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Bloody Mama
Reviewed by Christopher Sharrett
Che!
Reviewed by Robert Cashill
Cinema as Spiritual Literature: Andrey Zvyagintsev Discusses Leviathan (Web Exclusive)
by Michael Guillén
The Lusty Men
Reviewed by Leonard Quart
The 2014 Thessaloniki International Film Festival
by Jared Rapfogel
Two Shots Fired: An Interview with Martín Rejtman
by Aaron Cutler
Whiplash
Reviewed by Travis Maiuro and Cynthia Lucia
Winter 2014
The Children's Hour
Reviewed by Matthew Hays
High School Confidential!
Reviewed by David Sterritt
Locarno International Film Festival 2014
by Richard Porton
One's Memories: Nils Malmros Discusses a Life in Film
by Aaron Cutler
Recent DVD Releases of Spanish Avant-Garde Film
Reviewed by Matt Losada
The Toronto International Film Festival 2014
by Richard Porton
The Unforgiven
Reviewed by Christopher Sharrett
Fall 2014
Alexander: The Ultimate Cut
Reviewed by Gary Crowdus
From the Archives: The Americanization of Emily
Reviewed by Leonard Quart
The Hunchback of Notre Dame
Reviewed by Aaron Cutler
Illustrative Stories: Joaquim Pinto Recalls the Making of What Now? Remind Me
by Aaron Cutler
Ivory Tower: Crumbling or Tumbling?: An Interview with Andrew Rossi
by Dennis West
Letters to the Editors
by Staff
Oberhausen International Short Film Festival 2014
by Jared Rapfogel
The Train
Reviewed by Robert Cashill
Summer 2014
Between Documentary and Fiction: Art of the Real
Reviewed by Richard Porton
From the Archives: The Glory Brigade
Reviewed by Dan Georgakas
From the Archives: Five Fingers
Reviewed by Robert Cashill
From the Archives: The Year of Living Dangerously
Reviewed by Leonard Quart
Home Video Returns: Media Ecologies of the Past of HIV/AIDS
By Alexandra Juhasz and Ted Kerr
The International Film Festival Rotterdam
by Richard Porton
Latina Documentarian: An Interview with Sonia Fritz
by Eva Santos-Phillips
Performance as Documentary: An Interview with Robert Greene
by Erik Luers
Thessaloniki Documentary Festival
by Jared Rapfogel
Spring 2014
All Is Lost
Reviewed by Travis Maiuro
The Blue Angel: Two Disc Ultimate Blu-ray Edition
Reviewed by Graham Fuller
Martin Scorsese's World Cinema Project
Reviewed by Aaron Cutler
The 54th Thessaloniki International Film Festival
by Dennis West
Winter 2013
The 2013 Locarno Film Festival
By Richard Porton
Bettie Page Reveals All
Reviewed by Christopher Sharrett
From the Archives: The Master of Ballantrae
Reviewed by Jonathan Murray
From the Archives: The Red Badge of Courage
Reviewed by Dan Georgakas
From the Archives: Targets
Reviewed by Leonard Quart
The 2013 Locarno Film Festival
By Richard Porton
Nice Guys Don't Work in Hollywood: The Adventures of an Aesthete in the Movie Business
Reviewed by Peter Tonguette
Noriaki Tsuchimoto's Living Records
by Aaron Cutler
The 2013 Vancouver International Film Festival
by Dennis West
Working Together: Notes on British Film Collectives in the 1970s
Reviewed by Giovanni Vimercati
Fall 2013
From the Archives: Cruising
Reviewed by Christopher Sharrett
From the Archives: The Human Factor
Reviewed by Jared Rapfogel
From the Archives: The Mask of Dimitrios
Reviewed by Leonard Quart
From the Archives: The Molly Maguires
Reviewed by Leonard Quart
Irish Cinema, U.S. Audiences: Irish Film New York and Other U.S. Irish Film Festivals (Web Exclusive)
by Michael Gray
The 2013 Istanbul Film Festival
by Richard Porton
The Narrative’s The Thing: An Interview with Micha X. Peled
