</image:loc>
      <image:title>The Oberhausen International Film Festival</image:title>
      <image:caption>Thirza Cuthand’s Less Lethal Fetishes is a wry but pointed take on the protests that erupted at last year's Whitney Biennial.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596645967021-P538PIEX187U8QI206KM/5.arsenal_Vika+Kirchenbauer%2C+UNTITLED+SEQUENCE+OF+GAPS%2C+2020%2C+%28c%29+Vika+Kirchenbauer+%26+VG+Bild+Kunst+10-1+Kopie.jpg</image:loc>
      <image:title>The Oberhausen International Film Festival</image:title>
      <image:caption>In Vika Kirchenbauer’s Untitled Sequence of Gaps, the spectrum of light becomes a metaphor for the spectrum of sexuality and gender.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596644288118-OS14RLJZT3D4C8EIS7LJ/Oberhausen4.jpg</image:loc>
      <image:title>The Oberhausen International Film Festival</image:title>
      <image:caption>The history of the Waimiri-Atroari people of the Brazilian Amazon is the subject of Ana Vaz’s Why?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596646189688-LJN7U3OA91MSI3HT8TPW/6.arsenal_apiyemiyeki_why_016%2BKopie%2B%25281%2529.jpg</image:loc>
      <image:title>The Oberhausen International Film Festival</image:title>
      <image:caption>Ana Vaz’s Why?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596644340661-Z47KVDYCG4CLB2EFP6LL/Oberhausen5.jpg</image:loc>
      <image:title>The Oberhausen International Film Festival</image:title>
      <image:caption>In Dandelions, Black Canadian filmmaker Dawn Wilkinson reflects on the experience of feeling socially excluded in one's own country.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596644377126-SOWL79KRJDYQCM2960QL/Oberhausen6.png</image:loc>
      <image:title>The Oberhausen International Film Festival</image:title>
      <image:caption>Jenny Brady's Receiver is a structurally ambitious film about communication and miscommunication.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596644426624-DKV5093ATM9PQG7VIWAX/Oberhausen7.png</image:loc>
      <image:title>The Oberhausen International Film Festival</image:title>
      <image:caption>For Would You Like to Meet Your Neighbor? A New York Subway Tape, Barbara Hammer interviewed subway riders.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596711215126-G56CUCXGUAPX1HQZ1UYQ/Oberhausen8.jpg</image:loc>
      <image:title>The Oberhausen International Film Festival</image:title>
      <image:caption>Verena Wagner’s keep shiftin’ is a compelling portrait of a glass factory on the German/Czech border.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596644719407-CICZ2LW5GNW44SUTF0ZJ/Oberhausen9.jpg</image:loc>
      <image:title>The Oberhausen International Film Festival</image:title>
      <image:caption>Heather Trawick’s Isn’t It a Pity documents an amateur demolition derby.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596646500237-33HGNOWYJE13UCWRCU0L/12.Kiss_Screen+Shot+2020-05-15+at+8.31.55+PM.png</image:loc>
      <image:title>The Oberhausen International Film Festival</image:title>
      <image:caption>The image of a woman blowing a kiss repeats ad infinitum in Jolanta Marcolla’s Kiss (1975).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596646899990-P7VD3GA0NAIENF331VLS/13.TV_drawings_3.jpg</image:loc>
      <image:title>The Oberhausen International Film Festival</image:title>
      <image:caption>In TV Drawings (1976), Ewa Partum comments on TV newscasts by drawing directly on the screen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596713139607-RXB8SIM8KIRQZV6TZ9TA/13.TV_drawings_2.jpg</image:loc>
      <image:title>The Oberhausen International Film Festival</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596720218917-PK70UJYB036DRXXW8LFF/14.Destruction_Singer_Screen%2BShot%2B2020-05-15%2Bat%2B8.41.34%2BPM.jpg</image:loc>
      <image:title>The Oberhausen International Film Festival</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596644862724-YWCVAZIQ6TV3YWSLA3ZS/Oberhausen11.jpg</image:loc>
      <image:title>The Oberhausen International Film Festival</image:title>
      <image:caption>Jadwiga Singer’s Destruction (1978) is an ingenious meditation on the deceptive nature of filmic space.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596647713159-YAUM33RZC9S4RQAIQ1UX/15.Eye_HenriPlaat_SecondWarHats_02.jpg</image:loc>
      <image:title>The Oberhausen International Film Festival</image:title>
      <image:caption>Henri Plaat's Second War Hats (1986) presents a bizarre fashion show against a war-torn landscape.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596647182523-RZ1YVVAB1WN8L46WBEHW/16.Eye_HenriPlaat_spursOfTango_01.jpg</image:loc>
      <image:title>The Oberhausen International Film Festival</image:title>
      <image:caption>A distinct strand of Plaat's work takes the form of exquisitely composed travelogues, such as Spurs of Tango (1980).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596647380813-19O3B4U9GZWNKHO608G8/17.Closing_ceremony_Screen+Shot+2020-05-18+at+2.41.35+PM.png</image:loc>
      <image:title>The Oberhausen International Film Festival</image:title>
      <image:caption>The virtual closing ceremony of the 2020 International Short Film Festival Oberhausen.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2020/women-writers-on-sex-desire-cinema</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-06</lastmod>
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      <image:title>She Found it at The Movies: Women Writers on Sex, Desire and Cinema</image:title>
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      <image:title>She Found it at The Movies: Women Writers on Sex, Desire and Cinema</image:title>
      <image:caption>Claire Denis’s Trouble Every Day.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/fall2020/scorsese-shorts</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596590792044-WE8ZRXUPDHDTF9LDETDR/Scorsese1.jpg</image:loc>
      <image:title>Scorsese Shorts</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596633659571-WLJDY8U31283G99651ZK/Scorsese8.jpg</image:loc>
      <image:title>Scorsese Shorts</image:title>
      <image:caption>A young Scorsese on set.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596631118414-NF7ON5YMRXK4E01HV8CU/Scorsese2.jpg</image:loc>
      <image:title>Scorsese Shorts</image:title>
      <image:caption>Zeph Michaelis in What’s a Nice Girl Like You Doing in a Place Like This?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596632474678-9IX00Q1GOQMQO2WKO8FK/Scorsese7.jpg</image:loc>
      <image:title>Scorsese Shorts</image:title>
      <image:caption>Ira Rubin, Andrea Martin, and Sam DeFazio in It’s Not Just You, Murray!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596631768334-KZQ5XWJRUIIPF4S9C6SN/Scorsese5.jpg</image:loc>
      <image:title>Scorsese Shorts</image:title>
      <image:caption>Peter Bernuth in The Big Shave, meant to be a comment on the violence of the Vietnam War.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596631998837-HR3M6KUZDJZIBHRNE9JQ/Scorsese6.jpg</image:loc>
      <image:title>Scorsese Shorts</image:title>
      <image:caption>Bernuth prepares to shave.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596634220602-YSHG9K629839A1852KK4/image-asset.jpeg</image:loc>
      <image:title>Scorsese Shorts</image:title>
      <image:caption>Italianamerican was shot in Scorsese’s childhood apartment in Little Italy with his parents, Catherine and Charles.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596633763047-XQBN7N9GDMIWMN5FHSA4/image-asset.jpeg</image:loc>
      <image:title>Scorsese Shorts</image:title>
      <image:caption>Steven Prince is profiled in American Boy.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2020/shirley</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596585990239-PL94RQL1437Z3JJICRYN/shirley-1200.jpg</image:loc>
      <image:title>Shirley</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596586019826-H73SXKI4R9OVR44D9092/1_PVtpbQZ0O6d07r4XKzrEtQ.jpg</image:loc>
      <image:title>Shirley</image:title>
      <image:caption>Elisabeth Moss as Shirley Jackson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1596581438320-ATYHN9EP8J1XAMWINONA/SHIRLEY+1.jpg</image:loc>
      <image:title>Shirley</image:title>
      <image:caption>Stanley Edgar Hyman (Michael Stuhlbarg) and Shirley Jackson (Elisabeth Moss).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2020/personal-history-david-copperfield</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605117116915-DFRGRF1MKV9EBS0ZL06V/image-asset.jpeg</image:loc>
      <image:title>The Personal History of David Copperfield</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605117142143-D8S18P88NGCFGG0PWF3B/image-asset.jpeg</image:loc>
      <image:title>The Personal History of David Copperfield</image:title>
      <image:caption>David Copperfield (Dev Patel) with his great-aunt, Betsey Trotwood and the strange Mr. Dick (Hugh Laurie), whom she protects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605117160040-A4FDL0XYUFV3C9BU2OE1/image-asset.jpeg</image:loc>
      <image:title>The Personal History of David Copperfield</image:title>
      <image:caption>Copperfield and his newfound friend Steerforth (Aneurin Barnard).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2020/the-lady-eve</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605115840038-UL6279IAPALZKR4QD68G/AHoTWP6XqNreD4aGRUKfGB3ASi3IVz_original.jpg</image:loc>
      <image:title>The Lady Eve</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605115742275-9NZINUM0J8SW0KC5IF45/LADY%2BEVE%2BPORTRAIT.jpg</image:loc>
      <image:title>The Lady Eve</image:title>
      <image:caption>The Lady Eve. Photo courtesy of Photofest.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605119376295-5O1L7P5GD79R9F2ZYNQ7/THE+LADY+EVE.jpg</image:loc>
      <image:title>The Lady Eve</image:title>
      <image:caption>Jean (Barbara Stanwyck) enjoying the attentions of Charles (Henry Fonda), a naive millionaire.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2020/town-bloody-hall</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605110169551-XQSLG89ZHSEMJJA98SC7/Town1.jpg</image:loc>
      <image:title>Town Bloody Hall</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605110558633-QZBF2COTXS0RVIM20TXK/Town4.jpg</image:loc>
      <image:title>Town Bloody Hall</image:title>
      <image:caption>NYC’s Town Hall theatre was built in the 1920s to give supporters of the Suffrage Movement a platform.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605110431826-5KPR1JUQZXD1APOPQF79/image-asset.jpeg</image:loc>
      <image:title>Town Bloody Hall</image:title>
      <image:caption>Germaine Greer and Norman Mailer share a light moment.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605110490462-3VS88MR65YXFNBVB7WNX/image-asset.jpeg</image:loc>
      <image:title>Town Bloody Hall</image:title>
      <image:caption>Jill Johnson (foreground) and Diana Trilling on stage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605110532278-P9P2YJ699G80YMWKF6U9/Town5.jpg</image:loc>
      <image:title>Town Bloody Hall</image:title>
      <image:caption>Susan Sontag poses a question.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605110643537-2G07XN4CAKRIL0OJ5NV0/Town6.jpg</image:loc>
      <image:title>Town Bloody Hall</image:title>
      <image:caption>Jacqueline Ceballos, Greer and Mailer.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2020/lonely-are-the-brave</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605111834992-7G1SDEF8PXVZG7WVLUZU/Lonely1.jpg</image:loc>
      <image:title>Lonely Are the Brave</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605113882246-IY0STNXDDSZ17PQUVW7P/Lonely2.jpg</image:loc>
      <image:title>Lonely Are the Brave</image:title>
      <image:caption>Jack Burns (Kirk Douglas) visits his best friend’s wife Jerri Bondi (Gena Rowlands).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605113355635-JNVI5PAK9R6F0VJHMDGA/Lonely3.JPG</image:loc>
      <image:title>Lonely Are the Brave</image:title>
      <image:caption>Jack reunited with his friend Paul Bondi in jail.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605113478309-CQYN1OY1D72UMXPPH112/Lonely5.JPG</image:loc>
      <image:title>Lonely Are the Brave</image:title>
      <image:caption>Jack gets the jump on the sadistic prison guard Gutierrez (George Kennedy).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605113485560-U719JXYZ50AWQ23MFAS5/Lonely6.jpg</image:loc>
      <image:title>Lonely Are the Brave</image:title>
      <image:caption>Jack on the run.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2020/the-cameraman</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605115369199-ATMD1JWX9JT6REUNOOGC/image-asset.jpeg</image:loc>
      <image:title>The Cameraman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605115433457-2AAFY2D3IMPJ6OQ4SGUJ/image-asset.jpeg</image:loc>
      <image:title>The Cameraman</image:title>
      <image:caption>Buster (Buster Keaton) with the organ grinder’s monkey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605115313088-YSQRRNX2G8RZTWRZK442/image-asset.jpeg</image:loc>
      <image:title>The Cameraman</image:title>
      <image:caption>Buster on the job, shooting for MGM newsreel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605115458870-6JPQ3Q0DQM5DDJTD62ZW/Camera4.jpg</image:loc>
      <image:title>The Cameraman</image:title>
      <image:caption>Sally (Marceline Day), a secretary at MGM with Buster.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605115494781-P74G9Y7SLPVAVEC7VN5T/Camera5.jpeg</image:loc>
      <image:title>The Cameraman</image:title>
      <image:caption>Shooting the Tong war in Chinatown.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2020/toni</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605111090795-EWGB0BADWQS3D82CORHD/Toni1.jpg</image:loc>
      <image:title>Toni</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605111537228-IISWAYVZCC16HLWXBAGJ/Toni2.jpg</image:loc>
      <image:title>Toni</image:title>
      <image:caption>Celia Montalván as Celia, a Spanish immigrant.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605111566474-OYT8BI18N7VALG6KBEKR/Toni3.jpg</image:loc>
      <image:title>Toni</image:title>
      <image:caption>Toni arrives by train from Italy to work in a quarry in rural France.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605111593803-X57XNASYQT9VCJWH2Z1U/Toni4.jpg</image:loc>
      <image:title>Toni</image:title>
      <image:caption>Toni (Charles Blavette) and Celia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605111619084-MD7FO09F26WWLDTBFAQW/Toni5.jpg</image:loc>
      <image:title>Toni</image:title>
      <image:caption>The boarding house where Toni lives.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605111642107-7P85E2KVVNRZIZVYY2XC/ToniFG_161.jpg</image:loc>
      <image:title>Toni</image:title>
      <image:caption>Toni agues with the quarry boss, Albert (Max Dalban).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2020/kaufman-cinematic-literary-universe</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605119511128-NGTXWKNWU2VUXDIZ33PX/ITOET_Unit_02780_R.jpg</image:loc>
      <image:title>The Kaufman Cinematic and Literary Universe</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605119606752-UX3ZUHRS11FY3OBAIBTR/ITOET_Unit_06368_R.jpg</image:loc>
      <image:title>The Kaufman Cinematic and Literary Universe</image:title>
      <image:caption>Jessie Buckley (The Young Woman) visits the Tulsey Town Ice Cream Stand and the mean girls who work there (Hadley Robinson and Gus Birney).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605119692862-MRM07R3WW03LYH372QOQ/ITOET_Unit_02385_R.jpg</image:loc>
      <image:title>The Kaufman Cinematic and Literary Universe</image:title>
      <image:caption>The Young Woman and Jake (Jesse Plemons) arrive at Jake's childhood home.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2020/silver-lode-western-parable-about-mccarthyism</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605116428488-FZN0Y2G4YNCWUNQ8YOXM/image-asset.jpeg</image:loc>
      <image:title>Silver Lode: A Western Parable About McCarthyism</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605116545551-RQJFVCHXJPD24KMPECHT/Silver1.jpeg</image:loc>
      <image:title>Silver Lode: A Western Parable About McCarthyism</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605116614434-DIKNI9TRECCY9YKQNMFP/image-asset.png</image:loc>
      <image:title>Silver Lode: A Western Parable About McCarthyism</image:title>
      <image:caption>Duryea as Marshal McCarty.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605116560393-F2J0KADG6D3UMFNBA9UQ/image-asset.jpeg</image:loc>
      <image:title>Silver Lode: A Western Parable About McCarthyism</image:title>
      <image:caption>Ballard and Marshal Fred McCarty (Dan Duryea).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605116401408-9WZ3IBHPPX38CRGTT5MH/Silver2.jpg</image:loc>
      <image:title>Silver Lode: A Western Parable About McCarthyism</image:title>
      <image:caption>John Payne as Dan Ballard is arrested on his wedding day by Sherriff Wooley (Emile Meyer).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2020/visions-of-avant-garde-film-polish-cinematic-experiments</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605108369725-JH11DF7JCTT7DHGYRHF7/9789463728409_front_HR.jpg</image:loc>
      <image:title>Visions of Avant-Garde Film: Polish Cinematic Experiments from Expressionism to Constructivism</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605108495169-NULGF9SJZ7DRX94ZH9T9/unnamed.jpg</image:loc>
      <image:title>Visions of Avant-Garde Film: Polish Cinematic Experiments from Expressionism to Constructivism</image:title>
      <image:caption>Feliks Kuczkowski’s Flirt Krzesełek (Flirting Chairs, 1917).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605108679701-U690RP7JIG262H306G1D/Screen+Shot+2020-11-11+at+4.30.52+PM.png</image:loc>
      <image:title>Visions of Avant-Garde Film: Polish Cinematic Experiments from Expressionism to Constructivism</image:title>
      <image:caption>Stefan and Franciszka Themerson’s Aptekaka (Pharmacy, 1930).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605109066465-SWOGYOF6YOMH9AJJRPHE/franciszka_and_stefan_themerson_calling_mr_smith-1000x600.jpg</image:loc>
      <image:title>Visions of Avant-Garde Film: Polish Cinematic Experiments from Expressionism to Constructivism</image:title>
      <image:caption>The Themerson’s Calling Mr. Smith (1943).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2020/home</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605120869329-FFEX29QS2E4S56HC5IK7/Cineaste_Cover_XLVI-1.jpg</image:loc>
      <image:title>The Current Issue</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605118873365-93PTDU0YGVU44FINK2DD/itoet_hp.jpg</image:loc>
      <image:title>The Current Issue - In the Heat of the Night</image:title>
      <image:caption>Charlie Kaufman’s I’m Thinking of Ending Things</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605117682326-70H8TUTVWV8AT0O5FOJ3/epicentro_hp.jpg</image:loc>
      <image:title>The Current Issue - Lady Macbeth</image:title>
      <image:caption>Hubert Sauper's Epicentro</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605118303369-C737DR8KW5VQSG447Z58/image-asset.jpeg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>The War of the Worlds</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605119181691-AYIAU9A3FT8N3IIJNAX6/fog_hp.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>The Green Fog</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605121446357-9FISM0CII9FFFJKEGH5M/lucretia_hp.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Lucrecia Martel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605118099806-0KJ6JQ7LLA7X7DNE8HO7/manny_hp+copy.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Manny Farber: Paintings and Writings</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2020/lgbtq-film-festivals-curating-queerness</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605107781047-XIBWO7AN5AL10KA4H7U0/9789463728409_front_HR.jpg</image:loc>
      <image:title>LGBTQ Film Festivals: Curating Queerness</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605209023942-FFKZFB8JDNQYSCZYU1FT/144-Figure4.12-1.png</image:loc>
      <image:title>LGBTQ Film Festivals: Curating Queerness</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605209138654-L84VDKZSLZ5Y2VPNT0T8/8599752972ac0d07724c20b5eb244199.jpg</image:loc>
      <image:title>LGBTQ Film Festivals: Curating Queerness</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605108029196-3LALL6MQRKPRTGNOR9PX/1581069338135-cruising3.jpg</image:loc>
      <image:title>LGBTQ Film Festivals: Curating Queerness</image:title>
      <image:caption>Al Pacino stars in in William Friedkin’s controversial gay serial-killer movie Cruising.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2020/black-gravel</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605109702977-1RHEAJRECZ6NT682JTYE/BLACK+GRAVEL+DVD+temp.jpg</image:loc>
      <image:title>Black Gravel</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605109748363-OYZ7LYIV51XMU2CSEUI0/BlackGravel_Still_2.jpg</image:loc>
      <image:title>Black Gravel</image:title>
      <image:caption>Robert (Helmut Wildt) and Inge (Ingmar Zeisberg) in Robert’s country house, replete with Americana.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605109846027-2NWP34LGK4UBDPZ2RCQS/BlackGravel_Still_3.jpg</image:loc>
      <image:title>Black Gravel</image:title>
      <image:caption>Robert attempts to win back the enduringly despondent Inge.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605109997329-0TU8DY5TTVGD5WGSEXPC/BlackGravel_Still_4.jpg</image:loc>
      <image:title>Black Gravel</image:title>
      <image:caption>The dizzying accident at the center of Black Gravel is fittingly captured by the film’s carefully composed noir frames.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2020/the-city-without-jews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605114859723-47O181SDVY61NXIY7NZL/City1.jpg</image:loc>
      <image:title>The City Without Jews</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605114987043-0GS6OFP9T1DXNHI9UB3D/City2.jpg</image:loc>
      <image:title>The City Without Jews</image:title>
      <image:caption>The Synagogue of the city of Utopia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605115057838-AW9MWR63Z0OK6VTG9IIX/City3.jpg</image:loc>
      <image:title>The City Without Jews</image:title>
      <image:caption>Utopia’s parliament deciding on a law to expel the Jewish population.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605115082405-31VRX3AU4G2TRBT896WF/City4.jpg</image:loc>
      <image:title>The City Without Jews</image:title>
      <image:caption>News of the expulsion gets out.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605115113516-USUI18DS0DIUVA5OVWPI/City5.jpg</image:loc>
      <image:title>The City Without Jews</image:title>
      <image:caption>Anti-Semitic Councilman Bernard’s paranoid dreams.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1605115136497-QG0HC63F6OT13SG24XZN/City6.jpg</image:loc>
      <image:title>The City Without Jews</image:title>
      <image:caption>An original poster for The City Without Jews from Berlin.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2021/home</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613214298486-5IRKJXHBU0C3NW7RYRPZ/unnamed+%282%29.jpg</image:loc>
      <image:title>The Current Issue</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613954994987-9TA1ZKAHKMJBAY8W1WVS/mcqueen.jpg</image:loc>
      <image:title>The Current Issue - In the Heat of the Night</image:title>
      <image:caption>Steve McQueen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1614011615677-XOVFYZMPGEMJA3IZ3VPN/beginning.jpg</image:loc>
      <image:title>The Current Issue - Lady Macbeth</image:title>
      <image:caption>Dea Kulumbegashvili’s Beginning</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613956388995-Q1QBHE1NEHPL723Y37KR/variety.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Bette Gordon’s Variety</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1614011433652-GAGDYRU0UIZMV66WNMOT/bab2+copy.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Barry Alexander Brown</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613956611918-RIONPOIILR0Z0RNCCM4S/madonna.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Carmelo Bene’s I Appeared to the Madonna</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613958155356-J888VJOQ2S87YI6CLO4M/rosemary.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Rosemary’s Baby: BFI Film Classics</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2021/the-camera-lies-acting-for-hitchcock</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613952277481-FW9JR96KCBF4CEXEVYBC/CAMERA+LIES.jpg</image:loc>
      <image:title>The Camera Lies: Acting for Hitchcock</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613952249282-A4YTL6U24UNCFPVK638D/Lies+2.jpg</image:loc>
      <image:title>The Camera Lies: Acting for Hitchcock</image:title>
      <image:caption>Dan Callahan celebrates Kim Novak’s performance in Vertigo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613952481859-06MALZCVQWJ7I2O92GAN/Lies+4.jpg</image:loc>
      <image:title>The Camera Lies: Acting for Hitchcock</image:title>
      <image:caption>The book argues that the glycerin tears of Ingrid Bergman in Notorious are the height of Hitchcock’s art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613952437532-OCA55A7Z121308GCTO7Q/Lies+4.1.jpg</image:loc>
      <image:title>The Camera Lies: Acting for Hitchcock</image:title>
      <image:caption>…while Louise Latham’s real tears in Marnie are the end of it.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613954044374-2DBXRSUQ0Q21LQWP8O71/Lies+6.jpeg</image:loc>
      <image:title>The Camera Lies: Acting for Hitchcock</image:title>
      <image:caption>The author underappreciates Ivor Novello’s “crucifixion scene” in The Lodger.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613954016829-1XD1BO69DMS0KKIX032N/Lies+3.jpg</image:loc>
      <image:title>The Camera Lies: Acting for Hitchcock</image:title>
      <image:caption>Janet Shaw (center) plays the blank-faced, blank-voiced waitress in Shadow of a Doubt, matching Uncle Charlie (right) in abject cynicism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613952398071-W4FYKUZCKY6VP154NWHE/Lies+5.jpg</image:loc>
      <image:title>The Camera Lies: Acting for Hitchcock</image:title>
      <image:caption>Callahan argues that The Wrong Man, starring Henry Fonda, may be Hitchcock’s most significant film.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2021/remembering-duane-jones-a-boundary-breaking-black-actor</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613947078403-M8ZSMZ74EGS6Q1I1WAY8/MV5BYTc2YzA4NTUtNzc0OC00MmE1LTg2MDEtZTdjYjhlZWIzNjk2XkEyXkFqcGdeQXVyOTc5MDI5NjE%252540._V1_.jpg</image:loc>
      <image:title>Remembering Duane Jones: A Boundary-Breaking Black Actor</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613947915134-CGTL3OBIE6RO0NSKUAL3/Ganja-and-Hess-640x359.jpg</image:loc>
      <image:title>Remembering Duane Jones: A Boundary-Breaking Black Actor</image:title>
      <image:caption>Duane Jones in Ganja &amp; Hess.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613945437818-IG4UDE5AUML5FPHN1PJA/Jones+5.jpg</image:loc>
      <image:title>Remembering Duane Jones: A Boundary-Breaking Black Actor</image:title>
      <image:caption>Jones as Duke, a tantalizing romantic alternative for Sara (Seret Scott) to distract her from an unhappy marriage in Kathleen Collins’s Losing Ground.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613946494667-76FVNMYSP7J92KXIU1LX/night_of_the_living_dead.jpg</image:loc>
      <image:title>Remembering Duane Jones: A Boundary-Breaking Black Actor</image:title>
      <image:caption>Jones as Ben in Night of the Living Dead. The complex racial and sexual politics between him and Barbra (Judith O’Dea) define Jones’s skillful performance.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613946317214-JV0MOJY0ATMQU9FGHOT0/night-of-the-living-dead-duane-jones-1135039-1280x0.jpg</image:loc>
      <image:title>Remembering Duane Jones: A Boundary-Breaking Black Actor</image:title>
      <image:caption>Ben elects himself leader of the group who are stuck hiding out from the zombies.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613946113370-KF3USUDFA88ZHHMV4TRU/MV5BZjg0NDhkMmMtZTM0Ny00NjE5LTgwNDgtYzk3M2FkNjYwOTYwXkEyXkFqcGdeQXVyMjUyNDk2ODc%40._V1_.jpg</image:loc>
      <image:title>Remembering Duane Jones: A Boundary-Breaking Black Actor</image:title>
      <image:caption>Jones as Dr. Hess Green with Ganja Meda (Marlene Clark).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2021/brute-force-the-naked-city</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613951104364-0VX7SD34IL83DQRYYAR4/Naked1.jpg</image:loc>
      <image:title>Brute Force and The Naked City</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613951127672-8DS8PQZNE2DMJLD11T8K/Naked2.jpg</image:loc>
      <image:title>Brute Force and The Naked City</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613951155973-8S4W88GTSZ7Z94G21H3W/Naked3.jpg</image:loc>
      <image:title>Brute Force and The Naked City</image:title>
      <image:caption>Jules Dassin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613951273732-7727CMKCRF4JEKCYMNM0/Naked5.jpg</image:loc>
