Summer 2022
The Current Issue

Cesare Zavattini’s Bicycle Thieves

Articles

For a Cinema of the Blind and Visionaries: The Forgotten Lessons of Cesare Zavattini
by Giuliana Minghelli

The Return of The Wobblies: Strikes, Slowdowns, and Songs in the Fight Against Capitalism
by Mitchell Abidor

A Cinema Close to the People: A Critical Symposium on Folk Cinema

COVID-19 Documentaries: The Politics of Representation and Production (Web Exclusive)
by Bao Feng and Charles Musser

Film Noir in Argentina: The Bitter Stems and The Beast Must Die (Web Exclusive)
by Dennis West

Servants

Film Reviews

Parallel Mothers (Preview)
Reviewed by Josh Heaps

A Hero
Reviewed by Ekin Erkan

Servants
Reviewed by Darragh O’Donoghue

The Hand of God
Reviewed by Declan McGrath

Strawberry Mansion
Reviewed by J. E. Smyth

Vortex (Web Exclusive)
Reviewed by Lawrence Garcia

Once Upon a Time in China

Blu-ray and DVD Reviews

Red Rocket (Preview)
Reviewed by Jonathan Murray

Once Upon a Time in China: The Complete Films
Reviewed by Adam Bingham

Miller’s Crossing
Reviewed by David Sterritt

The Party and the Guests
Reviewed by Jonathan Kirshner

Written on the Wind
Reviewed by Christopher Sharrett

Shake Hands with the Devil
Reviewed by Michael Gray

Staff Recommendations: Agnus Dei, Current, Original Cast Album: “Company,” Privilege, and Rich and Strange
Reviewed by Cineaste Editors

Stage Fright (Web Exclusive)
Reviewed by Darragh O’Donoghue

The Piano (Web Exclusive)
Reviewed by David Sterritt




Mariama Diallo

Interviews

The Price of Morality in Weimar Germany: An Interview with Dominik Graf
by Graham Fuller

Neorealism and Beyond: An Interview with Cesare Zavattini
by Gary Crowdus

History, His Story, and Her Story: An Interview with Vanessa Lapa and Tomer Eliav
by Stuart Liebman

Harnessing the Horror Genre for Social Critique: An Interview with Mariama Diallo
by Shahnaz Mahmud

Duck Soup: BFI Film Classics

Book Reviews

Duck Soup: BFI Film Classics
Reviewed by Michael Sandlin

Garbo and The Savvy Sphinx: How Garbo Conquered Hollywood
Reviewed by Jeremy Carr

David Fincher: Mind Games
Reviewed by Charles Maland

V. F. Perkins on Movies: Collected Shorter Criticism
Reviewed by Thomas Delapa

In Love with Movies: From New Yorker Films to Lincoln Plaza Cinemas
Reviewed by Jonathan Kirshner

20th Century-Fox: Darryl F. Zanuck and the Creation of the Modern Film Studio
Reviewed by Thomas Doherty

Soviet Art House: Lenfilm Studio under Brezhnev
Reviewed by Chris Shields


Pegah Ahangarani’s I Am Trying to Remember

Departments

Editorial

Letters

Contributors

Errata for Cineaste, Spring 2022

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Short Takes

The Thessaloniki Documentary Festival (Web Exclusive)
by Darragh O’Donoghue