by Cynthia Lucia
The 2013 Oberhausen International Short Film Festival
by Jared Rapfogel
Searching Out the Next Vessel: An Interview with Kevin Jerome Everson
by Aaron Cutler
What Maisie Knew
Reviewed by Thomas Doherty
Summer 2013
Film Criticism: The Next Generation Part II
by Staff
Frank Capra: The Early Collection
Reviewed by Catherine Russell
From the Archives: This Land is Mine
Reviewed by Leonard Quart
Hors Satan (Web Exclusive)
Reviewed by Christopher Sharrett
International Film Festival Rotterdam 2013
by Richard Porton
King: A Filmed Record...Montgomery to Memphis
Reviewed by Thomas Doherty
Polish Film and the Holocaust: Politics and Memory
Reviewed by Stuart Liebman
15th Annual Thessaloniki Documentary Film Festival
by Cynthia Lucia
We Sure Can Pick 'Em, but We Also Call 'Em as We See 'Em: An Exchange on Searching for Sugar Man
by Dan Georgakas
Spring 2013
Barbara
Reviewed by Jaimey Fisher
California Trilogy
Reviewed by Michael Sicinski
Dangerous Liaisons
Reviewed by Xiangyang Chen
The House I Live In
Reviewed by Maria Garcia
Film Criticism: The Next Generation
by Staff
From the Archives: Boris Karloff Triple Feature
Reviewed by Robert Cashill
From the Archives: Operation Eichmann
Reviewed by Robert Cashill
From the Archives: Second Best
Reviewed by Leonard Quart
The International Documentary Film Festival Amsterdam 2012
by Richard Porton
Magnificent Obsessions: An Interview with Rodney Ascher
by Richard Porton
Maidstone and Other Films Directed by Norman Mailer
Reviewed by Leonard Quart
A Recommended Bibliography on Lawrence of Arabia
by Staff
The 53rd Thessaloniki International Film Festival
by Jared Rapfogel
Winter 2012
From the Archives: The Corn is Green
Reviewed by Leonard Quart
From the Archives: The Hanging Tree
Reviewed by Leonard Quart
From the Archives: Portnoy's Complaint
Reviewed by Leonard Quart
From the Archives: The Sorcerers and Villain
Reviewed by Robert Cashill
A Life’s Work in Progress: An Interview with Alan Berliner
by Max Weinstein
Locarno Film Festival 2012
by Richard Porton
The Montreal World Film Festival
by Dennis West
Our Kind of Movie: The Films of Andy Warhol and The Black Hole of the Camera
Reviewed by Michael Sicinski
Margaret
Reviewed by Declan McGrath
A Snowman's Chance in Hell: An Interview with Tomasz Thomson
by Catherine Sawers
The 2012 Toronto International Film Festival
by Richard Porton
Fall 2012
Caught in a Trap: An Interview with Amy Seimetz
by Miriam Bale
Cinema's Alchemist: The Films of Péter Forgács
Reviewed by Aaron Cutler
The Connection
Reviewed by Leonard Quart
End of the Road Man: An Interview with Aram Avakian
by Nile Southern
From the Archives: The Journey
Reviewed by Richard Porton
From the Archives: Show People
Reviewed by Thomas Doherty
From the Archives: The Strawberry Statement
Reviewed by Leonard Quart
From the Archives: Three Strangers
Reviewed by Robert Cashill
From the Archives: Way of a Gaucho
Reviewed by Robert Cashill
Harry Belafonte: Sing Your Song
Reviewed by Karen Backstein
Hugo and A Trip to the Moon
Reviewed by Royal S. Brown
The Oberhausen Manifesto and Its Contexts: The 58th International Short Film Festival Oberhausen
by Jared Rapfogel
Summer 2012
The Birth of a Nation
Reviewed by James L. Neibaur
From the Archives: The Fugitive
Reviewed by Leonard Quart
From the Archives: The Red Danube
Reviewed by Thomas Doherty
From the Archives: The Steel Trap
Reviewed by Robert Cashill
Nine Nation Animation