      <image:title>Brute Force and The Naked City</image:title>
      <image:caption>Barry Fitzgerald as Detective Muldoon in The Naked City.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613951375040-W8KLOG439J7Y227H56Z7/Naked6.jpg</image:loc>
      <image:title>Brute Force and The Naked City</image:title>
      <image:caption>Burt Lancaster as inmate Joe Collins in Brute Force.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2021/men-women-and-the-limits-of-desire-eric-rohmer-six-moral-tales</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613743514310-6FGPXZL1HYGJN8W4SYZP/Rohmer+1.jpeg</image:loc>
      <image:title>Men, Women, and the Limits of Desire: Éric Rohmer’s Six Moral Tales</image:title>
      <image:caption>The Bakery Girl of Monceau (1963)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613993969628-PIIAH0KJMMXMBNLKU2B0/ERsHXhLg02moOboeJADXVF13xH8PYl_original.jpg</image:loc>
      <image:title>Men, Women, and the Limits of Desire: Éric Rohmer’s Six Moral Tales</image:title>
      <image:caption>The many faces of Haydée, a “collector” of men, and the moral issues of Adrien (Patrick Bauchau) are depicted in Rohmer’s La Collectioneuse (1967).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613994022927-WOZOUIM3OPV91ZNOFGFU/ClairesKnee.jpg</image:loc>
      <image:title>Men, Women, and the Limits of Desire: Éric Rohmer’s Six Moral Tales</image:title>
      <image:caption>In Claire’s Knee (1970), Jérôme (Jean-Claude Brialy) finds an innocent excuse to fondle the body part of Claire (Laurence de Monaghan) that has so ignited his desire.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2021/film-about-a-father-who</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613949277277-12J53N30V6XPT1UYMRTT/Father+2.jpg</image:loc>
      <image:title>Film About a Father Who</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613949333309-3QJKKSVDA8NXARVUEX4I/Father+1.jpg</image:loc>
      <image:title>Film About a Father Who</image:title>
      <image:caption>Filmmaker Lynne Sachs with her father Ira Sachs Sr., the subject of her documentary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613949681797-VDXOA487NJU4T6XR2SYZ/Father+4.jpg</image:loc>
      <image:title>Film About a Father Who</image:title>
      <image:caption>Kirsten Johnson’s Dick Johnson is Dead, about her father, appeared a few weeks before Sachs’s film (Kirsten Johnson with Dick Johnson).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613949744210-PWTEBLFB2CSFVI2CX0OL/Father%2B5.jpg</image:loc>
      <image:title>Film About a Father Who</image:title>
      <image:caption>Ira was known as a “hippie entrepreneur,” working as land developer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613950186459-MSJUZVD5Y2OD9U0DM6KZ/Film_About_a_Father_Who_by_Lynne_Sachs__Ira_Sachs_Sr_1.jpg</image:loc>
      <image:title>Film About a Father Who</image:title>
      <image:caption>Ira was known as the “Hugh Hefner of Park City (Utah).”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613950270602-7Z7VK9FQPMM6CDZW6B6E/DW2JEP2KMJBYNPATUJSSB4H6XM.jpg</image:loc>
      <image:title>Film About a Father Who</image:title>
      <image:caption>Filmmaker Lynne Sachs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613950699143-E0D05ZT2W23O9YESG643/14film-about-a-father-superJumbo.jpg</image:loc>
      <image:title>Film About a Father Who</image:title>
      <image:caption>Ira Sachs, Sr.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2021/new-horror-cinema-and-the-return-of-politics</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613944425607-JRP1USA5UMW25FIXFLFM/23BABADOOK6-superJumbo.jpg</image:loc>
      <image:title>New Horror Cinema and the Return of Politics</image:title>
      <image:caption>The Babadook (2014)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613944653293-RYRVRI1MX79J5VWJBE4E/hereditary-horror-movie-2018-dd8c1418-38e1-491c-849d-51e6d0b32712.jpg</image:loc>
      <image:title>New Horror Cinema and the Return of Politics</image:title>
      <image:caption>Toni Collette stars in Hereditary (2018), Ari Aster’s portrayal of horrific catastrophe in the home of a grieving family.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2021/ingagi</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613994727886-S2BZ9F6FDJFLNGK9VHLM/Ingagi1.jpg</image:loc>
      <image:title>Ingagi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613996067621-HVOJ76DB93ZE6R28MY7O/Ingagi5.png</image:loc>
      <image:title>Ingagi</image:title>
      <image:caption>Charles Gemora, who specialized in playing gorillas and other creatures, drags off his unfortunate victim.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613995398252-XJ3XVEZJ7LMHQ56JUA4Q/Ingagi2.jpg</image:loc>
      <image:title>Ingagi</image:title>
      <image:caption>The utterly racist conceit of Ingagi is that deep in the dark heart of Africa a native tribe regularly offers up women to gorillas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613995447574-DQNDU8825JW1P08ROVK1/Ingagi4.jpeg</image:loc>
      <image:title>Ingagi</image:title>
      <image:caption>Much of the jungle footage was shot at the Griffith Park Zoo or taken from other films.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613995459602-P99TGHBR0O9UNYBT7QVS/Ingagi3.jpeg</image:loc>
      <image:title>Ingagi</image:title>
      <image:caption>Arthur Clayton (left) and Hubert Winstead as “explorers” in this faux documentary.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2021/variety</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613996464700-UE089HG5V4Y7HF0UYNW9/Variety+1.jpg</image:loc>
      <image:title>Variety</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613997250520-K69AS7P6A0IHI0UT9UYV/Variety+2.jpg</image:loc>
      <image:title>Variety</image:title>
      <image:caption>Aspiring writer, Christine, out of work, finds a job at the Variety Theater.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613997303460-KR4TU2UPIOSR08LHD61X/Variety4.jpg</image:loc>
      <image:title>Variety</image:title>
      <image:caption>Christine with Nan, played by photographer Nan Goldin, whose photographs were an inspiration for the film.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613997350706-Y6L1R08EPAIZKAB5TURG/variety5.jpg</image:loc>
      <image:title>Variety</image:title>
      <image:caption>Will Patton as Christine’s boyfriend, Mark.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613997275698-NXYOXYL4T32EY9M7RQ1I/Variety+3.jpg</image:loc>
      <image:title>Variety</image:title>
      <image:caption>Christine delves deeper into the world of New York’s sex shops.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2021/sunrise-at-campobello</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1613999431094-6MDE3X5VT3QI8ZRC06V4/277086_front.jpg</image:loc>
      <image:title>Sunrise at Campobello</image:title>
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      <image:title>Sunrise at Campobello</image:title>
      <image:caption>Ralph Bellamy as Franklin D. Roosevelt.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Sunrise at Campobello</image:title>
      <image:caption>Franklin with Eleanor (Greer Garson).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1614001026295-ACT94FK8XJ9T35DJ9J95/Screen+Shot+2021-02-22+at+2.36.36+PM.png</image:loc>
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      <image:caption>Hume Cronyn as Louis Howe, FDR’s political fixer.</image:caption>
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      <image:title>Sunrise at Campobello</image:title>
      <image:caption>Dore Schary (left) with Louis B. Mayer, who he replaced at MGM. Schary later wote the screenplay for Sunrise at Campobello, based on his successful stage play.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2021/home</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2021-05-16</lastmod>
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      <image:title>The Current Issue</image:title>
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      <image:caption>Agnès Varda</image:caption>
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      <image:caption>Minari</image:caption>
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      <image:caption>Claire Denis’ Beau Travail</image:caption>
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    <image:image>
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      <image:caption>Shaka King</image:caption>
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    <image:image>
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      <image:title>The Current Issue</image:title>
      <image:caption>Lav Diaz</image:caption>
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    <image:image>
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      <image:title>The Current Issue</image:title>
      <image:caption>The Press Gang: Writings on Cinema from New York Press, 1991–2011</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2021/shooting-midnight-cowboy-art-sex-loneliness-liberation-and-the-making-of-a-dark-classic</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-05-14</lastmod>
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      <image:title>Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1620951405801-0BZ4Y4VTN36V1HZJYCA9/Cowboy+2.jpeg</image:loc>
      <image:title>Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic - Make it stand out</image:title>
      <image:caption>John Schlesinger and Jon Voight on set.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1620951465302-J989KSGEN96IL6RI3BKD/Cowboy+3.png</image:loc>
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      <image:caption>Dustin Hoffman as Ratso Rizzo and Voight as Joe Buck.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1620951498272-WZE1LYVMJ8TWVQ5NTSU3/Cowboy+4.png</image:loc>
      <image:title>Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic - Make it stand out</image:title>
      <image:caption>Joe’s fitful first attempts as a high-class gigolo, with Sylvia Miles.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2021/an-artist-in-her-own-right-the-cinema-of-agnes-varda</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-05-16</lastmod>
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      <image:title>An Artist in Her Own Right: The Cinema of Agnès Varda</image:title>
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    <image:image>
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      <image:title>An Artist in Her Own Right: The Cinema of Agnès Varda - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1620945466243-9824INFLJR06WXJ19YVW/Varda+2.jpeg</image:loc>
      <image:title>An Artist in Her Own Right: The Cinema of Agnès Varda - Make it stand out</image:title>
      <image:caption>Agnes Varda in her late career, hit documentary, The Gleaners and I.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1620946949635-6MNM6MXDF5CBH4Y1GH7P/Varda+4.jpeg</image:loc>
      <image:title>An Artist in Her Own Right: The Cinema of Agnès Varda - Make it stand out</image:title>
      <image:caption>A portrait from Varda’s Salut les Cubains.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2021/cant-get-you-out-of-my-head</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-05-16</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1621000596447-PAQHF7XTGDS42FVHZ5UE/Head+2.png</image:loc>
      <image:title>Can't Get You Out of My Head</image:title>
      <image:caption>Shot of a dark street that recurs throughout Can’t Get You Out of My Head.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1621122621781-EI8CIPN6CH4QYAYIL1XX/Head+1.jpeg</image:loc>
      <image:title>Can't Get You Out of My Head - Make it stand out</image:title>
      <image:caption>Jian Qing (Madame Mao) and Li Lilli in Blood on Wolf Mountain.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1621122677771-M5L687D9N1F6FT4T1TP0/Head+3.jpeg</image:loc>
      <image:title>Can't Get You Out of My Head - Make it stand out</image:title>
      <image:caption>Michael de Freitas, a Caribbean criminal-turned-activist, who modeled himself on Malcolm X.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1621122977148-GE4H3UY19E2GQVBKOH59/Head+4.jpeg</image:loc>
      <image:title>Can't Get You Out of My Head - Make it stand out</image:title>
      <image:caption>Afeni Shakur—Black Panther and mother of Tupac Shakur—is another of the figures Curtis follows.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1621122702803-SF8YLNX5DZ9FJ0EI2OFA/Head+5.jpeg</image:loc>
      <image:title>Can't Get You Out of My Head - Make it stand out</image:title>
      <image:caption>Curtis describes a white nostalgia “volk” movement in the UK.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2021/judas-and-the-black-messiah</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-05-13</lastmod>
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      <image:title>Judas and the Black Messiah</image:title>
      <image:caption>Daniel Kaluuya as Fred Hampton.</image:caption>
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      <image:caption>Lakeith Stanfield as Bill O’Neal.</image:caption>
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      <image:title>Judas and the Black Messiah - Make it stand out</image:title>
      <image:caption>Fred Hampton (Kaluuya) addressing a crowd.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2021/a-time-to-stir</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-05-19</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>A student protester on Columbia’s Alma Mater statue.</image:caption>
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      <image:title>A Time to Stir - Make it stand out</image:title>
      <image:caption>Paul Cronin’s book on the Columbia uprising.</image:caption>
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      <image:caption>Abbie Hoffman at the protests.</image:caption>
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      <image:caption>A student meeting.</image:caption>
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      <image:caption>Police assembling to retake the buildings.</image:caption>
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  </url>
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    <loc>https://www.cineaste.com/summer2021/a-queer-pioneer-sunday-bloody-sunday-fiftieth-anniversary</loc>
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    <lastmod>2021-05-17</lastmod>
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      <image:caption>John Inman as Mr. Humphries in Are You Being Served?</image:caption>
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      <image:caption>Sunday Bloody Sunday matter-of-factly presents a gay relationship in opposition to British opinion of the time.</image:caption>
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      <image:caption>The film has a sense of domestic intimacy…</image:caption>
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      <image:caption>…it is also a London movie.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.cineaste.com/summer2021/waxworks</loc>
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    <priority>0.75</priority>
    <lastmod>2021-05-16</lastmod>
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      <image:caption>Wilhelm Dieterle as the Poet, Paul Biensfeldt as the showman, and Conrad Veidt as Ivan the Terrible.</image:caption>
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    <image:image>
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      <image:caption>Emil Jannings as Harun-al-Raschid.</image:caption>
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      <image:caption>Olga Belajeff, the showman’s daughter.</image:caption>
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    <image:image>
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      <image:caption>All the wax statues together: Harun-al-Raschid, Ivan the Terrible, Rinaldo Rinaldini, and Werner Krauss as Jack the Ripper.</image:caption>
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      <image:caption>Sergei Eisenstein would model his Ivan on Veidt’s portrayal and and Leni’s design.</image:caption>
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  <url>
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      <image:caption>Kevin Jerome Everson.</image:caption>
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    <lastmod>2021-08-11</lastmod>
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      <image:caption>Courtesy of Photofest.</image:caption>
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      <image:caption>Humphrey Bogart as Sam Spade, Peter Lorre as Joel Cairo, Mary Astor (Brigid O’Shaughnessy), and Sydney Greenstreet as Kasper Gutman in The Maltese Falcon.</image:caption>
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      <image:caption>Bogart and Ida Lupino in High Sierra.</image:caption>
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    <loc>https://www.cineaste.com/fall2021/memories-of-murder</loc>
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    <lastmod>2021-08-11</lastmod>
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      <image:caption>Kang-ho Song and Kim Sang-kyung as detectives Park and Seo.</image:caption>
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      <image:caption>Searching Gyunggi province for a serial killer.</image:caption>
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  <url>
    <loc>https://www.cineaste.com/fall2021/summer-of-soul-or-when-the-revolution-could-not-be-televised</loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Summer of Soul (...Or, When the Revolution Could Not Be Televised) - Make it stand out</image:title>
      <image:caption>Mavis Staples and Mahalia Jackson share the stage.</image:caption>
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      <image:title>Summer of Soul (...Or, When the Revolution Could Not Be Televised) - Make it stand out</image:title>
      <image:caption>The 5th Dimension performing “Aquarius (Let the Sunshine In).”</image:caption>
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    <image:image>
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      <image:caption>Sly Stone.</image:caption>
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      <image:caption>Nina Simone.</image:caption>
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  <url>
    <loc>https://www.cineaste.com/fall2021/about-endlessness</loc>
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    <priority>0.75</priority>
    <lastmod>2021-08-11</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Roy Andersson quotes painter Marc Chagall’s Over Vitebsk.</image:caption>
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      <image:title>About Endlessness - Make it stand out</image:title>
      <image:caption>Young women near an Inn, in one of the film’s most celebrated sequences.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/fall2021/phantom</loc>
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    <lastmod>2021-08-11</lastmod>
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      <image:title>Phantom</image:title>
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      <image:caption>Alfred Abel as the haunted Lorenz Lubota.</image:caption>
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    <image:image>
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      <image:caption>Lya de Putti as the elusive Veronika.</image:caption>
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    <image:image>
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      <image:caption>Lorenz with his sister Melanie (Aud Egede-Nissen).</image:caption>
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      <image:caption>de Putti as Melitta with Lorenz.</image:caption>
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      <image:caption>Crooked Aunt Schwabe (Grete Berger) with her assistant Wigottschinski (Anton Edthofer).</image:caption>
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    <loc>https://www.cineaste.com/fall2021/the-new-deal-for-artists</loc>
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    <lastmod>2021-08-11</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Oral historian and author Studs Terkel.</image:caption>
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      <image:caption>Photographer Arthur Rothstein, head of the Resettlement Administration’s Photo Unit, a pioneer of social realist photography.</image:caption>
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      <image:caption>John Houseman reminisces about his days with the FTP and Welles.</image:caption>
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      <image:caption>A detail from Diego Rivera’s mural in San Francisco’s Coit Tower reveals the artist’s politics.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Jean Angelo and Hessling as Nana and Count Vandeuvres.</image:caption>
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      <image:title>From Innocence Redeemed to Decadence Damned: Two Early Silent Films by Jean Renoir - Make it stand out</image:title>
      <image:caption>Nana and Count Muffat (Werner Krauss).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2021/acting-courageously-interview-irene-jacob</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2021-11-30</lastmod>
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      <image:caption>Irene Jacob © Sandrine Thésillat - Jean-Luc Mège / Institut Lumière</image:caption>
    </image:image>
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      <image:title>Acting Courageously: An Interview with Irène Jacob - Make it stand out</image:title>
      <image:caption>Jacob in Louis Malle’s Au Revoir Les Enfants.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/933ae47f-8d0f-430e-a17c-09c354e82514/XAIEHBHXLVBWVDU564PHN7CWNE.jpg</image:loc>
      <image:title>Acting Courageously: An Interview with Irène Jacob - Make it stand out</image:title>
      <image:caption>The Double Life of Veronique.</image:caption>
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    <image:image>
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      <image:title>Acting Courageously: An Interview with Irène Jacob - Make it stand out</image:title>
      <image:caption>Krzysztof Kieślowski and Jacob.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/03d4bf0d-5d89-4e4e-af61-876fa5f8a5a8/Irene5.jpeg</image:loc>
      <image:title>Acting Courageously: An Interview with Irène Jacob - Make it stand out</image:title>
      <image:caption>Three Colors: Red.</image:caption>
    </image:image>
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      <image:title>Acting Courageously: An Interview with Irène Jacob - Make it stand out</image:title>
      <image:caption>Vincent Perez and Jacob in Beyond the Clouds.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2022/wilder-the-humanist-new-perspectives-on-a-hollywood-legend</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2022-02-26</lastmod>
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      <image:title>Wilder the Humanist: New Perspectives on a Hollywood Legend</image:title>
      <image:caption>Ginger Rogers and Ray Milland as The Major and The Minor, Wilder’s 1942 Hollywood debut.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/52541598-8656-4ab1-b28a-66c57579fa25/Wilder2.jpeg</image:loc>
      <image:title>Wilder the Humanist: New Perspectives on a Hollywood Legend - Make it stand out</image:title>
      <image:caption>Walter Matthau and Jack Lemmon in Buddy Buddy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/b30a63cc-8507-409e-8b50-0d5db970a10a/Wilder1.jpeg</image:loc>
      <image:title>Wilder the Humanist: New Perspectives on a Hollywood Legend - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/spring2022/home</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2022-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1eecb5ee-ed66-4546-8ff8-6c0e320d3605/SPRING+2022.jpeg</image:loc>
      <image:title>The Current Issue</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/daffee45-be73-433c-94c6-a7e6cdeed40c/melvin_hp.jpg</image:loc>
      <image:title>The Current Issue - In the Heat of the Night</image:title>
      <image:caption>Melvin Van Peebles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/ae75601c-3f61-4972-aab5-022015898397/dmc_hp.jpg</image:loc>
      <image:title>The Current Issue - Lady Macbeth</image:title>
      <image:caption>Drive My Car</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/d92a6c18-79b2-4c0a-a822-6b36b2fced56/jacobs_hp.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Ken Jacobs</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/987bd288-b149-45ca-9eb4-a7a2729f99c8/schoenbrun_hp.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Jane Schoenbrun</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/f6df54ec-9b88-4c99-96f5-e088b06e7294/gomez_hp.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>The Cinema of Sara Gómez: Reframing Revolution</image:caption>
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      <image:title>The Current Issue</image:title>
      <image:caption>Softie</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/spring2022/totally-truffaut-23-films-for-understanding-the-man-and-the-filmmaker</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/23255b26-d2ff-4e70-8b9c-e133ecdd9c85/TOTALLY+TRUFFAUT+1A.jpg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Totally Truffaut: 23 Films for Understanding the Man and the Filmmaker - Make it stand out</image:title>
      <image:caption>Confidentially Yours (1983).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2022/paying-melvin-van-peebles-his-due-revisiting-the-black-filmmaking-pioneer</loc>
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    <priority>0.75</priority>
    <lastmod>2022-02-22</lastmod>
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      <image:title>Paying Melvin Van Peebles His Due: Revisiting the Black Filmmaking Pioneer's ... - Make it stand out</image:title>
      <image:caption>Melvin Van Peebles, 1968.</image:caption>
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    <image:image>
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      <image:title>Paying Melvin Van Peebles His Due: Revisiting the Black Filmmaking Pioneer's ... - Make it stand out</image:title>
      <image:caption>Courtesy of Photofest.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Paying Melvin Van Peebles His Due: Revisiting the Black Filmmaking Pioneer's ... - Make it stand out</image:title>
      <image:caption>Melvin Van Peebles: Essential Films (The Criterion Collection).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2022/a-memorial-tribute-to-dan-georgakas</loc>
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    <priority>0.75</priority>
    <lastmod>2022-02-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/d6844066-df90-481f-9bf8-cc85b8c6d01b/DAN%2C+GARY+%26+JACK.jpg</image:loc>
      <image:title>A Memorial Tribute to Dan Georgakas (1938–2021) - Make it stand out</image:title>
      <image:caption>Dan (at right) and Gary interviewed Jack Lemmon in 1986 at the Festival of New Latin American Cinema in Havana.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/c1075fb6-288f-4018-bf59-b67c6d76da43/Costa-Gavras+and+Dan+Georgakas+in+2003+%28photo+by+Gary+Crowdus%29.jpg</image:loc>
      <image:title>A Memorial Tribute to Dan Georgakas (1938–2021) - Make it stand out</image:title>
      <image:caption>Dan and Costa-Gavras at the office of Kino Lorber where Dan and Gary interviewed Costa. Photo by Gary Crowdus.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/c7c98c90-afe1-4055-9dd3-6703eaa23a99/DAN%2C+GARY+%26+SPIKE.jpg</image:loc>
      <image:title>A Memorial Tribute to Dan Georgakas (1938–2021) - Make it stand out</image:title>
      <image:caption>Dan and Gary interviewed Spike Lee in 1993 at his Brooklyn office about his film Malcolm X.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/2abd5fc2-b980-4f88-aafd-6f3cee970688/DAN+%26+BARBARA.jpg</image:loc>
      <image:title>A Memorial Tribute to Dan Georgakas (1938–2021) - Make it stand out</image:title>
      <image:caption>Dan and his wife Barbara Saltz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/a237d685-9cac-4246-a646-db4474295557/FTGN+ARTICLE.jpg</image:loc>
      <image:title>A Memorial Tribute to Dan Georgakas (1938–2021) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/e46872e5-25db-4fc1-8c08-017d1e541280/DAN+%26+ANDREW+HORTON.jpg</image:loc>
      <image:title>A Memorial Tribute to Dan Georgakas (1938–2021) - Make it stand out</image:title>
      <image:caption>Dan with Andrew Horton during Dan’s teaching stint at the University of Oklahoma.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/0fd57db7-f873-43d8-99fe-0fad7072a310/DAN+AND+CINEASTE+BOOK.jpg</image:loc>
      <image:title>A Memorial Tribute to Dan Georgakas (1938–2021) - Make it stand out</image:title>
      <image:caption>Dan promoted Cineaste in one of several documentaries in which he appeared.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/f4aa43e4-6c36-4d4f-9bb7-fda546fab94d/GEORGAKAS+PROTEST.jpg</image:loc>
      <image:title>A Memorial Tribute to Dan Georgakas (1938–2021) - Make it stand out</image:title>
