Articles

John Farrow: Ingenious Filmmaker, Incorrigible Fabulist, Impossible Person (Preview)
by David Sterritt

The American Experience of Marcel Ophuls
by Jonathan van Harmelen

True to Form: Experimental Cinema’s Engagement with Reality
by Michael Sicinski

The Films of Joris Ivens: Humanitarian Principles and Debatable Political Allegiances (Web Exclusive)
by Mitchell Abidor

Film Reviews

Kneecap
Reviewed by Declan McGrath

Close Your Eyes
Reviewed by Imogen Sara Smith

Lee (Preview)
Reviewed by Will DiGravio

Rumours
Reviewed by Graham Fuller

Janet Planet
Reviewed by Robert Koehler

Dance First
Reviewed by Darragh O’Donoghue

Sing Sing
Reviewed by Page Laws

The Substance
Reviewed by Paul Risker

Blu-ray and DVD Reviews

Pharaoh
Reviewed by Darragh O’Donoghue

Bandits of Orgosolo
Reviewed by Stuart Liebman

Pat Garrett and Billy the Kid
Reviewed by Jonathan Kirshner

Io Capitano
Reviewed by Megan Feeney

Victims of Sin
Reviewed by Karen Backstein

Typhoon Club
Reviewed by Adam Bingham

Staff Recommendations
Reviewed by Cineaste Editors

Real Life (Web Exclusive)
Reviewed by Michael Sandlin

Interviews

A Brooklyn Cinderella Story with a Dark Edge: An Interview with Sean Baker
by Kevin Lally

A Brazilian Family’s Struggle for Justice: An Interview with Walter Salles
by Mitchell Abidor

Hard Truths and Difficult Personalities: An Interview with Mike Leigh
by Leonard Quart

In Search of Emotional Truth: An Interview with Alessandra Lacorazza
by Paul Risker

Same Country, Different Rights: An Interview with Basel Adra and Yuval Abraham
by Maria Garcia

Commissioning the Canon: An Interview with Faber & Faber film book editor Walter Donohue (Web Exclusive)
by Paul Cronin

Book Reviews

Mary C. McCall Jr.: The Rise and Fall of Hollywood’s Most Powerful Screenwriter (Preview)
Reviewed by Megan Feeney

A Shared Cinema: Michel Ciment—Conversations with N. T. Binh
Reviewed by David Sterritt

A Complicated Passion: The Life and Work of Agnès Varda
Reviewed by Thom Delapa

Revolution in 35mm: Political Violence and Resistance from the Arthouse to the Grindhouse, 1960–1990
Reviewed by Adrian Martin

King Vidor in Focus: On the Filmmaker’s Artistry and Vision
Reviewed by Charles Maland

The Future Was Now: Madmen, Mavericks, and the Epic Sci-Fi Summer of 1982
Reviewed by Larry Ceplair

Dorothy Parker in Hollywood
Reviewed by Elroy Rosenberg

Book Brief Reviews

Departments

Editorial

Letters

Index to Cineaste, Volume XLIX

Short Takes

The 2024 Gdynia Film Festival (Web Exclusive)
by Darragh O’Donoghue

The 2024 New York Film Festival (Web Exclusive)
by Will DiGravio