The 400 Blows

Articles

“Unfilmable”—The Mixed Success of the Cormac McCarthy Adaptations
by Cameron Howe

Forged Notes: The Awkward Career of Oscar Micheaux
by Darragh O’Donoghue

On Becoming a Guinea Fowl

Film Reviews

Sinners
Reviewed by Mary F. Corey

When Fall Is Coming
Reviewed by Megan Feeney

Familiar Touch
Reviewed by Kiva Reardon

Sorry, Baby
Reviewed by Angela Bonavoglia

Afternoons of Solitude
Reviewed by Robert Koehler

Warfare (Preview)
Reviewed by Michael Sandlin

Materialists (Web Exclusive)
Reviewed by Jalyn Bessonette

The Story of Adèle H.

Blu-ray and DVD Reviews

The Wages of Fear (Preview)
Reviewed by David Sterritt

Midnight
Reviewed by Kevin Lally

I’m All Right Jack
Reviewed by James B. Evans

The Wind Will Carry Us
Reviewed by Jonathan Kirshner

The Prince of Broadway
Reviewed by Mitchell Abidor

Chungking Express
Reviewed by Adam Bingham

Staff Recommendations: Cry the Beloved Country, The Girl with a Suitcase, The Rapacious Jailbreaker, Themroc, and Two Way Stretch
Reviewed by Cineaste Editors

Sorcerer (Web Exclusive)
Reviewed by David Sterritt


Petra Costa

Interviews

Testament of Youth: An Interview with Michael Winterbottom
by Jonathan Murray

Restoring the Cinema’s Mystery: An Interview with Karan Kandhari
by Paul Risker

Love and Panache: An Interview with Claude Lelouch
by Mitchell Abidor

“Mr. Memory Man”: An Interview with Marcel Ophuls
by Pierre Sauvage

Devastating Truths and Cultural Transformation through “Soft Power”: An Interview with British-Palestinian Filmmaker Farah Nabulsi about Her Feature Film The Teacher (Web Exclusive)
by Paul Risker

Filmmakers Thinking

Book Reviews

Amnesiac: A Memoir (Preview)
Reviewed by Darragh O’Donoghue

The Way They Were: How Epic Battles and Bruised Egos Brought a Hollywood Love Story to the Screen
Reviewed by Olympia Kiriakou

Policing Show Business: J. Edgar Hoover, the Hollywood Blacklist, and Cold War Movies
Reviewed by David Sterritt

An Imaginary Cinema: Sergei Eisenstein and the Unrealized Film
Reviewed by Stuart Liebman

Radical Reality: Documentary Storytelling and the Global Fight for Social Justice
Reviewed by Matthew Hays

Kubrick’s Mitteleuropa: The Central Imaginary in the Films of Stanley Kubrick
Reviewed by Michał Oleszczyk

Book Brief Reviews

Ferocious Ambition: Joan Crawford’s March to Stardom (Web Exclusive)
Reviewed by Olympia Kiariakou

Art Spiegelman: Disaster Is My Muse

Departments

Editorial

Letters

Contributors

Errata for Cineaste, Summer 2025

Cineaste Subscription Form

Short Takes

The 27th Thessaloniki International Documentary Film Festival (Web Exclusive)
by Jonathan Murray