      <image:caption>Dan speaking at a NYC demonstration against the Greek junta in 1967.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/15254d3a-d063-4274-9098-4dc397190e5d/AMERICAN+HELLENIC+INSTITUTE.jpg</image:loc>
      <image:title>A Memorial Tribute to Dan Georgakas (1938–2021) - Make it stand out</image:title>
      <image:caption>Dan often spoke at professional or academic conferences.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/93902d49-d2e9-44f5-a1c2-6983cf270561/DAN+PORTRAIT.jpg</image:loc>
      <image:title>A Memorial Tribute to Dan Georgakas (1938–2021) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2022/the-hunchback-of-notre-dame</loc>
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    <priority>0.75</priority>
    <lastmod>2022-02-26</lastmod>
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      <image:title>The Hunchback of Notre Dame - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/6fc9a0c2-6ff2-4c2c-9422-02de264c8fd0/Hunchback2.jpeg</image:loc>
      <image:title>The Hunchback of Notre Dame - Make it stand out</image:title>
      <image:caption>Patsy Ruth Miller as Esmerelda with Lon Chaney as Quasimodo.</image:caption>
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      <image:caption>Jehan (Brandon Hurst) and Esmerelda.</image:caption>
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      <image:caption>Nigel De Brulier as Don Claudio with Quasimodo.</image:caption>
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      <image:title>The Hunchback of Notre Dame - Make it stand out</image:title>
      <image:caption>Quasimodo and Esmerelda in the Cathedral Square.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2022/west-side-story</loc>
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    <priority>0.75</priority>
    <lastmod>2022-02-26</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>The Jets and the Sharks face off.</image:caption>
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      <image:caption>Ansel Elgort and Rachel Zegler as Tony and Maria.</image:caption>
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      <image:caption>The “I Feel Pretty” number is transported to Gimbel’s department store.</image:caption>
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      <image:title>West Side Story - Make it stand out</image:title>
      <image:caption>Spielberg’s restaging of the rumble.</image:caption>
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      <image:caption>Rita Moreno as Valentina.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/spring2022/tell-it-to-the-stones-encounters-with-the-films-of-daniele-huillet-and-jean-marie-straub</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-03-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/49861fa4-6cda-4820-b107-812fccaf3bcc/TELL+IT+TO+THE+STONES.jpg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/67e39b4d-96b3-45d7-b914-cec5d626516a/image-w1280.jpeg</image:loc>
      <image:title>Tell It to the Stones: Encounters with the Films of Danièle Huillet and Jean-Marie Straub - Make it stand out</image:title>
      <image:caption>Not Reconciled (1965).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/230fb085-e205-4672-bbbb-045848548e55/antigone-1200-1200-675-675-crop-000000.jpg</image:loc>
      <image:title>Tell It to the Stones: Encounters with the Films of Danièle Huillet and Jean-Marie Straub - Make it stand out</image:title>
      <image:caption>Antigone (1992).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2022/you-want-me-to-watch-listening-to-kenny-g-an-interview-with-penny-lane</loc>
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    <priority>0.75</priority>
    <lastmod>2022-02-26</lastmod>
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      <image:title>You Want Me to Watch Listening to Kenny G!!!?: An Interview with Penny Lane - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/6fadf069-c11e-48df-9b95-0369873fb19c/6e4da93f9e8b39fc2e56572282ff014ea0-listening-to-kenny-g.rsquare.w1200.jpg</image:loc>
      <image:title>You Want Me to Watch Listening to Kenny G!!!?: An Interview with Penny Lane - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/7c6fbac0-43cc-4ad5-96dc-0e2c479d34b2/Brody-Kenny-G-Documentary.jpg</image:loc>
      <image:title>You Want Me to Watch Listening to Kenny G!!!?: An Interview with Penny Lane - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/9d1acd63-9ed9-4582-9ed9-b95dfb5e7bc3/Penny3.jpg</image:loc>
      <image:title>You Want Me to Watch Listening to Kenny G!!!?: An Interview with Penny Lane - Make it stand out</image:title>
      <image:caption>Music critic and composer John Halle, who wrote a defense of Kenny G’s music.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/a9eaa0cb-c6c4-444d-a3b6-659258c867f8/listening-to-kenny-g-movie-review-2021.jpeg</image:loc>
      <image:title>You Want Me to Watch Listening to Kenny G!!!?: An Interview with Penny Lane - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/65d051cf-c521-45bd-8bca-3f16f166d807/950290ec-5dcc-4c06-afe5-812c2dcefcc6.jpg</image:loc>
      <image:title>You Want Me to Watch Listening to Kenny G!!!?: An Interview with Penny Lane - Make it stand out</image:title>
      <image:caption>Kenny G is alone for much of the documentary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/2d509647-ff98-40c6-be0f-d026cc388935/kennypennylisteninginterview.jpg</image:loc>
      <image:title>You Want Me to Watch Listening to Kenny G!!!?: An Interview with Penny Lane - Make it stand out</image:title>
      <image:caption>Kenny G with the press.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/85924694-b56c-4af8-b5c1-a0b716543b93/MV5BNjBhZmQ0NTUtZjU5OS00MjExLThkZGQtNDhlNzU2MGViNmYyXkEyXkFqcGdeQXRyYW5zY29kZS13b3JrZmxvdw%40%40._V1_.jpg</image:loc>
      <image:title>You Want Me to Watch Listening to Kenny G!!!?: An Interview with Penny Lane - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2022/spencer</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-03-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/b3902ed8-3f6b-40ac-8bb2-037eb6886c3f/Header.jpeg</image:loc>
      <image:title>Spencer - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/c6b91df1-20d4-4c98-a6db-1e8872ec6a40/Spencer1.jpg</image:loc>
      <image:title>Spencer - Make it stand out</image:title>
      <image:caption>Kristen Stewart as Princess Diana.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/66b9aa54-df9f-4747-9194-ba9a95251ff0/Spencer6.jfif</image:loc>
      <image:title>Spencer - Make it stand out</image:title>
      <image:caption>Major Alistair Gregory (Timothy Spall) watches Diana’s every move.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/6e0490fa-379f-4ac9-a195-8f50a62017a7/Spencer2.jfif</image:loc>
      <image:title>Spencer - Make it stand out</image:title>
      <image:caption>Diana with seven-year-old Harry (Freddy Spry) and nine-year-old William (Jack Nielen).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/a647b896-d61f-4c9a-8382-4e5f83e4ba30/Spencer5.jpg</image:loc>
      <image:title>Spencer - Make it stand out</image:title>
      <image:caption>Diana’s discomfort shows while dining with the royal family.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/c71cc21f-0153-41ea-b084-54404ef1f178/Spencer4.jpg</image:loc>
      <image:title>Spencer - Make it stand out</image:title>
      <image:caption>Diana with her favorite dresser Maggie (Sally Hawkins).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2022/no-time-to-die</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/994204bf-e285-428d-80f0-1fcfbd60e9c5/No+Time1.jpeg</image:loc>
      <image:title>No Time to Die - Make it stand out</image:title>
      <image:caption>Daniel Craig in his final James Bond outing.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/318f41e2-a6da-4741-a8f5-5fa54f392283/No+Time2.jpeg</image:loc>
      <image:title>No Time to Die - Make it stand out</image:title>
      <image:caption>Léa Seydoux, as Bond’s love interest Madeleine Swann.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/7603e5d2-e6bb-4c10-88fe-952fe5e29ffb/No+Time4.jpeg</image:loc>
      <image:title>No Time to Die - Make it stand out</image:title>
      <image:caption>Rami Malek as Bond’s opponent, Lyutsifer Safin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/6a535e39-eb54-4126-a83d-629e20cd92e7/No+Time5.jpeg</image:loc>
      <image:title>No Time to Die - Make it stand out</image:title>
      <image:caption>LaTasha Lynch as Nomi, MI6’s new 007.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/88c8ffef-a48c-4bc2-ae9e-825c3d3f54bf/No+Time6.jpeg</image:loc>
      <image:title>No Time to Die - Make it stand out</image:title>
      <image:caption>Naomie Harris in a red blouse as Ms. Moneypenny.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/b3cb09ec-d9e0-4493-b88e-1dbdcc1a2382/No+Time3.jpeg</image:loc>
      <image:title>No Time to Die - Make it stand out</image:title>
      <image:caption>Bond with CIA agent Paloma (Ana de Armas).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2022/ken-jacobs-collection-volume-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/66d8c3a1-9fba-4864-919d-73f6ee6df5f0/Jacobs1.jpg</image:loc>
      <image:title>Ken Jacobs Collection, Volume 1 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/7baad7aa-3fb5-49cf-9edc-8a0480d3d430/Jacobs3.jpg</image:loc>
      <image:title>Ken Jacobs Collection, Volume 1 - Make it stand out</image:title>
      <image:caption>A still from Orchard Street.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/acd0835f-7217-4cd9-85f4-c2b2e3ed78dd/Jacobs2.jpeg</image:loc>
      <image:title>Ken Jacobs Collection, Volume 1 - Make it stand out</image:title>
      <image:caption>Jack Smith in Jacobs’s Blonde Cobra.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/dc3c1edd-f5f0-4588-9584-8058677e68a7/Jacobs4.jpg</image:loc>
      <image:title>Ken Jacobs Collection, Volume 1 - Make it stand out</image:title>
      <image:caption>Jacobs evokes the aesthetic of early Edison films in Tom, Tom The Piper’s Son.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/bd3f8f4d-0b51-4454-ab41-ec309857f8ff/Jacobs5.jpg</image:loc>
      <image:title>Ken Jacobs Collection, Volume 1 - Make it stand out</image:title>
      <image:caption>Archival footage in Capitalism: Child Labor.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/337d35f4-36f4-4222-a228-5e14a9c5a5a6/Jacobs6.jpg</image:loc>
      <image:title>Ken Jacobs Collection, Volume 1 - Make it stand out</image:title>
      <image:caption>Jacob’ss moving painting film, Movie that Invites Pausing.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2022/thessaloniki-international-film-festival-2021</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/b29914c7-8e00-444c-ab75-db0e25063b08/254813726_2042856689204808_8410686486368902403_n.jpg</image:loc>
      <image:title>The Thessaloniki international Film Festival - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/f5540569-19a7-4b62-a520-7decd3ef6d67/Thess1.jpeg</image:loc>
      <image:title>The Thessaloniki international Film Festival - Make it stand out</image:title>
      <image:caption>Izïa Higelin and Aliocha Reinert in Samuel Theis’s Softie.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/ffc9525a-0f37-4d1d-bd4a-5da44f1c7898/Thess+9.jpeg</image:loc>
      <image:title>The Thessaloniki international Film Festival - Make it stand out</image:title>
      <image:caption>Elián Gonzalez in Lorenzo Vigas’s The Box.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/f42cfc88-713c-4e1e-9319-3914d4fceeeb/Thess4.jpg</image:loc>
      <image:title>The Thessaloniki international Film Festival - Make it stand out</image:title>
      <image:caption>Sofia Kokkali in Jacqueline Lentzou’s Moon, 66 Questions.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/d1074685-aafd-46b5-8fc8-c6e78dbe2d38/Thess5.jpeg</image:loc>
      <image:title>The Thessaloniki international Film Festival - Make it stand out</image:title>
      <image:caption>Yorgos Goussis’s debut feature, Magnetic Fields.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/7921d338-f3c1-4242-a6bb-cd473f9e87ef/Thess6.png</image:loc>
      <image:title>The Thessaloniki international Film Festival - Make it stand out</image:title>
      <image:caption>Celeste Cescutti as Agata (center) in Laura Samani’s Small Body.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/e59bd079-0979-43be-b143-e8b7825f9d97/Thess7.jpeg</image:loc>
      <image:title>The Thessaloniki international Film Festival - Make it stand out</image:title>
      <image:caption>Dubravka Kovjanic in Milica Τomović’s Celts, set in 1993 Yugoslavia.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2022/the-lost-daughter</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/f0b7b86c-01e1-4f2e-aa22-2b901b217798/Daughter2.jpeg</image:loc>
      <image:title>The Lost Daughter - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/fe8ec4f2-0b22-4520-b149-d06841783c82/Daughter3.jpeg</image:loc>
      <image:title>The Lost Daughter - Make it stand out</image:title>
      <image:caption>Dakota Johnson as Nina, a young mother.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/2814aead-0154-4131-9444-d0f70b34d02b/Daughter4.jpg</image:loc>
      <image:title>The Lost Daughter - Make it stand out</image:title>
      <image:caption>Dagmara Domińczyk as Nina’s controlling sister-in-law, Callie.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/64e49dba-bbe2-495a-bef3-dcf5368c8188/Daughter5.jpg</image:loc>
      <image:title>The Lost Daughter - Make it stand out</image:title>
      <image:caption>Jessie Buckley as young Leda.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/bc1294d7-20c8-4bc7-bad6-85b0d5b11fba/Daughter1.jpeg</image:loc>
      <image:title>The Lost Daughter - Make it stand out</image:title>
      <image:caption>Maggie Gyllenhaal on set.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2022/covid-19-documentaries-the-politics-of-representation-and-production</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-05-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/eafe401a-4498-44b8-b1b7-9c3f81c3db90/coviddocs1.jpg</image:loc>
      <image:title>COVID-19 Documentaries: The Politics of Representation and Production</image:title>
      <image:caption>Exhausted healthcare workers in Wuhan, China from 76 Days.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/8f7c7e0b-1891-451e-ba5c-e6e3ac377655/coviddocs2.jpg</image:loc>
      <image:title>COVID-19 Documentaries: The Politics of Representation and Production - Make it stand out</image:title>
      <image:caption>A doctor and patient from 76 Days.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/f9a61a1b-6525-44e1-8f81-4d591c56b361/coviddocs3.jpg</image:loc>
      <image:title>COVID-19 Documentaries: The Politics of Representation and Production - Make it stand out</image:title>
      <image:caption>In Wuhan, Wuhan, Yin a driver holds his baby, delivered under quarantine.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/870c8921-1941-4507-b6c5-3125aa2e6c79/coviddocs6.jpg</image:loc>
      <image:title>COVID-19 Documentaries: The Politics of Representation and Production - Make it stand out</image:title>
      <image:caption>Wuhan’s empty train station in Ai Weiwei’s Coronation.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/21b77605-8ecd-469c-abb5-b560f3a4be6c/coviddocs5.jpeg</image:loc>
      <image:title>COVID-19 Documentaries: The Politics of Representation and Production - Make it stand out</image:title>
      <image:caption>A US-based COVID protest in Nanfu Wang’s In the Same Breath.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/2bb53347-a2b4-4369-8b56-e524aaa263ce/coviddocs4.jpg</image:loc>
      <image:title>COVID-19 Documentaries: The Politics of Representation and Production - Make it stand out</image:title>
      <image:caption>Yin and his wife, Xu, a tour guide (Wuhan, Wuhan).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/4c7121c7-cf78-4497-a70d-b6c511b8ac95/coviddocs7.jpg</image:loc>
      <image:title>COVID-19 Documentaries: The Politics of Representation and Production - Make it stand out</image:title>
      <image:caption>A woman in a Beijing theater watches Days and Nights in Wuhan (Photo Credit:  REUTERS/Thomas Peter).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/848255f8-0d0c-4944-b0ff-b65159c7126c/Days%26Nights+inWuhan_poster2.jpg</image:loc>
      <image:title>COVID-19 Documentaries: The Politics of Representation and Production - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1653243018195-5DUA172N8IO8TV4P7SIT/76Days+-Yang+Li+giving+phone+back.png</image:loc>
      <image:title>COVID-19 Documentaries: The Politics of Representation and Production</image:title>
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      <image:title>COVID-19 Documentaries: The Politics of Representation and Production</image:title>
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      <image:title>COVID-19 Documentaries: The Politics of Representation and Production - Make it stand out</image:title>
      <image:caption>Chen Zhuo, a photojournalist for Changjiang Daily (based in Wuhan), who shot key scenes that appeared in both Days and Nights in Wuhan and 76 Days is Interviewed on CCTV Channel 6, China's official movie channel.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2022/stage-fright</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/bd51dff5-1505-44f7-bc29-aaea88fc7924/Fright1.jpg</image:loc>
      <image:title>Stage Fright</image:title>
    </image:image>
    <image:image>
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      <image:title>Stage Fright - Make it stand out</image:title>
      <image:caption>Marlene Dietrich as chanteuse Charlotte Inwood.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/fc64a742-4457-4a9a-a117-f01a0b97f77c/Fright3.png</image:loc>
      <image:title>Stage Fright - Make it stand out</image:title>
      <image:caption>Jane Wyman as aspiring actress Eve Gill.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1f140d66-f238-45c1-a7bf-4512155b6df5/Fright4.png</image:loc>
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      <image:caption>Eve with Detective Smith (Michael Wilding).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/07241fed-140e-4469-a06c-92d5975ae008/Fright5.jpeg</image:loc>
      <image:title>Stage Fright - Make it stand out</image:title>
      <image:caption>Jonathan Cooper (Richard Todd) with Charlotte.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/92d4112e-af8d-43d1-ac2c-fc99f78de487/Fright6.jpg</image:loc>
      <image:title>Stage Fright - Make it stand out</image:title>
      <image:caption>A passerby takes a gander at Eve.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2022/parallel-mothers</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-05-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/10922f7a-0542-439f-a230-fc116a2ff9a9/image.jpg</image:loc>
      <image:title>Parallel Mothers - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1f6d43b7-01b0-48f6-85e9-5714fee47e55/Mothers2.jpg</image:loc>
      <image:title>Parallel Mothers</image:title>
      <image:caption>Ana (Milena Smit) and Janis (Penélope Cruz).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/83cb85f4-241d-49a3-aa21-3269e51f9648/1319269.jpg</image:loc>
      <image:title>Parallel Mothers - Make it stand out</image:title>
      <image:caption>Cruz and Pedro Almodóvar on set.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2022/thessaloniki-documentary-festival-2022</loc>
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    <priority>0.75</priority>
    <lastmod>2024-05-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/de131fa7-8e3a-4bc1-abc5-f7a15d2c9de0/Thess1.jpg</image:loc>
      <image:title>The Thessaloniki Documentary Festival</image:title>
      <image:caption>The opening photograph in Pegah Ahangarani’s I Am Trying to Remember.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/4c1e4867-f5af-460e-8a63-f83ce0db95a9/Thess2.jpeg</image:loc>
      <image:title>The Thessaloniki Documentary Festival - Make it stand out</image:title>
      <image:caption>Nelly &amp; Nadine by Magnus Gertten.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/7a66ee9b-f9a3-4e1d-81c8-cda8d11b05ca/Thess4.jpg</image:loc>
      <image:title>The Thessaloniki Documentary Festival - Make it stand out</image:title>
      <image:caption>Memories with a Tail by Dimitris Indares.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/b98c61e0-8fb8-4873-882d-1f4c70ce51a9/Thess5.jpg</image:loc>
      <image:title>The Thessaloniki Documentary Festival - Make it stand out</image:title>
      <image:caption>Laila Pakalniņa’s Entrepreneur.</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Thessaloniki Documentary Festival - Make it stand out</image:title>
      <image:caption>Ruth Beckermann’s Mutzenbacher.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2022/film-noir-in-argentina-the-bitter-stems-and-the-beast-must-die</loc>
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    <priority>0.75</priority>
    <lastmod>2022-05-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/98fd33f0-ca09-44ee-b680-826c9413080b/Noir1.jpg</image:loc>
      <image:title>Film Noir in Argentina: The Bitter Stems and The Beast Must Die - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Film Noir in Argentina: The Bitter Stems and The Beast Must Die - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/3f83ff0e-8bbd-43e7-9962-e2d22a583156/Noir9.jpg</image:loc>
      <image:title>Film Noir in Argentina: The Bitter Stems and The Beast Must Die - Make it stand out</image:title>
      <image:caption>Original posters.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/bfcd27db-23dc-41a8-94e5-81f348897377/Noir10.jpg</image:loc>
      <image:title>Film Noir in Argentina: The Bitter Stems and The Beast Must Die - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Film Noir in Argentina: The Bitter Stems and The Beast Must Die - Make it stand out</image:title>
      <image:caption>Narciso Ibáñez Menta as Félix Lane in The Beast Must Die.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/9b671985-1ef4-49f3-8654-98c927f72825/Noir6.jpg</image:loc>
      <image:title>Film Noir in Argentina: The Bitter Stems and The Beast Must Die - Make it stand out</image:title>
      <image:caption>Carlos Cores as Alfredo Gasper in The Bitter Stems.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/f5b95795-85dd-4a95-9af4-9ef5f21ee73f/Noir4.jpg</image:loc>
      <image:title>Film Noir in Argentina: The Bitter Stems and The Beast Must Die - Make it stand out</image:title>
      <image:caption>Lane’s son is killed in an accident in The Beast Must Die.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/68158f6f-32aa-46dd-a129-35410ea2433c/Noir5.jpg</image:loc>
      <image:title>Film Noir in Argentina: The Bitter Stems and The Beast Must Die - Make it stand out</image:title>
      <image:caption>Cinematographer Alberto Etchebehere creates a surreal atmosphere in The Beast Must Die.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/f8b48272-c343-4c71-b28c-d82b78e6127d/Noir8.jpg</image:loc>
      <image:title>Film Noir in Argentina: The Bitter Stems and The Beast Must Die - Make it stand out</image:title>
      <image:caption>Vassili Lambrinos as Alfredo’s partner Liudas in The Bitter Stems.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/13892715-7ecc-4654-a100-780d17533fa1/Noir7.jpg</image:loc>
      <image:title>Film Noir in Argentina: The Bitter Stems and The Beast Must Die - Make it stand out</image:title>
      <image:caption>Alfredo and Susana (Julia Sandoval) in The Bitter Stems.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/summer2022/red-rocket</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-05-19</lastmod>
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      <image:title>Red Rocket</image:title>
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      <image:title>Red Rocket - Make it stand out</image:title>
      <image:caption>Mikey is a former porn star on the rebound.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/a800a00f-7bc3-4494-95b7-3affd2e67dde/image-1.jpg</image:loc>
      <image:title>Red Rocket - Make it stand out</image:title>
      <image:caption>Mikey and Strawberry (Suzanna Son).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2022/for-a-cinema-of-the-blind-and-visionaries-the-forgotten-lessons-of-cesare-zavattini</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-05-20</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/645b4bfe-392a-4fa3-be21-474a4829a855/Cesare-Zavattini.jpg</image:loc>
      <image:title>For a Cinema of the Blind and Visionaries: The Forgotten Lessons of Cesare Zavattini</image:title>
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      <image:title>For a Cinema of the Blind and Visionaries: The Forgotten Lessons of Cesare Zavattini - Make it stand out</image:title>
      <image:caption>Lamberto Maggiorani and Enzo Staiolo as Antonio and his son Bruno in Bicycle Thieves.</image:caption>
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      <image:title>For a Cinema of the Blind and Visionaries: The Forgotten Lessons of Cesare Zavattini - Make it stand out</image:title>
      <image:caption>Carlo Battisti as Umberto with his dog Flike in Umberto D.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/summer2022/vortex</loc>
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    <lastmod>2022-05-19</lastmod>
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      <image:title>Vortex</image:title>
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      <image:caption>Gaspar Noé makes a cameo.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/62b95718-907e-4dc9-9d02-ced0d2b4e89e/Vortex3.jpg</image:loc>
      <image:title>Vortex - Make it stand out</image:title>
      <image:caption>Noé employs a split screen effect to explore his character’s cognitive lapses.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/814ce191-4719-47c3-85b5-d7f94794e3fd/Vortex4.png</image:loc>
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      <image:caption>The couple and their son, Stéphane (Alex Lutz).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/56d1a976-6013-435f-81b6-dc493a698e16/Vortex5.jpg</image:loc>
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      <image:caption>Lui and Elle.</image:caption>
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      <image:title>Vortex - Make it stand out</image:title>
      <image:caption>Stéphane and his mother.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/summer2022/the-piano</loc>
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    <lastmod>2022-05-20</lastmod>
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      <image:title>The Piano</image:title>
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      <image:title>The Piano - Make it stand out</image:title>
      <image:caption>Holly Hunter as Ada with her daughter Flora (Anna Paquin) on the shores of their new home, New Zealand.</image:caption>
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      <image:title>The Piano - Make it stand out</image:title>
      <image:caption>Harvey Keitel as George Baines.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/de2b2ceb-d2e2-459d-a8c5-3d577f3ef7c1/Piano5.jpg</image:loc>
      <image:title>The Piano - Make it stand out</image:title>
      <image:caption>George develops a dangerous fascination for Ada.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/2b53b57d-a27d-4687-8c2e-0fee52b3d78d/Piano4.jpg</image:loc>
      <image:title>The Piano - Make it stand out</image:title>
      <image:caption>Alisdair Stewart (Sam Neill), who bought Ada to be his wife.</image:caption>
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      <image:title>The Piano - Make it stand out</image:title>
      <image:caption>Ada and Flora.</image:caption>
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    <loc>https://www.cineaste.com/summer2022/home</loc>
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    <lastmod>2022-05-23</lastmod>
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      <image:caption>Cesare Zavattini’s Bicycle Thieves</image:caption>
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      <image:caption>Servants</image:caption>
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      <image:caption>Mariama Diallo</image:caption>
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    <lastmod>2022-08-20</lastmod>
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      <image:caption>Free Voice of Labor: The Jewish Anarchists</image:caption>
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      <image:title>The Current Issue</image:title>
      <image:caption>David Cronenberg</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1c12ae2f-7010-4e1f-a71e-d8ce766733d7/bazin_hp.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>André Bazin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/f5dabf85-1c2f-4399-8e10-35e2e370d65c/quon_hp.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>The Curse of Quon Gwon</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2022/the-unmaking-of-the-english-working-class-actor</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1785003a-b567-4238-afe9-3b9e5f457e8c/Workingclass2.jpg</image:loc>
      <image:title>The Unmaking of the English Working-Class Actor - Make it stand out</image:title>
      <image:caption>Albert Finney in Saturday Night and Sunday Morning.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/2aa95d0a-dbdb-4d37-a5c9-2c04866807e8/Workingclass1.jpg</image:loc>
