Articles

Fragments from the Dream World: Reminiscences of a Film Distributor and Exhibitor
by Daniel Talbot

The New Yorker Stories: Dan Talbot’s Life in Film (Web Exclusive)
by Cynthia Rowell

Barbara McLean: Editing, Authorship, and the Equal Right to Be the Best
by J. E. Smyth

“And Thy Word Is the Truth”: Split Trajectories in the New Romanian Cinema
by Monica Filimon

Field of Vision: An Expedition in Short-Form Documentary Filmmaking
by Chris Robé

Film Reviews

Arrival (Preview)
Reviewed by Robert Koehler

Moonlight
Reviewed by Rahul Hamid

My Journey Through French Cinema
Reviewed by Imogen Sara Smith

I Am Not Your Negro
Reviewed by Herb Boyd

I, Daniel Blake
Reviewed by Jonathan Murray

Manchester by the Sea
Reviewed by Colin Fleming

Nocturnal Animals (Web Exclusive)
Reviewed by Jonathan Murray

Blu-ray and DVD Reviews

Dekalog
by Michał Oleszczyk

One-Eyed Jacks
Reviewed by Christopher Sharrett

The Executioner
Reviewed by Matt Losada

Johnny Guitar (Preview)
Reviewed by Catherine Russell

The Chase
Reviewed by Robert Cashill

Orson Welles's Macbeth
Reviewed by David Sterritt

Blood Simple
Reviewed by Rodney F. Hill

Staff Recommendations: Dissent & Disruption; Dreams; Electra, My Love; Punch-Drunk Love; and Wild in the Streets
Reviewed by Cineaste Editors

The Quiet Man (Web Exclusive)
Reviewed by David Sterritt

It's Always Fair Weather (Web Exclusive)
Reviewed by Darragh O'Donoghue

Genius (Web Exclusive)
Reviewed by Valerie Kaufman

The Magic Box: The Films of Shirley Clarke, 1929–1987 (Web Exclusive)
Reviewed by Aaron Cutler

Interviews

Smuggling the Impossible into Reality: An Interview with Jeremy Thomas
by Jonathan Murray

Love, Work, and Radical Ideals: An Interview with Mia Hansen-Løve
by Richard Porton

Creating a Cinematic Prose Poem: An Interview with Jim Jarmusch
by Leonard Quart

Expanding Our Field of Vision: An Interview with Laura Poitras
by Chris Robé

Smuggling the Impossible into Reality: An Interview with Jeremy Thomas, Part 2 (Web Exclusive)
by Jonathan Murray

Book Reviews

A Thousand Cuts (Preview)
Reviewed by Steve Macfarlane

Black Sunset: Hollywood Sex, Lies, Glamour, Betrayal, and Raging Egos
Reviewed by Thomas Doherty

Films of the New French Extremity
Reviewed by Steve Erickson

Political Animals: The New Feminist Cinema
Reviewed by Justine Smith

True South: Henry Hampton and Eyes on the Prize
Reviewed by Patricia Aufderheide

The Chaplin Machine and A World Redrawn: Eisenstein and Brecht in Hollywood
Reviewed by Stuart Liebman

Cinéma Militant: Political Filmmaking and May 1968
Reviewed by Martin O’Shaughnessy

The Oliver Stone Experience
Reviewed by Christopher Sharrett

A Companion to Fritz Lang (Web Exclusive)
Reviewed by Christopher Small

Departments

Editorial

The Thessaloniki International Film Festival (Web Exclusive)
by Jonathan Murray

Letters

Contributors

Short Takes