Reviewed by Amelia Byrnes
On the Bowery & Come Back, Africa
Review by David Sterritt
The Rules of the Game
Reviewed by Graham Fuller
The 41st Rotterdam International Film Festival
by Richard Porton
San Francisco Turns 55: The San Francisco International Film Festival
By Dennis West
The 14th Thessaloniki Documentary Film Festival
by Gary Crowdus
Way Down East
Reviewed by James Neibaur
Spring 2012
Asta Nielsen: Hamlet & Die Filmprimadonna
Reviewed by Martha P. Nochimson
Blue Velvet
Reviewed by Martha P. Nochimson
Buster Keaton on Blu-ray
Reviewed by James L. Neibaur
From the Archives: Devil's Angels
Reviewed by Christopher Sharrett
From the Archives: Juarez
Reviewed by Leonard Quart
From the Archives: The Legend of Lylah Clare
Reviewed by Martha P. Nichimson
From the Archives: The Rise and Fall of the Third Reich
Reviewed by Thomas Doherty
From the Archives: The White Bus
Reviewed by Leonard Quart
Landmarks of Early Soviet Cinema
Reviewed by Harlow Robinson
Letters: The Politics of Thai Film
Lost in Kino (Compact Disc)
Reviewed by Royal S. Brown
Remembering Theodoros Angelopoulos (1935–2012)
by Andrew Horton
52nd Thessaloniki International Film Festival
by Jared Rapfogel
Tuesday, After Christmas
Reviewed by Monica Filimon
The Vancouver International Film Festival
by Dennis West
Webtakes: Anonymous
Reviewed by Martha P. Nochimson
Webtakes: Kill List
Reviewed by Kimberly Lindbergs
Webtakes: Young Adult
Reviewed by Maria Garcia
Winter 2011
Brutal Intimacy: Analyzing Contemporary French Cinema and The New Extremism in Cinema: From France to Europe
Reviewed by Henry K. Miller
Don't Look Back
Reviewed by Thomas Doherty
Faccia a Faccia
Reviewed by Christopher Sharrett
From the Archives: Gaslight
Reviewed by Leonard Quart
From the Archives: Get Carter
Reviewed by Leonard Quart
From the Archives: Hickey & Boggs
Reviewed by Christopher Sharrett
From the Archives: Phaedra
Reviewed by Dan Georgakas
From the Archives: A Quiet Place in the Country
Reviewed by Gary Crowdus
From the Archives: The Revolutionary
Reviewed by Leonard Quart
From the Archives: Symphony of Six Million
Reviewed by Thomas Doherty
How the West Was Won: Treasures 5: The West, 1898–1938
Reviewed by Karen Backstein
The Iron Horse
Reviewed by James L. Neibaur
The Killing
Reviewed by David Sterritt
2011 Locarno Film Festival
by Richard Porton
Looking for the Alchemy: An Interview with Charlotte Rampling
by Graham Fuller
The 2011 Montreal World Film Festival
by Leonard Quart
New Zealand Film: An Illustrated History
Reviewed by Andrew Horton
The Runaway Melodramas of Raffaello Matarazzo
Reviewed by Joseph Luzzi
The 2011 Toronto International Film Festival
by Richard Porton
Uncurling The Hedgehog: An Interview with Mona Achache
by Dennis West and Joan M. West
Virtual Hallyu: Korean Cinema of the Global Era
Reviewed by Richard James Havis
Fall 2011
By the Law
Reviewed by Juliet Jacques
Chasing Madoff
Reviewed by Maria Garcia
Dark Deeds: An Interview with Guillermo del Toro and Guy Pearce
by Robert Cashill
Dream Factories of a Former Colony: American Fantasies, Philippine Cinema
Reviewed by Noel Vera
Dziga and His Brothers and One Day in the Life of Andrei Arsenevich
Reviewed by Darragh O’Donoghue
Fritz Lang's Indian Epic: The Tiger of Eschnapur and The Indian Tomb
Reviewed by Patrick Friel
From the Archives: A Thousand Clowns
Reviewed by Leonard Quart
From the Archives: The Outfit
Reviewed by Richard Porton
From the Archives: Riot on Sunset Strip