      <image:title>The Unmaking of the English Working-Class Actor - Make it stand out</image:title>
      <image:caption>Alec Guinness and Glynis Johns in Ronald Neame’s The Card.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/2c90c43d-a362-4c57-9bfb-dd35c1c1f4b6/Workingclass3.jpg</image:loc>
      <image:title>The Unmaking of the English Working-Class Actor - Make it stand out</image:title>
      <image:caption>Tom Courtenay in Tony Richardson’s The Loneliness of the Long Distance Runner.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2022/benediction</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-08-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/0305c5aa-2a88-41f8-b647-1c663e355d94/BENEDICTION+1.jpg</image:loc>
      <image:title>Benediction - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/05b6c86d-0c17-48cd-b3ba-c1c535a24010/SASSOON+PORTRAIT.jpg</image:loc>
      <image:title>Benediction - Make it stand out</image:title>
      <image:caption>Siegfried Sassoon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/3a1f9498-cdd7-47e5-ab0c-3f229d6869d5/Benediction2.jpg</image:loc>
      <image:title>Benediction - Make it stand out</image:title>
      <image:caption>Sassoon with one-time lover and matinee idol Ivor Novello (Jeremy Irvine).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/dbbc7b9b-348d-4ecd-a746-e5d795e04940/BENEDICTION+3.jpg</image:loc>
      <image:title>Benediction - Make it stand out</image:title>
      <image:caption>Sassoon dances with his future wife Hester Gatty (Kate Phillips).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2022/andre-bazin-on-adaptation-cinemas-literary-imagination</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-08-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/7e4d338b-81b1-42a0-a838-1e662f9303a6/BAZIN.jpg</image:loc>
      <image:title>André Bazin on Adaptation: Cinema’s Literary Imagination - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/3967adf3-5aa0-4e95-b5a2-caf17dd1c0a9/Bazin3.jpg</image:loc>
      <image:title>André Bazin on Adaptation: Cinema’s Literary Imagination - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/865d69d3-4a4c-4980-8c79-265c9ae453d4/BAZIN+2.jpeg</image:loc>
      <image:title>André Bazin on Adaptation: Cinema’s Literary Imagination - Make it stand out</image:title>
      <image:caption>André Bazin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/4c8e8c31-d911-4931-8552-eb01fa0f48f3/Bazin4.jpg</image:loc>
      <image:title>André Bazin on Adaptation: Cinema’s Literary Imagination - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2022/for-high-school-students-notes-and-images-from-the-viet-nam-war</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-08-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/25a4f02d-e4bc-4b4d-8790-dfe037ae58dc/High+School2.jpeg</image:loc>
      <image:title>For High School Students: Notes and Images from the Viet Nam War - Make it stand out</image:title>
      <image:caption>American jets spraying Agent Orange.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/23476ae5-d320-448d-9b5e-fdca70c85d9c/High+School3.jpeg</image:loc>
      <image:title>For High School Students: Notes and Images from the Viet Nam War - Make it stand out</image:title>
      <image:caption>The craters left by cluster bombs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/11db064b-254d-498c-9b07-15efdf6de608/High+School4.jpeg</image:loc>
      <image:title>For High School Students: Notes and Images from the Viet Nam War - Make it stand out</image:title>
      <image:caption>A collection of Anti-War buttons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/3de0ccd1-ddd9-46f1-afa8-40263b6049c3/High+School5.jpeg</image:loc>
      <image:title>For High School Students: Notes and Images from the Viet Nam War - Make it stand out</image:title>
      <image:caption>A wounded American GI.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/e7015bd1-c603-4a22-8486-e2f247a65738/High+School6.jpeg</image:loc>
      <image:title>For High School Students: Notes and Images from the Viet Nam War - Make it stand out</image:title>
      <image:caption>Victims of “free fire zones,” areas where bombing and shooting could take place without permission from higher-ranking members of the US military.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2022/death-on-the-nile</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-08-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/5d059b88-e60f-43bb-915c-2fe618f9e524/Nile1.jpeg</image:loc>
      <image:title>Death on the Nile - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/695f81be-58d8-4491-9b52-9a105d8824bd/Nile2.jpeg</image:loc>
      <image:title>Death on the Nile - Make it stand out</image:title>
      <image:caption>Kenneth Branagh as Hercule Poirot.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/9ea2a863-ed15-4f53-9d79-1db3d6d93ac1/Nile3.png</image:loc>
      <image:title>Death on the Nile - Make it stand out</image:title>
      <image:caption>SS Karnak.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/a233379d-32d5-467c-9375-301ec96c0767/Nile4.jpg</image:loc>
      <image:title>Death on the Nile - Make it stand out</image:title>
      <image:caption>From left, Linnet Ridgeway (Gal Gadot), Simon Doyle (Armie Hammer), and Jacqueline de Bellefort (Emma Mackey).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/986094d5-ddf8-4ec0-8f51-7948c8c2e656/Sophie-Okonedo-plays-Salome-Otterbourne-f766416.jpg</image:loc>
      <image:title>Death on the Nile - Make it stand out</image:title>
      <image:caption>Sophie Okonedo as singer Salome Otterbourne.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/8ae5f3e8-136f-4af1-b422-cea488475c1b/Nile6.jpg</image:loc>
      <image:title>Death on the Nile - Make it stand out</image:title>
      <image:caption>Letitia Wright as Rosalie Otterbourne.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2022/sacco-and-vanzetti</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/0c747b08-7b0e-4818-8fb0-0a1f6fadd9d9/Sacco1.jpeg</image:loc>
      <image:title>Sacco and Vanzetti - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/355080ff-41ea-4b00-a5ad-752360fe3dfc/SACCO-AND-VANZETTI_MAINlargest.jpeg</image:loc>
      <image:title>Sacco and Vanzetti - Make it stand out</image:title>
      <image:caption>Riccardo Cucciolla as Nicola Sacco (left) and Gian Maria Volontè as Bartolomeo Vanzetti (right).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/258c8b65-66d5-4d77-9f05-5e62a9bb3a30/Sacco2.jpeg</image:loc>
      <image:title>Sacco and Vanzetti - Make it stand out</image:title>
      <image:caption>Anti-immigrant protests.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/0bc59aee-476e-46cb-b706-6f4ca44ee095/Sacco4.jpeg</image:loc>
      <image:title>Sacco and Vanzetti - Make it stand out</image:title>
      <image:caption>Sacco on his way to the electric chair.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/971f5cd2-fa6c-4c00-bd76-ee0d86c6153d/Sacco5.jpeg</image:loc>
      <image:title>Sacco and Vanzetti - Make it stand out</image:title>
      <image:caption>Prosecutor Fred Moore (Milo O’Shea).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/8600c94d-83c4-40cf-82d6-61f17aff6602/VANZETTI+%28LEFT%29+AND+SACCO+HANDCUFFED+TOGETHER+IN+COURT+IN+1923.jpeg</image:loc>
      <image:title>Sacco and Vanzetti - Make it stand out</image:title>
      <image:caption>The real-life defendants.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2022/media-crossroads-intersections-of-space-and-identity-in-screen-cultures</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-08-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/8c83e39d-b1cd-4a45-9b1c-6edb321a3027/Media1.jpg</image:loc>
      <image:title>Media Crossroads: Intersections of Space and Identity in Screen Cultures - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/3602d7d8-311d-4507-be63-c01554f532f8/Media2.jpeg</image:loc>
      <image:title>Media Crossroads: Intersections of Space and Identity in Screen Cultures - Make it stand out</image:title>
      <image:caption>A scene from Cannibal Man (1972).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1c8296fa-79c9-44e6-b9e6-44d3251aa7be/Media3.jpeg</image:loc>
      <image:title>Media Crossroads: Intersections of Space and Identity in Screen Cultures - Make it stand out</image:title>
      <image:caption>Shooting Shirley Clarke’s The Connection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/7a2c9064-d08e-41ca-a156-e85a21148565/Media4.jpeg</image:loc>
      <image:title>Media Crossroads: Intersections of Space and Identity in Screen Cultures - Make it stand out</image:title>
      <image:caption>A scene from Sean Baker’s The Florida Project.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/de2b6567-40dc-4a34-84c9-fba92fa2327f/Media5.png</image:loc>
      <image:title>Media Crossroads: Intersections of Space and Identity in Screen Cultures - Make it stand out</image:title>
      <image:caption>Michelle Williams as Wendy with her dog Lucy in Kelly Reichardt’s Wendy and Lucy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/999722fe-592a-43a6-ad50-d1a396e4ac0b/Media6.jpeg</image:loc>
      <image:title>Media Crossroads: Intersections of Space and Identity in Screen Cultures - Make it stand out</image:title>
      <image:caption>A landscape in Nintendo’s The Legend of Zelda: Breath of the Wild game.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2022/marcel-the-shell-with-shoes-on-an-interview-with-dean-fleischer-camp</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-08-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/cf37c42a-83b4-4b78-a306-f467eb6e0046/Marcel.jpg</image:loc>
      <image:title>Marcel the Shell with Shoes On: An Interview with Dean Fleischer Camp - Make it stand out</image:title>
      <image:caption>Photo credit: Michael Raines</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/f4bc797f-3a47-4ebf-80d3-d80bdaf718f4/Marcel1.jpg</image:loc>
      <image:title>Marcel the Shell with Shoes On: An Interview with Dean Fleischer Camp - Make it stand out</image:title>
      <image:caption>Dean Fleischer Camp with Marcel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/df186f5d-e38c-4707-b37e-ca558ab38daa/ezgif-3-51cf05f4fb.jpg</image:loc>
      <image:title>Marcel the Shell with Shoes On: An Interview with Dean Fleischer Camp - Make it stand out</image:title>
      <image:caption>Marcel co-creator Jenny Slate.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/ba0e7370-a371-4b37-b447-0e3e0281647c/Marcel2.jpeg</image:loc>
      <image:title>Marcel the Shell with Shoes On: An Interview with Dean Fleischer Camp - Make it stand out</image:title>
      <image:caption>Marcel (voiced by Jenny Slate) with his grandmother, Nana Connie (voiced by Isabella Rossellini).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/4411b6f0-2d11-44ee-a7a6-538e4478bdd1/Marcel4.jpg</image:loc>
      <image:title>Marcel the Shell with Shoes On: An Interview with Dean Fleischer Camp - Make it stand out</image:title>
      <image:caption>Marcel’s idol Leslie Stahl.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/e7edc0bf-87be-4aad-8046-d4ac9b35eae3/Marcel5.png</image:loc>
      <image:title>Marcel the Shell with Shoes On: An Interview with Dean Fleischer Camp - Make it stand out</image:title>
      <image:caption>Marcel’s family.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/d0e10c01-ecd8-4faa-b3bf-ed6805488352/Marcel6.jpg</image:loc>
      <image:title>Marcel the Shell with Shoes On: An Interview with Dean Fleischer Camp - Make it stand out</image:title>
      <image:caption>Marcel looks up at the laptop screen as his popularity grows on YouTube.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/53170c71-81b1-4a61-9a75-58b83978a7de/isabella-rossellini-green-porno-1920x1131.jpg</image:loc>
      <image:title>Marcel the Shell with Shoes On: An Interview with Dean Fleischer Camp - Make it stand out</image:title>
      <image:caption>Isabella Rossellini in Green Porno.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2022/women-and-the-silent-screen-xi-conference</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-08-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/36a5264e-6220-4108-bc1f-9b4228f5bc7e/Silent1.jpg</image:loc>
      <image:title>Women and the Silent Screen XI Conference - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/a4964326-64b9-4a0e-bee7-d8d25eafd25a/Silent2.png</image:loc>
      <image:title>Women and the Silent Screen XI Conference - Make it stand out</image:title>
      <image:caption>Film companies in Fort Lee, New Jersey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/0c3beb60-298c-4f41-a86f-1a31b701bc16/Silent5.jpg</image:loc>
      <image:title>Women and the Silent Screen XI Conference - Make it stand out</image:title>
      <image:caption>Soviet film pioneer Esfir Shub.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/8a670691-3743-471e-9ce4-6c03dede2e16/Silent6.jpeg</image:loc>
      <image:title>Women and the Silent Screen XI Conference - Make it stand out</image:title>
      <image:caption>Norma Shearer in The Waning Sex (1926).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/afdcdc7f-fd4a-48f9-855e-44c12f07f873/Silent3.jpg</image:loc>
      <image:title>Women and the Silent Screen XI Conference - Make it stand out</image:title>
      <image:caption>Primarily known for screenwriting, Frances Marion wrote and directed this film.</image:caption>
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    <loc>https://www.cineaste.com/spring2023/malcolm-x</loc>
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    <lastmod>2023-03-04</lastmod>
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      <image:caption>Malcolm X (Denzel Washington) prays in Mecca during his holy pilgrimage, realizing that people of all races can be good Muslims and worthy human beings.</image:caption>
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      <image:caption>During his prison term, Malcolm X (Denzel Washington) has a vision of Black Muslim leader Elijah Muhammad (Al Freeman Jr.) in his lonely cell.</image:caption>
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      <image:caption>Known as Detroit Red in his early days, Malcolm X (Denzel Washington) struts his stuff in style.</image:caption>
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    <loc>https://www.cineaste.com/spring2023/the-good-boss</loc>
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    <lastmod>2023-03-04</lastmod>
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      <image:caption>Endlessly disgruntled, the laid-off worker Jose (Óscar de la Fuente) sets up a permanent protest across the street from the boss’s plant, demanding reinstatement in his job.</image:caption>
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    <lastmod>2023-03-06</lastmod>
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    <lastmod>2023-03-04</lastmod>
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    <lastmod>2023-03-06</lastmod>
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      <image:caption>Reinaldo Amien Gutiérrez gives an award-winning performance as a dysfunctional father who complicates his teenage daughter’s life in Valentina Maurel’s I Have Electric Dreams.</image:caption>
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      <image:caption>Central character Jean (Rosy McEwen) contemplates a project of self-transformation in Georgia Oakley’s Blue Jean.</image:caption>
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      <image:title>The Thessaloniki International Film Festival - Make it stand out</image:title>
      <image:caption>A Greek mother (Eleni Kokkidou) and her son (Julio Katsis) wait stubbornly for the return of her inexplicably disappeared other child in Spiros Jacovides’s Black Stone.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/94fec5cd-12d6-46af-8974-4c47506764d3/KLONDIKE+1.jpg</image:loc>
      <image:title>The Thessaloniki International Film Festival - Make it stand out</image:title>
      <image:caption>Irka (Oksana Cherkashyna) struggles to keep the tragedies of the outside world at bay in Maryna Er Gorbach’s Klondike.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/3e8f697d-e09e-4d71-b370-1a35b2ca42c8/HOW+IS+KATIA%3F+3.jpg</image:loc>
      <image:title>The Thessaloniki International Film Festival - Make it stand out</image:title>
      <image:caption>A car accident upends the personal life and aspirations of Anna (Anastasiya Karpenko) in Christina Tynkevych’s How is Katia?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1e4fbfe0-8bbd-4bdd-91f5-e0a1430d77c4/MEN+OF+DEEDS+2.jpg</image:loc>
      <image:title>The Thessaloniki International Film Festival - Make it stand out</image:title>
      <image:caption>Tragicomic rural policeman Ilie (Iulian Postelnicu) struggles to keep bewilderment at bay in Paul Negoescu’s Men of Deeds.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2023/a-memorial-tribute-to-rahul-hamid</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-03-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/152dd55f-22e0-4095-875c-f05d0c6fac38/RAHUL+PORTRAIT.jpg</image:loc>
      <image:title>A Memorial Tribute to Rahul Hamid (1970–2022) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/223572f5-748c-48f5-bd14-ac770ae4c1ec/RAHUL+%231.jpeg</image:loc>
      <image:title>A Memorial Tribute to Rahul Hamid (1970–2022) - Make it stand out</image:title>
      <image:caption>A Cineaste staff gathering at the Fire Island retreat of Cynthia Lucia. Left to right, Gary Crowdus, Rahul Hamid, Leonard Quart, editorial intern Oliver Pattenden, Dan Georgakas, Louis Menashe, Richard Porton, Cynthia Lucia, and her mom, Minna Kliebenstein.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/34713976-887b-4130-a1ab-6604d2fa2a66/RAHUL+%233.jpg</image:loc>
      <image:title>A Memorial Tribute to Rahul Hamid (1970–2022) - Make it stand out</image:title>
      <image:caption>Family Portrait: Left to right, Rahul, Olive, Oona, and Ragan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/197f37b7-8430-424c-993f-acbd779e3ee3/RAHUL+%232.jpg</image:loc>
      <image:title>A Memorial Tribute to Rahul Hamid (1970–2022) - Make it stand out</image:title>
      <image:caption>Rahul presents a copy of the anthology Cineaste on Film Criticism, Programming, and Film Preservation, which Rahul co-edited with Cynthia Lucia, to NYU Associate Professor Millery Polyne.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/4d3cb442-c6df-4ba8-930b-768718dc537d/RAHUL+%234.jpg</image:loc>
      <image:title>A Memorial Tribute to Rahul Hamid (1970–2022) - Make it stand out</image:title>
      <image:caption>Family Portrait 2: Left to right, Jyotin Hamid (Rahul’s younger brother), his wife Kendall, their daughter Sara, Oona, Ragan holding Olive, Rahul, and Rahul’s mom, Vera Mehta.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/8ea15c42-6db0-4079-a8ae-9b69daf6244e/RAHUL+%235.jpg</image:loc>
      <image:title>A Memorial Tribute to Rahul Hamid (1970–2022) - Make it stand out</image:title>
      <image:caption>Rahul, circa 2016–17, with his NYU Gallatin colleagues: left to right, Stewart Carrier, graduate student; Dave King, NYU Gallatin part-time faculty, Rahul, and Christopher Bram, NYU Gallatin part-time faculty.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/78077ec7-a157-42b8-98ea-ac17d74b9d95/RAHUL+%236.jpg</image:loc>
      <image:title>A Memorial Tribute to Rahul Hamid (1970–2022) - Make it stand out</image:title>
      <image:caption>During the 2020 COVID lockdown, Ragan and Rahul engaged in a photo project, creating their own versions of famous paintings. Here Rahul portrays St. Peter in Jusepe de Ribera’s painting “Penitent St. Peter,” which is at the Art Institute of Chicago.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/a3f3ae68-0e53-446e-9f73-93148a80ad5f/RAHUL+%2311.jpg</image:loc>
      <image:title>A Memorial Tribute to Rahul Hamid (1970–2022) - Make it stand out</image:title>
      <image:caption>Doug Dibbern with Rahul and his daughter Oona at a New York Nets basketball game.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1347c547-1882-4e0f-ae09-de32a3ad0fb2/RAHUL+%237.jpg</image:loc>
      <image:title>A Memorial Tribute to Rahul Hamid (1970–2022) - Make it stand out</image:title>
      <image:caption>Rahul makes a presentation at NYU.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/cc735fa3-3feb-427c-95fb-d1ddb4ec1d80/RAHUL+%239.jpg</image:loc>
      <image:title>A Memorial Tribute to Rahul Hamid (1970–2022) - Make it stand out</image:title>
      <image:caption>Rahul in front of the Roman Coliseum in Arles, France in 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/5ab4936e-09d7-442e-95d0-1b74b0801bab/RAHUL+%2310.jpg</image:loc>
      <image:title>A Memorial Tribute to Rahul Hamid (1970–2022) - Make it stand out</image:title>
      <image:caption>Rahul with NYU students whom he chaperoned at a baseball game on a trip to Cuba.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/5021dab6-874f-441f-bf21-2c2ed685dec5/OPENING+ILLUSTRATION.jpg</image:loc>
      <image:title>A Memorial Tribute to Rahul Hamid (1970–2022) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/58470107-cb8a-4d6f-9733-7d5b6bc2841b/RAHUL+%238.jpg</image:loc>
      <image:title>A Memorial Tribute to Rahul Hamid (1970–2022) - Make it stand out</image:title>
      <image:caption>Rahul with Olive and Oona in Paris, where Ragan reports that she and Rahul took their daughters to the Louvre to see Leonardo da Vinci’s “Mona Lisa” and then “let them run around the Tuileries.”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2023/home</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-05-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/af70b13b-9cfd-4fd9-981d-2a46cd49cf34/CINEASTE%2C+SUMMER+2023.jpg</image:loc>
      <image:title>The Current Issue</image:title>
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      <image:title>The Current Issue - In the Heat of the Night</image:title>
      <image:caption>Boy Detective</image:caption>
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      <image:title>The Current Issue - Lady Macbeth</image:title>
      <image:caption>Alcarràs</image:caption>
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      <image:title>The Current Issue</image:title>
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      <image:title>The Current Issue</image:title>
      <image:caption>Huang Ji and Ryûji Otsuka</image:caption>
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      <image:caption>Jean Gabin: The Actor Who Was France</image:caption>
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      <image:title>The Current Issue</image:title>
      <image:caption>Matter Out of Place</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/summer2023/sergei-eisenstein-the-odessa-steps-and-the-last-survivor-of-the-battleship-potemkin</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-05-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/32330d16-f319-4c2b-a300-36f91b8e4b0d/MASSACRE+BY+THE+CZAR%27S+TROOPS+IN+BATTLESHIP+POTEMKIN.jpg</image:loc>
      <image:title>Sergei Eisenstein, the Odessa Steps, and the Last Survivor of the Battleship Potemkin - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Sergei Eisenstein, the Odessa Steps, and the Last Survivor of the Battleship Potemkin - Make it stand out</image:title>
      <image:caption>Sergei Eisenstein, circa 1930s. Photo courtesy of Photofest.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/7dcec879-8304-48b8-8bfb-e5fc9d6c624a/THE+REBELLION+IS+LAUNCHED+IN+BATTLESHIP+POTEMKIN.jpg</image:loc>
      <image:title>Sergei Eisenstein, the Odessa Steps, and the Last Survivor of the Battleship Potemkin - Make it stand out</image:title>
      <image:caption>The rebellion is launched in Battleship Potemkin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/20e55183-effc-4774-805f-f3cdf0055e85/IVAN+BESHOFF%2C+VETERAN+OF+THE+BATTLESHIP+POTEMKIN+%28PHOTO+BY+KEVIN+BROWNLOW%29.jpg</image:loc>
      <image:title>Sergei Eisenstein, the Odessa Steps, and the Last Survivor of the Battleship Potemkin - Make it stand out</image:title>
      <image:caption>Ivan Beshoff, veteran of the Battleship Potemkin. (Photo by Kevin Brownlow)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2023/everything-everywhere-all-at-once</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-05-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/86e2e98f-2a6b-4cc5-8ec5-5ce2d6b4896d/EEAAO+POSTER+2.jpg</image:loc>
      <image:title>Everything Everywhere All At Once - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/58152f46-f206-4390-a78a-8da3e79439da/LEFT+TO+RIGHT%2C+STEPHANIE+HSU%2C+MICHELLE+YEOH%2C+AND+KE+HUY+QUAN+IN+EVERYTHING+EVERYWHERE+ALL+AT+ONCE.jpg</image:loc>
      <image:title>Everything Everywhere All At Once - Make it stand out</image:title>
      <image:caption>Stephanie Hsu, Michelle Yeoh, and Ke Huy Quan in Everything Everywhere All at Once.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/summer2023/the-cinema-of-barbara-stanwyck-twenty-six-short-essays-on-a-working-star</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-05-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/2bf16732-2059-4143-8c47-142a3685065a/STANWYCK+1A.jpg</image:loc>
      <image:title>The Cinema of Barbara Stanwyck: Twenty-Six Short Essays on a Working Star - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/6b3eec0c-04e8-404c-bb73-64c642fa04ee/Barbara+Stanwyck+in+Double+Indemnity+%281944%29.jpg</image:loc>
      <image:title>The Cinema of Barbara Stanwyck: Twenty-Six Short Essays on a Working Star - Make it stand out</image:title>
      <image:caption>Barbara Stanwyck in Double Indemnity (1944).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/d5f12675-b884-4db5-8caf-eef16bba1b81/Barbara+Stanwyck+in+The+Furies+%2819%29.jpg</image:loc>
      <image:title>The Cinema of Barbara Stanwyck: Twenty-Six Short Essays on a Working Star - Make it stand out</image:title>
      <image:caption>Barbara Stanwyck in The Furies (1950).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2023/daisies</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-05-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/2d9a25c3-1c08-45ee-ad4e-20530fffaba6/DAISIES+BOX+ART.jpg</image:loc>
      <image:title>Daisies - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/44131207-dcaa-4dae-8cce-4c9108112306/Vera+Chytilova%CC%81.jpg</image:loc>
      <image:title>Daisies - Make it stand out</image:title>
      <image:caption>Vĕra Chytilová.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/fc69b482-ed58-453a-be96-f872f03da35e/Jitka+Cerhova+%28left%29+and+Ivana+Karbanova+in+Daisies+%281966%29.jpg</image:loc>
      <image:title>Daisies - Make it stand out</image:title>
      <image:caption>Jitka Cerhova (left) and Ivana Karbanova in Daisies (1966).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/5f747a31-2a77-4bb2-9784-0c118e0042a1/Jitka+Cerhova+%28left%29+and+Ivana+Karbanova+in+Daisies+%232.jpg</image:loc>
      <image:title>Daisies - Make it stand out</image:title>
      <image:caption>Jitka Cerhova (left) and Ivana Karbanova in Daisies.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/17e40339-d8de-43dd-bbe6-666edff19d76/Jitka+Cerhova+%28left%29+and++Ivana+Karbanova+in+Daisies+%233+%281966%29.jpg</image:loc>
      <image:title>Daisies - Make it stand out</image:title>
      <image:caption>Jitka Cerhova (left) and Ivana Karbanova in Daisies (1966).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/37a7d288-14ca-44cc-b749-8045251539c1/Vera+Chytilova%CC%81+portrait.jpg</image:loc>
      <image:title>Daisies - Make it stand out</image:title>
      <image:caption>Vĕra Chytilová portrait.</image:caption>
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  <url>
    <loc>https://www.cineaste.com/summer2023/jean-gabin-the-actor-who-was-france</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-05-18</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/36127366-1771-477f-82ca-d9f589c266a3/Harriss+JEAN+GABIN+final+cvr+for+publ.jpg</image:loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/83d3fc22-a3f9-4a8f-b865-52f388d87c82/Poster+for+La+grande+illusion+%281937%29.jpg</image:loc>
      <image:title>Jean Gabin: The Actor Who Was France - Make it stand out</image:title>
      <image:caption>Poster for La grande illusion (1937).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/d8e81779-2691-413e-a620-1ac22367d81b/Jean+Gabin+and+Miche%CC%80le+Morgan+in+Le+Quai+des+brumes+%281938%29.jpg</image:loc>
      <image:title>Jean Gabin: The Actor Who Was France - Make it stand out</image:title>
      <image:caption>Jean Gabin and Michèle Morgan in Le Quai des brumes (1938).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/674ee073-8e7d-423f-b5d5-373b39edc0aa/Jean+Gabin+and+Mireilla+Balin+in+Pe%CC%81pe%CC%81+le+Moko+%281937%29.jpg</image:loc>
      <image:title>Jean Gabin: The Actor Who Was France - Make it stand out</image:title>
      <image:caption>Jean Gabin and Mireilla Balin in Pépé le Moko (1937).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/87b6cfb5-9a27-4d2b-b487-29e8cd8c045e/Jean+Gabin+and+Arletty+in+Le+jour+se+le%CC%80ve+%281939%29.jpg</image:loc>
      <image:title>Jean Gabin: The Actor Who Was France - Make it stand out</image:title>
      <image:caption>Jean Gabin and Arletty in Le jour se lève (1939).</image:caption>
    </image:image>
