Spring 2024
The Current Issue
Articles
Bo Widerberg’s “New Swedish Cinema”: Revealing a New National Image (Preview)
by Adam Bingham
“It Would Happen This Way”: Revisiting Three Days of the Condor
by Jonathan Kirshner
Vast Wasteland or Fertile Soil?: Redefining TV’s Golden Ages
by Ciara Moloney
The Real Leonard Bernstein: Personal Reflections about Lenny and Bradley Cooper’s Maestro (Web Exclusive)
by Christopher Foss
Film Reviews
American Fiction
Reviewed by Mary F. Corey
Anatomy of a Fall (Preview)
Reviewed by Robert Koehler
La Syndicaliste
Reviewed by Darragh O’Donoghue
The Disappearance of Shere Hite
Reviewed by Angela Bonavoglia
Occupied City
Reviewed by Mitchell Abidor
Youth (Spring)
Reviewed by Declan McGrath
Poor Things (Web Exclusive)
Reviewed by John Hall
Rustin (Web Exclusive)
Reviewed by Page Laws
Blu-ray and DVD Reviews
Le combat dans l’isle
Reviewed by Darragh O’Donoghue
Mean Streets
Reviewed by David Sterritt
The Edge of the World
Reviewed by Jeremy Carr
The Last Picture Show
Reviewed by Christopher Sharrett
Stalag 17
Reviewed by Kevin Lally
Staff Recommendations: The Aviator’s Wife, Four Adventures of Reinette and Mirabelle, It! The Terror from Beyond Space, The Johnstown Flood, and Michael
Reviewed by Cineaste Editors
The Others (Web Exclusive)
Reviewed by David Sterritt
Interviews
It’s Later Than You Think: An Interview with Radu Jude
by Monica Filimon
Draw What You Know Well: An Interview with Nuri Bilge Ceylan
by Stuart Liebman
The Seven Cardinal Virtues of the Critic: An Interview with Michel Ciment
by N. T. Binh
The Emergence of Eileen: An Interview with William Oldroyd
by Graham Fuller
Giving Voice to the Voiceless: An Interview with Alanis Obomsawin
by Matthew Hays
The Feeling That the Time for Doing Something Has Passed: An Interview with Joanna Arnow (Web Exclusive)
by Diana Drumm
Book Reviews
Scoundrels & Spitballers: Writers and Hollywood in the 1930s (Preview)
Reviewed by Mary F. Corey
Jean-Luc Godard: The Permanent Revolutionary
Reviewed by Christopher Bray
What Film Is Good For: On the Values of Spectatorship
Reviewed by Matthew Strohl
Ferryman of Memories: The Films of Rithy Panh
Reviewed by James B. Evans
Filming History from Below: Microhistorical Documentaries
Reviewed by Charles Musser
The Cinema of Powell and Pressburger
Reviewed by Graham Fuller
ReFocus: The Films of Nuri Bilge Ceylan
Reviewed by Stuart Liebman
Book Brief Reviews: Arabian Nights of 1934, Cinema Ann Arbor: How Campus Radicals Forged a Singular Film Culture, Generations of Jewish Directors and the Struggle for America’s Soul: Wyler, Lumet, and Spielberg, Maurice, and The Monkees: Made in Hollywood
Departments
Editorial
Letters
Contributors
Short Takes
The 64th Thessaloniki International Film Festival (Web Exclusive)
by Jonathan Murray