Reviewed by Christopher Sharrett
From the Archives: The Woman on the Beach
Reviewed by Leonard Quart
The Great Dictator
Reviewed by James L. Neibaur
In the City of Sylvia
Reviewed by David Sterritt
The 30th Istanbul Film Festival
by Rahul Hamid
Kiss Me Deadly
Reviewed by Christopher Sharrett
Michael Moore: Filmmaker, Newsmaker, Cultural Icon
Reviewed by John Fidler
On Cinema Street, in Jeonju: The 12th Jeonju International Film Festival
by Dennis West
Optic Antics: The Cinema of Ken Jacobs
Reviewed by Michael Sicinski
The Price of Sex
Reviewed by Dennis West and Joan M. West
"The Story Is Just an Excuse": An Interview with Adoor Gopalakrishnan
by Patrick McGilligan
Webtakes: Bellflower
Reviewed by Robert Cashill
Webtakes: The Future
Reviewed by Graham Fuller
Webtakes: My Joy
Reviewed by Louis Menashe
Webtakes: Take Shelter
Reviewed by Andrew Schenker
Webtakes: The Trip
Reviewed by Aaron Cutler
Summer 2011
America Lost and Found: The BBS Story
Reviewed by Noah Tsika
Araya
Reviewed by Matt Losada
Buster Keaton Blu-rays
Reviewed by James L. Neibaur
Basil Dearden's London Underground
Reviewed by Oliver Pattenden
Classic Educational Shorts Vols. 3 & 4: Safe... Not Sorry and The Celluloid Salesman
Reviewed by David Sterritt
From the Archives: The Age of Innocence
Reviewed by Leonard Quart
From the Archives: The Black Sleep and Queen of Blood
Reviewed by Robert Cashill
From the Archives: The Cobweb and Two Weeks in Another Town
Reviewed by Robert Sklar
From the Archives: Confidential Agent
Reviewed by Leonard Quart
From the Archives: The Day Lincoln Was Shot
Reviewed by Gary Crowdus
From the Archives: The Murder of Mary Phagan
Reviewed by Thomas Doherty
From the Archives: Some Mother's Son
Reviewed by Gary Crowdus
Independently Animated: Bill Plympton: The Life and Art of the King of Indie Animation
Reviewed by Rahul Hamid
Meet John Doe
Reviewed by Leonard Quart
MGM: Hollywood's Greatest Backlot
Reviewed by Robert Cashill
Moscow Believes in Tears: Russians and Their Movies
Reviewed by Harlow Robinson
Rotterdam International Film Festival
by Richard Porton
Seoda: Treasures from the Irish Film Archive 1948–1970
Reviewed by Michael Gray
Still Life
Reviewed by Darragh O’Donoghue
Sweet Smell of Success
Reviewed by David Sterri
13th Thessaloniki Documentary Film Festival
by Jared Rapfogel
Webtakes: The Housemaid
Reviewed by Borah Chung and Richard Havis
Webtakes: Octubre
Reviewed by Dennis West and Joan M. West
Webtakes: Stake Land
Reviewed by Robert Cashill
Winter Kept Us Warm
Reviewed by Matthew Hays
Spring 2011
Buster Keaton DVDs
Reviewed by Randall Conrad
From the Archives: Black Fury
Reviewed by Leonard Quart
From the Archives: Girl of the Night
Reviewed by Richard Porton
From the Archives: Hot Blood
Reviewed by Robert Sklar
From the Archives: A Midwinter's Tale
Reviewed by Gary Crowdus
From the Archives: The World, the Flesh and the Devil
Reviewed by Robert Cashill
From Morning to Midnight
Reviewed by Juliet Jacques
Me and Orson Welles
Reviewed by Peter Tonguette
Queer Porn-Star Zombies Attack!: An Interview with Bruce LaBruce
by Matthew Hays
The 51st Thessaloniki International Film Festival
by Gary Crowdus
The Time That Remains and Zindeeq
Reviewed by Nana Asfour
Videodrome
Reviewed by Royal S. Brown
Warner Bros. Film Noir Classic Collection, Vol. 5
Reviewed by Martha P. Nochimson
Webtakes: Leaving
Reviewed by Christopher Sharrett
Webtakes: Waste Land
Reviewed by Karen Backstein
Will Success Spoil Rock Hunter?