    <image:image>
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      <image:title>Jean Gabin: The Actor Who Was France - Make it stand out</image:title>
      <image:caption>Jean Gabin and Simone Simon in La bête humaine (1938).</image:caption>
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      <image:caption>120 Milonoghianni, Chania (2011).</image:caption>
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      <image:caption>Nikolaus Geyrhalter. (Photo by Phillip Horak)</image:caption>
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      <image:caption>Box art for new 4K UHD + Blu-ray 50th anniversary release of Enter the Dragon.</image:caption>
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      <image:caption>Bruce Lee in a more relaxed mood during a break in filming Enter the Dragon.</image:caption>
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    <loc>https://www.cineaste.com/fall2023/you-hurt-my-feelings</loc>
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    <lastmod>2023-08-22</lastmod>
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      <image:caption>After learning of her husband’s negative opinion of her novel, Beth (Julia Louis-Dreyfus) needs a drink in You Hurt My Feelings.</image:caption>
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      <image:caption>Julia Louis-Dreyfus and Nicole Holofcener between takes on You Hurt My Feelings.</image:caption>
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    <loc>https://www.cineaste.com/fall2023/the-adventures-of-baron-munchhausen</loc>
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    <lastmod>2023-08-22</lastmod>
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      <image:caption>First edition of The Travels and Surprising Adventures of Baron Munchausen.</image:caption>
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      <image:caption>John Neville plays Baron Munchausen with a glint in his eye and a (sometimes literally) flashing smile.</image:caption>
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      <image:caption>Terry Gilliam needed luck with the weather to film Baron Munchausen’s escape from a besieged city in a ship carried skyward by an improvised balloon.</image:caption>
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      <image:caption>When the budget of The Adventures of Baron Munchausen couldn’t accommodate a three-dimensional Moon for Sally Salt (Sarah Polley) and the Baron (John Neville) to visit, Terry Gilliam made visual magic with enlarged production drawings colored by felt-tip pens.</image:caption>
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      <image:title>The Adventures of Baron Munchhausen - Make it stand out</image:title>
      <image:caption>A cannonball takes the Baron (John Neville) on a wild ride through the sky, a key episode in the fantastic Munchausen myth.</image:caption>
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    <loc>https://www.cineaste.com/fall2023/yakuza-graveyard</loc>
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    <lastmod>2023-08-22</lastmod>
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      <image:caption>Kuroiwa and the Yakuza Bull face off before their shared proclivities unite them.</image:caption>
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      <image:caption>Kuroiwa ever the hard-drinking cop.</image:caption>
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      <image:caption>Nagisa Oshima cast fascinatingly as a strict police official.</image:caption>
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    <loc>https://www.cineaste.com/fall2023/tracking-loach-politics-practices-production</loc>
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    <lastmod>2023-08-22</lastmod>
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    <lastmod>2023-08-23</lastmod>
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      <image:title>Impure Cinema: An Interview with Ryûsuke Hamaguchi - Make it stand out</image:title>
      <image:caption>Ryûsuke Hamaguchi and his crew on location for filming of Drive My Car.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/3c1a52c5-c865-46e8-8c21-ce83fbead1c0/HAPPY+HOUR.jpg</image:loc>
      <image:title>Impure Cinema: An Interview with Ryûsuke Hamaguchi - Make it stand out</image:title>
      <image:caption>Happy Hour, Hamaguchi’s magnum opus, relies on the performances of four nonprofessional actresses, from left to right, Hazuki Kikuchi (Sakurako), Sachie Tanaka (Akari),  Rira Kawamura (Jun), and Maiko Mihara (Fumi).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/ad573172-851f-4e02-a524-47cb387e1fc0/HAPPY+HOUR+%232.jpg</image:loc>
      <image:title>Impure Cinema: An Interview with Ryûsuke Hamaguchi - Make it stand out</image:title>
      <image:caption>Tunnels and passageways play a crucial role in Happy Hour as in this opening scene of the four protagonists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/68d9de1b-7b88-416d-b3c2-a1e27f87a892/ASAKO+I+AND+II+%232.jpg</image:loc>
      <image:title>Impure Cinema: An Interview with Ryûsuke Hamaguchi - Make it stand out</image:title>
      <image:caption>Love is an accident in Hamaguchi’s Asako I &amp; II.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/d5a48134-4ab3-4b0f-bd19-3dc0291158ec/ASAKO+I+AND+II.jpg</image:loc>
      <image:title>Impure Cinema: An Interview with Ryûsuke Hamaguchi - Make it stand out</image:title>
      <image:caption>Erika Karata and Masahiro Higashide star in Asako I &amp; II.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/08e43b25-d04a-41be-9ff6-23ab5cb8d1d5/DEPTHS.jpg</image:loc>
      <image:title>Impure Cinema: An Interview with Ryûsuke Hamaguchi - Make it stand out</image:title>
      <image:caption>Be-hwan (Min-joon Kim), a professional photographer, and Ryu (Hoshi Ishida), a male escort, are entangled in a dangerous liaison in The Depths (2010) whose plot was first suggested by producer Yoon-bo Shim.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/83fb3496-1d4a-4261-8624-4bd4401d3586/HAPPY+HOUR+%233.jpg</image:loc>
      <image:title>Impure Cinema: An Interview with Ryûsuke Hamaguchi - Make it stand out</image:title>
      <image:caption>A deeply moving shot in Happy Hour in which Sakurako (Hazuki Kikuchi), saddened by cracks in her friendship and in her family, sheds tears. We still hear the sound of previous shot, Jun (Rira Kawamura) departing on a ferry.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/f9a6d2c0-e160-41b0-af01-cd16caa20d6d/WHEEL+OF+FORTUNE+AND+FANTASY.jpeg</image:loc>
      <image:title>Impure Cinema: An Interview with Ryûsuke Hamaguchi - Make it stand out</image:title>
      <image:caption>A virtuoso performance by Mori Katsuki and the always brilliant Shibukawa Kiyohiko from the second episode of Wheel of Fortune and Fantasy, whimsically titled “Door Wide Open.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/3ac5de25-c7a7-4941-9167-6b7f695da666/ek+and+hamaguchi.png</image:loc>
      <image:title>Impure Cinema: An Interview with Ryûsuke Hamaguchi - Make it stand out</image:title>
      <image:caption>Eugene Kwon and Ryûsuke Hamaguchi during the interview (photo by Matsumo Mai).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/4859bd8b-d4c5-40be-945c-7dbe50a4176d/DRIVE+MY+CAR+%232.jpg</image:loc>
      <image:title>Impure Cinema: An Interview with Ryûsuke Hamaguchi - Make it stand out</image:title>
      <image:caption>Kafuku (Hidetoshi Nishijima) prepares for an adaptation of Uncle Vanya in Drive My Car with a “global” cast with actors from Taiwan, South Korea, Philippines, and Japan.</image:caption>
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    <image:image>
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      <image:title>Impure Cinema: An Interview with Ryûsuke Hamaguchi - Make it stand out</image:title>
      <image:caption>An interview ruptures during a scene in Intimacies—an important film within Hamaguchi's filmography—with Ryohei (Ryo Sato) venting his anger at Reiko (Rei Hirano).</image:caption>
    </image:image>
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  <url>
    <loc>https://www.cineaste.com/fall2023/thelma-and-louise</loc>
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    <lastmod>2023-08-30</lastmod>
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      <image:title>Thelma &amp; Louise - Make it stand out</image:title>
      <image:caption>Thelma and Louise prepare to blow up the tanker truck of an obnoxious driver who has been harassing them throughout their drive west.</image:caption>
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      <image:title>Thelma &amp; Louise - Make it stand out</image:title>
      <image:caption>In the concluding scene of Thelma &amp; Louise, with the police hot in pursuit, the two women make a final decision on how to end their adventure.</image:caption>
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    <loc>https://www.cineaste.com/fall2023/home</loc>
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    <lastmod>2023-11-26</lastmod>
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      <image:title>The Current Issue - In the Heat of the Night</image:title>
      <image:caption>Bruce Lee</image:caption>
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      <image:title>The Current Issue - Lady Macbeth</image:title>
      <image:caption>Saint Omer</image:caption>
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      <image:title>The Current Issue</image:title>
      <image:caption>Thelma &amp; Louise</image:caption>
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      <image:title>The Current Issue</image:title>
      <image:caption>Ryûsuke Hamaguchi</image:caption>
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      <image:title>The Current Issue</image:title>
      <image:caption>Maya Deren: Choreographed for Camera</image:caption>
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      <image:title>The Current Issue</image:title>
      <image:caption>Red</image:caption>
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  <url>
    <loc>https://www.cineaste.com/winter2023/seeing-double-reflections-on-edward-g-robinson</loc>
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    <lastmod>2023-11-28</lastmod>
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      <image:title>Seeing Double: Reflections on Edward G. Robinson - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Seeing Double: Reflections on Edward G. Robinson - Make it stand out</image:title>
      <image:caption>Edward G. Robinson and Fred MacMurray in Double Indemnity (1944). Photo courtesy of Photofest.</image:caption>
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  <url>
    <loc>https://www.cineaste.com/winter2023/barbie</loc>
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    <lastmod>2023-11-30</lastmod>
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      <image:title>Barbie - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Barbie - Make it stand out</image:title>
      <image:caption>Barbie (Margot Robbie) and Ken (Ryan Gosling).</image:caption>
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  <url>
    <loc>https://www.cineaste.com/winter2023/interrogation</loc>
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    <lastmod>2023-11-28</lastmod>
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      <image:title>Interrogation - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/6f6bc2fb-5cf7-4501-9632-2e8278f94fb9/Interrogation+4.jpg</image:loc>
      <image:title>Interrogation - Make it stand out</image:title>
      <image:caption>Krystyna Janda as Tonia.</image:caption>
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      <image:title>Interrogation - Make it stand out</image:title>
      <image:caption>Janusz Gajos as Major “Bath,” one of two main interrogators, and Krystyna Janda as Tonia.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2023/blue-box</loc>
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    <lastmod>2023-11-30</lastmod>
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      <image:title>Blue Box - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/22cf48f8-88b9-4c9c-be18-9abf79b91978/BLUE+BOX+1.jpg</image:loc>
      <image:title>Blue Box - Make it stand out</image:title>
      <image:caption>Director Michal Weits reviews archived documents related to her great-grandfather Yosef Weitz’s land acquisitions from Palestinian Arabs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/f6535fef-5cd6-409f-b9d7-d6e686f5f4d8/BLUE+BOX+3.jpg</image:loc>
      <image:title>Blue Box - Make it stand out</image:title>
      <image:caption>Michal Weits gazes out from the ruins of a Palestinian Arab town.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/d42906a7-e5e6-48e1-b52a-3daebf4d1433/BLUE+BOX+4.jpg</image:loc>
      <image:title>Blue Box - Make it stand out</image:title>
      <image:caption>Weitz identifies a point of interest on land newly acquired by the Jewish National Fund.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/a27c9819-9ea2-46c8-b391-52624bb418fd/BLUE+BOX+5.jpg</image:loc>
      <image:title>Blue Box - Make it stand out</image:title>
      <image:caption>A half-buried structure from a Palestinian Arab village abandoned during the Arab-Israeli War of 1948.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/a0c669f7-a937-4566-8e66-8bba3efaf313/BLUE+BOX+6.jpg</image:loc>
      <image:title>Blue Box - Make it stand out</image:title>
      <image:caption>Israel’s first prime minister, David ben Gurion, plants a tree to inaugurate the country’s afforestation campaign.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/b1d0458b-526e-4679-a67a-f64011766a51/BLUE+BOX+7.jpg</image:loc>
      <image:title>Blue Box - Make it stand out</image:title>
      <image:caption>Yosef Weitz stands amid newly planted trees. In addition to being the father of Israeli forests, Weitz directed the seizure of Palestinian Arab lands lost in the 1948 war.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2023/human-flowers-of-flesh</loc>
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    <lastmod>2023-12-05</lastmod>
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      <image:title>Human Flowers of Flesh - Make it stand out</image:title>
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      <image:title>Human Flowers of Flesh - Make it stand out</image:title>
      <image:caption>Vladimir Vulevic, Mauro Soares, Gustavo de Mattos Jahn, Angeliki Papoulia, and Ingo Martens in Helena Wittmann’s Human Flowers of Flesh.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/2c383886-7825-4bdc-bc32-604dabb4cd7a/HUMAN+FLOWERS+OF+FLESH+2.jpg</image:loc>
      <image:title>Human Flowers of Flesh - Make it stand out</image:title>
      <image:caption>Angeliki Papoulia in Helena Wittmann’s Human Flowers of Flesh.</image:caption>
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      <image:title>Human Flowers of Flesh - Make it stand out</image:title>
      <image:caption>Ferhat Mouhali in Helena Wittmann’s Human Flowers of Flesh.</image:caption>
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      <image:title>Human Flowers of Flesh - Make it stand out</image:title>
      <image:caption>Denis Lavant.</image:caption>
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      <image:title>Human Flowers of Flesh - Make it stand out</image:title>
      <image:caption>Helena Wittmann, director of Human Flowers of Flesh. Courtesy of The Cinema Guild. © Sinje-Hasheider</image:caption>
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  <url>
    <loc>https://www.cineaste.com/winter2023/after-hours</loc>
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    <priority>0.75</priority>
    <lastmod>2023-11-30</lastmod>
    <image:image>
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      <image:title>After Hours - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/93fd77da-95d4-4b17-8390-d50beff34e2a/AFTER+HOURS+1.jpg</image:loc>
      <image:title>After Hours - Make it stand out</image:title>
      <image:caption>Paul (Griffin Dunne) encounters yet another closed-off passageway in his nighttime journey through an endlessly frustrating Soho.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/9d1fefb1-03de-41e4-9a1a-9cae94817781/AFTER+HOURS+6.jpg</image:loc>
      <image:title>After Hours - Make it stand out</image:title>
      <image:caption>Paul (Griffin Dunne) shares a quiet moment with his new friend Marcy (Rosanna Arquette) as her hidden personality comes slowly into view.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/7841f6a9-a944-4313-8578-1672a9748554/AFTER+HOURS+3.jpg</image:loc>
      <image:title>After Hours - Make it stand out</image:title>
      <image:caption>Gail (Catherine O’Hara), a Mister Softee peddler by trade, befriends Paul Hackett (Griffin Dunne) for a while, but turns hostile when she suspects he’s the neighborhood burglar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/69ba8074-3dbd-453d-bdc1-5c02393de1bd/AFTER+HOURS+4.jpg</image:loc>
      <image:title>After Hours - Make it stand out</image:title>
      <image:caption>Wet, angry, and bewildered, Paul (Griffin Dunne) finds that even the New York subway can’t get him out of Soho.</image:caption>
    </image:image>
    <image:image>
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      <image:title>After Hours - Make it stand out</image:title>
      <image:caption>The streets of Soho seem lonely, deserted, and sinister as Paul (Griffin Dunne) searches for a way to get uptown where he belongs.</image:caption>
    </image:image>
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      <image:caption>Ann confronts a wall of circus posters as she attempts to escape her assailant.</image:caption>
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      <image:title>The Real Leonard Bernstein: Personal Reflections about Lenny and Bradley Cooper’s Maestro - Make it stand out</image:title>
      <image:caption>Cooper stages a scene in which Lenny and Felicia watch Fancy Free, the 1944 ballet choreographed by Jerome Robbins for which Bernstein composed the music.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/9bf785bf-4bb5-4830-87d4-3c2e4ed73c0e/MAESTRO+5.JPG</image:loc>
      <image:title>The Real Leonard Bernstein: Personal Reflections about Lenny and Bradley Cooper’s Maestro - Make it stand out</image:title>
      <image:caption>Bradley Cooper during a six-minute take featuring him conducting the London Symphony Orchestra in Mahler’s “Resurrection” – as the ‘real Lenny’ had done with the Symphony in 1973 at Ely Cathedral in England.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/66c7b326-8a9d-4749-99f7-4d058ac17199/MAESTRO+1.jpg</image:loc>
      <image:title>The Real Leonard Bernstein: Personal Reflections about Lenny and Bradley Cooper’s Maestro - Make it stand out</image:title>
      <image:caption>Carey Mulligan going “all in” as Felicia Montealegre Cohn Bernstein, Lenny’s wife. The epitome of poise—with wit, beauty, kindness, and when called upon, ferocity, to match!</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/0c96b505-47c9-4607-a08c-ff004732f557/MAESTRO+9.jpg</image:loc>
      <image:title>The Real Leonard Bernstein: Personal Reflections about Lenny and Bradley Cooper’s Maestro - Make it stand out</image:title>
      <image:caption>Felicia Montealegre and Leonard Bernstein in 1959.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/676a6c57-7a86-4901-85b7-7415edb5b5c6/MAESTRO+7.jpg</image:loc>
      <image:title>The Real Leonard Bernstein: Personal Reflections about Lenny and Bradley Cooper’s Maestro - Make it stand out</image:title>
      <image:caption>As the couple’s relationship develops, the love that emerges will eventually be overwhelmed with pain and conflict.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/690c3c9d-bed1-4d9c-9a5b-0e15240976ab/MAESTRO+8.jpg</image:loc>
      <image:title>The Real Leonard Bernstein: Personal Reflections about Lenny and Bradley Cooper’s Maestro - Make it stand out</image:title>
      <image:caption>A glimpse at the composer’s hard work and occasional isolation – part of Lenny’s life that Bradley Cooper apparently didn’t want to dwell on in Maestro.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2024/poor-things</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/64474a2f-a4b9-4274-b657-ae6c7f906e16/POOR+THINGS+1.jpg</image:loc>
      <image:title>Poor Things - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/f2b594c5-842a-4710-a528-30fb9b3db4cb/POOR+THINGS+3.jpg</image:loc>
      <image:title>Poor Things - Make it stand out</image:title>
      <image:caption>Bella (Emma Stone) is reborn.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/cb5637fa-54be-4b12-ba1a-555e5ec9ab41/POOR+THINGS+5.jpg</image:loc>
      <image:title>Poor Things - Make it stand out</image:title>
      <image:caption>Bella (Emma Stone) plays the piano at Dr. Baxter's home.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/67a4a27f-12ef-443a-a6bf-87c9c1452746/POOR+THINGS+4.jpg</image:loc>
      <image:title>Poor Things - Make it stand out</image:title>
      <image:caption>Godwin Baxter (Willem Dafoe) digests his dinner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/8297e432-8130-40b7-8f0a-aab1c99f67d2/POOR+THINGS+2.jpg</image:loc>
      <image:title>Poor Things - Make it stand out</image:title>
      <image:caption>Bella (Emma Stone) struts on the ballroom dance floor.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/c550c372-14be-4e44-a57b-9ccac9ff2237/POOR+THINGS+6.jpg</image:loc>
      <image:title>Poor Things - Make it stand out</image:title>
      <image:caption>Bella (Emma Stone) takes in the sea air.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2024/rustin</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-02-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/9fda801f-e49c-4e44-8a7a-b2111834a9ea/RUSTIN+2.jpg</image:loc>
      <image:title>Rustin - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/9d769616-4009-4cd2-b97a-716c24732370/RUSTIN+5.jpg</image:loc>
      <image:title>Rustin - Make it stand out</image:title>
      <image:caption>Bandmembers in Ma Rainey’s Black Bottom (2020), Glynn Turman (left foreground) and Colman Domingo (right) reunite above in Rustin (2023) as political allies A. Philip Randolph and Bayard Rustin. George C. Wolfe directed both films.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/a2cf7eb4-8cce-475c-bddf-0c02d1c7c04e/RUSTIN+1.jpg</image:loc>
      <image:title>Rustin - Make it stand out</image:title>
      <image:caption>Best Actor Academy Award nominee Colman Domingo as Bayard Rustin.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/5b2850b5-c42d-4795-a7f2-9a3847ca2f19/RUSTIN+4.jpg</image:loc>
      <image:title>Rustin - Make it stand out</image:title>
      <image:caption>Rustin (standing, Colman Domingo) plans the March on Washington with (seated at table to right) Maxwell Whittington-Cooper as John Lewis and CCH Pounder as Dr. Anna Hedgeman. At table ends, Glynn Turman as A. Philip Randolph and, with back to camera, Jeffrey Wright as Rep. Adam Clayton Powell.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/0f42060c-4324-4696-b98f-d85842886b74/RUSTIN+3.jpg</image:loc>
      <image:title>Rustin - Make it stand out</image:title>
      <image:caption>Johnny Ramey (left) plays Rev. Elias Taylor, furtive lover of Bayard Rustin (Colman Domingo, right).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2024/the-64th-thessaloniki-international-film-festival</loc>
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    <priority>0.75</priority>
    <lastmod>2024-02-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/026bd637-2dac-4d18-a33e-9f92b10857a2/%CE%94%CE%A4_ThessalonikiFF-2023.jpg</image:loc>
      <image:title>The 64th Thessaloniki International Film Festival - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/7de6aedf-b82e-499b-a00b-e6347f702413/ANIMAL.jpg</image:loc>
      <image:title>The 64th Thessaloniki International Film Festival - Make it stand out</image:title>
      <image:caption>Hospitality sector employee Kalia (Dimitra Vlagkopoulou) works hard to enable other people’s play in Sofia Exarchou’s Golden Alexander-winning Animal.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/fcd9119b-0c93-455f-9201-0ffab7ff4ff9/THE_FEELING_THAT_THE_TIME_FOR_DOING_SOMETHING_HAS_PASSED.jpg</image:loc>
      <image:title>The 64th Thessaloniki International Film Festival - Make it stand out</image:title>
      <image:caption>Lead actor, writer and director Joanna Arnow queries received ideas of domination and submission, exploitation and self-assertion in The Feeling That the Time for Doing Something Has Passed.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/b8415c28-b472-44d4-a3c3-1bbaba2e76ce/FINGERNAILS.jpg</image:loc>
      <image:title>The 64th Thessaloniki International Film Festival - Make it stand out</image:title>
      <image:caption>Anna (Jessie Buckley) and Amir (Riz Ahmed) break clients’ nails rather than their hearts in Christos Nikou’s Fingernails.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/017c282a-c82e-4898-b900-16b07ee8c494/THE_LAST_TAXI_DRIVER.jpg</image:loc>
      <image:title>The 64th Thessaloniki International Film Festival - Make it stand out</image:title>
      <image:caption>Stergios Paschos’s The Last Taxi Driver was but one of the numerous contemporary service economy-based movies presented at the 2023 Thessaloniki International Film Festival.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/5cba0270-8573-46f2-a0e2-cc45f581a085/Murderess.jpg</image:loc>
      <image:title>The 64th Thessaloniki International Film Festival - Make it stand out</image:title>
      <image:caption>An austerely stylized form of rural period aesthetic suffuses Eva Nathena’s Murderess.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/6c21cbbe-4c72-417a-a15b-4a89371631aa/THE_SUMMER_WITH_CARMEN.jpg</image:loc>
      <image:title>The 64th Thessaloniki International Film Festival - Make it stand out</image:title>
      <image:caption>As in much recent Greek cinema of various kinds, family life and relationships prove narratively and thematically central within The Summer with Carmen.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/4920c889-aec1-45ac-adb9-4c2181e4a895/ENEA.jpg</image:loc>
      <image:title>The 64th Thessaloniki International Film Festival - Make it stand out</image:title>
      <image:caption>Present-day Rome’s Beautiful Young Things populate the narrative of Pietro Castellitto’s Enea.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/9ec1a985-9048-48e7-adf4-ce9d0d8dfdcc/LIBERTATE.jpg</image:loc>
      <image:title>The 64th Thessaloniki International Film Festival - Make it stand out</image:title>
      <image:caption>Tudor Giurgiu’s Libertate captures the chaos unleashed by the collapse of Romania’s Ceausescu dictatorship in December 1989.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/85b74c98-d01d-4986-8714-732b28f2cc63/THE_DELINQUENTS.jpg</image:loc>
      <image:title>The 64th Thessaloniki International Film Festival - Make it stand out</image:title>
      <image:caption>Rodrigo Moreno’s The Delinquents emphasizes the everyday and existential forms of drudgery that define working life within modern service economies.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2024/the-feeling-that-the-time-for-doing-something-has-passed-an-interview-with-joanna-arnow</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-04-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/fd368027-2735-45b1-84a7-5428bb9df0ea/JOANNA+ARNOW.jpg</image:loc>
      <image:title>The Feeling That the Time for Doing Something Has Passed: An Interview with Joanna Arnow - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/aa3357c1-9f1f-46b1-9cc6-4c1f1a130a74/FEELING+%231.jpg</image:loc>
      <image:title>The Feeling That the Time for Doing Something Has Passed: An Interview with Joanna Arnow - Make it stand out</image:title>
      <image:caption>Scott Cohen’s apathetic Allen (right) has been in a casual BDSM relationship with the younger Ann for years but knows almost nothing about her.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/e9adfc12-9c43-4e83-944f-09953d52dee9/FEELING+%233.jpg</image:loc>
      <image:title>The Feeling That the Time for Doing Something Has Passed: An Interview with Joanna Arnow - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/f870b165-63d7-426f-9f6d-5f2b5beac068/FEELING+%232.jpg</image:loc>
      <image:title>The Feeling That the Time for Doing Something Has Passed: An Interview with Joanna Arnow - Make it stand out</image:title>
      <image:caption>Chris (Babak Tafti) and Ann (right) lay in bed, enjoying a more “normal” relationship than the casual BDSM hook ups of her past.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1b70fe83-3eef-410b-a830-4a228db748a5/FEELING+%234.jpg</image:loc>
      <image:title>The Feeling That the Time for Doing Something Has Passed: An Interview with Joanna Arnow - Make it stand out</image:title>
      <image:caption>A BDSM hook up ends with Ann dressed as “fuck pig” on a roof in New York City.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2024/the-others</loc>
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    <priority>0.75</priority>
    <lastmod>2024-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/e5b30b18-0941-4b4e-b7f7-5e9232cdd92a/THE+OTHERS+1.jpg</image:loc>
