Articles

A “Mean Quarter” of New York: King Vidor’s Street Scene (Preview)
by Art Simon

Fact or Fiction?: The Hybrid Documentaries of Sergei Loznitsa
by Bogdan Cuza

A Cinema of Social Change: Early Works of Nagisa Oshima
by Adam Bingham

Beyond Propaganda: East German Film and Holocaust Memory
by Abe Silberstein

Censored Realities: Social and Political Tensions in Iranian Cinema (Web Exclusive)
by Ehsan Zamani

Film Reviews

The Christophers (Preview)
Reviewed by Mary F. Corey

The Stranger
Reviewed by Jean-Michel Frodon

Manas
Reviewed by Mitchell Abidor

Orwell: 2+2=5
Reviewed by Matthew Hays

Unidentified
Reviewed by Maria Garcia

Blu-ray and DVD Reviews

Monty Python’s Life of Brian
Reviewed by David Sterritt

Lenny
Reviewed by Thomas Doherty

Point Blank
Reviewed by Jonathan Kirshner

Blue Moon
Reviewed by Phillip Lopate

Confessions of a Police Captain
Reviewed by Deborah Young

The Stunt Man
Reviewed by James B. Evans

Staff Recommendations
Reviewed by Cineaste Editors

Deep Crimson (Web Exclusive)
Reviewed by David Sterritt

The Dancing Hawk (Web Exclusive)
Reviewed by Darragh O’Donoghue

Exorcismo: Defying a Dictator & Raising Hell in Post-Franco Spain (Web Exclusive)
Reviewed by Philippe Garnier

Interviews

A Journey into Darkness and Light with Spielberg: An Interview with Janusz Kamiński
by Craigh Barboza

Following the Angels of Happenstance: An Interview with Mark Jenkin
by Jonathan Murray

On Videographic Scholarship: An Interview with Christian Keathley and Jason Mittell
by Scott MacDonald

Why Should Cinema Have a Narrative?: An Interview with Nicolas Winding Refn
by Tatiana Rosenstein

Book Reviews

The Last Kings of Hollywood: Coppola, Lucas, Spielberg—and the Battle for the Soul of American Cinema (Preview)
Reviewed by Michael Sandlin

Writings and Relics, 1990–1995
Reviewed by Darragh O’Donoghue

Jane Fonda: There’s a Great Deal to Say
Reviewed by Megan Feeney

Loach on Film
Reviewed by David Sterritt

Melodrama as Provocateur: Linda Williams
Reviewed by Catherine Russell

How Film Became History: The Rise of the Archival Documentary in 1930s America
Reviewed by Charles Musser

Book Brief Reviews

Departments

Editorial

Letters

Cineaste 60th Anniversary Appeal

Contributors

Short Takes