Reviewed by Aaron Cutler
Winter 2010
Communique from The Montreal World Film Festival
by Martha P. Nochimson
Dark Odyssey: An Indie Classic Rediscovered
Reviewed by Dan Georgakas
Early Josef von Sternberg
Reviewed by David Sterritt
Fifth Avenue, 5 AM: Audrey Hepburn, Breakfast at Tiffany's, and the Dawn of the Modern Woman
Reviewed by Peter Tonguette
Locarno International Film Festival
by Richard Porton
Previewing History: The Birth of Hollywood, Episode 2 of TCM's Moguls & Movie Stars: A History of Hollywood
Reviewed by Robert Cashill
Previewing History: The Dream Merchants, Episode 3 of TCM's Moguls & Movie Stars: A History of Hollywood
Reviewed by Robert Cashill
Previewing History: Brother, Can You Spare a Dream?, Episode 4 of TCM's Moguls & Movie Stars: A History of Hollywood
Reviewed Robert Cashill
Previewing History: The Attack of the Small Screens, Episode 6 of TCM's Moguls & Movie Stars: A History of Hollywood
Reviewed by Robert Cashill
Previewing History: Fade Out, Fade In, Episode 7 of TCM's Moguls & Movie Stars: A History of Hollywood
Reviewed by Robert Cashill
Red Desert
Reviewed by Christopher Sharrett
The Secret in Their Eyes: Historical Memory, Production Models and the Foreign Film Oscar
by Matthew Losada
Three Queer Film Classics
by David Greven
The Toronto International Film Festival at the Crossroads
by Richard Porton
Treasures IV: American Avant-Garde Film 1947–1986
Reviewed by Michael Sicinski
Waiting for Superman: An Interview with Davis Guggenheim
by Joan M. West and Dennis West
Webtakes: Boxing Gym
Reviewed by Jared Rapfogel
Webtakes: Another Year
Reviewed by Leonard Quart
Webtakes: Client 9: The Rise and Fall of Eliot Spitzer
Reviewed by Robert Sklar
Fall 2010
The 11th Jeonju International Film Festival
by Jared Rapfogel
2010 Cannes Film Festival
by Richard Porton
Choosing between Justice and Oppression: An Interview with Simone Bitton
by Howard Feinstein
Douglas Sirk's There's Always Tomorrow
Reviewed by Christopher Sharrett
The Hollywood Historical Film
Reviewed by John Fidler
Lubitsch in Berlin: Fairy Tales, Melodramas & Sex Comedies
Reviewed by David Sterritt
Karlovy Vary Turns at Least 45
by Dennis West
Old School Capitalism: An interview with Želimir Žilnik
by Greg DeCuir, Jr.
Personal Politics and Vision in Dogora: An Interview with Patrice Leconte
by Cynthia Lucia
The Tillman Story
Reviewed by Gary Crowdus
Word Is Out: Stories of Some of Our Lives
Reviewed by Maria San Filippo
Working Methods: The Robert Flaherty Film Seminar
Reviewed by Colin Beckett
Summer 2010
2010 International Film Festival Rotterdam
Reviewed by Richard Porton
Adoption, Archival Style: The Orphan Film Symposium 2010
by Livia Bloom
Ireland in Focus: Film Photography, and Popular Culture
Reviewed by Derek Gladwin
Kino International's Avant Garde 2 and Avant Garde 3
Reviewed by Michael Sicinski
Ondine: Reworking a Foreign Fable, An Interview with Neil Jordan
by Paul McGuirk
Webtakes: Ajami
Reviewed by Robert Sklar
Webtakes: Bad Lieutenant: Port of Call New Orleans
Reviewed by Christopher Long
Webtakes: The Girl with the Dragon Tattoo
Reviewed by Robert Sklar
Webtakes: Green Zone
Reviewed by Bill Krohn
Webtakes: Have You Heard From Johannesburg
Reviewed by Richard Porton
Webtakes: Splice
Reviewed by Robert Cashill
Webtakes: Sweetgrass
Reviewed by Richard Porton
Spring 2010
The Cinecittà Pentimento Effect: A Firsthand Account
by Martha P. Nochimson
City of Life and Death
Reviewed by Kevin B. Lee
The Complete Fritz Lang Mabuse Boxset
Reviewed by Chris Fujiwara
How to Be a Man and How to Be a Woman
Reviewed by Michelle Kelley
The Jean-Jacques Beineix Collection