      <image:title>The Others - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/580ed134-a4ac-4771-a01f-7f8989e1f30b/THE+OTHERS+2.jpg</image:loc>
      <image:title>The Others - Make it stand out</image:title>
      <image:caption>Grace (Nicole Kidman) teaches her strongly held Christian beliefs to her momentarily spellbound children, Anne (Alakina Mann) and Nicholas (James Bentley).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/048f2c03-3a49-4a8f-815c-879d30180696/THE+OTHERS+3.jpg</image:loc>
      <image:title>The Others - Make it stand out</image:title>
      <image:caption>Grace (Nicole Kidman) is alarmed by an occult occurrence she can’t explain or understand.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/8593023e-58aa-4d33-a559-5f0952c8da49/THE+OTHERS+4.jpg</image:loc>
      <image:title>The Others - Make it stand out</image:title>
      <image:caption>The housekeeper, Bertha (Fionnula Flanagan), and the groundskeeper, Edmund (Eric Sykes), are privy to secrets that other characters have yet to learn.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1b34c1f0-79df-42fb-a1e7-766bea1fe354/THE+OTHERS+5.jpg</image:loc>
      <image:title>The Others - Make it stand out</image:title>
      <image:caption>Grace (Nicole Kidman) has a surprise reunion with her husband, Charles (Christopher Eccleston), whom she believed was killed in the recently concluded World War II.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/bb8a71fb-e6e7-4d8b-b315-812c6328e771/THE+OTHERS+6.jpg</image:loc>
      <image:title>The Others - Make it stand out</image:title>
      <image:caption>Terror strikes Nicholas (James Bentley) and Anne (Alakina Mann) as events move toward an unexpected climax.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/aecbd78b-b52d-405c-b6c0-8aa8c358b387/THE+OTHERS+7.jpg</image:loc>
      <image:title>The Others - Make it stand out</image:title>
      <image:caption>To save her children from deadly sunlight, Grace (Nicole Kidman) insists that every door remain closed except when being actively passed through.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2024/home</loc>
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    <lastmod>2024-05-24</lastmod>
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      <image:caption>Esfir Shub</image:caption>
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      <image:caption>Perfect Days</image:caption>
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      <image:caption>Elegant Beast</image:caption>
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      <image:caption>Alice Rohrwacher</image:caption>
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      <image:caption>Directed by Yasujirō Ozu</image:caption>
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      <image:title>The Current Issue</image:title>
      <image:caption>The Life and Death of Celso Junior</image:caption>
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  <url>
    <loc>https://www.cineaste.com/summer2024/transforming-the-feminine-ideal-how-setsuko-hara-adapted-to-changing-times</loc>
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    <lastmod>2024-05-25</lastmod>
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      <image:title>Transforming the Feminine Ideal: How Setsuko Hara Adapted to Changing Times - Make it stand out</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/c2a29fc9-8314-47cb-b201-d5264365a4fd/SETSUKO+3.jpg</image:loc>
      <image:title>Transforming the Feminine Ideal: How Setsuko Hara Adapted to Changing Times - Make it stand out</image:title>
      <image:caption>Setsuko Hara and Yasujirō Ozu filming a scene for Tokyo Story.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/2ca24d1c-8f96-4821-82df-9357adb6dc55/SETSUKO+1.jpg</image:loc>
      <image:title>Transforming the Feminine Ideal: How Setsuko Hara Adapted to Changing Times - Make it stand out</image:title>
      <image:caption>A 1949 magazine cover features Setsuko Hara on its cover.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Transforming the Feminine Ideal: How Setsuko Hara Adapted to Changing Times - Make it stand out</image:title>
      <image:caption>A poster for Daughter of the Samurai.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2024/the-zone-of-interest</loc>
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    <lastmod>2024-05-17</lastmod>
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      <image:title>The Zone of Interest - Make it stand out</image:title>
      <image:caption>SS officer Rudolf Höss overlooks a crowd of the Nazi elite at a gathering in Berlin in The Zone of Interest.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/ac1793b2-52eb-4608-8fb8-478926964214/ZONE+3.jpg</image:loc>
      <image:title>The Zone of Interest - Make it stand out</image:title>
      <image:caption>A concentration camp inmate delivers goods to the Höss home in The Zone of Interest.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/2891063a-d692-45f9-b4e8-0f0c8385cb87/ZONE+4.jpg</image:loc>
      <image:title>The Zone of Interest - Make it stand out</image:title>
      <image:caption>Hedwig Höss (Sandra Hüller), with her baby, tends to the garden in the backyard of their family’s home in The Zone of Interest.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2024/allonsanfan</loc>
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    <lastmod>2024-05-17</lastmod>
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      <image:title>Allonsanfàn - Make it stand out</image:title>
      <image:caption>Fulvio (Marcello Mastroianni) is kidnapped by unknown assailants in an early scene in Allonsanfàn.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/c32caf4d-2840-4a10-ad9c-548cd86a4248/ALLONSANFAN+2.JPG</image:loc>
      <image:title>Allonsanfàn - Make it stand out</image:title>
      <image:caption>The revolutionary Sublime Brothers affectionately surround their comrade Fulvio in this typical POV shot from Allonsanfàn.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/summer2024/the-roaring-twenties</loc>
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    <lastmod>2024-05-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/f0d0c0df-47e3-403f-92f7-64cf39676ae4/1208_BD.jpg</image:loc>
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      <image:title>The Roaring Twenties - Make it stand out</image:title>
      <image:caption>George Hally (Humphrey Bogart), Eddie Bartlett (James Cagney), and another ex-con (Al Hill) prepare for an illicit exploit in the Prohibition era. Photo courtesy of Photofest.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/597bd6d4-4ae4-47f4-9697-7e4585176d02/RoaringTwenties_1939_08.jpg</image:loc>
      <image:title>The Roaring Twenties - Make it stand out</image:title>
      <image:caption>Panama Smith (Gladys George), a lovable brassy dame, and Eddie Bartlett (James Cagney), a likable guy with a criminal streak, team up for a bootlegging operation in The Roaring Twenties. Photo courtesy of Photofest.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/a5c4031f-6988-4352-bfb3-5e1b076e13a5/RoaringTwenties_1939_07.jpg</image:loc>
      <image:title>The Roaring Twenties - Make it stand out</image:title>
      <image:caption>Discharged from the service after World War I, Eddie Bartlett (James Cagney) finds his old job unavailable and new ones hard to find. Photo courtesy of Photofest.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/068ee3e3-1bb8-4881-9a51-bc8cda88db74/Roaring_Twenties_1939_11.jpg</image:loc>
      <image:title>The Roaring Twenties - Make it stand out</image:title>
      <image:caption>Ruthless gangster George Hally (Humphrey Bogart) threatens his former friend Eddie Bartlett (James Cagney) with deadly violence, backed up by Lefty (Abner Biberman), his gun-toting flunky. Photo courtesy of Photofest.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/2c873db3-f85b-4df5-b5be-b2344bfc152b/ROARING+TWENTIES+POSTER.jpg</image:loc>
      <image:title>The Roaring Twenties - Make it stand out</image:title>
      <image:caption>Photo courtesy of Photofest.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/dd95a8c9-41cc-4635-9dbd-cdc5f37267e9/RoaringTwenties_1939_03.jpg</image:loc>
      <image:title>The Roaring Twenties - Make it stand out</image:title>
      <image:caption>Genial bumbler Danny Green and rising bootlegger Eddie Bartlett, played by real-life friends Frank McHugh and James Cagney, join their dangerous partner George Hally (Humphrey Bogart) in a warehouse robbery. Photo courtesy of Photofest.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2024/elegant-beast</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-05-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/a8664fbe-50dc-42fb-8fca-e548c6c60d51/ELEGANT+BEAST+BOX+ART.jpg</image:loc>
      <image:title>Elegant Beast - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/41cd8e8f-f2d6-4c68-928f-69628ad43fcd/Yuzo+Kawashima.jpg</image:loc>
      <image:title>Elegant Beast - Make it stand out</image:title>
      <image:caption>Yuzo Kawashima.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/7bec36d8-1eb9-4483-ae55-a7eed9e5fa3d/ELEGANT+BEAST+1.jpg</image:loc>
      <image:title>Elegant Beast - Make it stand out</image:title>
      <image:caption>Everyone a voyeur: The family patriarch Tokizo surveys the land around him and the denizens of his apartment block.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1b666021-2eb9-418a-90df-36a800b38931/ELEGANT+BEAST+2.jpg</image:loc>
      <image:title>Elegant Beast - Make it stand out</image:title>
      <image:caption>Tokizo and his daughter’s lover, the pulp novelist Yoshizawa, discuss the girl’s life as his mistress and the writer as the family’s financial benefactor.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/592027eb-ac42-464e-a28f-3391784dcaec/tgb-6.png</image:loc>
      <image:title>Elegant Beast - Make it stand out</image:title>
      <image:caption>Obsession and desperation: in the family apartment the son’s lover and her boss display indifference and need, respectively.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/5ab8eaf7-de85-4eac-8ade-8cd261d09ecc/ELEGANT+BEAST+5.jpg</image:loc>
      <image:title>Elegant Beast - Make it stand out</image:title>
      <image:caption>In a telling composition the sense of spying from behind closed doors remains paramount.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/summer2024/a-supercut-of-supercuts-a-new-form-of-cine-scholarship-an-interview-with-max-tohline</loc>
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    <priority>0.75</priority>
    <lastmod>2024-05-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/61c08341-5f77-424f-b266-c3600746bebd/MAX+TOHLINE.jpg</image:loc>
      <image:title>A Supercut of Supercuts: A New Form of Cine-Scholarship An Interview with Max Tohline - Make it stand out</image:title>
      <image:caption>Max Tohline.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/5cad0718-8685-4148-9e61-9299207e69d1/SUPERCUTS+POSTER.jpg</image:loc>
      <image:title>A Supercut of Supercuts: A New Form of Cine-Scholarship An Interview with Max Tohline - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/b35503fe-d70d-4955-a0bc-78476689005a/SUPERCUT+1.jpg</image:loc>
      <image:title>A Supercut of Supercuts: A New Form of Cine-Scholarship An Interview with Max Tohline - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/bad3cba4-5e06-4f71-8f2f-3858ee554421/SUPERCUT+2.jpg</image:loc>
      <image:title>A Supercut of Supercuts: A New Form of Cine-Scholarship An Interview with Max Tohline - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/b3c43f3a-ff47-439e-959b-88e5f983842c/SUPERCUT+3.jpg</image:loc>
      <image:title>A Supercut of Supercuts: A New Form of Cine-Scholarship An Interview with Max Tohline - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/4c2c9e0f-afe8-4a9c-a841-3dddac32b230/RUTH+BRADLEY+1.jpg</image:loc>
      <image:title>A Supercut of Supercuts: A New Form of Cine-Scholarship An Interview with Max Tohline - Make it stand out</image:title>
      <image:caption>Ruth Bradley, a formative influence on Tohline, was the director of Ohio University’s Athens Center for Film and Video and served as director for the Athens International Film and Video festival for twenty-eight years.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/62c7ea13-b811-4897-ba74-ead1f3d65bba/RUTH+BRADLEY+3.jpg</image:loc>
      <image:title>A Supercut of Supercuts: A New Form of Cine-Scholarship An Interview with Max Tohline - Make it stand out</image:title>
      <image:caption>Bradley introduces the “Last Call” screening in front of the upstairs screening room at the Athena Cinema in uptown Athens, Ohio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/729098b1-f7f1-4282-b015-d3aa6fabc51f/SUPERCUT+4.jpg</image:loc>
      <image:title>A Supercut of Supercuts: A New Form of Cine-Scholarship An Interview with Max Tohline - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>A Supercut of Supercuts: A New Form of Cine-Scholarship An Interview with Max Tohline - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>A Supercut of Supercuts: A New Form of Cine-Scholarship An Interview with Max Tohline - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.cineaste.com/summer2024/the-26th-thessaloniki-documentary-film-festival</loc>
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    <lastmod>2024-05-25</lastmod>
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      <image:title>The 26th Thessaloniki Documentary Film Festival - Make it stand out</image:title>
      <image:caption>A pier where one of the festival’s main screening sites is situated.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/e341d268-d84e-4303-bdb0-9385019b9534/9.++STRAY_BODIES.jpg</image:loc>
      <image:title>The 26th Thessaloniki Documentary Film Festival - Make it stand out</image:title>
      <image:caption>Fighting for the right: Stray Bodies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/b621bd61-dd84-410a-9e42-9f905ec6f488/10.++The+Life+and+Death+of+Celso+Junior.jpg</image:loc>
      <image:title>The 26th Thessaloniki Documentary Film Festival - Make it stand out</image:title>
      <image:caption>These boots are made for working: The Life and Death of Celso Junior.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/8b1330f2-4ebe-4169-b54e-ee27395a9008/5.+Ricardoetlapeinture_PRO-0003_HD-25.0_FR-XX_Rec709_20vo_20230725_Tiff-1.jpg</image:loc>
      <image:title>The 26th Thessaloniki Documentary Film Festival - Make it stand out</image:title>
      <image:caption>Tell me what you see: Ricardo and Painting.</image:caption>
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      <image:title>The 26th Thessaloniki Documentary Film Festival - Make it stand out</image:title>
      <image:caption>Life as film and film as life: Taboo: Amos Guttman.</image:caption>
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      <image:title>The 26th Thessaloniki Documentary Film Festival - Make it stand out</image:title>
      <image:caption>The rocky road to trouble: asbestos in Chrysotile.</image:caption>
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      <image:title>The 26th Thessaloniki Documentary Film Festival - Make it stand out</image:title>
      <image:caption>We’re in very serious trouble: Chrysotile.</image:caption>
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    <lastmod>2024-08-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/e01647b3-9ad9-4033-9554-cd7a6e66efcc/elizabeth_hp.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Elizabeth Taylor</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2024/civil-war</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-08-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/67f1035b-74b9-4c06-9d45-250b1bd025e2/https___cdn.sanity.io_images_xq1bjtf4_production_3ceb27297b34ba92f758b3bc6bebe019ed3e41a4-6000x4000.jpg</image:loc>
      <image:title>Civil War - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/6be77de8-dfea-4656-83a6-650c4befde61/CIVIL+WAR+1.jpg</image:loc>
      <image:title>Civil War - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/47fb21af-cf8f-48f7-8299-22f02a120af7/CIVIL+WAR+2.jpg</image:loc>
      <image:title>Civil War - Make it stand out</image:title>
      <image:caption>In an uncredited cameo appearance, Jesse Plemons plays the psychopathic leader of a paramilitary group who, once he determines “what sort of American you are,” will decide whether or not to kill you.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/e5c49a55-934c-445a-9a0a-24e29d96ed16/CIVIL+WAR+3.jpg</image:loc>
      <image:title>Civil War - Make it stand out</image:title>
      <image:caption>Alex Garland’s fantasized notion of the way the United States will divide into warring factions in Civil War.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2024/hit-man</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-08-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/a4e5a522-799a-4453-98a9-8cb1b18156bc/MV5BNzUwMWI1YjgtYzYzNS00MzIyLTgzZmUtNjljMWVhNDhjNWMyXkEyXkFqcGdeQWpnYW1i._V1_.jpg</image:loc>
      <image:title>Hit Man - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/923b8dc2-294f-45c7-9793-fa6ebcd73aca/HIT+MAN+1.jpg</image:loc>
      <image:title>Hit Man - Make it stand out</image:title>
      <image:caption>Posing as a hit man named Ron (Glen Powell) gets familiar with Madison (Adria Arjona), a prospective client who wishes to get rid of her abusive husband.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/0de8e5a0-6465-4ae1-bcc6-2b01174ea4b4/HIT+MAN+3.jpg</image:loc>
      <image:title>Hit Man - Make it stand out</image:title>
      <image:caption>Ron (Glen Powell) and Madison (Adrian Arjona) practice on the firing range.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2024/kubrick-an-odyssey</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/3d94e029-f469-4120-93fb-1673055e4003/179922986.jpg</image:loc>
      <image:title>Kubrick: An Odyssey - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/a3305e32-321c-440b-a1d3-98c18a91f5b4/KUBRICK+1.jpg</image:loc>
      <image:title>Kubrick: An Odyssey - Make it stand out</image:title>
      <image:caption>The book covers Stanley’s fledgling career efforts as a still photographer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/95c053bf-bac8-4ea4-8cca-a5a3162e154a/KUBRICK+2.jpg</image:loc>
      <image:title>Kubrick: An Odyssey - Make it stand out</image:title>
      <image:caption>Kubrick sets up a shot for 2001: A Space Odyssey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/deb99ce4-cf8f-4b66-871b-4d3f5426aaa0/KUBRICK+3.jpg</image:loc>
      <image:title>Kubrick: An Odyssey - Make it stand out</image:title>
      <image:caption>Kubrick and Kirk Douglas on location for Paths of Glory.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2024/nothing-but-a-man</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/b8025a0d-2442-43b5-b8bf-2a6765210e04/717lcAoc4fL._AC_UF894%2C1000_QL80_.jpg</image:loc>
      <image:title>Nothing but a Man - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/fe8fcd55-923e-406c-9552-d053c2e6db5f/NOTHING+%234.jpg</image:loc>
      <image:title>Nothing but a Man - Make it stand out</image:title>
      <image:caption>Duff Anderson (Ivan Dixon) deals with local racists during a short-lived job at an Alabama service station in Michael Roemer’s humanistic drama Nothing but a Man.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/ec52edc5-1eb2-49d0-8209-881a33f25999/NOTHING+%233.jpg</image:loc>
      <image:title>Nothing but a Man - Make it stand out</image:title>
      <image:caption>Restless worker Duff Anderson (Ivan Dixon) finds much-needed peace with schoolteacher Josie Dawson (Abbey Lincoln).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/7c8ad63d-f601-456c-8963-e9e40911bc21/NOTHING+%231.jpg</image:loc>
      <image:title>Nothing but a Man - Make it stand out</image:title>
      <image:caption>Working as a railroad laborer, Duff Anderson (Ivan Dixon) whiles away his spare hours with other members of the crew.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/9d106cda-7e54-4237-a3d9-952da6ffa8e0/NOTHING+%232.jpg</image:loc>
      <image:title>Nothing but a Man - Make it stand out</image:title>
      <image:caption>Preacher’s daughter Josie Dawson (Abbey Lincoln) has a quiet moment with working man Duff Anderson (Ivan Dixon).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/f1cfecdd-9fc0-4baf-ace7-a22d13eeb403/NOTHING+%235.jpg</image:loc>
      <image:title>Nothing but a Man - Make it stand out</image:title>
      <image:caption>Duff Anderson (Ivan Dixon) visits Birmingham.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2024/miss-may-does-not-exist-the-life-and-work-of-elaine-may-hollywoods-hidden-genius</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/bb11eea0-f2b7-4460-9d33-9e21bd4579a0/ELAINE+MAY+BOOK.jpg</image:loc>
      <image:title>Miss May Does Not Exist: The Life and Work of Elaine May, Hollywood’s Hidden Genius - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/799edb1a-1236-4604-ba9b-e17ba2f382f9/ELAINE+MAY+1.jpg</image:loc>
      <image:title>Miss May Does Not Exist: The Life and Work of Elaine May, Hollywood’s Hidden Genius - Make it stand out</image:title>
      <image:caption>Elaine May directing a scene for A New Leaf (1971).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/2fe50d7c-545d-498c-be02-ad042f0b6b8f/ELAINE+MAY+2.jpg</image:loc>
      <image:title>Miss May Does Not Exist: The Life and Work of Elaine May, Hollywood’s Hidden Genius - Make it stand out</image:title>
      <image:caption>Elaine May and Mike Nichols during the height of their improv comedy career in the late Fifties.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/4c8a6d00-6b5a-4f60-8c4f-a417ab335aec/ELAINE+MAY+4.jpg</image:loc>
      <image:title>Miss May Does Not Exist: The Life and Work of Elaine May, Hollywood’s Hidden Genius - Make it stand out</image:title>
      <image:caption>Elaine May directing a scene for A New Leaf (1971).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1ad32915-0e78-4a31-bab4-95947d5a3a7e/HEARTBREAK+KID.jpg</image:loc>
      <image:title>Miss May Does Not Exist: The Life and Work of Elaine May, Hollywood’s Hidden Genius - Make it stand out</image:title>
      <image:caption>Elaine May’s The Heartbreak Kid (1972) stars Charles Grodin and Cybill Shepherd (right).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2024/how-documentaries-went-mainstream-a-history-1960-2022</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/7144a9f7-4200-4cc4-9df8-cf198ddffe6e/HOW+DOCS+WENT+MAINSTREAM.jpg</image:loc>
      <image:title>How Documentaries Went Mainstream: A History, 1960–2022 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/76c5d686-19dd-4a57-ab7c-93ed16110898/SALESMAN+1.jpg</image:loc>
      <image:title>How Documentaries Went Mainstream: A History, 1960–2022 - Make it stand out</image:title>
      <image:caption>Nora Stone begins her history in the 1960s, the decade in which the brothers David and Albert Maysles (pictured), and Charlotte Zwerin, released Salesman (1969), their portrait of four men selling bibles door-to-door.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/d1afa186-d72b-4f08-a8ee-01d377ea31df/dontlookback.jpg</image:loc>
      <image:title>How Documentaries Went Mainstream: A History, 1960–2022 - Make it stand out</image:title>
      <image:caption>D. A. Pennebaker’s Don’t Look Back (1967).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/ac16ab37-1713-4a73-a7b0-95f5a97d4d67/MICHAEL+MOORE+BOWLING+FOR+COLUMBINE.jpg</image:loc>
      <image:title>How Documentaries Went Mainstream: A History, 1960–2022 - Make it stand out</image:title>
      <image:caption>According to Nora Stone, Michael Moore (above), ushered in the so-called “Docbuster Era” with his film Bowling for Columbine in 2002.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2024/tribeca-film-festival-2024</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1f91321b-8193-4e2f-ac8d-1abb719b1967/TRIBECA+FESTIAL+POSTER.jpg</image:loc>
      <image:title>The 2024 Tribeca Festival - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/7be4ae07-dd8e-48e5-bb92-32a5876b9b4b/DADDIO+%232.jpg</image:loc>
      <image:title>The 2024 Tribeca Festival - Make it stand out</image:title>
      <image:caption>Taxi driver Clark (Sean Penn) and his passenger, Girlie (Dakota Johnson), share many intimate moments despite the cab’s partition in the film adaptation of Christy Hall’s Daddio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/85eb38df-fef7-41ec-adb5-b6c216bc3f13/DADDIO+%231.jpg</image:loc>
      <image:title>The 2024 Tribeca Festival - Make it stand out</image:title>
      <image:caption>Christy Hall’s Daddio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/6e9c1b28-2172-4d21-87ea-ae7edf34097e/Elizabeth+Taylor.jpg</image:loc>
      <image:title>The 2024 Tribeca Festival - Make it stand out</image:title>
      <image:caption>In Elizabeth Taylor: The Lost Tapes, we hear the Hollywood icon’s story in her own voice.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/99290457-6472-4bc5-8c8b-1e036c383ba6/THEY+ALL+CAME+OUT+TO+MONTREAUX+%233.jpg</image:loc>
      <image:title>The 2024 Tribeca Festival - Make it stand out</image:title>
      <image:caption>Montreux Jazz Festival founder Claude Nobs (left) brought many iconic performers to the festival, including Muddy Waters.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/ed247a57-0ad4-4277-ab34-c8f7774a991a/THEY+ALL+CAME+OUT+TO+MONTREUX+%232.jpg</image:loc>
      <image:title>The 2024 Tribeca Festival - Make it stand out</image:title>
      <image:caption>They All Came Out to Montreaux.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/fcd932da-8b45-421f-9012-ca32936babbe/WITCHES+%231.jpg</image:loc>
      <image:title>The 2024 Tribeca Festival - Make it stand out</image:title>
      <image:caption>Elizabeth Sankey (pictured) is the director-writer-editor-star of the essayistic documentary Witches, which centers on society’s treatment of postpartum depression.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/3489cb6e-4b8e-44b6-8c96-b816b544ab5b/CROSSING+%232.jpg</image:loc>
      <image:title>The 2024 Tribeca Festival - Make it stand out</image:title>
      <image:caption>Lia, played by Mzia Arabuli (right) and Achi (Lucas Kankava), become unlikely companions in a search for Lia’s transgender niece in Istanbul in Crossing.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/4b0254d1-2d8d-45f3-b101-9387eb2df2ff/CROSSING+%231.jpg</image:loc>
      <image:title>The 2024 Tribeca Festival - Make it stand out</image:title>
      <image:caption>Levan Akın’s Crossing.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/362818e0-b2e1-419b-9a6f-0b224491218a/VULCANIZADORA+%232.jpg</image:loc>
      <image:title>The 2024 Tribeca Festival - Make it stand out</image:title>
      <image:caption>Marty (Joshua Burge) ponders what to do next in Joel Potrykus’s Vulcanizadora.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/5022ed6f-74a8-49cb-b797-65006934ca46/VULCANIZADORA+%231.jpg</image:loc>
      <image:title>The 2024 Tribeca Festival - Make it stand out</image:title>
      <image:caption>Joel Potrykus’s Vulcanizadora.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/36e5d0e5-7ef8-422c-81db-f0bbb07589ee/McVEIGH+%231.jpg</image:loc>
      <image:title>The 2024 Tribeca Festival - Make it stand out</image:title>
      <image:caption>Alfie Allen, as the eponymous Tim in Mike Ott’s McVeigh, makes one of several phone calls to like-minded individuals as he plots.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/winter2024/home</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-12-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/72b69fa2-8b2e-4528-bb28-6182ca782570/WINTER+2024.jpg</image:loc>
      <image:title>The Current Issue</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/26e52259-4e95-45d1-8101-2be71039aae6/hp_jorisivens.jpg</image:loc>
      <image:title>The Current Issue - In the Heat of the Night</image:title>
      <image:caption>Joris Ivens</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/6c08b633-addf-4db3-bcac-ac0342974526/hp_singsing.jpg</image:loc>
      <image:title>The Current Issue - Lady Macbeth</image:title>
      <image:caption>Sing Sing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/72744fbc-ab69-4def-9a25-3fb6a3b1eb76/hp_ilcapitano.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Il Capitano</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1b9e44e9-9b3f-4238-860b-2fc648bcb259/hp_lacorazza.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Alessandra Lacorazza</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/3bc9e132-6ce9-4abd-b02e-823b0d5f7c81/hp_agnes.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>A Complicated Passion: The Life and Work of Agnès Varda</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/0c0e6b44-19d1-49f3-99a0-425cb0733a06/hp_jimmy.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Jimmy</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/winter2024/john-farrow-ingenious-filmmaker-incorrigible-fabulist-impossible-person</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/daf237f0-186b-4a41-826d-e66302272af4/FARROW+PORTRAIT.jpg</image:loc>
      <image:title>John Farrow: Ingenious Filmmaker, Incorrigible Fabulist, Impossible Person - Make it stand out</image:title>
      <image:caption>Overlooked auteur filmmaker? Director and writer John Farrow (1904–63).</image:caption>
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    <image:image>
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      <image:caption>Directed By… John Farrow 6-disc box set.</image:caption>
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      <image:title>John Farrow: Ingenious Filmmaker, Incorrigible Fabulist, Impossible Person - Make it stand out</image:title>
      <image:caption>John Farrow’s agitprop biopic The Hitler Gang (1944) features Bobby Watson as Der Fuehrer and a cast of other lookalikes as his companions in war crimes.</image:caption>
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      <image:title>John Farrow: Ingenious Filmmaker, Incorrigible Fabulist, Impossible Person - Make it stand out</image:title>
      <image:caption>Edgar G. Robinson, John Lund, and Gail Russell star in John Farrow’s film noir Night Has a Thousand Eyes (1948).</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Joris Ivens circa 1928.</image:caption>
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      <image:caption>Joris and Marceline during the filming of How Yukong Moved the Mountains.</image:caption>
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      <image:caption>Song of Heroes.</image:caption>
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      <image:caption>Joris filming The 17th Parallel.</image:caption>
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      <image:caption>Joris and Ernest Hemingway during filming of The Spanish Earth.</image:caption>
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      <image:title>The Films of Joris Ivens: Humanitarian Principles and Debatable Political Allegiances - Make it stand out</image:title>
      <image:caption>Joris and Marceline filming A Tale of the Wind.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/winter2024/lee</loc>
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    <priority>0.75</priority>
    <lastmod>2024-12-08</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Lee - Make it stand out</image:title>
      <image:caption>Vogue fashion editor Solange d’Ayen (Marion Cotillard) dances with surrealist Paul Éluard (Vincent Colombe) among friends as they screen a newsreel of Hitler’s rise to power.</image:caption>
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    <loc>https://www.cineaste.com/winter2024/real-life</loc>
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    <lastmod>2024-12-08</lastmod>
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      <image:caption>In Real Life, director Albert Brooks demonstrates the technical innovation—the first “headheld” digital camera, the Ettinauer 226 XM—that will be used to film his documentary.</image:caption>
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      <image:caption>Real Life director Albert Brooks argues with one of his advisors, Dr. Ted Cleary (J. A. Preston) about the validity of his documentary project.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.cineaste.com/winter2024/commissioning-the-canon-an-interview-with-faber-faber-film-book-editor-walter-donohue</loc>
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    <lastmod>2024-12-10</lastmod>
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      <image:caption>Rudolf Arnheim’s Film as Art, translated from the German, was published by Faber &amp; Faber in 1933.</image:caption>
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      <image:title>Commissioning the Canon: An Interview with Faber &amp; Faber film book editor Walter Donohue - Make it stand out</image:title>
      <image:caption>One of several books by British film critic Raymond Durgnat published by Faber &amp; Faber.</image:caption>
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      <image:title>Commissioning the Canon: An Interview with Faber &amp; Faber film book editor Walter Donohue - Make it stand out</image:title>
      <image:caption>James Park’s Learning to Dream was Walter’s first commissioned book for Faber &amp; Faber.</image:caption>
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      <image:title>Commissioning the Canon: An Interview with Faber &amp; Faber film book editor Walter Donohue - Make it stand out</image:title>
      <image:caption>The first volume of the long-running series of books published by Faber &amp; Faber.</image:caption>
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      <image:caption>Paul Cronin’s On Film-Making: An Introduction to the Craft of the Director, published by Faber &amp; Faber in 2004, remains one of its bestselling titles.</image:caption>
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      <image:caption>Walter Donohue on location in St. Petersburg during shooting of Sally Potter’s Orlando (1992).</image:caption>
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      <image:caption>Walter Donohue with director Wim Wenders and actor Jeanne Moreau on location in Australia for the director’s 1991 sci-fi epic Until the End of the World.</image:caption>
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      <image:title>Commissioning the Canon: An Interview with Faber &amp; Faber film book editor Walter Donohue - Make it stand out</image:title>
      <image:caption>The first of the long-running Directors on Directors series published by Faber &amp; Faber.</image:caption>
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      <image:title>Commissioning the Canon: An Interview with Faber &amp; Faber film book editor Walter Donohue - Make it stand out</image:title>
      <image:caption>Walter Donohue and his scooter have become an Internet meme.</image:caption>
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  </url>
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    <loc>https://www.cineaste.com/winter2024/gdynia-film-festival-2024</loc>
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    <lastmod>2024-12-08</lastmod>
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      <image:caption>Boxed in: Tomasz Wlosok as two-time Olympic champion Jerzy Kulej in Kulej.</image:caption>
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      <image:caption>On show: Michalina Olszanska as Helena Jankiewicz-Kulej in Kulej.</image:caption>
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      <image:caption>All the young punks: KSU in Go Against the Flow.</image:caption>
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      <image:caption>I fought the law: KSU’s Siczka ignores his future in the Polish army in Go Against the Flow.</image:caption>
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      <image:caption>Noblesse oblige: patrician Elzbieta arrives to sort out her disappointing daughter in Simona Kossak.</image:caption>
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      <image:caption>Sacrificial dance: Sandra Drzymalska as bartered bride Bronka in White Courage.</image:caption>
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      <image:caption>Clothes maketh the man: Jędrzek (Filip Plawiak) exchanges folk costume for Nazi uniform in White Courage.</image:caption>
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  </url>
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    <lastmod>2024-12-10</lastmod>
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      <image:caption>No Other Land co-directors Basel Adra (left) and Yuval Abraham in the West Bank. Adra, who is Palestinian, and Abraham, who is Israeli, also figure as two of the main subjects in the film, set in Masafer Yatta, Hebron.</image:caption>
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      <image:caption>Jimmy.</image:caption>
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      <image:caption>The longstanding members of a men’s baseball league in rural Massachusetts prepare to play the final game of their careers in Eephus.</image:caption>
    </image:image>
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      <image:title>The 2024 New York Film Festival - Make it stand out</image:title>
      <image:caption>Afternoons of Solitude (Tardes de soledad).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2025/home</loc>
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    <lastmod>2025-02-28</lastmod>
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      <image:caption>Masahiro Shinoda</image:caption>
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      <image:caption>Separated</image:caption>
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      <image:caption>Payal Kapadia</image:caption>
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      <image:caption>A Photographic Memory</image:caption>
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  <url>
    <loc>https://www.cineaste.com/spring2025/sins-of-the-father-politics-and-patriarchs-in-the-cinema-of-leos-carax</loc>
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    <priority>0.75</priority>
    <lastmod>2025-02-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/416765b9-4943-48f5-8fd3-313296746067/CARAX+%234.jpg</image:loc>
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      <image:caption>Leos Carax.</image:caption>
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      <image:caption>A bedtime story about the Holocaust in It’s Not Me.</image:caption>
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      <image:title>Sins of the Father: Politics and Patriarchs in the Cinema of Leos Carax - Make it stand out</image:title>
      <image:caption>The disastrous reception of Carax’s The Lovers on the Bridge (1991) nearly destroyed his career. Photo courtesy of Photofest.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/b64b397b-48a7-422a-95b0-9ea2d0e5e065/CARAX+%231.jpg</image:loc>
      <image:title>Sins of the Father: Politics and Patriarchs in the Cinema of Leos Carax - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.cineaste.com/spring2025/emilia-perez</loc>
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    <lastmod>2025-02-25</lastmod>
    <image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/3fe209d4-b61b-483e-9934-4d3593b17c4d/EMILIA+%231.jpg</image:loc>
      <image:title>Emilia Pérez - Make it stand out</image:title>
      <image:caption>Rita (Zoe Saldaña) dances before a crowd of disreputable donors at a benefit banquet in Emilia Pérez.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/bbeaa3e6-80ac-4665-be7a-85aba65e8e86/EMILIA+%232.jpg</image:loc>
      <image:title>Emilia Pérez - Make it stand out</image:title>
      <image:caption>Jessi (Selena Gomez) in one of her exuberant dance performances in Emilia Pérez.</image:caption>
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      <image:title>Emilia Pérez - Make it stand out</image:title>
      <image:caption>Emilia Pérez, formerly drug lord Manitas del Monte, in her new female identity in Emilia Pérez.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2025/pandoras-box</loc>
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    <priority>0.75</priority>
    <lastmod>2025-02-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/22cd7728-f006-49e3-ab67-616aeab8481b/PANDORA+%231.jpg</image:loc>
      <image:title>Pandora’s Box - Make it stand out</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/32cb5d5b-af4a-48b8-95af-4d77ffc43298/PANDORA+%232.jpg</image:loc>
      <image:title>Pandora’s Box - Make it stand out</image:title>
      <image:caption>Lulu (Louise Brooks) meets an untimely end at the hands of Jack the Ripper in Pandora’s Box (1929).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/d9888620-1c60-4f4f-9888-4ca6374e2e7a/PANDORA+%233.jpg</image:loc>
      <image:title>Pandora’s Box - Make it stand out</image:title>
      <image:caption>Dr. Schön (Fritz Kortner) hands Lulu (Louise Brooks) a gun and demands that she kill herself in Pandora’s Box.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2025/around-the-clock-on-an-overnight-at-moma</loc>
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    <priority>0.75</priority>
    <lastmod>2025-05-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1ac8890b-624d-4c2f-87c1-d6ccaa9e4187/THE+CLOCK+2.jpg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/9ad46fd9-ccba-4ddf-a125-f869ee29ebbb/THE+CLOCK+3.jpg</image:loc>
      <image:title>Around The Clock: On an Overnight at MoMA - Make it stand out</image:title>
      <image:caption>Entrance to the gallery showing The Clock at the Museum of Modern Art. The work remains on view through May 11, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/0ec24f0f-34ef-4410-88ee-eb948f147ed6/Image+1.jpg</image:loc>
      <image:title>Around The Clock: On an Overnight at MoMA - Make it stand out</image:title>
      <image:caption>The couches of The Clock have become a fixture in showings throughout the world, as shown here in this 2010 image from London. Image by Todd-White Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/4683b6d8-baaa-4c07-bd6b-55a2790053cb/Image+2.jpg</image:loc>
      <image:title>Around The Clock: On an Overnight at MoMA - Make it stand out</image:title>
      <image:caption>A clock from Federico Fellini’s 8 ½ (1963), as it appears in The Clock. Image courtesy of Paula Cooper Gallery and White Cube/MoMA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/f66fe2a4-02c6-4070-9c84-e715877a7513/Image+3.jpg</image:loc>
      <image:title>Around The Clock: On an Overnight at MoMA - Make it stand out</image:title>
      <image:caption>Joh Fredersen (Alfred Abel) checks his wristwatch in Fritz Lang’s Metropolis (1927), as shown in The Clock. Image courtesy of Paula Cooper Gallery and White Cube/MoMA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/882c5a83-d8fe-40bc-b9b6-4567b30340e8/Image+4.jpg</image:loc>
      <image:title>Around The Clock: On an Overnight at MoMA - Make it stand out</image:title>
      <image:caption>An analog clock wakes up Steve Buscemi in both Living in Oblivion (1995) and The Clock. Image courtesy of Paula Cooper Gallery and White Cube/MoMA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2025/a-real-pain</loc>
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    <priority>0.75</priority>
    <lastmod>2025-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/246d3f8e-9780-4580-8a87-db744024cb89/PAIN+1.jpg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/cafde457-6d45-45ab-9ca1-4c91dd75973f/PAIN+2.jpg</image:loc>
      <image:title>A Real Pain - Make it stand out</image:title>
      <image:caption>In A Real Pain, the Holocaust tour group visits the Madjanek concentration camp near Lublin. Left to right, Benji (Kieran Culkin), Marcia (Jennifer Grey), David (Jesse Eisenberg), Eloge (Kurt Egyiawan), Mark (Daniel Oreskes), and the guide James (Will Sharpe).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/2167d702-34e3-49c2-8d4a-a349a26e5768/PAIN+3.jpg</image:loc>
      <image:title>A Real Pain - Make it stand out</image:title>
      <image:caption>Benji (Kieran Culkin) and the recently divorced Marcia (Jennifer Grey) during the visit to Lublin in A Real Pain. Benji empathizes with Marcia because of her sadness and isolation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2025/chris-marker-early-film-writings-by-chris-marker</loc>
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    <lastmod>2025-02-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/3f163c04-48f6-4355-bdd1-d9bdd4e645af/CHRIS+MARKER.jpg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/e8f6ca52-5e5e-470d-93d1-f0b247c121e5/CHRIS+MARKER%2C+CIRCA+1940s.jpeg</image:loc>
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      <image:caption>Chris Marker in his twenties, circa 1940s.</image:caption>
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    <image:image>
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      <image:title>Chris Marker: Early Film Writings by Chris Marker - Make it stand out</image:title>
      <image:caption>La Jetée (1962).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/dark-carnival-the-secret-of-tod-browning-hollywoods-master-of-the-macabre</loc>
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    <lastmod>2025-02-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/6b5866f8-036d-4412-8a40-76af7e392705/DARK+CARNIVAL.jpg</image:loc>
      <image:title>Dark Carnival: The Secret World of Tod Browning, Hollywood’s Master of the Macabre - Make it stand out</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/75f9963b-c291-4fd9-bbee-666030fd49d0/BROWNING+%231.jpg</image:loc>
      <image:title>Dark Carnival: The Secret World of Tod Browning, Hollywood’s Master of the Macabre - Make it stand out</image:title>
      <image:caption>Stage producer Horace Liveright (right) visits with Bela Lugosi and director Tod Browning (left) during production of Dracula (1931).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/e5ec3556-c5ab-4bc7-86ad-5355b8794c2f/BROWNING+%233.jpg</image:loc>
      <image:title>Dark Carnival: The Secret World of Tod Browning, Hollywood’s Master of the Macabre - Make it stand out</image:title>
      <image:caption>Tod Browning with Lon Chaney on the set of The Unknown (1927).</image:caption>
    </image:image>
    <image:image>
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      <image:title>Dark Carnival: The Secret World of Tod Browning, Hollywood’s Master of the Macabre - Make it stand out</image:title>
      <image:caption>Tod Browning, circa 1932.</image:caption>
    </image:image>
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      <image:title>Dark Carnival: The Secret World of Tod Browning, Hollywood’s Master of the Macabre - Make it stand out</image:title>
      <image:caption>Tod Browning with some of the cast members of Freaks (1932).</image:caption>
    </image:image>
  </url>
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    <loc>https://www.cineaste.com/summer2025/home</loc>
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    <lastmod>2025-05-25</lastmod>
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      <image:caption>The 400 Blows</image:caption>
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      <image:caption>The Story of Adèle H.</image:caption>
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      <image:caption>Art Spiegelman: Disaster Is My Muse</image:caption>
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    <priority>0.75</priority>
    <lastmod>2025-05-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/3b7e868e-9ddd-40a3-905a-ded4a9ea0cee/BOGLE+PORTRAIT.jpg</image:loc>
      <image:title>Writing Blacks Into Film History: Donald Bogle as Author and Programmer - Make it stand out</image:title>
      <image:caption>Portrait of Donald Bogle.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/42aa5a20-6a66-480b-9f03-45de1783cb06/BOGLE+%234.jpg</image:loc>
      <image:title>Writing Blacks Into Film History: Donald Bogle as Author and Programmer - Make it stand out</image:title>
      <image:caption>First edition of Bogle’s groundbreaking historical book.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/193fc9bb-733f-479a-99bb-65f63eca2536/BOGLE+%232.jpg</image:loc>
      <image:title>Writing Blacks Into Film History: Donald Bogle as Author and Programmer - Make it stand out</image:title>
      <image:caption>Stanley Kramer’s The Defiant Ones (1958) is one of many films that Bogle critically analyzes in his first book Toms, Coons, Mulattoes, Mammies, &amp; Bucks (1973). Photo courtesy of Photofest.</image:caption>
    </image:image>
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    <priority>0.75</priority>
    <lastmod>2025-05-25</lastmod>
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      <image:caption>Harry Moseby (Gene Hackman) confronts his wife’s lover Marty Heller (Harris Yulin) in a tense scene.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/summer2025/the-brutalist</loc>
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    <lastmod>2025-05-25</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Wealthy businessman Harrison Lee Van Buren (Guy Pearce) rescues architect Lászlo (Adrien Brody) from personal distress and professional failure in America, but at what cost?</image:caption>
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      <image:caption>Holocaust survivor László Tóth (Adrien Brody) meets his cousin Attila (Alessandro Nivola) when he arrives in Philadelphia.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.cineaste.com/summer2025/on-becoming-a-guinea-fowl</loc>
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    <priority>0.75</priority>
    <lastmod>2025-05-25</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Shula (Susan Chardy), driving home after a costume party, spots a body lying in the road in the opening scene of On Becoming a Guinea Fowl.</image:caption>
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      <image:caption>Shula’s cousin, an inebriated Nsansa (Elizabeth Chisela), who arrives shortly after Shula, makes sure that their uncle Fred is dead.</image:caption>
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      <image:caption>In an excerpt from a television program, a younger Shula instructs other children about the native Guinea Fowl bird.</image:caption>
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      <image:caption>Shula (Susan Chardy, left) and Nsansa (Elizabeth Chisela) gaze across a lawn rife with mourners during their uncle’s funeral.</image:caption>
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      <image:caption>Director Rungano Nyoni prepares a scene for On Becoming a Guinea Fowl.</image:caption>
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  </url>
  <url>
    <loc>https://www.cineaste.com/summer2025/one-tough-dame-the-life-and-career-of-diana-rigg</loc>
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    <priority>0.75</priority>
    <lastmod>2025-06-03</lastmod>
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      <image:caption>Diana Rigg as Viola, with Sir Toby Belch (Brewster Mason, left) and Sir Andrew Aguecheek (David Warner), as they prepare for their duel in the 1966 Royal Shakespeare Theatre presentation of Twelfth Night.</image:caption>
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      <image:caption>As Emma Peel in The Avengers, Diana Rigg demonstrated her karate skills, and despite training with stuntmen, she said “I was still black and blue by the end of most days.”</image:caption>
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      <image:caption>Rigg appears as Regan, the treacherous daughter of King Lear (Laurence Olivier), in a 1983 televised production of a Royal Shakespeare Company touring production of King Lear.</image:caption>
    </image:image>
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      <image:caption>Rigg as Lady Macbeth with Anthony Hopkins in the title role in a 1972 production of the Shakespeare play.</image:caption>
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  </url>
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    <priority>0.75</priority>
    <lastmod>2025-05-25</lastmod>
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    </image:image>
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      <image:title>Cinema and Baseball’s Shared Crisis: An Interview about Eephus with Carson Lundame - Make it stand out</image:title>
      <image:caption>Franny (Cliff Blake) and third baseman Preston Red (Jeff Saint Dic) are joined in the press box by second baseman Tim Bassett (Ethan Ward) and shortstop Kevin Santucci (Tim Taylor), who echo Red's appreciation for Franny's support over the years. They invite him out for a beer after the game at Jumping Ace's, which Franny politely declines.</image:caption>
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      <image:caption>Riverdogs right fielder Derek DiCapua (Keith Poulson) steps up to the plate for his at-bat and banters with the Adler's Paint catcher John Faiella (John R. Smith Jnr) and umpire Louis (Joe Penczak).</image:caption>
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      <image:caption>Franny (Cliff Blake) enthusiastically keeps score, gripped by the drama of this final showdown between the River Dogs and Adler’s Paint.</image:caption>
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      <image:caption>The Riverdogs stand along the first baseline with caps in hand to honor the middle of the 7th inning ritual, as a young girl sings “Take Me Out to the Ball Game."</image:caption>
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    <priority>0.75</priority>
    <lastmod>2025-05-25</lastmod>
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      <image:caption>Matthew (Matthew Rankin) visits the Winnipeg Tourism board.</image:caption>
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      <image:caption>Massoud (Pirouz Nemati, center) talks to tourists at a Winnipeg landmark in Universal Language.</image:caption>
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      <image:caption>Still from Matthew Rankin’s Universal Language, 2024. Courtesy of Oscilloscope Laboratories.</image:caption>
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      <image:caption>Still from Matthew Rankin’s Universal Language, 2024. Courtesy of Oscilloscope Laboratories.</image:caption>
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      <image:caption>Matthew Rankin as “Matthew” and Dara Najmbadi as “Dara” outside of Tim Horton’s.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/9bea98e8-535e-4e8b-9dd2-16949b19c2b3/farah_hp.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>Farah Nabulsi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/2b122203-b790-4f10-9ba7-3aeb7d73d1cf/sergei_hp.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>An Imaginary Cinema: Sergei Eisenstein and the Unrealized Film</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/18e599f8-d5c2-4f06-8b4d-4915a6272ba7/thessaloniki_hp.jpg</image:loc>
      <image:title>The Current Issue</image:title>
      <image:caption>The 27th Thessaloniki International Documentary Film Festival</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2025/warfare</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/f71cd251-ede7-4b3b-8111-f37751a23b5e/WARFARE+%233.jpg</image:loc>
      <image:title>Warfare - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/7d40f974-19f9-4a22-8aae-f87e1a5b8912/WARFARE+%232.jpg</image:loc>
      <image:title>Warfare - Make it stand out</image:title>
      <image:caption>Navy SEAL Sam (Joseph Quinn) is just one of the members of his team that are trapped in an Iraqi home in Warfare.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/2c75e5b2-64dc-47ce-94a9-a2378feaac61/WARFARE+%234.jpg</image:loc>
      <image:title>Warfare - Make it stand out</image:title>
      <image:caption>In Warfare, Ray (D-Pharaoh-A-Tai, left) and team captain Erik (Will Poulter) fail to reassure the severely wounded Sam (Joseph Quinn), who is howling in pain, that he’s not hurt that bad.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/e433659d-c05e-4d64-8e8b-c0acee5437ef/WARFARE+%231.jpg</image:loc>
      <image:title>Warfare - Make it stand out</image:title>
      <image:caption>U.S. Navy SEALs are incredibly excited by a Jane Fonda-style exercise video in the opening scene of Warfare.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2025/the-wages-of-fear</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/89132830-cc73-4b8b-8aa8-f9f9720145e0/WAGES+%235.jpg</image:loc>
      <image:title>The Wages of Fear - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1353bdc2-63a6-4de5-8142-8873e0fb95db/WAGES+%232.jpg</image:loc>
      <image:title>The Wages of Fear - Make it stand out</image:title>
      <image:caption>Jo (Charles Vanel) and Mario (Yves Montand) share the dangerous driving in The Wages of Fear.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/52a7e389-2eea-4742-84cb-fafb43c83b65/WAGES+%231.jpg</image:loc>
      <image:title>The Wages of Fear - Make it stand out</image:title>
      <image:caption>Henri-Georges Clouzot.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/85036b3a-6b70-4347-a428-43ed28fafd25/WAGES+%233.jpg</image:loc>
      <image:title>The Wages of Fear - Make it stand out</image:title>
      <image:caption>The principal characters in The Wages of Fear in an early scene learn of the death by suicide of one of their hopeless compatriots.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/2d64543c-0f72-47dd-9363-b2ddd440904d/WAGES+%234.jpg</image:loc>
      <image:title>The Wages of Fear - Make it stand out</image:title>
      <image:caption>Jo (Charles Vanel) is nearly killed in a horrific accident during their trip, but Mario (Yves Montand) is initially more angry with his co-driver than sympathetic to his plight.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2025/materialists</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/2e3d0ecc-08f2-4f37-bdd1-085668d928c2/materialists-a-new-movie-tells-us-a-lot-about-doug-ford-s-bill-5-the-pointer-482be6dd.jpg</image:loc>
      <image:title>Materialists - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/63a76cc5-3a00-4d01-9ae3-23e80bbd88df/npr.brightspotcdn.webp</image:loc>
      <image:title>Materialists - Make it stand out</image:title>
      <image:caption>Harry (Pedro Pascal), a Wall Street executive, meets and dances with Lucy (Dakota Johnson), professional matchmaker, at a wedding reception in Celine Song’s Materialists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/3a79fd88-ef60-4ad2-84aa-f03691238eeb/npr.brightspotcdn.jpg</image:loc>