Reviewed by Royal S. Brown
The Moment of Psycho: How Alfred Hitchcock Taught America to Love Murder
Reviewed by David Greven
Obscure Observers: The Thessaloniki International Film Festival
by Adrian Martin
Singin' in the Rain: The Making of an American Masterpiece
Reviewed by John Fidler
Winter 2009
Ashes of Time Redux
Reviewed by Martha P. Nochimson
Gaumont Treasures, 1897–1913
Reviewed by Amy R. Handler
Horror Through the Pages: Five New Books That Go Bump in the Night
Reviewed by Robert Cashill
The Karlovy Vary International Film Festival
by Dennis West
The Many Faces of Paris: An Interview with Cédric Klapisch
by Cynthia Lucia
The Montreal World Film Festival
by Gary Crowdus
The Relentless Vision of Maurice Pialat
Reviewed by Adam Bingham
The Saragossa Manuscript
Reviewed by Jonathan Murray
The Scene of the Crime: Nikkatsu Noir on DVD
Reviewed by Adam Bingham
Surveying the First Decade: Video Art and Alternative Media in the US, 1968–1980
by Jared Rapfogel
The Tenth Muse: Writing about Cinema in the Modernist Period and Moving Forward Looking Back: The European Avant-Garde and the Invention of Film Culture, 1919-1939
Reviewed by Henry K. Miller
Things No One Likes to Talk About: An Interview with Stuart Gordon
by James Morgart
The Toronto International Film Festival
by Richard Porton
The Toronto International Film Festival Update
by Richard Porton
Trumbo on Trumbo: An Interview with Christopher Trumbo
by David Sterritt
Fall 2009
The 55th International Short Film Festival Oberhausen
by Jared Rapfogel
Douglas Fairbanks: A Modern Musketeer
Reviewed by James Neibaur
A Grin Without a Cat
Reviewed by David Sterritt
Inventing Film Studies
Reviewed by Michael Sicinski
Istanbul International Film Festival
by Tony Pipolo
Jeonju International Film Festival
by Cynthia Lucia
Seeing Double In the Electric Mist: An Interview with Bertrand Tavernier
by Chris Mosey
Science Is Fiction: 23 Films by Jean Painlevé
Reviewed by Patrick Friel
When Andy Bichlbaum Said Yes: How a Video Programmer Became an Activist and Filmmaker
Reviewed by Dan Lybarger
Summer 2009
Albert Maysles
Reviewed David Sterritt
The British Documentary Movement on DVD
Reviewed by Oliver Pattenden
California Dreamin'
Reviewed by Monica Filimon
Faith of the Century: A History of Communism
Reviewed by Louis Menashe
The Festival Internacional de Cine en Guadalajara
by Dennis West
The Last Laugh
Reviewed by David Greven
Victor Fleming: An American Movie Master
Reviewed by Peter Tonguette
Spring 2009
Australia
Reviewed by Stephanie Van Schilt
Eyes Upside Down: Visionary Filmmakers and the Heritage of Emerson
Reviewed by Brian L. Frye
Have You Seen...? A Personal Introduction to 1,000 Films
Reviewed by George Rafael
Oscar Micheaux: The Great and Only and Every Step a Struggle
Reviewed by Cynthia Miller
Primo Levi's Journey
Reviewed by David Sterritt
Ranting, Terminable and Interminable. A Response to William M. Drew
by Stuart Liebman
Remembering Liverpool: An Interview with Terence Davies
by Leonard Quart
Stuart Liebman's Reactionary Attack on Abel Gance: A Response
by William M. Drew
Silent Light: An Interview with Carlos Reygadas
by José Teodoro
Thessaloniki Film Festival
by Richard Porton
Wendy and Lucy
Reviewed by Michael Sicinski
Winter 2008
Bodies and Super-Bodies: The Hallucinatory Physicality of Cult Cinema
by Lesley Chow
Cult Film: A Critical Symposium (Web Edition)
Early Cinema DVDs
Reviewed by Rahul Hamid
Inland Empire
Reviewed by Martha Nochimson
Warner Gangster Collection, Volume 3: Slick Operators, Gutter Messiahs, and Hate Groups
Reviewed by Martha Nochimson
Fall 2008