      <image:title>Materialists - Make it stand out</image:title>
      <image:caption>Lucy (Dakota Johnson) and former boyfriend John (Chris Evans) have a heart-to-heart meeting toward the end of Materialists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/0cb9f416-a72e-4fc2-afc2-95bb96828966/chris-evans-dakota-lead.webp</image:loc>
      <image:title>Materialists - Make it stand out</image:title>
      <image:caption>Lucy (Dakota Johson) and former boyfriend John (Chris Evans) reconcile and rekindle their romance in Materialists.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2025/sorcerer</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/8f1546fe-13be-40fd-bb04-452d8a50bc7d/SORCERER+%237.jpg</image:loc>
      <image:title>Sorcerer - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/207135b0-aa18-4f9c-9d04-b4956b931c16/SORCERER+%238.jpg</image:loc>
      <image:title>Sorcerer - Make it stand out</image:title>
      <image:caption>Preparing for the dangerous journey in the truck that gives Sorcerer its name, oil-company boss Corlette (Ramon Bieri) gives Scanlon (Roy Scheider) a driving test with extremely high stakes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/b46efd43-61c7-4ecd-9272-2cb98861cb62/SORCERER+%233.jpg</image:loc>
      <image:title>Sorcerer - Make it stand out</image:title>
      <image:caption>Corlette (Ramon Bieri), Scanlon (Roy Scheider), and others load hugely volatile nitroglycerin onto a truck that will carry it for more than 200 jolting miles.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/6b2aede5-0ecd-49f8-bb82-db1a0344fb8a/SORCERER+%236.jpg</image:loc>
      <image:title>Sorcerer - Make it stand out</image:title>
      <image:caption>Production designer John Box gave the Sorcerer truck a grille like a menacing mouth and headlights like malevolent eyes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/c18b1833-a42a-4509-ae9e-c794cfeefcfa/SORCERER+%234.jpg</image:loc>
      <image:title>Sorcerer - Make it stand out</image:title>
      <image:caption>William Friedkin’s cast and crew piloted the Sorcerer truck across this broken-down bridge while the cameras rolled, helped by a hydraulic mechanism hidden below.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2025/amnesiac-a-memoir</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/5c2d87ef-3df3-4396-b864-e00fc72ed61e/AMNESIAC+%232.jpg</image:loc>
      <image:title>Amnesiac: A Memoir - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/0914c5b6-e057-45ce-b331-08bd36272f24/AMNESIAC+%231.jpg</image:loc>
      <image:title>Amnesiac: A Memoir - Make it stand out</image:title>
      <image:caption>IRA member Fergus (Stephen Rea) becomes enamored of Dil (Jaye Davidson) in Neil Jordan’s The Crying Game (1992), which became famous for its controversial surprise revelation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/09a72ea6-6430-49a1-8761-14c76cd56fa1/AMNESIAC+%233.jpg</image:loc>
      <image:title>Amnesiac: A Memoir - Make it stand out</image:title>
      <image:caption>Eamonn Owens portrays Francie Brady, the mischievous child protagonist of Neil Jordan’s The Butcher Boy (1997).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/6b6d71ef-f91f-49cf-84c7-fd6549d180e7/AMNESIAC+%234.jpg</image:loc>
      <image:title>Amnesiac: A Memoir - Make it stand out</image:title>
      <image:caption>Bob Hoskins and Cathy Tyson star in Neil Jordan’s Mona Lisa (1986).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/287f1e0c-32c7-4be7-9d6e-69220fc0b8f3/AMNESIAC+%235.jpg</image:loc>
      <image:title>Amnesiac: A Memoir - Make it stand out</image:title>
      <image:caption>The banned poster for Neil Jordan’s Michael Collins (1996), which was replaced for a more sedate version after the London Dockland bombings by the IRA in early 1996.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2025/ferocious-ambition-joan-crawfords-march-to-stardom</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/a9f9c6ef-4ca8-4081-8df6-0a7871701936/FEROCIOUS+AMBITION.jpg</image:loc>
      <image:title>Ferocious Ambition: Joan Crawford’s March to Stardom - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/86d03954-346e-469d-841a-f0d8c04dd62e/CRAWFORD+AUTOBIOGRAPHY.jpg</image:loc>
      <image:title>Ferocious Ambition: Joan Crawford’s March to Stardom - Make it stand out</image:title>
      <image:caption>Crawford’s My Way of Life, published in 1971, was one of two memoirs she published.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/0e022fdf-5a6b-430c-8118-daeeecddfa97/CRAWFORD%2C+CIRCA+1920.jpg</image:loc>
      <image:title>Ferocious Ambition: Joan Crawford’s March to Stardom - Make it stand out</image:title>
      <image:caption>Crawford in 1920, when she first got her career start on Broadway.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/98581e09-3955-4c9b-93d7-a55f28ab1562/JOAN+SIGNS+AUTOGRAPHS.jpg</image:loc>
      <image:title>Ferocious Ambition: Joan Crawford’s March to Stardom - Make it stand out</image:title>
      <image:caption>In 1933, during the early years of her stardom, Joan Crawford signs autographs for fans.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/8bc77be5-739b-4188-98af-c98332684d25/POSSESSED.jpg</image:loc>
      <image:title>Ferocious Ambition: Joan Crawford’s March to Stardom - Make it stand out</image:title>
      <image:caption>Joan Crawford starred in the 1947 psychological drama.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/4717dad2-bef3-449b-9b38-cb084cedf48f/SUDDEN+FEAR.jpg</image:loc>
      <image:title>Ferocious Ambition: Joan Crawford’s March to Stardom - Make it stand out</image:title>
      <image:caption>Joan Crawford starred in the 1952 thriller Sudden Fear as a woman who unknowingly marries a murderous man.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/8f2a67cc-dee7-4546-81fc-ee3c03800756/CRAWFORD+%26+ANN+BLYTH.jpg</image:loc>
      <image:title>Ferocious Ambition: Joan Crawford’s March to Stardom - Make it stand out</image:title>
      <image:caption>Mildred Pierce (Joan Crawford) and her daughter Veda (Ann Blyth) in the 1945 film noir Mildred Pierce, for which Crawford won the Academy Award as Best Actress.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/8d8d7423-e1e9-4a0b-b028-eb4c54da9f9c/JOAN+CRAWFORD%2C++CIRCA+1939.jpg</image:loc>
      <image:title>Ferocious Ambition: Joan Crawford’s March to Stardom - Make it stand out</image:title>
      <image:caption>1939 publicity photo of Joan Crawford.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2025/devastating-truths-and-cultural-transformation-through-soft-power-an-interview-with-british-palestinian-filmmaker-farah-nabulsi-about-her-feature-film-the-teacher</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/8b8eac93-e96c-4cb5-8619-46b003cc9408/FARAH+NABULSI.jpg</image:loc>
      <image:title>Devastating Truths and Cultural Transformation through “Soft Power”: An Interview with Farah Nabulsi - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/4fc722fa-4d56-4cc9-8bec-03bcc4d1bf57/TEACHER+%231.jpg</image:loc>
      <image:title>Devastating Truths and Cultural Transformation through “Soft Power”: An Interview with Farah Nabulsi - Make it stand out</image:title>
      <image:caption>Basem El-Saleh (Saleh Bakri) tries to console Adam (Muhammad Abed El-Rahman) after his older brother Yacoub (Mahmoud Bakri) was shot and killed by an Israeli settler.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/56db62c8-8f04-4d65-a0fd-2c7835fea2e9/TEACHER+%232.jpg</image:loc>
      <image:title>Devastating Truths and Cultural Transformation through “Soft Power”: An Interview with Farah Nabulsi - Make it stand out</image:title>
      <image:caption>Lisa (Imogen Poots), a British volunteer worker at the school, returns some books loaned to her by Basem El-Saleh (Saleh Bakri).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/c1c94e0e-db94-4125-94a2-932fab4b8fd5/TEACHER+%233.jpg</image:loc>
      <image:title>Devastating Truths and Cultural Transformation through “Soft Power”: An Interview with Farah Nabulsi - Make it stand out</image:title>
      <image:caption>Adam (Muhammad Abed El-Rahman) struggles to come to terms with the acquittal of the Israeli settler that killed his older brother Yacoub (Mahmoud Bakri).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/16593f07-03f4-4a95-89e6-09c9f7c1500b/TEACHER+%237.jpg</image:loc>
      <image:title>Devastating Truths and Cultural Transformation through “Soft Power”: An Interview with Farah Nabulsi - Make it stand out</image:title>
      <image:caption>The Israeli soldiers release Basem El-Saleh (Saleh Bakri) from arrest after they search his property and fail to find the kidnapped American Israeli soldier.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/04b93457-b219-488b-94aa-b4f91123b6bb/TEACHER+%234.jpg</image:loc>
      <image:title>Devastating Truths and Cultural Transformation through “Soft Power”: An Interview with Farah Nabulsi - Make it stand out</image:title>
      <image:caption>Basem El-Saleh (Saleh Bakri) warns Adam (Muhammad Abed El-Rahman) that revenge eats away at you from the inside and achieves nothing.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/f7023ea5-e49d-409f-8a1e-31fedb9838ce/TEACHER+%235.jpg</image:loc>
      <image:title>Devastating Truths and Cultural Transformation through “Soft Power”: An Interview with Farah Nabulsi - Make it stand out</image:title>
      <image:caption>Basem El-Saleh (Saleh Bakri) and Lisa (Imogen Poots) clear out a room in the house for Adam, when he finds some old family photographs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/fc228a29-5337-42ee-b9e9-66137e5f9719/TEACHER+%236.jpg</image:loc>
      <image:title>Devastating Truths and Cultural Transformation through “Soft Power”: An Interview with Farah Nabulsi - Make it stand out</image:title>
      <image:caption>Yacoub (Mahmoud Bakri) confronts an Israeli soldier after returning home from school to find Israeli authorities have arrived to demolish his family's home.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/251171b2-37cf-41cc-a8c6-55140508a737/THE+PRESENT+POSTER.jpg</image:loc>
      <image:title>Devastating Truths and Cultural Transformation through “Soft Power”: An Interview with Farah Nabulsi - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/fall2025/thessaloniki-international-documentary-film-festival-2025</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/32b9aff1-91f2-44d3-8968-473b084c8650/FESTIVAL+POSTER+1.jpg</image:loc>
      <image:title>The 27th Thessaloniki International Documentary Film Festival - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/d89fa84a-fbc6-41c1-a379-fff4352efc81/ABOUT+A+HERO.jpg</image:loc>
      <image:title>The 27th Thessaloniki International Documentary Film Festival - Make it stand out</image:title>
      <image:caption>Death and the author: About a Hero</image:caption>
    </image:image>
    <image:image>
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      <image:title>John Ford’s Cavalry Trilogy: Fighting the Cold War in the American West - Make it stand out</image:title>
      <image:caption>Captain Kirby York (John Wayne) lies to defend the military reputation of the late Lt. Col. Owen Thursday in Fort Apache.</image:caption>
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      <image:caption>Marital tensions arise between Lt. Col. Kirby Yorke (John Wayne), and his wife Kathleen (Maureen O’Hara) over the future of their son cavalry trooper “Jeff” Yorke (Claude Jarman Jr.) in Rio Grande.</image:caption>
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      <image:caption>Lt. Flint Cohill (John Agar), Captain Nathan Brittles (John Wayne) and Olivia Dandrige (Joanne Dru) in She Wore a Yellow Ribbon.</image:caption>
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    <loc>https://www.cineaste.com/winter2025/the-gentle-gunman</loc>
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    <lastmod>2025-11-30</lastmod>
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      <image:title>The Gentle Gunman - Make it stand out</image:title>
      <image:caption>IRA gunman Matt Sullivan (Dirk Bogarde) pulls a gun on his brother Terence (John Mills).</image:caption>
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      <image:caption>Terence Sullivan (John Mills), considered a traitor to the movement, is brought before an IRA tribunal.</image:caption>
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      <image:caption>Former IRA member Terence (John Mills) tries to convert his brother Matt (Dirk Bogarde) to a more peaceful approach to politics.</image:caption>
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      <image:caption>David (Josh O’Connor, left) and Lionel (Paul Mescal) share work and romance.</image:caption>
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    <loc>https://www.cineaste.com/winter2025/the-big-heat</loc>
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    <lastmod>2025-12-02</lastmod>
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      <image:caption>When his police-department superiors refuse to act, Dave Bannion (Glenn Ford) embarks on a personal crusade for justice and revenge.</image:caption>
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      <image:title>The Big Heat - Make it stand out</image:title>
      <image:caption>Police officer Dave Bannion (Glenn Ford) fields a threatening phone call that will bear disastrous consequences for his wife, Katie (Jocelyn Brando), soon afterward.</image:caption>
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      <image:caption>The Big Heat begins with the sudden suicide of police officer Tom Duncan, whose widow will be an important player in the story to come.</image:caption>
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      <image:caption>The villainous Vince Stone (Lee Marvin) is confronted by the tough-minded Debby Marsh (Gloria Grahame), whose face he scarred in a brutal earlier scene. Photo by Photofest.</image:caption>
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      <image:caption>In a saloon ironically called The Retreat, sadistic criminal Vince Stone (Lee Marvin) faces off with upright cop Dave Bannion (Glenn Ford) as Stone’s girlfriend Debby Marsh (Gloria Grahame) looks on.</image:caption>
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    <lastmod>2025-12-02</lastmod>
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      <image:caption>Gondo faces down his business partners over the quality of their shoe manufacture.</image:caption>
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      <image:caption>The kidnapper trawling through a drug den.</image:caption>
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      <image:caption>The kidnapper taunts and is tortured by Gondo.</image:caption>
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      <image:caption>Discussing a plan of action: Gondo, his family and the police.</image:caption>
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      <image:caption>The police listening in to a call from the kidnapper.</image:caption>
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      <image:caption>Carole (Nora Hamzawi) and Etienne (Micha Lescot) finally have time together thanks to the pandemic.</image:caption>
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      <image:caption>Morgane (Nine d'Urso) and Paul (Vincent Macaigne) discuss their future.</image:caption>
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      <image:caption>Paul Berger (Vincent Macaigne) leafs through a beloved book from his childhood.</image:caption>
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      <image:caption>Paul reads his way through his father's library during the lockdown.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/7c7f429e-26f2-4d07-8a06-ec826c5780f3/RESURRECTION+6.jpg</image:loc>
      <image:title>Transforming Dreams into Films: An Interview with Bi Gan about Resurrection - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/61e87d94-bce2-44cf-9af4-17ec02da438c/RESURRECTION+4.jpg</image:loc>
      <image:title>Transforming Dreams into Films: An Interview with Bi Gan about Resurrection - Make it stand out</image:title>
      <image:caption>In the Prologue, a curious man and his fellow film audience from a century ago strain to peer at us, their future successors.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/30385eb0-efcb-4e46-be44-634f0cada672/RESURRECTION+7.jpg</image:loc>
      <image:title>Transforming Dreams into Films: An Interview with Bi Gan about Resurrection - Make it stand out</image:title>
      <image:caption>Deliriant, appearing as Jia (the name is a homophone for ‘fake’), a con artist, communicates with the orphan girl through hand gestures as they scheme to defraud a wealthy old revolutionary of China’s red ruling class.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/8955cd2d-db9a-406e-a458-ceff2c8658df/RESURRECTION+1.jpg</image:loc>
      <image:title>Transforming Dreams into Films: An Interview with Bi Gan about Resurrection - Make it stand out</image:title>
      <image:caption>Deliriant is a young assassin in the noir episode.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/80606bcf-c80b-4829-9244-61dc3bcce336/RESURRECTION+2.jpg</image:loc>
      <image:title>Transforming Dreams into Films: An Interview with Bi Gan about Resurrection - Make it stand out</image:title>
      <image:caption>In the Y2K episode, Deliriant appears as Apollo, a hoodlum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/f35c3cb6-5c74-426a-b879-ecb3bed64c21/RESURRECTION+POSTER.jpg</image:loc>
      <image:title>Transforming Dreams into Films: An Interview with Bi Gan about Resurrection - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1ee24b47-afe4-49a2-910c-381c9cef7297/RESURRECTION+5.jpg</image:loc>
      <image:title>Transforming Dreams into Films: An Interview with Bi Gan about Resurrection - Make it stand out</image:title>
      <image:caption>At the beginning of the Y2K episode, Apollo walks through the dystopic world reminiscent of Blade Runner (1982).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/5bed81c0-b734-4033-ab98-7c7b0853d1fa/RESURRECTION+13.jpg</image:loc>
      <image:title>Transforming Dreams into Films: An Interview with Bi Gan about Resurrection - Make it stand out</image:title>
      <image:caption>A poker card burning to ashes to test the orphan girl’s supernatural sense of smell.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2026/its-the-apartheid-system-we-must-change-an-interview-with-shai-carmeli-pollak</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-02-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/688f568f-2af2-4b5e-824b-e271ff076e2d/Shai+Carmeli-Pollak+%28Photo+by+David+Bacher%2C+for+Haaretz.++HAARETZ+Newspaper+-+CU.jpg</image:loc>
      <image:title>“It’s the Apartheid System We Must Change”: An Interview with Shai Carmeli-Pollak - Make it stand out</image:title>
      <image:caption>Shai Carmeli-Pollak (Photo by David Bacher, for Haaretz newspaper)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1f8b4a8c-ba01-4aac-aab6-02fffe8c63af/THE+SEA+POSTER.jpg</image:loc>
      <image:title>“It’s the Apartheid System We Must Change”: An Interview with Shai Carmeli-Pollak - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/7864cbe9-3a31-43cb-8dcf-afd63f71d5f3/THE+SEA+1.jpg</image:loc>
      <image:title>“It’s the Apartheid System We Must Change”: An Interview with Shai Carmeli-Pollak - Make it stand out</image:title>
      <image:caption>Khaled (Muhammad Ghazawi) on the bus in Tel Aviv in search of the beach.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/5abd734d-ae45-4cff-bbac-7a0865e31521/THE+SEA+2.jpg</image:loc>
      <image:title>“It’s the Apartheid System We Must Change”: An Interview with Shai Carmeli-Pollak - Make it stand out</image:title>
      <image:caption>Khaled's class goes to the beach.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/363314ff-5532-4740-8377-8b6d46942df6/THE+SEA+3.jpg</image:loc>
      <image:title>“It’s the Apartheid System We Must Change”: An Interview with Shai Carmeli-Pollak - Make it stand out</image:title>
      <image:caption>Ribhi (Khalifa Natoru), Khaled's father, hides from the police.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/13ac0ecb-968b-4aed-888e-458de54b5452/THE+SEA+4.jpg</image:loc>
      <image:title>“It’s the Apartheid System We Must Change”: An Interview with Shai Carmeli-Pollak - Make it stand out</image:title>
      <image:caption>Khaled (Muhammad Ghazawi) dreams of the sea.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.cineaste.com/spring2026/resurrection</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/8955cd2d-db9a-406e-a458-ceff2c8658df/RESURRECTION+1.jpg</image:loc>
      <image:title>Resurrection - Make it stand out</image:title>
      <image:caption>Deliriant is a young assassin in the noir episode.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/95b92502-23e1-4947-b226-996a8c2576cb/RESURRECTION+12.jpg</image:loc>
      <image:title>Resurrection - Make it stand out</image:title>
      <image:caption>Jackson Yee, China’s pop idol, plays Dream Monster and his four incarnations.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/35d7fe46-3d6f-4509-a96c-7e6abc4c4e60/RESURRECTION+9.jpg</image:loc>
      <image:title>Resurrection - Make it stand out</image:title>
      <image:caption>In the noir episode, Deliriant, now a young assassin with the code name “Suitcase,” is about to open a suitcase that contains the theremin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/2c665d4f-9bf2-493a-8c4b-e611917f4d4a/Mark-CHAO_Commander.jpg</image:loc>
      <image:title>Resurrection - Make it stand out</image:title>
      <image:caption>Mark Chao as the Commander.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/ab5a5549-fad9-4723-86f6-2af15699bf2c/RESURRECTION+8.jpg</image:loc>
      <image:title>Resurrection - Make it stand out</image:title>
      <image:caption>Ms. Shu, the Other One, leans on a moon prop, which evokes Méliès and early cinema.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/520956bf-4d3a-449b-8c9a-e3b4164ac61c/SHU-Qi.jpg</image:loc>
      <image:title>Resurrection - Make it stand out</image:title>
      <image:caption>Shu-Qi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/7c7f429e-26f2-4d07-8a06-ec826c5780f3/RESURRECTION+6.jpg</image:loc>
      <image:title>Resurrection - Make it stand out</image:title>
      <image:caption>Deliriant, now Mongrel, sits at the threshold of a Buddhist temple in the Cultural Revolutionary episode.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/8d227c54-b174-46ad-bfb1-0b6b339618a0/RESURRECTION+10.jpg</image:loc>
      <image:title>Resurrection - Make it stand out</image:title>
      <image:caption>Li Gengxi plays Tai Zhaomei, a vampiress in the Y2K episode.</image:caption>
    </image:image>
  </url>
  <url>
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    <priority>0.75</priority>
    <lastmod>2024-05-28</lastmod>
  </url>
  <url>
    <loc>https://www.cineaste.com/store/current-issue-dt96r</loc>
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    <lastmod>2025-10-13</lastmod>
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      <image:title>Store - Vol. XLVI, No. 1</image:title>
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  </url>
  <url>
    <loc>https://www.cineaste.com/store/current-issue-ecsyb</loc>
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    <lastmod>2025-10-13</lastmod>
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      <image:title>Store - Vol. XLV, No. 4</image:title>
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    <lastmod>2025-10-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1589633020870-4MZ9WV3CDM3NHNUJR3ZO/SUMMER+2020.jpg</image:loc>
      <image:title>Store - Vol. XLV, No. 3</image:title>
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  <url>
    <loc>https://www.cineaste.com/store/current-issue-t2lpj</loc>
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    <lastmod>2025-10-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1582156969291-BCDP14W1Z1N3L7DM5FR4/CINEASTE%2C+SPRING+2020.jpg</image:loc>
      <image:title>Store - Vol. XLV, No. 2</image:title>
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  <url>
    <loc>https://www.cineaste.com/store/vol-xxxii-no-2</loc>
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    <lastmod>2020-03-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1491723202293-TJ7I271GM9J4NE4EPHGD/VOL.+32%2C+NO.+2.jpg</image:loc>
      <image:title>Store - Vol. XXXII No. 2</image:title>
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  </url>
  <url>
    <loc>https://www.cineaste.com/store/current-issue-yl53h</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2025-10-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1574703704793-G7E8DQ0WPDMUCAZ7NDBQ/WINTER+2019.jpeg</image:loc>
      <image:title>Store - Vol. XLV, No. 1</image:title>
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  </url>
  <url>
    <loc>https://www.cineaste.com/store/current-issue-sw8xx</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2026-03-16</lastmod>
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      <image:title>Store - Vol. XLIV, No. 4</image:title>
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  <url>
    <loc>https://www.cineaste.com/store/current-issue-dpr62</loc>
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    <lastmod>2025-10-13</lastmod>
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      <image:title>Store - Vol. XLIV, No. 3</image:title>
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  <url>
    <loc>https://www.cineaste.com/store/current-issue-fbg3t</loc>
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    <lastmod>2025-10-13</lastmod>
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      <image:title>Store - Vol. XLIV, No. 2</image:title>
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  <url>
    <loc>https://www.cineaste.com/store/current-issue-zacz8</loc>
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    <lastmod>2025-10-13</lastmod>
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      <image:title>Store - Vol. XLIV, No. 1</image:title>
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    <lastmod>2025-10-13</lastmod>
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      <image:title>Store - Vol. XLIII, No. 3</image:title>
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  <url>
    <loc>https://www.cineaste.com/store/current-issue-6x6bh</loc>
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    <lastmod>2025-10-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1518891960737-5TK4DEPYGGV16KO4OKUD/SPRING+2018.jpg</image:loc>
      <image:title>Store - Vol. XLIII, No. 2</image:title>
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    <loc>https://www.cineaste.com/store/vol-xliii-no-1</loc>
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    <lastmod>2025-10-13</lastmod>
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      <image:title>Store - Vol. XLIII, No. 1</image:title>
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  <url>
    <loc>https://www.cineaste.com/store/cineaste-on-film-criticism-programming-and-preservation-in-the-new-millennium</loc>
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    <lastmod>2024-03-07</lastmod>
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      <image:title>Store - Cineaste on Film Criticism, Programming, and Preservation in the New Millennium</image:title>
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    <lastmod>2025-10-13</lastmod>
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      <image:title>Store - Vol. XLII, No. 4</image:title>
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      <image:title>Store - Vol. XLII, No. 3</image:title>
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    <loc>https://www.cineaste.com/store/vol-xlii-no-2</loc>
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    <lastmod>2025-10-13</lastmod>
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      <image:title>Store - Vol. XLII, No. 2</image:title>
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  <url>
    <loc>https://www.cineaste.com/store/vol-xxxvi-no-1</loc>
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    <lastmod>2020-03-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1491727304183-84F0R3B74O4V3TFLRIVM/VOL.+36%2C+NO.+1.jpg</image:loc>
      <image:title>Store - Vol. XXXVI, No. 1</image:title>
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  <url>
    <loc>https://www.cineaste.com/store/vol-xvii-no-3</loc>
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    <lastmod>2025-10-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/554faa2de4b02d0d0240270a/1491861079900-DFYPYXP91IS2B4VB2CGH/VOL.+17%2C+NO.+3.jpeg</image:loc>
      <image:title>Store - Vol. XVII, No. 3</image:title>
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  <url>
    <loc>https://www.cineaste.com/store/vol-xxvii-no-1</loc>
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      <image:title>Store - Vol. XXVII, No. 1</image:title>
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      <image:title>Store - Vol. XXXIV, No. 4</image:title>
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  <url>
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      <image:title>Store - Vol. XXXIV, No. 3</image:title>
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