Battle in Seattle: An Interview with Stuart Townsend
by Andrew Hedden
The Exiles
Reviewed by Robert Koehler
Four Alain Resnais Films on DVD
Reviewed by David Sterritt
Intensifying Life: The Cinema of the “Berlin School”
by Marco Abel
Making Dead Birds: Chronicle of a Film
Reviewed by Tom Cooper
Military Intelligence and You: An Interview with Dale Kutzera
Reviewed by Doug Cunningham
The Oberhausen International Short Film Festival
by Richard Porton
Screening Modernism: European Art Cinema, 1950–1980
Reviewed by Diane Nemec Ignashev
Silent Ozu: Three Family Comedies Criterion Eclipse Series
Reviewed by Catherine Russell
Tribeca Communique
by Cynthia Lucia and Richard Porton
The Visitor
Reviewed by Isabelle Dupuis
Summer 2008
Becoming Visionary: Brian De Palma's Cinematic Education of the Senses
Reviewed by David Greven
The Cinema of Identification Gets on my Nerves: An Interview with Christian Petzold
by Marco Abel
Class Relations
Reviewed by David Sterritt
Encounters at the End of the World
Reviewed by Christopher Long
The Enigma of What Endures in Manoel de Oliveira’s Belle toujours
by Nathaniel Drake Carlson
A Jihad for Love
Reviewed by Alisa Lebow
Spring 2008
The 2008 Gijon International Film Festival
by Dennis West
The 2008 Thessaloniki International Film Festival
by Dan Georgakas
Avoiding Labels and Lullabies: An Interview with James Mangold
by John Esther
The Counterfeiters: An Interview with Stefan Ruzowitzky
by David Archibald
European Short Films: Special U.S. Edition
Reviewed by David Sterritt
The Great Debaters
Reviewed by Herb Boyd
Lost and Found: The Harry Langdon Collection
Reviewed by James L. Neibaur
Persepolis
Reviewed by Rahul Hamid
Raymond Bernard on DVD: Wooden Crosses and Les Misérables
Reviewed by Phillip Lopate
Samuel Fuller Begins
by Martha P. Nochimson
Winter 2007
Adapting The Kite Runner: An Interview with Marc Forster
by Rahul Hamid
Breathless
Reviewed by Armond White
Paint It Black, Say It Loud: An Interview with Tata Amaral
by Pablo Goldbarg
Valentino: Rediscovering an Icon of Silent Film
Reviewed by James L. Neibaur
WR: Mysteries of the Organism and Sweet Movie
Reviewed by Michael Bronski
Fall 2007
Cineaste Selects: Forty Years of Favorite Films
by Staff
Documentaries Rule at Tribeca Film Festival
by Richard Porton
Monsters, Madmen, and 50 Foot Women: The Last Gasp of the 1950s, as Experienced through Creature Features
by Robert Cashill
Tongues Untied (1989)
Reviewed by David A. Gerstner
Summer 2007
Rummaging Through Boxes, or, The Story (So Far) on How Warner Bros. is Packaging Its Past, One DVD Set at a Time
Reviewed by Robert Cashill
Voices within the Siege: An Interview with Avi Mograbi
by Mitchell Miller
Spring 2007
The Departed
Reviewed by Rahul Hamid
The Films of Woody Allen: Critical Essays
Reviewed by Christopher Long
The Han River Horror Show: Interview with Bong Joon-ho
Reviewed by Graham Fuller
The Noah
Reviewed by Dan Georgakas
The Toxic Bind of Mastery and Dependence: An Interview with Emmanuel Bourdieu
by Robert Sklar
Winter 2006
Old Joy
Reviewed by Michael Joshua Rowin
A Canterbury Tale
Reviewed by Oliver William Pattenden
3 Films by Louis Malle
Reviewed by Noah Tsik
Fall 2006
The Rotterdam Film Festival
by Richard Porton
The Walerian Borowczyk Collection
Reviewed by Travis Miles
Heading South: An Interview with Laurent Cantet
by Emilie Bickerton
François Truffaut and Friends: Modernism, Sexuality, and Film Adaptation
Reviewed by Richard Neupert
Free Cinema
Reviewed by Richard Armstrong
Scorsese’s Men: Melancholia and the Mob
Reviewed by Chris Long
Zulu: With Some Guts Behind It
Reviewed by Christopher Sharrett